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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D188E6 it is the complementary color #2E7719. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D188E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D188E6 shade: #D688E1, #E79AF4, #F8ACFF, #FFBEFF and #FFD0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D188E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D188E6 shade: #D188E6, #C076D3, #AF64C0, #9E52AD and #8D409A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D188E6 shade: #D189E6, #E689E1, #E689C8, #E689AF and #E68996

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D188E6 shade: #D189E6, #B889E6, #9F89E6 and #8989E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D188E6 shade matches the following richer shades: #D189E6, #D77DF1 and #DE72FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D188E6 shade: #D189E6, #CA94DA, #C4A0CE, #BEABC3 and #B7B7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D188E6 shade: #9E89E6, #B789E6, #D089E6, #E689E2 and #E689CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D188E6 shade: #B645D7, #C467DE, #D189E6, #DEABED and #EBCDF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D188E6 shade: #D188E6, #E6898C and #89E6AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D188E6 shade: #D188E6, #E6D089 and #89E6D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D188E6 shade: #D188E6, #E6898C, #9EE689 and #89E6E2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D188E6 shade: #D188E6, #E6A189, #9EE689 and #89CDE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 41 / 0 / 10

HEX #D188E6

RGB 209 136 230

HSL 286.6, 0.65%, 0.72%

LAB 67.18, 43.4, -36.58

 

Complementary color

CMYK 61 / 0 / 79 / 53

HEX #2E7719

RGB 46 119 25

HSL 106.6, 0.65%, 0.28%

LAB 44.01, -40.46, 41.9

 

CMYK 5 / 40 / 0 / 12

HEX #D688E1

RGB 214 136 225

HSL 292.58, 0.6%, 0.71%

LAB 67.53, 43.92, -33.23

 

CMYK 5 / 37 / 0 / 4

HEX #E79AF4

RGB 231 154 244

HSL 291.33, 0.8%, 0.78%

LAB 73.95, 43.18, -33.56

 

CMYK 3 / 33 / 0 / 0

HEX #F8ACFF

RGB 248 172 255

HSL 294.94, 1%, 0.84%

LAB 80, 40.97, -30.03

 

CMYK 0 / 25 / 0 / 0

HEX #FFBEFF

RGB 255 190 255

HSL 300, 1%, 0.87%

LAB 84.64, 33.72, -22.89

 

CMYK 0 / 18 / 0 / 0

HEX #FFD0FF

RGB 255 208 255

HSL 300, 1%, 0.91%

LAB 88.73, 24.27, -16.71

 

CMYK 9 / 41 / 0 / 10

HEX #D188E6

RGB 209 136 230

HSL 286.6, 0.65%, 0.72%

LAB 67.18, 43.4, -36.58

 

CMYK 9 / 44 / 0 / 17

HEX #C076D3

RGB 192 118 211

HSL 287.74, 0.51%, 0.65%

LAB 60.66, 44.17, -36.3

 

CMYK 9 / 48 / 0 / 25

HEX #AF64C0

RGB 175 100 192

HSL 288.91, 0.42%, 0.57%

LAB 54.06, 44.93, -35.98

 

CMYK 9 / 53 / 0 / 32

HEX #9E52AD

RGB 158 82 173

HSL 290.11, 0.36%, 0.5%

LAB 47.39, 45.66, -35.58

 

CMYK 8 / 58 / 0 / 40

HEX #8D409A

RGB 141 64 154

HSL 291.33, 0.41%, 0.43%

LAB 40.67, 46.26, -35.03

 

CMYK 9 / 40 / 0 / 10

HEX #D189E6

RGB 209 137 230

HSL 286.45, 0.65%, 0.72%

LAB 67.4, 42.87, -36.25

 

CMYK 0 / 40 / 2 / 10

HEX #E689E1

RGB 230 137 225

HSL 303.23, 0.65%, 0.72%

LAB 69.58, 48.22, -29.92

 

CMYK 0 / 40 / 13 / 10

HEX #E689C8

RGB 230 137 200

HSL 319.35, 0.65%, 0.72%

LAB 68.67, 44, -17.45

 

CMYK 0 / 40 / 24 / 10

HEX #E689AF

RGB 230 137 175

HSL 335.48, 0.65%, 0.72%

LAB 67.88, 40.23, -4.64

 

CMYK 0 / 40 / 35 / 10

HEX #E68996

RGB 230 137 150

HSL 351.61, 0.65%, 0.72%

LAB 67.21, 36.94, 8.46

 

CMYK 9 / 40 / 0 / 10

HEX #D189E6

RGB 209 137 230

HSL 286.45, 0.65%, 0.72%

LAB 67.4, 42.87, -36.25

 

CMYK 20 / 40 / 0 / 10

HEX #B889E6

RGB 184 137 230

HSL 270.32, 0.65%, 0.72%

LAB 64.8, 35.55, -40.5

 

CMYK 31 / 40 / 0 / 10

HEX #9F89E6

RGB 159 137 230

HSL 254.19, 0.65%, 0.72%

LAB 62.49, 28.5, -44.29

 

CMYK 40 / 40 / 0 / 10

HEX #8989E6

RGB 137 137 230

HSL 240, 0.65%, 0.72%

LAB 60.71, 22.68, -47.21

 

CMYK 9 / 40 / 0 / 10

HEX #D189E6

RGB 209 137 230

HSL 286.45, 0.65%, 0.72%

LAB 67.4, 42.87, -36.25

 

CMYK 11 / 48 / 0 / 5

HEX #D77DF1

RGB 215 125 241

HSL 286.55, 0.81%, 0.72%

LAB 66.11, 53, -44.28

 

