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Color name
HEX #D18EAD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D18EAD it is the complementary color #2E7152. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D18EAD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D18EAD shade: #D68EA8, #E7A0BB, #F8B2CE, #FFC4E1 and #FFD6F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D18EAD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D18EAD shade: #D18EAD, #C07C9A, #AF6A87, #9E5874 and #8D4661

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D18EAD shade: #D18EAD, #D18E9B and #D18E8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D18EAD shade: #D18EAD, #D18EBF, #D18ED1, #BF8ED1 and #AD8ED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D18EAD shade matches the following richer shades: #D18EAD, #DD81AC, #EA75AB and #F768AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D18EAD shade: #D18EAD, #C49BAE, #B7A8AF, #AAB5B0 and #9DC1B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D18EAD shade: #D18ED1, #D18EBF, #D18EAD, #D18E9C and #D1938E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D18EAD shade: #B95482, #C57198, #D18EAD, #DDACC2 and #E9C9D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D18EAD shade: #D18EAD, #D1BF8E and #8EC8D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D18EAD shade: #D18EAD, #ADD18E and #8EADD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D18EAD shade: #D18EAD, #D1BF8E, #8ED1B2 and #8EA0D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D18EAD shade: #D18EAD, #CED18E, #8ED1B2 and #908ED1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

Complementary color

CMYK 59 / 0 / 27 / 56

HEX #2E7152

RGB 46 113 82

HSL 152.24, 0.42%, 0.31%

LAB 42.76, -29.22, 10.96

 

CMYK 0 / 34 / 21 / 16

HEX #D68EA8

RGB 214 142 168

HSL 338.33, 0.47%, 0.7%

LAB 66.88, 30.94, -2.4

 

CMYK 0 / 31 / 19 / 9

HEX #E7A0BB

RGB 231 160 187

HSL 337.18, 0.6%, 0.77%

LAB 73.36, 30.2, -3.22

 

CMYK 0 / 28 / 17 / 3

HEX #F8B2CE

RGB 248 178 206

HSL 336, 0.83%, 0.84%

LAB 79.76, 29.5, -3.98

 

CMYK 0 / 23 / 12 / 0

HEX #FFC4E1

RGB 255 196 225

HSL 330.51, 1%, 0.88%

LAB 85.09, 25.44, -6.24

 

CMYK 0 / 16 / 4 / 0

HEX #FFD6F4

RGB 255 214 244

HSL 316.1, 1%, 0.92%

LAB 89.81, 19.18, -9.31

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 35 / 20 / 25

HEX #C07C9A

RGB 192 124 154

HSL 333.53, 0.35%, 0.62%

LAB 59.85, 30.69, -5.09

 

CMYK 0 / 39 / 23 / 31

HEX #AF6A87

RGB 175 106 135

HSL 334.78, 0.3%, 0.55%

LAB 53.14, 31.52, -4.2

 

CMYK 0 / 44 / 27 / 38

HEX #9E5874

RGB 158 88 116

HSL 336, 0.28%, 0.48%

LAB 46.32, 32.39, -3.16

 

CMYK 0 / 50 / 31 / 45

HEX #8D4661

RGB 141 70 97

HSL 337.18, 0.34%, 0.41%

LAB 39.42, 33.29, -1.92

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 32 / 26 / 18

HEX #D18E9B

RGB 209 142 155

HSL 348.36, 0.42%, 0.69%

LAB 65.96, 27.23, 3.51

 

CMYK 0 / 32 / 32 / 18

HEX #D18E8E

RGB 209 142 142

HSL 0, 0.42%, 0.69%

LAB 65.64, 25.45, 10.37

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 32 / 9 / 18

HEX #D18EBF

RGB 209 142 191

HSL 316.12, 0.42%, 0.69%

LAB 67.02, 32.91, -15.14

 

CMYK 0 / 32 / 0 / 18

HEX #D18ED1

RGB 209 142 209

HSL 300, 0.42%, 0.69%

LAB 67.65, 36.14, -24.22

 

CMYK 9 / 32 / 0 / 18

HEX #BF8ED1

RGB 191 142 209

HSL 283.88, 0.42%, 0.69%

LAB 65.77, 30.39, -27.28

 

CMYK 17 / 32 / 0 / 18

HEX #AD8ED1

RGB 173 142 209

HSL 267.76, 0.42%, 0.69%

LAB 64.03, 24.74, -30.11

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 42 / 22 / 13

HEX #DD81AC

RGB 221 129 172

HSL 331.96, 0.58%, 0.69%

LAB 65, 40.88, -7.33

 

CMYK 0 / 50 / 27 / 8

HEX #EA75AB

RGB 234 117 171

HSL 332.31, 0.74%, 0.69%

LAB 64.29, 51.12, -7.64

 

