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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D15E8C it is the complementary color #2EA173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D15E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D15E8C shade: #D65E87, #E7709A, #F882AD, #FF94C0 and #FFA6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D15E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D15E8C shade: #D15E8C, #C04C79, #AF3A66, #9E2853 and #8D1640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D15E8C shade: #D05B8A, #D05B6B and #D05B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D15E8C shade: #D05B8A, #D05BAA, #D05BC9, #B85BD0 and #985BD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D15E8C shade matches the following richer shades: #D05B8A, #E14A87 and #F23A83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D15E8C shade: #D05B8A, #C06C8E, #AF7D91, #9E8E94 and #8D9F98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D15E8C shade: #D05BC9, #D05BA9, #D05B8A, #D05B6B and #D06B5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D15E8C shade: #AA3060, #C73B73, #D05B8A, #DA7CA1 and #E39CB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D15E8C shade: #D15E8C, #D0B95B and #5BB9D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D15E8C shade: #D15E8C, #8AD05B and #5B8AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D15E8C shade: #D15E8C, #D0B95B, #5BD0A2 and #5B73D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D15E8C shade: #D15E8C, #C5D05B, #5BD0A2 and #675BD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 33 / 18

HEX #D15E8C

RGB 209 94 140

HSL 336, 0.56%, 0.59%

LAB 55.54, 50.14, -3.07

 

Complementary color

CMYK 71 / 0 / 29 / 37

HEX #2EA173

RGB 46 161 115

HSL 156, 0.56%, 0.41%

LAB 59.26, -42.87, 14.95

 

CMYK 0 / 56 / 37 / 16

HEX #D65E87

RGB 214 94 135

HSL 339.5, 0.59%, 0.6%

LAB 56.14, 51.18, 0.84

 

CMYK 0 / 52 / 33 / 9

HEX #E7709A

RGB 231 112 154

HSL 338.82, 0.71%, 0.67%

LAB 62.43, 50.42, -0.71

 

CMYK 0 / 48 / 30 / 3

HEX #F882AD

RGB 248 130 173

HSL 338.14, 0.89%, 0.74%

LAB 68.71, 49.6, -2.03

 

CMYK 0 / 42 / 25 / 0

HEX #FF94C0

RGB 255 148 192

HSL 335.33, 1%, 0.79%

LAB 73.7, 45.44, -5.16

 

CMYK 0 / 35 / 17 / 0

HEX #FFA6D3

RGB 255 166 211

HSL 329.66, 1%, 0.83%

LAB 78.01, 38.94, -9.19

 

CMYK 0 / 55 / 33 / 18

HEX #D15E8C

RGB 209 94 140

HSL 336, 0.56%, 0.59%

LAB 55.54, 50.14, -3.07

 

CMYK 0 / 60 / 37 / 25

HEX #C04C79

RGB 192 76 121

HSL 336.72, 0.48%, 0.53%

LAB 49.2, 50.77, -1.38

 

CMYK 0 / 67 / 42 / 31

HEX #AF3A66

RGB 175 58 102

HSL 337.44, 0.5%, 0.46%

LAB 42.91, 51.14, 0.72

 

CMYK 0 / 75 / 47 / 38

HEX #9E2853

RGB 158 40 83

HSL 338.14, 0.6%, 0.39%

LAB 36.76, 51.04, 3.42

 

CMYK 0 / 84 / 55 / 45

HEX #8D1640

RGB 141 22 64

HSL 338.82, 0.73%, 0.32%

LAB 30.89, 50.07, 7

 

CMYK 0 / 56 / 34 / 18

HEX #D05B8A

RGB 208 91 138

HSL 335.9, 0.55%, 0.59%

LAB 54.79, 50.99, -3.01

 

CMYK 0 / 56 / 49 / 18

HEX #D05B6B

RGB 208 91 107

HSL 351.79, 0.55%, 0.59%

LAB 53.98, 47.68, 14.15

 

CMYK 0 / 56 / 56 / 18

HEX #D05B5B

RGB 208 91 91

HSL 0, 0.55%, 0.59%

LAB 53.65, 46.31, 23.12

 

CMYK 0 / 56 / 34 / 18

HEX #D05B8A

RGB 208 91 138

HSL 335.9, 0.55%, 0.59%

LAB 54.79, 50.99, -3.01

 

CMYK 0 / 56 / 18 / 18

HEX #D05BAA

RGB 208 91 170

HSL 319.49, 0.55%, 0.59%

LAB 55.88, 55.28, -20.1

 

CMYK 0 / 56 / 3 / 18

HEX #D05BC9

RGB 208 91 201

HSL 303.59, 0.55%, 0.59%

LAB 57.18, 60.18, -35.93

 

CMYK 12 / 56 / 0 / 18

HEX #B85BD0

RGB 184 91 208

HSL 287.69, 0.55%, 0.59%

LAB 54.27, 55.14, -44.73

 

CMYK 27 / 56 / 0 / 18

HEX #985BD0

RGB 152 91 208

HSL 271.28, 0.55%, 0.59%

LAB 50.35, 47.01, -51.2

 

CMYK 0 / 56 / 34 / 18

HEX #D05B8A

RGB 208 91 138

HSL 335.9, 0.55%, 0.59%

LAB 54.79, 50.99, -3.01

 

CMYK 0 / 67 / 40 / 12

HEX #E14A87

RGB 225 74 135

HSL 335.76, 0.72%, 0.59%

LAB 54.71, 63.13, -1.03

 

CMYK 0 / 76 / 46 / 5

HEX #F23A83

RGB 242 58 131

HSL 336.2, 0.88%, 0.59%

LAB 55.63, 72.79, 3.03

 

