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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18B5B it is the complementary color #2E74A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18B5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18B5B shade: #D68B56, #E79D69, #F8AF7C, #FFC18F and #FFD3A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18B5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18B5B shade: #D18B5B, #C07948, #AF6735, #9E5522 and #8D430F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18B5B shade: #D08B5B, #D06B5B and #D05B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18B5B shade: #D08B5B, #D0AB5B, #D0CA5B, #B7D05B and #98D05B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18B5B shade matches the following richer shades: #D08B5B, #E1884A and #F2853A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18B5B shade: #D08B5B, #C08E6C, #AF917D, #9E948E and #8D989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18B5B shade: #D05B6B, #D06B5B, #D08A5B, #D0A95B and #D0C95B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18B5B shade: #AA6130, #C7743B, #D08B5B, #DAA27C and #E3B99C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18B5B shade: #D18B5B, #8AD05B and #5B5BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18B5B shade: #D18B5B, #5BD08A and #8A5BD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18B5B shade: #D18B5B, #8AD05B, #5BA2D0 and #A25BD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18B5B shade: #D18B5B, #67D05B, #5BA2D0 and #C55BD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 56 / 18

HEX #D18B5B

RGB 209 139 91

HSL 24.41, 0.56%, 0.59%

LAB 63.98, 21.71, 36.35

 

Complementary color

CMYK 72 / 29 / 0 / 36

HEX #2E74A4

RGB 46 116 164

HSL 204.41, 0.56%, 0.41%

LAB 46.65, -5.52, -32.08

 

CMYK 0 / 35 / 60 / 16

HEX #D68B56

RGB 214 139 86

HSL 24.84, 0.61%, 0.59%

LAB 64.51, 23.38, 39.77

 

CMYK 0 / 32 / 55 / 9

HEX #E79D69

RGB 231 157 105

HSL 24.76, 0.72%, 0.66%

LAB 70.96, 22.15, 38.18

 

CMYK 0 / 29 / 50 / 3

HEX #F8AF7C

RGB 248 175 124

HSL 24.68, 0.9%, 0.73%

LAB 77.32, 21.06, 36.7

 

CMYK 0 / 24 / 44 / 0

HEX #FFC18F

RGB 255 193 143

HSL 26.79, 1%, 0.78%

LAB 82.58, 16.19, 33.76

 

CMYK 0 / 17 / 36 / 0

HEX #FFD3A2

RGB 255 211 162

HSL 31.61, 1%, 0.82%

LAB 87.22, 8.88, 30.06

 

CMYK 0 / 33 / 56 / 18

HEX #D18B5B

RGB 209 139 91

HSL 24.41, 0.56%, 0.59%

LAB 63.98, 21.71, 36.35

 

CMYK 0 / 37 / 63 / 25

HEX #C07948

RGB 192 121 72

HSL 24.5, 0.49%, 0.52%

LAB 57.41, 23.03, 38.01

 

CMYK 0 / 41 / 70 / 31

HEX #AF6735

RGB 175 103 53

HSL 24.59, 0.54%, 0.45%

LAB 50.77, 24.55, 39.75

 

CMYK 0 / 46 / 78 / 38

HEX #9E5522

RGB 158 85 34

HSL 24.68, 0.65%, 0.38%

LAB 44.06, 26.3, 41.43

 

CMYK 0 / 52 / 89 / 45

HEX #8D430F

RGB 141 67 15

HSL 24.76, 0.81%, 0.31%

LAB 37.32, 28.3, 42.57

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5B

RGB 208 139 91

HSL 24.62, 0.55%, 0.59%

LAB 63.86, 21.29, 36.17

 

CMYK 0 / 49 / 56 / 18

HEX #D06B5B

RGB 208 107 91

HSL 8.21, 0.55%, 0.59%

LAB 56.76, 38.35, 27.19

 

CMYK 0 / 56 / 56 / 18

HEX #D05B5B

RGB 208 91 91

HSL 0, 0.55%, 0.59%

LAB 53.65, 46.31, 23.12

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5B

RGB 208 139 91

HSL 24.62, 0.55%, 0.59%

LAB 63.86, 21.29, 36.17

 

CMYK 0 / 18 / 56 / 18

HEX #D0AB5B

RGB 208 171 91

HSL 41.03, 0.55%, 0.59%

LAB 71.75, 3.99, 45.72

 

CMYK 0 / 3 / 56 / 18

HEX #D0CA5B

RGB 208 202 91

HSL 56.92, 0.55%, 0.59%

LAB 79.84, -12.15, 55.08

 

CMYK 12 / 0 / 56 / 18

HEX #B7D05B

RGB 183 208 91

HSL 72.82, 0.55%, 0.59%

LAB 79.58, -25.26, 54.26

 

CMYK 27 / 0 / 56 / 18

HEX #98D05B

RGB 152 208 91

HSL 88.72, 0.55%, 0.59%

LAB 77.6, -37.09, 51.48

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5B

RGB 208 139 91

HSL 24.62, 0.55%, 0.59%

LAB 63.86, 21.29, 36.17

 

CMYK 0 / 40 / 67 / 12

HEX #E1884A

RGB 225 136 74

HSL 24.64, 0.72%, 0.59%

LAB 65.05, 28.72, 46.89

 

CMYK 0 / 45 / 76 / 5

HEX #F2853A

RGB 242 133 58

HSL 24.46, 0.88%, 0.59%

LAB 66.49, 36.36, 56.64

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5B

RGB 208 139 91

HSL 24.62, 0.55%, 0.59%

LAB 63.86, 21.29, 36.17

 

