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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1549E it is the complementary color #2EAB61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1549E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1549E shade: #D65499, #E766AC, #F878BF, #FF8AD2 and #FF9CE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1549E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1549E shade: #D1549E, #C0428B, #AF3078, #9E1E65 and #8D0C52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1549E shade: #D0519D, #D0517A, #D05158 and #D05151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1549E shade: #D0519D, #D051BF, #C051D0, #9D51D0 and #7B51D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1549E shade matches the following richer shades: #D0519D, #E240A0 and #F42EA3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1549E shade: #D0519D, #BF6399, #AD7596, #9B8693 and #89988F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1549E shade: #BF51D0, #D051BF, #D0519E, #D0517C and #D0515A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1549E shade: #A42B73, #C5348A, #D0519D, #D972AF and #E292C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1549E shade: #D1549E, #D09E51 and #51D0D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1549E shade: #D1549E, #9ED051 and #519ED0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1549E shade: #D1549E, #D09E51, #51D084 and #5184D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1549E shade: #D1549E, #D0C451, #51D084 and #515ED0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 24 / 18

HEX #D1549E

RGB 209 84 158

HSL 324.48, 0.58%, 0.57%

LAB 54.41, 57.04, -15.32

 

Complementary color

CMYK 73 / 0 / 43 / 33

HEX #2EAB61

RGB 46 171 97

HSL 144.48, 0.58%, 0.43%

LAB 62.14, -50.5, 28.6

 

CMYK 0 / 61 / 29 / 16

HEX #D65499

RGB 214 84 153

HSL 328.15, 0.61%, 0.58%

LAB 55.01, 57.87, -11.42

 

CMYK 0 / 56 / 26 / 9

HEX #E766AC

RGB 231 102 172

HSL 327.44, 0.73%, 0.65%

LAB 61.19, 57.4, -12.88

 

CMYK 0 / 52 / 23 / 3

HEX #F878BF

RGB 248 120 191

HSL 326.72, 0.9%, 0.72%

LAB 67.39, 56.79, -14.11

 

CMYK 0 / 46 / 18 / 0

HEX #FF8AD2

RGB 255 138 210

HSL 323.08, 1%, 0.77%

LAB 72.29, 52.99, -17.23

 

CMYK 0 / 39 / 10 / 0

HEX #FF9CE5

RGB 255 156 229

HSL 315.76, 1%, 0.81%

LAB 76.49, 46.91, -21.28

 

CMYK 0 / 60 / 24 / 18

HEX #D1549E

RGB 209 84 158

HSL 324.48, 0.58%, 0.57%

LAB 54.41, 57.04, -15.32

 

CMYK 0 / 66 / 28 / 25

HEX #C0428B

RGB 192 66 139

HSL 325.24, 0.5%, 0.51%

LAB 48.22, 57.26, -13.69

 

CMYK 0 / 73 / 31 / 31

HEX #AF3078

RGB 175 48 120

HSL 325.98, 0.57%, 0.44%

LAB 42.13, 57.02, -11.6

 

CMYK 0 / 81 / 36 / 38

HEX #9E1E65

RGB 158 30 101

HSL 326.72, 0.68%, 0.37%

LAB 36.25, 56.03, -8.86

 

CMYK 0 / 91 / 42 / 45

HEX #8D0C52

RGB 141 12 82

HSL 327.44, 0.84%, 0.3%

LAB 30.72, 53.81, -5.18

 

CMYK 0 / 61 / 25 / 18

HEX #D0519D

RGB 208 81 157

HSL 324.09, 0.57%, 0.57%

LAB 53.74, 57.92, -15.77

 

CMYK 0 / 61 / 41 / 18

HEX #D0517A

RGB 208 81 122

HSL 340.63, 0.57%, 0.57%

LAB 52.62, 53.75, 3.32

 

CMYK 0 / 61 / 58 / 18

HEX #D05158

RGB 208 81 88

HSL 356.69, 0.57%, 0.57%

LAB 51.84, 50.72, 22.49

 

CMYK 0 / 61 / 61 / 18

HEX #D05151

RGB 208 81 81

HSL 0, 0.57%, 0.57%

LAB 51.71, 50.23, 26.45

 

CMYK 0 / 61 / 25 / 18

HEX #D0519D

RGB 208 81 157

HSL 324.09, 0.57%, 0.57%

LAB 53.74, 57.92, -15.77

 

CMYK 0 / 61 / 8 / 18

HEX #D051BF

RGB 208 81 191

HSL 308.03, 0.57%, 0.57%

LAB 55.13, 62.9, -33.41

 

CMYK 8 / 61 / 0 / 18

HEX #C051D0

RGB 192 81 208

HSL 292.44, 0.57%, 0.57%

LAB 53.65, 61.77, -45.64

 

CMYK 25 / 61 / 0 / 18

HEX #9D51D0

RGB 157 81 208

HSL 275.91, 0.57%, 0.57%

LAB 49.02, 53.37, -53.3

 

CMYK 41 / 61 / 0 / 18

HEX #7B51D0

RGB 123 81 208

HSL 259.84, 0.57%, 0.57%

LAB 45.15, 45.7, -59.73

 

CMYK 0 / 61 / 25 / 18

HEX #D0519D

RGB 208 81 157

HSL 324.09, 0.57%, 0.57%

LAB 53.74, 57.92, -15.77

 

CMYK 0 / 72 / 29 / 11

HEX #E240A0

RGB 226 64 160

HSL 324.44, 0.74%, 0.57%

LAB 54.42, 69.72, -16.23

 

CMYK 0 / 81 / 33 / 4

HEX #F42EA3

RGB 244 46 163

HSL 324.55, 0.9%, 0.57%

LAB 55.92, 79.4, -15.42

 

