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Color name
HEX #D198B5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D198B5 it is the complementary color #2E674A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D198B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D198B5 shade: #D698B0, #E7AAC3, #F8BCD6, #FFCEE9 and #FFE0FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D198B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D198B5 shade: #D198B5, #C086A2, #AF748F, #9E627C and #8D5069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D198B5 shade: #D198B5, #D198A6 and #D19898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D198B5 shade: #D198B5, #D198C4, #CE98D1, #BF98D1 and #B098D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D198B5 shade matches the following richer shades: #D198B5, #DD8CB5, #E981B5 and #F575B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D198B5 shade: #D198B5, #C5A4B5, #B9B0B5, #ADBCB4 and #A1C8B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D198B5 shade: #CE98D1, #D198C4, #D198B5, #D198A6 and #D19998

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D198B5 shade: #B7608C, #C47CA1, #D198B5, #DDB5CA and #EAD1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D198B5 shade: #D198B5, #D1BF98 and #98CCD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D198B5 shade: #D198B5, #B5D198 and #98B5D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D198B5 shade: #D198B5, #D1BF98, #98D1B4 and #98AAD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D198B5 shade: #D198B5, #D1D098, #98D1B4 and #9899D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

Complementary color

CMYK 55 / 0 / 28 / 60

HEX #2E674A

RGB 46 103 74

HSL 149.47, 0.38%, 0.29%

LAB 39.2, -26.24, 10.79

 

CMYK 0 / 29 / 18 / 16

HEX #D698B0

RGB 214 152 176

HSL 336.77, 0.43%, 0.72%

LAB 69.39, 26.76, -3.18

 

CMYK 0 / 26 / 16 / 9

HEX #E7AAC3

RGB 231 170 195

HSL 335.41, 0.56%, 0.79%

LAB 75.87, 26.09, -3.92

 

CMYK 0 / 24 / 14 / 3

HEX #F8BCD6

RGB 248 188 214

HSL 334, 0.81%, 0.85%

LAB 82.26, 25.48, -4.61

 

CMYK 0 / 19 / 9 / 0

HEX #FFCEE9

RGB 255 206 233

HSL 326.94, 1%, 0.9%

LAB 87.62, 21.5, -6.74

 

CMYK 0 / 12 / 1 / 0

HEX #FFE0FC

RGB 255 224 252

HSL 305.81, 1%, 0.94%

LAB 92.4, 15.37, -9.65

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 30 / 16 / 25

HEX #C086A2

RGB 192 134 162

HSL 331.03, 0.32%, 0.64%

LAB 62.39, 26.47, -5.9

 

CMYK 0 / 34 / 18 / 31

HEX #AF748F

RGB 175 116 143

HSL 332.54, 0.27%, 0.57%

LAB 55.67, 27.22, -5.13

 

CMYK 0 / 38 / 22 / 38

HEX #9E627C

RGB 158 98 124

HSL 334, 0.24%, 0.5%

LAB 48.83, 28.03, -4.27

 

CMYK 0 / 43 / 26 / 45

HEX #8D5069

RGB 141 80 105

HSL 335.41, 0.28%, 0.43%

LAB 41.88, 28.91, -3.27

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 27 / 21 / 18

HEX #D198A6

RGB 209 152 166

HSL 345.26, 0.38%, 0.71%

LAB 68.58, 23.4, 1.15

 

CMYK 0 / 27 / 27 / 18

HEX #D19898

RGB 209 152 152

HSL 0, 0.38%, 0.71%

LAB 68.23, 21.36, 8.45

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 27 / 6 / 18

HEX #D198C4

RGB 209 152 196

HSL 313.68, 0.38%, 0.71%

LAB 69.47, 28.35, -14.25

 

CMYK 1 / 27 / 0 / 18

HEX #CE98D1

RGB 206 152 209

HSL 296.84, 0.38%, 0.71%

LAB 69.6, 29.74, -21.28

 

CMYK 9 / 27 / 0 / 18

HEX #BF98D1

RGB 191 152 209

HSL 281.05, 0.38%, 0.71%

LAB 68.12, 24.85, -23.67

 

