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Color name
HEX #D16A65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D16A65 it is the complementary color #2E959A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D16A65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D16A65 shade: #D66A60, #E77C73, #F88E86, #FFA099 and #FFB2AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D16A65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D16A65 shade: #D16A65, #C05852, #AF463F, #9E342C and #8D2219

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D16A65 shade: #D16A65 and #D16565

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D16A65 shade: #D16A65, #D18765, #D1A465, #D1C165 and #C3D165

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D16A65 shade matches the following richer shades: #D16A65, #E15C55 and #F14D45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D16A65 shade: #D16A65, #C17975, #B18886, #A09696 and #90A5A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D16A65 shade: #D1659B, #D1657E, #D16965, #D18665 and #D1A265

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D16A65 shade: #B03A34, #C74C46, #D16A65, #DA8985 and #E4A8A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D16A65 shade: #D16A65, #B8D165 and #658DD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D16A65 shade: #D16A65, #65D169 and #6965D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D16A65 shade: #D16A65, #B8D165, #65CDD1 and #7E65D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D16A65 shade: #D16A65, #97D165, #65CDD1 and #9F65D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

Complementary color

CMYK 70 / 3 / 0 / 40

HEX #2E959A

RGB 46 149 154

HSL 182.78, 0.54%, 0.39%

LAB 56.49, -26.91, -11.16

 

CMYK 0 / 50 / 55 / 16

HEX #D66A60

RGB 214 106 96

HSL 5.08, 0.59%, 0.61%

LAB 57.51, 41.52, 25.48

 

CMYK 0 / 46 / 50 / 9

HEX #E77C73

RGB 231 124 115

HSL 4.66, 0.71%, 0.68%

LAB 63.87, 40.33, 23.56

 

CMYK 0 / 43 / 46 / 3

HEX #F88E86

RGB 248 142 134

HSL 4.21, 0.89%, 0.75%

LAB 70.19, 39.21, 21.89

 

CMYK 0 / 37 / 40 / 0

HEX #FFA099

RGB 255 160 153

HSL 4.12, 1%, 0.8%

LAB 75.27, 34.48, 18.55

 

CMYK 0 / 30 / 33 / 0

HEX #FFB2AC

RGB 255 178 172

HSL 4.34, 1%, 0.84%

LAB 79.66, 27.3, 14.37

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 0 / 54 / 57 / 25

HEX #C05852

RGB 192 88 82

HSL 3.27, 0.47%, 0.54%

LAB 50.45, 41.26, 23.73

 

CMYK 0 / 60 / 64 / 31

HEX #AF463F

RGB 175 70 63

HSL 3.75, 0.47%, 0.47%

LAB 44.02, 42.43, 26.2

 

CMYK 0 / 67 / 72 / 38

HEX #9E342C

RGB 158 52 44

HSL 4.21, 0.56%, 0.4%

LAB 37.67, 43.47, 29.17

 

CMYK 0 / 76 / 82 / 45

HEX #8D2219

RGB 141 34 25

HSL 4.66, 0.7%, 0.33%

LAB 31.53, 44.1, 32.66

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 0 / 52 / 52 / 18

HEX #D16565

RGB 209 101 101

HSL 0, 0.54%, 0.61%

LAB 55.89, 42.61, 20.31

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 0 / 35 / 52 / 18

HEX #D18765

RGB 209 135 101

HSL 18.89, 0.54%, 0.61%

LAB 63.2, 24.73, 29.94

 

CMYK 0 / 22 / 52 / 18

HEX #D1A465

RGB 209 164 101

HSL 35, 0.54%, 0.61%

LAB 70.21, 9.01, 38.82

 

CMYK 0 / 8 / 52 / 18

HEX #D1C165

RGB 209 193 101

HSL 51.11, 0.54%, 0.61%

LAB 77.66, -6.32, 47.87

 

CMYK 7 / 0 / 52 / 18

HEX #C3D165

RGB 195 209 101

HSL 67.78, 0.54%, 0.61%

LAB 80.82, -20.1, 51.33

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 0 / 59 / 62 / 12

HEX #E15C55

RGB 225 92 85

HSL 3, 0.7%, 0.61%

LAB 56.4, 51.4, 30.67

 

CMYK 0 / 68 / 71 / 5

HEX #F14D45

RGB 241 77 69

HSL 2.79, 0.86%, 0.61%

LAB 56.52, 62.1, 40.45

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 0 / 37 / 39 / 24

HEX #C17975

RGB 193 121 117

HSL 3.16, 0.38%, 0.61%

LAB 58.32, 27.65, 14.04

 

