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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18037 it is the complementary color #2E7FC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18037 shade: #D68032, #E79245, #F8A458, #FFB66B and #FFC87E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18037 shade: #D18037, #C06E24, #AF5C11, #9E4A00 and #8D3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18037 shade: #D18037, #D15737 and #D13737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18037 shade: #D18037, #D1AA37, #CFD137, #A6D137 and #7CD137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18037 shade matches the following richer shades: #D18037, #E57F23 and #F97E0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18037 shade: #D18037, #BD814B, #AA825F, #968372 and #828486

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18037 shade: #D13741, #D15637, #D17F37, #D1A837 and #D1D137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18037 shade: #945821, #B66C29, #D18037, #D99559 and #E0AB7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18037 shade: #D18037, #6AD137 and #4137D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18037 shade: #D18037, #37D17F and #7F37D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18037 shade: #D18037, #6AD137, #3789D1 and #9E37D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18037 shade: #D18037, #3CD137, #3789D1 and #CC37D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

Complementary color

CMYK 77 / 37 / 0 / 22

HEX #2E7FC8

RGB 46 127 200

HSL 208.44, 0.63%, 0.48%

LAB 51.76, 1.02, -44.82

 

CMYK 0 / 40 / 77 / 16

HEX #D68032

RGB 214 128 50

HSL 28.54, 0.67%, 0.52%

LAB 61.62, 27.27, 54.09

 

CMYK 0 / 37 / 70 / 9

HEX #E79245

RGB 231 146 69

HSL 28.52, 0.77%, 0.59%

LAB 68, 25.61, 52.76

 

CMYK 0 / 34 / 65 / 3

HEX #F8A458

RGB 248 164 88

HSL 28.5, 0.92%, 0.66%

LAB 74.33, 24.14, 51.28

 

CMYK 0 / 29 / 58 / 0

HEX #FFB66B

RGB 255 182 107

HSL 30.41, 1%, 0.71%

LAB 79.49, 18.81, 48.2

 

CMYK 0 / 22 / 51 / 0

HEX #FFC87E

RGB 255 200 126

HSL 34.42, 1%, 0.75%

LAB 84, 10.95, 44.27

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 0 / 43 / 81 / 25

HEX #C06E24

RGB 192 110 36

HSL 28.46, 0.68%, 0.45%

LAB 54.54, 27.19, 52.2

 

CMYK 0 / 47 / 90 / 31

HEX #AF5C11

RGB 175 92 17

HSL 28.48, 0.82%, 0.38%

LAB 48.02, 29.22, 52.52

 

CMYK 0 / 53 / 100 / 38

HEX #9E4A00

RGB 158 74 0

HSL 28.1, 1%, 0.31%

LAB 41.48, 31.44, 51.41

 

CMYK 0 / 60 / 100 / 45

HEX #8D3800

RGB 141 56 0

HSL 23.83, 1%, 0.28%

LAB 34.99, 33.82, 46.23

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 0 / 58 / 74 / 18

HEX #D15737

RGB 209 87 55

HSL 12.47, 0.63%, 0.52%

LAB 52.56, 46.39, 42.11

 

CMYK 0 / 74 / 74 / 18

HEX #D13737

RGB 209 55 55

HSL 0, 0.63%, 0.52%

LAB 47.71, 59.48, 36.73

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 0 / 19 / 74 / 18

HEX #D1AA37

RGB 209 170 55

HSL 44.81, 0.63%, 0.52%

LAB 71.27, 2.73, 61.28

 

CMYK 1 / 0 / 74 / 18

HEX #CFD137

RGB 207 209 55

HSL 60.78, 0.63%, 0.52%

LAB 81.37, -18.17, 70.84

 

CMYK 21 / 0 / 74 / 18

HEX #A6D137

RGB 166 209 55

HSL 76.75, 0.63%, 0.52%

LAB 78.45, -34.89, 67.05

 

CMYK 41 / 0 / 74 / 18

HEX #7CD137

RGB 124 209 55

HSL 93.12, 0.63%, 0.52%

LAB 76.17, -50.16, 64.04

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 0 / 45 / 85 / 10

HEX #E57F23

RGB 229 127 35

HSL 28.45, 0.79%, 0.52%

LAB 63.31, 33.49, 62.19

 

CMYK 0 / 49 / 94 / 2

HEX #F97E0F

RGB 249 126 15

HSL 28.46, 0.95%, 0.52%

LAB 65.82, 41.62, 70.57

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 0 / 32 / 60 / 26

HEX #BD814B

RGB 189 129 75

HSL 28.42, 0.46%, 0.52%

LAB 59, 17.56, 38.22

 

