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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D15892 it is the complementary color #2EA76D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D15892. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D15892 shade: #D6588D, #E76AA0, #F87CB3, #FF8EC6 and #FFA0D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D15892. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D15892 shade: #D15892, #C0467F, #AF346C, #9E2259 and #8D1046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D15892 shade: #D05691, #D05670 and #D05656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D15892 shade: #D05691, #D056B2, #CE56D0, #AD56D0 and #8C56D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D15892 shade matches the following richer shades: #D05691, #E24590 and #F3348F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D15892 shade: #D05691, #BF6892, #AE7992, #9C8A93 and #8B9C94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D15892 shade: #CE56D0, #D056B2, #D05691, #D05671 and #D05C56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D15892 shade: #A72D68, #C7367C, #D05691, #D977A6 and #E297BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D15892 shade: #D15892, #D0AE56 and #56C2D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D15892 shade: #D15892, #91D056 and #5691D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D15892 shade: #D15892, #D0AE56, #56D095 and #5679D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D15892 shade: #D15892, #CED056, #56D095 and #5856D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 30 / 18

HEX #D15892

RGB 209 88 146

HSL 331.24, 0.57%, 0.58%

LAB 54.67, 53.68, -7.89

 

Complementary color

CMYK 72 / 0 / 35 / 35

HEX #2EA76D

RGB 46 167 109

HSL 151.24, 0.57%, 0.42%

LAB 61.07, -46.62, 20.73

 

CMYK 0 / 59 / 34 / 16

HEX #D6588D

RGB 214 88 141

HSL 334.76, 0.61%, 0.59%

LAB 55.28, 54.63, -3.96

 

CMYK 0 / 54 / 31 / 9

HEX #E76AA0

RGB 231 106 160

HSL 334.08, 0.72%, 0.66%

LAB 61.51, 54.01, -5.51

 

CMYK 0 / 50 / 28 / 3

HEX #F87CB3

RGB 248 124 179

HSL 333.39, 0.9%, 0.73%

LAB 67.74, 53.29, -6.83

 

CMYK 0 / 44 / 22 / 0

HEX #FF8EC6

RGB 255 142 198

HSL 330.27, 1%, 0.78%

LAB 72.68, 49.28, -9.99

 

CMYK 0 / 37 / 15 / 0

HEX #FFA0D9

RGB 255 160 217

HSL 324, 1%, 0.81%

LAB 76.93, 42.96, -14.08

 

CMYK 0 / 58 / 30 / 18

HEX #D15892

RGB 209 88 146

HSL 331.24, 0.57%, 0.58%

LAB 54.67, 53.68, -7.89

 

CMYK 0 / 64 / 34 / 25

HEX #C0467F

RGB 192 70 127

HSL 331.97, 0.49%, 0.51%

LAB 48.41, 54.11, -6.17

 

CMYK 0 / 70 / 38 / 31

HEX #AF346C

RGB 175 52 108

HSL 332.68, 0.54%, 0.45%

LAB 42.24, 54.18, -4

 

CMYK 0 / 78 / 44 / 38

HEX #9E2259

RGB 158 34 89

HSL 333.39, 0.65%, 0.38%

LAB 36.24, 53.61, -1.19

 

CMYK 0 / 89 / 50 / 45

HEX #8D1046

RGB 141 16 70

HSL 334.08, 0.8%, 0.31%

LAB 30.58, 51.95, 2.56

 

CMYK 0 / 59 / 30 / 18

HEX #D05691

RGB 208 86 145

HSL 330.98, 0.56%, 0.58%

LAB 54.14, 54.16, -8.1

 

CMYK 0 / 59 / 46 / 18

HEX #D05670

RGB 208 86 112

HSL 347.21, 0.56%, 0.58%

LAB 53.21, 50.49, 10.11

 

CMYK 0 / 59 / 59 / 18

HEX #D05656

RGB 208 86 86

HSL 0, 0.56%, 0.58%

LAB 52.66, 48.3, 24.75

 

CMYK 0 / 59 / 30 / 18

HEX #D05691

RGB 208 86 145

HSL 330.98, 0.56%, 0.58%

LAB 54.14, 54.16, -8.1

 

CMYK 0 / 59 / 14 / 18

HEX #D056B2

RGB 208 86 178

HSL 314.75, 0.56%, 0.58%

LAB 55.36, 58.73, -25.55

 

CMYK 1 / 59 / 0 / 18

HEX #CE56D0

RGB 206 86 208

HSL 299.02, 0.56%, 0.58%

LAB 56.42, 63.07, -41.14

 

CMYK 17 / 59 / 0 / 18

HEX #AD56D0

RGB 173 86 208

HSL 282.79, 0.56%, 0.58%

LAB 51.94, 54.78, -48.51

 

CMYK 33 / 59 / 0 / 18

HEX #8C56D0

RGB 140 86 208

HSL 266.56, 0.56%, 0.58%

LAB 47.99, 46.79, -55.06

 

CMYK 0 / 59 / 30 / 18

HEX #D05691

RGB 208 86 145

HSL 330.98, 0.56%, 0.58%

LAB 54.14, 54.16, -8.1

 

CMYK 0 / 69 / 36 / 11

HEX #E24590

RGB 226 69 144

HSL 331.34, 0.73%, 0.58%

LAB 54.49, 66.2, -6.68

 

CMYK 0 / 79 / 41 / 5

HEX #F3348F

RGB 243 52 143

HSL 331.41, 0.89%, 0.58%

LAB 55.58, 75.75, -4.15

 

CMYK 0 / 59 / 30 / 18

HEX #D05691

RGB 208 86 145

HSL 330.98, 0.56%, 0.58%

LAB 54.14, 54.16, -8.1

 