CMYK 0 / 23 / 24 / 31

HEX #B18886

RGB 177 136 134

HSL 2.79, 0.22%, 0.61%

LAB 60.5, 15.33, 7.11

 

CMYK 0 / 6 / 6 / 37

HEX #A09696

RGB 160 150 150

HSL 0, 0.05%, 0.61%

LAB 62.92, 3.67, 1.31

 

CMYK 13 / 1 / 0 / 35

HEX #90A5A6

RGB 144 165 166

HSL 182.73, 0.11%, 0.61%

LAB 66.21, -7.09, -3

 

CMYK 0 / 52 / 26 / 18

HEX #D1659B

RGB 209 101 155

HSL 330, 0.54%, 0.61%

LAB 57.3, 48.7, -9.23

 

CMYK 0 / 52 / 40 / 18

HEX #D1657E

RGB 209 101 126

HSL 346.11, 0.54%, 0.61%

LAB 56.46, 45.1, 6.48

 

CMYK 0 / 50 / 52 / 18

HEX #D16965

RGB 209 105 101

HSL 2.22, 0.54%, 0.61%

LAB 56.68, 40.59, 21.37

 

CMYK 0 / 36 / 52 / 18

HEX #D18665

RGB 209 134 101

HSL 18.33, 0.54%, 0.61%

LAB 62.97, 25.27, 29.64

 

CMYK 0 / 22 / 52 / 18

HEX #D1A265

RGB 209 162 101

HSL 33.89, 0.54%, 0.61%

LAB 69.71, 10.08, 38.2

 

CMYK 0 / 67 / 70 / 31

HEX #B03A34

RGB 176 58 52

HSL 2.9, 0.54%, 0.45%

LAB 42.01, 47.55, 30.32

 

CMYK 0 / 62 / 65 / 22

HEX #C74C46

RGB 199 76 70

HSL 2.79, 0.54%, 0.53%

LAB 49.2, 48.65, 29.4

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 0 / 37 / 39 / 15

HEX #DA8985

RGB 218 137 133

HSL 2.82, 0.53%, 0.69%

LAB 65.35, 30.47, 15.19

 

CMYK 0 / 26 / 28 / 11

HEX #E4A8A5

RGB 228 168 165

HSL 2.86, 0.54%, 0.77%

LAB 74.33, 21.65, 10.23

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 12 / 0 / 52 / 18

HEX #B8D165

RGB 184 209 101

HSL 73.89, 0.54%, 0.61%

LAB 80.03, -24.46, 50.21

 

CMYK 52 / 33 / 0 / 18

HEX #658DD1

RGB 101 141 209

HSL 217.78, 0.54%, 0.61%

LAB 58.43, 5.4, -39.23

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 52 / 0 / 50 / 18

HEX #65D169

RGB 101 209 105

HSL 122.22, 0.54%, 0.61%

LAB 75.69, -52.1, 42.03

 

CMYK 50 / 52 / 0 / 18

HEX #6965D1

RGB 105 101 209

HSL 242.22, 0.54%, 0.61%

LAB 48.15, 30.42, -55.54

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 12 / 0 / 52 / 18

HEX #B8D165

RGB 184 209 101

HSL 73.89, 0.54%, 0.61%

LAB 80.03, -24.46, 50.21

 

CMYK 52 / 2 / 0 / 18

HEX #65CDD1

RGB 101 205 209

HSL 182.22, 0.54%, 0.61%

LAB 76.7, -28.95, -11.24

 

CMYK 40 / 52 / 0 / 18

HEX #7E65D1

RGB 126 101 209

HSL 253.89, 0.54%, 0.61%

LAB 49.91, 35.25, -52.62

 

CMYK 0 / 49 / 52 / 18

HEX #D16A65

RGB 209 106 101

HSL 2.78, 0.54%, 0.61%

LAB 56.88, 40.08, 21.64

 

CMYK 28 / 0 / 52 / 18

HEX #97D165

RGB 151 209 101

HSL 92.22, 0.54%, 0.61%

LAB 77.95, -36.88, 47.22

 

CMYK 52 / 2 / 0 / 18

HEX #65CDD1

RGB 101 205 209

HSL 182.22, 0.54%, 0.61%

LAB 76.7, -28.95, -11.24

 

CMYK 24 / 52 / 0 / 18

HEX #9F65D1

RGB 159 101 209

HSL 272.22, 0.54%, 0.61%

LAB 53.26, 43.65, -47.09

 

Description

Color code: HEX #D16A65 | qconv.com Color code: HEX #D16A65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 106 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 106 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 52% 18% C M Y K

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Provide designers and agencies with accurate color values.

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