CMYK 0 / 26 / 44 / 25

HEX #C08E6C

RGB 192 142 108

HSL 24.29, 0.4%, 0.59%

LAB 63.04, 14.66, 25.51

 

CMYK 0 / 17 / 29 / 31

HEX #AF917D

RGB 175 145 125

HSL 24, 0.24%, 0.59%

LAB 62.38, 8.21, 14.83

 

CMYK 0 / 6 / 10 / 38

HEX #9E948E

RGB 158 148 142

HSL 22.5, 0.08%, 0.59%

LAB 62, 2.6, 4.48

 

CMYK 11 / 4 / 0 / 38

HEX #8D989F

RGB 141 152 159

HSL 203.33, 0.09%, 0.59%

LAB 62.19, -2.47, -5.02

 

CMYK 0 / 56 / 49 / 18

HEX #D05B6B

RGB 208 91 107

HSL 351.79, 0.55%, 0.59%

LAB 53.98, 47.68, 14.15

 

CMYK 0 / 49 / 56 / 18

HEX #D06B5B

RGB 208 107 91

HSL 8.21, 0.55%, 0.59%

LAB 56.76, 38.35, 27.19

 

CMYK 0 / 34 / 56 / 18

HEX #D08A5B

RGB 208 138 91

HSL 24.1, 0.55%, 0.59%

LAB 63.62, 21.84, 35.88

 

CMYK 0 / 19 / 56 / 18

HEX #D0A95B

RGB 208 169 91

HSL 40, 0.55%, 0.59%

LAB 71.24, 5.06, 45.12

 

CMYK 0 / 3 / 56 / 18

HEX #D0C95B

RGB 208 201 91

HSL 56.41, 0.55%, 0.59%

LAB 79.58, -11.64, 54.77

 

CMYK 0 / 43 / 72 / 33

HEX #AA6130

RGB 170 97 48

HSL 24.1, 0.56%, 0.43%

LAB 48.65, 25.46, 39.79

 

CMYK 0 / 42 / 70 / 22

HEX #C7743B

RGB 199 116 59

HSL 24.43, 0.56%, 0.51%

LAB 57.03, 27.88, 44.5

 

CMYK 0 / 33 / 56 / 18

HEX #D08B5B

RGB 208 139 91

HSL 24.62, 0.55%, 0.59%

LAB 63.86, 21.29, 36.17

 

CMYK 0 / 26 / 43 / 15

HEX #DAA27C

RGB 218 162 124

HSL 24.26, 0.56%, 0.67%

LAB 71.01, 16.01, 27.85

 

CMYK 0 / 19 / 31 / 11

HEX #E3B99C

RGB 227 185 156

HSL 24.51, 0.56%, 0.75%

LAB 78.13, 11.01, 20.42

 

CMYK 0 / 33 / 56 / 18

HEX #D18B5B

RGB 209 139 91

HSL 24.41, 0.56%, 0.59%

LAB 63.98, 21.71, 36.35

 

CMYK 34 / 0 / 56 / 18

HEX #8AD05B

RGB 138 208 91

HSL 95.9, 0.55%, 0.59%

LAB 76.84, -42.06, 50.4

 

CMYK 56 / 56 / 0 / 18

HEX #5B5BD0

RGB 91 91 208

HSL 240, 0.55%, 0.59%

LAB 44.6, 33.37, -60.75

 

CMYK 0 / 33 / 56 / 18

HEX #D18B5B

RGB 209 139 91

HSL 24.41, 0.56%, 0.59%

LAB 63.98, 21.71, 36.35

 

CMYK 56 / 0 / 34 / 18

HEX #5BD08A

RGB 91 208 138

HSL 144.1, 0.55%, 0.59%

LAB 75.56, -48.79, 25.06

 

CMYK 34 / 56 / 0 / 18

HEX #8A5BD0

RGB 138 91 208

HSL 264.1, 0.55%, 0.59%

LAB 48.81, 43.58, -53.75

 

CMYK 0 / 33 / 56 / 18

HEX #D18B5B

RGB 209 139 91

HSL 24.41, 0.56%, 0.59%

LAB 63.98, 21.71, 36.35

 

CMYK 34 / 0 / 56 / 18

HEX #8AD05B

RGB 138 208 91

HSL 95.9, 0.55%, 0.59%

LAB 76.84, -42.06, 50.4

 

CMYK 56 / 22 / 0 / 18

HEX #5BA2D0

RGB 91 162 208

HSL 203.59, 0.55%, 0.59%

LAB 63.85, -9.06, -30.26

 

CMYK 22 / 56 / 0 / 18

HEX #A25BD0

RGB 162 91 208

HSL 276.41, 0.55%, 0.59%

LAB 51.52, 49.51, -49.27

 

CMYK 0 / 33 / 56 / 18

HEX #D18B5B

RGB 209 139 91

HSL 24.41, 0.56%, 0.59%

LAB 63.98, 21.71, 36.35

 

CMYK 50 / 0 / 56 / 18

HEX #67D05B

RGB 103 208 91

HSL 113.85, 0.55%, 0.59%

LAB 75.3, -52.94, 48.2

 

CMYK 56 / 22 / 0 / 18

HEX #5BA2D0

RGB 91 162 208

HSL 203.59, 0.55%, 0.59%

LAB 63.85, -9.06, -30.26

 

CMYK 5 / 56 / 0 / 18

HEX #C55BD0

RGB 197 91 208

HSL 294.36, 0.55%, 0.59%

LAB 55.99, 58.51, -41.89

 

Description

Color code: HEX #D18B5B | qconv.com Color code: HEX #D18B5B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 139 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 139 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 56 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 56% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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