CMYK 0 / 46 / 24 / 25

HEX #BF6892

RGB 191 104 146

HSL 331.03, 0.4%, 0.58%

LAB 55.13, 39.89, -7.48

 

CMYK 0 / 30 / 16 / 32

HEX #AE7992

RGB 174 121 146

HSL 331.7, 0.25%, 0.58%

LAB 56.83, 24.54, -5.17

 

CMYK 0 / 12 / 6 / 39

HEX #9C8A93

RGB 156 138 147

HSL 330, 0.08%, 0.58%

LAB 59.3, 8.39, -2.32

 

CMYK 11 / 0 / 5 / 39

HEX #8B9C94

RGB 139 156 148

HSL 151.76, 0.08%, 0.58%

LAB 62.85, -7.64, 2.13

 

CMYK 1 / 59 / 0 / 18

HEX #CE56D0

RGB 206 86 208

HSL 299.02, 0.56%, 0.58%

LAB 56.42, 63.07, -41.14

 

CMYK 0 / 59 / 14 / 18

HEX #D056B2

RGB 208 86 178

HSL 314.75, 0.56%, 0.58%

LAB 55.36, 58.73, -25.55

 

CMYK 0 / 59 / 30 / 18

HEX #D05691

RGB 208 86 145

HSL 330.98, 0.56%, 0.58%

LAB 54.14, 54.16, -8.1

 

CMYK 0 / 59 / 46 / 18

HEX #D05671

RGB 208 86 113

HSL 346.72, 0.56%, 0.58%

LAB 53.23, 50.59, 9.55

 

CMYK 0 / 56 / 59 / 18

HEX #D05C56

RGB 208 92 86

HSL 2.95, 0.56%, 0.58%

LAB 53.75, 45.46, 26.16

 

CMYK 0 / 73 / 38 / 35

HEX #A72D68

RGB 167 45 104

HSL 330.98, 0.58%, 0.42%

LAB 39.73, 54.02, -5.37

 

CMYK 0 / 73 / 38 / 22

HEX #C7367C

RGB 199 54 124

HSL 331.03, 0.57%, 0.5%

LAB 47.28, 61.93, -5.89

 

CMYK 0 / 59 / 30 / 18

HEX #D05691

RGB 208 86 145

HSL 330.98, 0.56%, 0.58%

LAB 54.14, 54.16, -8.1

 

CMYK 0 / 45 / 24 / 15

HEX #D977A6

RGB 217 119 166

HSL 331.22, 0.56%, 0.66%

LAB 62.25, 43.83, -8.06

 

CMYK 0 / 33 / 17 / 11

HEX #E297BB

RGB 226 151 187

HSL 331.2, 0.56%, 0.74%

LAB 70.79, 33.24, -7.07

 

CMYK 0 / 58 / 30 / 18

HEX #D15892

RGB 209 88 146

HSL 331.24, 0.57%, 0.58%

LAB 54.67, 53.68, -7.89

 

CMYK 0 / 16 / 59 / 18

HEX #D0AE56

RGB 208 174 86

HSL 43.28, 0.56%, 0.58%

LAB 72.46, 2.01, 48.98

 

CMYK 59 / 7 / 0 / 18

HEX #56C2D0

RGB 86 194 208

HSL 186.89, 0.56%, 0.58%

LAB 72.97, -26.77, -16.35

 

CMYK 0 / 58 / 30 / 18

HEX #D15892

RGB 209 88 146

HSL 331.24, 0.57%, 0.58%

LAB 54.67, 53.68, -7.89

 

CMYK 30 / 0 / 59 / 18

HEX #91D056

RGB 145 208 86

HSL 90.98, 0.56%, 0.58%

LAB 77.16, -40.09, 53.12

 

CMYK 59 / 30 / 0 / 18

HEX #5691D0

RGB 86 145 208

HSL 210.98, 0.56%, 0.58%

LAB 58.77, -0.46, -38.18

 

CMYK 0 / 58 / 30 / 18

HEX #D15892

RGB 209 88 146

HSL 331.24, 0.57%, 0.58%

LAB 54.67, 53.68, -7.89

 

CMYK 0 / 16 / 59 / 18

HEX #D0AE56

RGB 208 174 86

HSL 43.28, 0.56%, 0.58%

LAB 72.46, 2.01, 48.98

 

CMYK 59 / 0 / 28 / 18

HEX #56D095

RGB 86 208 149

HSL 150.98, 0.56%, 0.58%

LAB 75.61, -47.71, 19.32

 

CMYK 59 / 42 / 0 / 18

HEX #5679D0

RGB 86 121 208

HSL 222.79, 0.56%, 0.58%

LAB 52.07, 13.87, -48.77

 

CMYK 0 / 58 / 30 / 18

HEX #D15892

RGB 209 88 146

HSL 331.24, 0.57%, 0.58%

LAB 54.67, 53.68, -7.89

 

CMYK 1 / 0 / 59 / 18

HEX #CED056

RGB 206 208 86

HSL 60.98, 0.56%, 0.58%

LAB 81.24, -16.35, 58.8

 

CMYK 59 / 0 / 28 / 18

HEX #56D095

RGB 86 208 149

HSL 150.98, 0.56%, 0.58%

LAB 75.61, -47.71, 19.32

 

CMYK 58 / 59 / 0 / 18

HEX #5856D0

RGB 88 86 208

HSL 240.98, 0.56%, 0.58%

LAB 43.19, 35.88, -63.05

 

Description

Color code: HEX #D15892 | qconv.com Color code: HEX #D15892 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 88 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 88 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 30 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 30% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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