CMYK 0 / 56 / 34 / 18

HEX #D05B8A

RGB 208 91 138

HSL 335.9, 0.55%, 0.59%

LAB 54.79, 50.99, -3.01

 

CMYK 0 / 44 / 26 / 25

HEX #C06C8E

RGB 192 108 142

HSL 335.71, 0.4%, 0.59%

LAB 55.97, 37.55, -3.87

 

CMYK 0 / 29 / 17 / 31

HEX #AF7D91

RGB 175 125 145

HSL 336, 0.24%, 0.59%

LAB 57.87, 22.49, -3.05

 

CMYK 0 / 10 / 6 / 38

HEX #9E8E94

RGB 158 142 148

HSL 337.5, 0.08%, 0.59%

LAB 60.56, 7.05, -1.01

 

CMYK 11 / 0 / 4 / 38

HEX #8D9F98

RGB 141 159 152

HSL 156.67, 0.09%, 0.59%

LAB 63.94, -7.76, 1.49

 

CMYK 0 / 56 / 3 / 18

HEX #D05BC9

RGB 208 91 201

HSL 303.59, 0.55%, 0.59%

LAB 57.18, 60.18, -35.93

 

CMYK 0 / 56 / 19 / 18

HEX #D05BA9

RGB 208 91 169

HSL 320, 0.55%, 0.59%

LAB 55.84, 55.13, -19.58

 

CMYK 0 / 56 / 34 / 18

HEX #D05B8A

RGB 208 91 138

HSL 335.9, 0.55%, 0.59%

LAB 54.79, 50.99, -3.01

 

CMYK 0 / 56 / 49 / 18

HEX #D05B6B

RGB 208 91 107

HSL 351.79, 0.55%, 0.59%

LAB 53.98, 47.68, 14.15

 

CMYK 0 / 49 / 56 / 18

HEX #D06B5B

RGB 208 107 91

HSL 8.21, 0.55%, 0.59%

LAB 56.76, 38.35, 27.19

 

CMYK 0 / 72 / 44 / 33

HEX #AA3060

RGB 170 48 96

HSL 336.39, 0.56%, 0.43%

LAB 40.42, 52.95, 0.73

 

CMYK 0 / 70 / 42 / 22

HEX #C73B73

RGB 199 59 115

HSL 336, 0.56%, 0.51%

LAB 47.63, 59.25, 0.11

 

CMYK 0 / 56 / 34 / 18

HEX #D05B8A

RGB 208 91 138

HSL 335.9, 0.55%, 0.59%

LAB 54.79, 50.99, -3.01

 

CMYK 0 / 43 / 26 / 15

HEX #DA7CA1

RGB 218 124 161

HSL 336.38, 0.56%, 0.67%

LAB 63.26, 40.89, -3.71

 

CMYK 0 / 31 / 19 / 11

HEX #E39CB8

RGB 227 156 184

HSL 336.34, 0.56%, 0.75%

LAB 71.94, 30.46, -3.71

 

CMYK 0 / 55 / 33 / 18

HEX #D15E8C

RGB 209 94 140

HSL 336, 0.56%, 0.59%

LAB 55.54, 50.14, -3.07

 

CMYK 0 / 11 / 56 / 18

HEX #D0B95B

RGB 208 185 91

HSL 48.21, 0.55%, 0.59%

LAB 75.37, -3.4, 49.95

 

CMYK 56 / 11 / 0 / 18

HEX #5BB9D0

RGB 91 185 208

HSL 191.79, 0.55%, 0.59%

LAB 70.51, -21.29, -20.06

 

CMYK 0 / 55 / 33 / 18

HEX #D15E8C

RGB 209 94 140

HSL 336, 0.56%, 0.59%

LAB 55.54, 50.14, -3.07

 

CMYK 34 / 0 / 56 / 18

HEX #8AD05B

RGB 138 208 91

HSL 95.9, 0.55%, 0.59%

LAB 76.84, -42.06, 50.4

 

CMYK 56 / 34 / 0 / 18

HEX #5B8AD0

RGB 91 138 208

HSL 215.9, 0.55%, 0.59%

LAB 57.03, 4.66, -40.9

 

CMYK 0 / 55 / 33 / 18

HEX #D15E8C

RGB 209 94 140

HSL 336, 0.56%, 0.59%

LAB 55.54, 50.14, -3.07

 

CMYK 0 / 11 / 56 / 18

HEX #D0B95B

RGB 208 185 91

HSL 48.21, 0.55%, 0.59%

LAB 75.37, -3.4, 49.95

 

CMYK 56 / 0 / 22 / 18

HEX #5BD0A2

RGB 91 208 162

HSL 156.41, 0.55%, 0.59%

LAB 76.04, -43.9, 13.02

 

CMYK 56 / 45 / 0 / 18

HEX #5B73D0

RGB 91 115 208

HSL 227.69, 0.55%, 0.59%

LAB 50.73, 18.56, -50.89

 

CMYK 0 / 55 / 33 / 18

HEX #D15E8C

RGB 209 94 140

HSL 336, 0.56%, 0.59%

LAB 55.54, 50.14, -3.07

 

CMYK 5 / 0 / 56 / 18

HEX #C5D05B

RGB 197 208 91

HSL 65.64, 0.55%, 0.59%

LAB 80.59, -19.65, 55.69

 

CMYK 56 / 0 / 22 / 18

HEX #5BD0A2

RGB 91 208 162

HSL 156.41, 0.55%, 0.59%

LAB 76.04, -43.9, 13.02

 

CMYK 50 / 56 / 0 / 18

HEX #675BD0

RGB 103 91 208

HSL 246.15, 0.55%, 0.59%

LAB 45.52, 35.73, -59.21

 

Description

Color code: HEX #D15E8C | qconv.com Color code: HEX #D15E8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 94 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 94 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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