CMYK 0 / 61 / 25 / 18

HEX #D0519D

RGB 208 81 157

HSL 324.09, 0.57%, 0.57%

LAB 53.74, 57.92, -15.77

 

CMYK 0 / 48 / 20 / 25

HEX #BF6399

RGB 191 99 153

HSL 324.78, 0.42%, 0.57%

LAB 54.34, 43.53, -12.75

 

CMYK 0 / 32 / 13 / 32

HEX #AD7596

RGB 173 117 150

HSL 324.64, 0.25%, 0.57%

LAB 55.9, 27.1, -8.9

 

CMYK 0 / 14 / 5 / 39

HEX #9B8693

RGB 155 134 147

HSL 322.86, 0.1%, 0.57%

LAB 58.16, 10.3, -4.01

 

CMYK 10 / 0 / 6 / 40

HEX #89988F

RGB 137 152 143

HSL 144, 0.07%, 0.57%

LAB 61.44, -7.16, 2.9

 

CMYK 8 / 61 / 0 / 18

HEX #BF51D0

RGB 191 81 208

HSL 291.97, 0.57%, 0.57%

LAB 53.51, 61.53, -45.87

 

CMYK 0 / 61 / 8 / 18

HEX #D051BF

RGB 208 81 191

HSL 308.03, 0.57%, 0.57%

LAB 55.13, 62.9, -33.41

 

CMYK 0 / 61 / 24 / 18

HEX #D0519E

RGB 208 81 158

HSL 323.62, 0.57%, 0.57%

LAB 53.78, 58.06, -16.31

 

CMYK 0 / 61 / 40 / 18

HEX #D0517C

RGB 208 81 124

HSL 339.69, 0.57%, 0.57%

LAB 52.67, 53.96, 2.2

 

CMYK 0 / 61 / 57 / 18

HEX #D0515A

RGB 208 81 90

HSL 355.75, 0.57%, 0.57%

LAB 51.87, 50.87, 21.36

 

CMYK 0 / 74 / 30 / 36

HEX #A42B73

RGB 164 43 115

HSL 324.3, 0.58%, 0.41%

LAB 39.34, 55.19, -12.91

 

CMYK 0 / 74 / 30 / 23

HEX #C5348A

RGB 197 52 138

HSL 324.41, 0.58%, 0.49%

LAB 47.19, 63.64, -14.57

 

CMYK 0 / 61 / 25 / 18

HEX #D0519D

RGB 208 81 157

HSL 324.09, 0.57%, 0.57%

LAB 53.74, 57.92, -15.77

 

CMYK 0 / 47 / 19 / 15

HEX #D972AF

RGB 217 114 175

HSL 324.47, 0.58%, 0.65%

LAB 61.55, 47.68, -14.26

 

CMYK 0 / 35 / 15 / 11

HEX #E292C1

RGB 226 146 193

HSL 324.75, 0.58%, 0.73%

LAB 69.88, 36.85, -11.77

 

CMYK 0 / 60 / 24 / 18

HEX #D1549E

RGB 209 84 158

HSL 324.48, 0.58%, 0.57%

LAB 54.41, 57.04, -15.32

 

CMYK 0 / 24 / 61 / 18

HEX #D09E51

RGB 208 158 81

HSL 36.38, 0.57%, 0.57%

LAB 68.36, 10.23, 46.67

 

CMYK 61 / 0 / 0 / 18

HEX #51D0D0

RGB 81 208 208

HSL 180, 0.57%, 0.57%

LAB 76.93, -34.38, -10.42

 

CMYK 0 / 60 / 24 / 18

HEX #D1549E

RGB 209 84 158

HSL 324.48, 0.58%, 0.57%

LAB 54.41, 57.04, -15.32

 

CMYK 24 / 0 / 61 / 18

HEX #9ED051

RGB 158 208 81

HSL 83.62, 0.57%, 0.57%

LAB 77.86, -35.77, 56.29

 

CMYK 61 / 24 / 0 / 18

HEX #519ED0

RGB 81 158 208

HSL 203.62, 0.57%, 0.57%

LAB 62.3, -8.8, -32.69

 

CMYK 0 / 60 / 24 / 18

HEX #D1549E

RGB 209 84 158

HSL 324.48, 0.58%, 0.57%

LAB 54.41, 57.04, -15.32

 

CMYK 0 / 24 / 61 / 18

HEX #D09E51

RGB 208 158 81

HSL 36.38, 0.57%, 0.57%

LAB 68.36, 10.23, 46.67

 

CMYK 61 / 0 / 37 / 18

HEX #51D084

RGB 81 208 132

HSL 144.09, 0.57%, 0.57%

LAB 75.16, -52.05, 27.59

 

CMYK 61 / 37 / 0 / 18

HEX #5184D0

RGB 81 132 208

HSL 215.91, 0.57%, 0.57%

LAB 54.87, 6.23, -44.34

 

CMYK 0 / 60 / 24 / 18

HEX #D1549E

RGB 209 84 158

HSL 324.48, 0.58%, 0.57%

LAB 54.41, 57.04, -15.32

 

CMYK 0 / 6 / 61 / 18

HEX #D0C451

RGB 208 196 81

HSL 54.33, 0.57%, 0.57%

LAB 78.16, -9.81, 57.65

 

CMYK 61 / 0 / 37 / 18

HEX #51D084

RGB 81 208 132

HSL 144.09, 0.57%, 0.57%

LAB 75.16, -52.05, 27.59

 

CMYK 61 / 55 / 0 / 18

HEX #515ED0

RGB 81 94 208

HSL 233.86, 0.57%, 0.57%

LAB 44.67, 29.71, -60.67

 

Description

Color code: HEX #D1549E | qconv.com Color code: HEX #D1549E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 84 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 84 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 24 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 24% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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