CMYK 0 / 58 / 31 / 3

HEX #F768AA

RGB 247 104 170

HSL 332.31, 0.9%, 0.69%

LAB 63.82, 61.1, -7.57

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 21 / 11 / 23

HEX #C49BAE

RGB 196 155 174

HSL 332.2, 0.26%, 0.69%

LAB 68.19, 18.32, -4.04

 

CMYK 0 / 8 / 4 / 28

HEX #B7A8AF

RGB 183 168 175

HSL 332, 0.09%, 0.69%

LAB 70.29, 6.66, -1.65

 

CMYK 6 / 0 / 3 / 29

HEX #AAB5B0

RGB 170 181 176

HSL 152.73, 0.07%, 0.69%

LAB 72.71, -4.78, 1.22

 

CMYK 19 / 0 / 8 / 24

HEX #9DC1B1

RGB 157 193 177

HSL 153.33, 0.23%, 0.69%

LAB 75.13, -15.28, 4.07

 

CMYK 0 / 32 / 0 / 18

HEX #D18ED1

RGB 209 142 209

HSL 300, 0.42%, 0.69%

LAB 67.65, 36.14, -24.22

 

CMYK 0 / 32 / 9 / 18

HEX #D18EBF

RGB 209 142 191

HSL 316.12, 0.42%, 0.69%

LAB 67.02, 32.91, -15.14

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 32 / 25 / 18

HEX #D18E9C

RGB 209 142 156

HSL 347.46, 0.42%, 0.69%

LAB 65.98, 27.37, 2.98

 

CMYK 0 / 30 / 32 / 18

HEX #D1938E

RGB 209 147 142

HSL 4.48, 0.42%, 0.69%

LAB 66.81, 22.74, 12.02

 

CMYK 0 / 55 / 30 / 27

HEX #B95482

RGB 185 84 130

HSL 332.67, 0.42%, 0.53%

LAB 49.82, 45.82, -6

 

CMYK 0 / 43 / 23 / 23

HEX #C57198

RGB 197 113 152

HSL 332.14, 0.42%, 0.61%

LAB 57.99, 38.1, -6.63

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 22 / 12 / 13

HEX #DDACC2

RGB 221 172 194

HSL 333.06, 0.42%, 0.77%

LAB 75.31, 21.33, -4.31

 

CMYK 0 / 14 / 7 / 9

HEX #E9C9D8

RGB 233 201 216

HSL 331.88, 0.42%, 0.85%

LAB 83.99, 13.73, -3.28

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 9 / 32 / 18

HEX #D1BF8E

RGB 209 191 142

HSL 43.88, 0.42%, 0.69%

LAB 77.74, -0.94, 27.07

 

CMYK 32 / 4 / 0 / 18

HEX #8EC8D1

RGB 142 200 209

HSL 188.06, 0.42%, 0.69%

LAB 77.08, -16.42, -10.48

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 17 / 0 / 32 / 18

HEX #ADD18E

RGB 173 209 142

HSL 92.24, 0.42%, 0.69%

LAB 79.86, -23.74, 29.44

 

CMYK 32 / 17 / 0 / 18

HEX #8EADD1

RGB 142 173 209

HSL 212.24, 0.42%, 0.69%

LAB 69.64, -2.07, -21.7

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 0 / 9 / 32 / 18

HEX #D1BF8E

RGB 209 191 142

HSL 43.88, 0.42%, 0.69%

LAB 77.74, -0.94, 27.07

 

CMYK 32 / 0 / 15 / 18

HEX #8ED1B2

RGB 142 209 178

HSL 152.24, 0.42%, 0.69%

LAB 78.79, -27.77, 8.68

 

CMYK 32 / 23 / 0 / 18

HEX #8EA0D1

RGB 142 160 209

HSL 223.88, 0.42%, 0.69%

LAB 66.13, 5.16, -27.07

 

CMYK 0 / 32 / 17 / 18

HEX #D18EAD

RGB 209 142 173

HSL 332.24, 0.42%, 0.69%

LAB 66.46, 29.93, -5.89

 

CMYK 1 / 0 / 32 / 18

HEX #CED18E

RGB 206 209 142

HSL 62.69, 0.42%, 0.69%

LAB 82.2, -11.4, 32.97

 

CMYK 32 / 0 / 15 / 18

HEX #8ED1B2

RGB 142 209 178

HSL 152.24, 0.42%, 0.69%

LAB 78.79, -27.77, 8.68

 

CMYK 31 / 32 / 0 / 18

HEX #908ED1

RGB 144 142 209

HSL 241.79, 0.42%, 0.69%

LAB 61.55, 16.03, -34.15

 

Description

Color code: HEX #D18EAD | qconv.com Color code: HEX #D18EAD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 142 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 142 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 17% 18% C M Y K

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Provide designers and agencies with accurate color values.

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