CMYK 12 / 55 / 0 / 1

HEX #DE72FD

RGB 222 114 253

HSL 286.62, 0.97%, 0.72%

LAB 65.48, 62.58, -51.81

 

CMYK 9 / 40 / 0 / 10

HEX #D189E6

RGB 209 137 230

HSL 286.45, 0.65%, 0.72%

LAB 67.4, 42.87, -36.25

 

CMYK 7 / 32 / 0 / 15

HEX #CA94DA

RGB 202 148 218

HSL 286.29, 0.49%, 0.72%

LAB 68.6, 32.39, -27.81

 

CMYK 5 / 22 / 0 / 19

HEX #C4A0CE

RGB 196 160 206

HSL 286.96, 0.32%, 0.72%

LAB 70.41, 21.46, -18.48

 

CMYK 3 / 12 / 0 / 24

HEX #BEABC3

RGB 190 171 195

HSL 287.5, 0.17%, 0.72%

LAB 72.24, 11.23, -9.73

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 31 / 40 / 0 / 10

HEX #9E89E6

RGB 158 137 230

HSL 253.55, 0.65%, 0.72%

LAB 62.4, 28.23, -44.43

 

CMYK 20 / 40 / 0 / 10

HEX #B789E6

RGB 183 137 230

HSL 269.68, 0.65%, 0.72%

LAB 64.7, 35.26, -40.66

 

CMYK 10 / 40 / 0 / 10

HEX #D089E6

RGB 208 137 230

HSL 285.81, 0.65%, 0.72%

LAB 67.29, 42.58, -36.43

 

CMYK 0 / 40 / 2 / 10

HEX #E689E2

RGB 230 137 226

HSL 302.58, 0.65%, 0.72%

LAB 69.62, 48.4, -30.42

 

CMYK 0 / 40 / 12 / 10

HEX #E689CA

RGB 230 137 202

HSL 318.06, 0.65%, 0.72%

LAB 68.74, 44.33, -18.46

 

CMYK 15 / 68 / 0 / 16

HEX #B645D7

RGB 182 69 215

HSL 286.44, 0.65%, 0.56%

LAB 50.81, 65.85, -54.24

 

CMYK 12 / 54 / 0 / 13

HEX #C467DE

RGB 196 103 222

HSL 286.89, 0.64%, 0.64%

LAB 58.71, 55.17, -45.53

 

CMYK 9 / 40 / 0 / 10

HEX #D189E6

RGB 209 137 230

HSL 286.45, 0.65%, 0.72%

LAB 67.4, 42.87, -36.25

 

CMYK 6 / 28 / 0 / 7

HEX #DEABED

RGB 222 171 237

HSL 286.36, 0.65%, 0.8%

LAB 76.54, 29.98, -25.87

 

CMYK 4 / 16 / 0 / 4

HEX #EBCDF4

RGB 235 205 244

HSL 286.15, 0.64%, 0.88%

LAB 85.93, 17.31, -15.27

 

CMYK 9 / 41 / 0 / 10

HEX #D188E6

RGB 209 136 230

HSL 286.6, 0.65%, 0.72%

LAB 67.18, 43.4, -36.58

 

CMYK 0 / 40 / 39 / 10

HEX #E6898C

RGB 230 137 140

HSL 358.06, 0.65%, 0.72%

LAB 66.98, 35.77, 13.75

 

CMYK 40 / 0 / 26 / 10

HEX #89E6AB

RGB 137 230 171

HSL 141.94, 0.65%, 0.72%

LAB 84.41, -40.33, 20.25

 

CMYK 9 / 41 / 0 / 10

HEX #D188E6

RGB 209 136 230

HSL 286.6, 0.65%, 0.72%

LAB 67.18, 43.4, -36.58

 

CMYK 0 / 10 / 40 / 10

HEX #E6D089

RGB 230 208 137

HSL 45.81, 0.65%, 0.72%

LAB 83.83, -2.09, 38.02

 

CMYK 40 / 0 / 10 / 10

HEX #89E6D0

RGB 137 230 208

HSL 165.81, 0.65%, 0.72%

LAB 85.23, -32.73, 2.03

 

CMYK 9 / 41 / 0 / 10

HEX #D188E6

RGB 209 136 230

HSL 286.6, 0.65%, 0.72%

LAB 67.18, 43.4, -36.58

 

CMYK 0 / 40 / 39 / 10

HEX #E6898C

RGB 230 137 140

HSL 358.06, 0.65%, 0.72%

LAB 66.98, 35.77, 13.75

 

CMYK 31 / 0 / 40 / 10

HEX #9EE689

RGB 158 230 137

HSL 106.45, 0.65%, 0.72%

LAB 84.83, -39.46, 38.33

 

CMYK 40 / 0 / 2 / 10

HEX #89E6E2

RGB 137 230 226

HSL 177.42, 0.65%, 0.72%

LAB 85.71, -28.56, -6.76

 

CMYK 9 / 41 / 0 / 10

HEX #D188E6

RGB 209 136 230

HSL 286.6, 0.65%, 0.72%

LAB 67.18, 43.4, -36.58

 

CMYK 0 / 30 / 40 / 10

HEX #E6A189

RGB 230 161 137

HSL 15.48, 0.65%, 0.72%

LAB 72.31, 22.7, 22.76

 

CMYK 31 / 0 / 40 / 10

HEX #9EE689

RGB 158 230 137

HSL 106.45, 0.65%, 0.72%

LAB 84.83, -39.46, 38.33

 

CMYK 40 / 11 / 0 / 10

HEX #89CDE6

RGB 137 205 230

HSL 196.13, 0.65%, 0.72%

LAB 78.86, -15.11, -19.12

 

Description

Color code: HEX #D188E6 | qconv.com Color code: HEX #D188E6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 136 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 136 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 41 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 41% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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