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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1978C it is the complementary color #2E6873. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1978C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1978C shade: #D69787, #E7A99A, #F8BBAD, #FFCDC0 and #FFDFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1978C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1978C shade: #D1978C, #C08579, #AF7366, #9E6153 and #8D4F40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1978C shade: #D0958A and #D08A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1978C shade: #D0958A, #D0A88A, #D0BB8A, #D0CE8A and #BFD08A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1978C shade matches the following richer shades: #D0958A, #DD8C7D, #EA836F and #F87A62

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1978C shade: #D0958A, #C39E97, #B6A7A4, #A8B0B1 and #9BB9BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1978C shade: #D08AA5, #D08A92, #D0948A, #D0A78A and #D0BA8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1978C shade: #B8604F, #C47A6C, #D0958A, #DCB0A7 and #E8CAC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1978C shade: #D1978C, #B7D08A and #8A9BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1978C shade: #D1978C, #8AD094 and #948AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1978C shade: #D1978C, #B7D08A, #8AC5D0 and #A28AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1978C shade: #D1978C, #A2D08A, #8AC5D0 and #B78AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 33 / 18

HEX #D1978C

RGB 209 151 140

HSL 9.57, 0.43%, 0.68%

LAB 67.71, 20.3, 14.41

 

Complementary color

CMYK 60 / 10 / 0 / 55

HEX #2E6873

RGB 46 104 115

HSL 189.57, 0.43%, 0.32%

LAB 40.77, -15.35, -11.89

 

CMYK 0 / 29 / 37 / 16

HEX #D69787

RGB 214 151 135

HSL 12.15, 0.49%, 0.68%

LAB 68.15, 21.62, 17.88

 

CMYK 0 / 27 / 33 / 9

HEX #E7A99A

RGB 231 169 154

HSL 11.69, 0.62%, 0.75%

LAB 74.63, 20.82, 16.72

 

CMYK 0 / 25 / 30 / 3

HEX #F8BBAD

RGB 248 187 173

HSL 11.2, 0.84%, 0.83%

LAB 81.02, 20.09, 15.65

 

CMYK 0 / 20 / 25 / 0

HEX #FFCDC0

RGB 255 205 192

HSL 12.38, 1%, 0.88%

LAB 86.37, 15.78, 13.16

 

CMYK 0 / 13 / 17 / 0

HEX #FFDFD3

RGB 255 223 211

HSL 16.36, 1%, 0.91%

LAB 91.12, 9.17, 9.92

 

CMYK 0 / 28 / 33 / 18

HEX #D1978C

RGB 209 151 140

HSL 9.57, 0.43%, 0.68%

LAB 67.71, 20.3, 14.41

 

CMYK 0 / 31 / 37 / 25

HEX #C08579

RGB 192 133 121

HSL 10.14, 0.36%, 0.61%

LAB 61.1, 21.13, 15.59

 

CMYK 0 / 34 / 42 / 31

HEX #AF7366

RGB 175 115 102

HSL 10.68, 0.31%, 0.54%

LAB 54.38, 22.08, 16.92

 

CMYK 0 / 39 / 47 / 38

HEX #9E6153

RGB 158 97 83

HSL 11.2, 0.31%, 0.47%

LAB 47.55, 23.16, 18.42

 

CMYK 0 / 44 / 55 / 45

HEX #8D4F40

RGB 141 79 64

HSL 11.69, 0.38%, 0.4%

LAB 40.61, 24.4, 20.18

 

CMYK 0 / 28 / 34 / 18

HEX #D0958A

RGB 208 149 138

HSL 9.43, 0.43%, 0.68%

LAB 67.08, 20.75, 14.63

 

CMYK 0 / 34 / 34 / 18

HEX #D08A8A

RGB 208 138 138

HSL 0, 0.43%, 0.68%

LAB 64.5, 26.73, 11

 

CMYK 0 / 28 / 34 / 18

HEX #D0958A

RGB 208 149 138

HSL 9.43, 0.43%, 0.68%

LAB 67.08, 20.75, 14.63

 

CMYK 0 / 19 / 34 / 18

HEX #D0A88A

RGB 208 168 138

HSL 25.71, 0.43%, 0.68%

LAB 71.72, 10.42, 21.05

 

CMYK 0 / 10 / 34 / 18

HEX #D0BB8A

RGB 208 187 138

HSL 42, 0.43%, 0.68%

LAB 76.55, 0.28, 27.57

 

CMYK 0 / 1 / 34 / 18

HEX #D0CE8A

RGB 208 206 138

HSL 58.29, 0.43%, 0.68%

LAB 81.5, -9.59, 34.13

 

CMYK 8 / 0 / 34 / 18

HEX #BFD08A

RGB 191 208 138

HSL 74.57, 0.43%, 0.68%

LAB 80.75, -17.13, 32.9

 

CMYK 0 / 28 / 34 / 18

HEX #D0958A

RGB 208 149 138

HSL 9.43, 0.43%, 0.68%

LAB 67.08, 20.75, 14.63

 

CMYK 0 / 37 / 43 / 13

HEX #DD8C7D

RGB 221 140 125

HSL 9.38, 0.59%, 0.68%

LAB 66.22, 29.14, 20.92

 

CMYK 0 / 44 / 53 / 8

HEX #EA836F

RGB 234 131 111

HSL 9.76, 0.75%, 0.68%

LAB 65.65, 37.52, 28.23

 

CMYK 0 / 51 / 60 / 3

HEX #F87A62

RGB 248 122 98

HSL 9.6, 0.91%, 0.68%

LAB 65.56, 46.28, 35.65

 