CMYK 0 / 24 / 44 / 33

HEX #AA825F

RGB 170 130 95

HSL 28, 0.31%, 0.52%

LAB 57.4, 10.77, 24.86

 

CMYK 0 / 13 / 24 / 41

HEX #968372

RGB 150 131 114

HSL 28.33, 0.15%, 0.52%

LAB 56.02, 4.42, 11.85

 

CMYK 3 / 1 / 0 / 47

HEX #828486

RGB 130 132 134

HSL 210, 0.02%, 0.52%

LAB 55.04, -0.34, -1.34

 

CMYK 0 / 74 / 69 / 18

HEX #D13741

RGB 209 55 65

HSL 356.1, 0.63%, 0.52%

LAB 47.84, 59.93, 31.07

 

CMYK 0 / 59 / 74 / 18

HEX #D15637

RGB 209 86 55

HSL 12.08, 0.63%, 0.52%

LAB 52.38, 46.85, 41.92

 

CMYK 0 / 39 / 74 / 18

HEX #D17F37

RGB 209 127 55

HSL 28.05, 0.63%, 0.52%

LAB 60.79, 25.93, 50.81

 

CMYK 0 / 20 / 74 / 18

HEX #D1A837

RGB 209 168 55

HSL 44.03, 0.63%, 0.52%

LAB 70.76, 3.79, 60.79

 

CMYK 0 / 0 / 74 / 18

HEX #D1D137

RGB 209 209 55

HSL 60, 0.63%, 0.52%

LAB 81.53, -17.33, 71.05

 

CMYK 0 / 41 / 78 / 42

HEX #945821

RGB 148 88 33

HSL 28.7, 0.64%, 0.35%

LAB 43.34, 20.18, 40.71

 

CMYK 0 / 41 / 77 / 29

HEX #B66C29

RGB 182 108 41

HSL 28.51, 0.63%, 0.44%

LAB 52.76, 24.2, 47.92

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 0 / 31 / 59 / 15

HEX #D99559

RGB 217 149 89

HSL 28.13, 0.63%, 0.6%

LAB 67.25, 19.45, 41.6

 

CMYK 0 / 24 / 46 / 12

HEX #E0AB7A

RGB 224 171 122

HSL 28.82, 0.62%, 0.68%

LAB 73.79, 13.39, 32.68

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 49 / 0 / 74 / 18

HEX #6AD137

RGB 106 209 55

HSL 100.13, 0.63%, 0.52%

LAB 75.41, -55.75, 63.05

 

CMYK 69 / 74 / 0 / 18

HEX #4137D1

RGB 65 55 209

HSL 243.9, 0.63%, 0.52%

LAB 34.92, 51.04, -77.22

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 74 / 0 / 39 / 18

HEX #37D17F

RGB 55 209 127

HSL 148.05, 0.63%, 0.52%

LAB 74.79, -57.83, 29.59

 

CMYK 39 / 74 / 0 / 18

HEX #7F37D1

RGB 127 55 209

HSL 268.05, 0.63%, 0.52%

LAB 40.97, 59.68, -67.07

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 49 / 0 / 74 / 18

HEX #6AD137

RGB 106 209 55

HSL 100.13, 0.63%, 0.52%

LAB 75.41, -55.75, 63.05

 

CMYK 74 / 34 / 0 / 18

HEX #3789D1

RGB 55 137 209

HSL 208.05, 0.63%, 0.52%

LAB 55.39, -0.57, -44.15

 

CMYK 24 / 74 / 0 / 18

HEX #9E37D1

RGB 158 55 209

HSL 280.13, 0.63%, 0.52%

LAB 45.09, 65.27, -60.19

 

CMYK 0 / 39 / 74 / 18

HEX #D18037

RGB 209 128 55

HSL 28.44, 0.63%, 0.52%

LAB 61.02, 25.39, 51.04

 

CMYK 71 / 0 / 74 / 18

HEX #3CD137

RGB 60 209 55

HSL 118.05, 0.63%, 0.52%

LAB 74.09, -66.44, 61.28

 

CMYK 74 / 34 / 0 / 18

HEX #3789D1

RGB 55 137 209

HSL 208.05, 0.63%, 0.52%

LAB 55.39, -0.57, -44.15

 

CMYK 2 / 74 / 0 / 18

HEX #CC37D1

RGB 204 55 209

HSL 298.05, 0.63%, 0.52%

LAB 52.03, 74.38, -48.67

 

Description

Color code: HEX #D18037 | qconv.com Color code: HEX #D18037 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 128 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 128 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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