CMYK 0 / 28 / 34 / 18

HEX #D0958A

RGB 208 149 138

HSL 9.43, 0.43%, 0.68%

LAB 67.08, 20.75, 14.63

 

CMYK 0 / 19 / 23 / 24

HEX #C39E97

RGB 195 158 151

HSL 9.55, 0.27%, 0.68%

LAB 68.23, 12.61, 8.82

 

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

 

CMYK 5 / 1 / 0 / 31

HEX #A8B0B1

RGB 168 176 177

HSL 186.67, 0.05%, 0.68%

LAB 71.25, -2.6, -1.49

 

CMYK 19 / 3 / 0 / 25

HEX #9BB9BF

RGB 155 185 191

HSL 190, 0.22%, 0.68%

LAB 73.17, -8.83, -6.43

 

CMYK 0 / 34 / 21 / 18

HEX #D08AA5

RGB 208 138 165

HSL 336.86, 0.43%, 0.68%

LAB 65.2, 30.5, -3.25

 

CMYK 0 / 34 / 30 / 18

HEX #D08A92

RGB 208 138 146

HSL 353.14, 0.43%, 0.68%

LAB 64.69, 27.78, 6.76

 

CMYK 0 / 29 / 34 / 18

HEX #D0948A

RGB 208 148 138

HSL 8.57, 0.43%, 0.68%

LAB 66.84, 21.29, 14.29

 

CMYK 0 / 20 / 34 / 18

HEX #D0A78A

RGB 208 167 138

HSL 24.86, 0.43%, 0.68%

LAB 71.48, 10.96, 20.7

 

CMYK 0 / 11 / 34 / 18

HEX #D0BA8A

RGB 208 186 138

HSL 41.14, 0.43%, 0.68%

LAB 76.29, 0.8, 27.23

 

CMYK 0 / 48 / 57 / 28

HEX #B8604F

RGB 184 96 79

HSL 9.71, 0.43%, 0.52%

LAB 50.83, 33.84, 25.74

 

CMYK 0 / 38 / 45 / 23

HEX #C47A6C

RGB 196 122 108

HSL 9.55, 0.43%, 0.6%

LAB 58.73, 27.28, 19.82

 

CMYK 0 / 28 / 34 / 18

HEX #D0958A

RGB 208 149 138

HSL 9.43, 0.43%, 0.68%

LAB 67.08, 20.75, 14.63

 

CMYK 0 / 20 / 24 / 14

HEX #DCB0A7

RGB 220 176 167

HSL 10.19, 0.43%, 0.76%

LAB 75.49, 14.64, 10.68

 

CMYK 0 / 13 / 15 / 9

HEX #E8CAC5

RGB 232 202 197

HSL 8.57, 0.43%, 0.84%

LAB 83.67, 9.73, 6.37

 

CMYK 0 / 28 / 33 / 18

HEX #D1978C

RGB 209 151 140

HSL 9.57, 0.43%, 0.68%

LAB 67.71, 20.3, 14.41

 

CMYK 12 / 0 / 34 / 18

HEX #B7D08A

RGB 183 208 138

HSL 81.43, 0.43%, 0.68%

LAB 80.19, -20.14, 32.06

 

CMYK 34 / 25 / 0 / 18

HEX #8A9BD0

RGB 138 155 208

HSL 225.43, 0.43%, 0.68%

LAB 64.48, 6.58, -29.08

 

CMYK 0 / 28 / 33 / 18

HEX #D1978C

RGB 209 151 140

HSL 9.57, 0.43%, 0.68%

LAB 67.71, 20.3, 14.41

 

CMYK 34 / 0 / 29 / 18

HEX #8AD094

RGB 138 208 148

HSL 128.57, 0.43%, 0.68%

LAB 77.67, -34.18, 23

 

CMYK 29 / 34 / 0 / 18

HEX #948AD0

RGB 148 138 208

HSL 248.57, 0.43%, 0.68%

LAB 60.81, 19.25, -34.72

 

CMYK 0 / 28 / 33 / 18

HEX #D1978C

RGB 209 151 140

HSL 9.57, 0.43%, 0.68%

LAB 67.71, 20.3, 14.41

 

CMYK 12 / 0 / 34 / 18

HEX #B7D08A

RGB 183 208 138

HSL 81.43, 0.43%, 0.68%

LAB 80.19, -20.14, 32.06

 

CMYK 34 / 5 / 0 / 18

HEX #8AC5D0

RGB 138 197 208

HSL 189.43, 0.43%, 0.68%

LAB 76, -16.23, -11.57

 

CMYK 22 / 34 / 0 / 18

HEX #A28AD0

RGB 162 138 208

HSL 260.57, 0.43%, 0.68%

LAB 62.01, 23.41, -32.76

 

CMYK 0 / 28 / 33 / 18

HEX #D1978C

RGB 209 151 140

HSL 9.57, 0.43%, 0.68%

LAB 67.71, 20.3, 14.41

 

CMYK 22 / 0 / 34 / 18

HEX #A2D08A

RGB 162 208 138

HSL 99.43, 0.43%, 0.68%

LAB 78.83, -27.77, 30.01

 

CMYK 34 / 5 / 0 / 18

HEX #8AC5D0

RGB 138 197 208

HSL 189.43, 0.43%, 0.68%

LAB 76, -16.23, -11.57

 

CMYK 12 / 34 / 0 / 18

HEX #B78AD0

RGB 183 138 208

HSL 278.57, 0.43%, 0.68%

LAB 64, 29.89, -29.52

 

Description

Color code: HEX #D1978C | qconv.com Color code: HEX #D1978C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 151 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 151 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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