CMYK 16 / 27 / 0 / 18

HEX #B098D1

RGB 176 152 209

HSL 265.26, 0.38%, 0.71%

LAB 66.74, 20.04, -25.9

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 37 / 18 / 13

HEX #DD8CB5

RGB 221 140 181

HSL 329.63, 0.54%, 0.71%

LAB 67.62, 36.44, -8.5

 

CMYK 0 / 45 / 22 / 9

HEX #E981B5

RGB 233 129 181

HSL 330, 0.7%, 0.71%

LAB 66.79, 46.2, -9.58

 

CMYK 0 / 52 / 26 / 4

HEX #F575B6

RGB 245 117 182

HSL 329.53, 0.86%, 0.71%

LAB 66.15, 56.07, -10.95

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 17 / 8 / 23

HEX #C5A4B5

RGB 197 164 181

HSL 329.09, 0.22%, 0.71%

LAB 70.7, 14.94, -4.22

 

CMYK 0 / 5 / 2 / 27

HEX #B9B0B5

RGB 185 176 181

HSL 326.67, 0.06%, 0.71%

LAB 72.69, 4.11, -1.41

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB4

RGB 173 188 180

HSL 148, 0.1%, 0.71%

LAB 74.92, -6.7, 2.27

HEX #ADBCB4

CMYK 20 / 0 / 10 / 22

HEX #A1C8B4

RGB 161 200 180

HSL 149.23, 0.26%, 0.71%

LAB 77.39, -16.95, 5.74

HEX #A1C8B4

CMYK 1 / 27 / 0 / 18

HEX #CE98D1

RGB 206 152 209

HSL 296.84, 0.38%, 0.71%

LAB 69.6, 29.74, -21.28

 

CMYK 0 / 27 / 6 / 18

HEX #D198C4

RGB 209 152 196

HSL 313.68, 0.38%, 0.71%

LAB 69.47, 28.35, -14.25

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 27 / 21 / 18

HEX #D198A6

RGB 209 152 166

HSL 345.26, 0.38%, 0.71%

LAB 68.58, 23.4, 1.15

 

CMYK 0 / 27 / 27 / 18

HEX #D19998

RGB 209 153 152

HSL 1.05, 0.38%, 0.71%

LAB 68.46, 20.82, 8.79

 

CMYK 0 / 48 / 23 / 28

HEX #B7608C

RGB 183 96 140

HSL 329.66, 0.38%, 0.55%

LAB 52.2, 40.46, -8.42

 

CMYK 0 / 37 / 18 / 23

HEX #C47CA1

RGB 196 124 161

HSL 329.17, 0.38%, 0.63%

LAB 60.54, 33.21, -8.03

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 18 / 9 / 13

HEX #DDB5CA

RGB 221 181 202

HSL 328.5, 0.37%, 0.79%

LAB 77.69, 17.83, -5.16

 

CMYK 0 / 11 / 5 / 8

HEX #EAD1DE

RGB 234 209 222

HSL 328.8, 0.37%, 0.87%

LAB 86.19, 10.88, -3.24

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 9 / 27 / 18

HEX #D1BF98

RGB 209 191 152

HSL 41.05, 0.38%, 0.71%

LAB 77.92, 0.37, 22.02

 

CMYK 27 / 2 / 0 / 18

HEX #98CCD1

RGB 152 204 209

HSL 185.26, 0.38%, 0.71%

LAB 78.73, -15.62, -7.96

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 13 / 0 / 27 / 18

HEX #B5D198

RGB 181 209 152

HSL 89.47, 0.38%, 0.71%

LAB 80.57, -19.39, 25.27

 

CMYK 27 / 13 / 0 / 18

HEX #98B5D1

RGB 152 181 209

HSL 209.47, 0.38%, 0.71%

LAB 72.45, -3.5, -17.38

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 9 / 27 / 18

HEX #D1BF98

RGB 209 191 152

HSL 41.05, 0.38%, 0.71%

LAB 77.92, 0.37, 22.02

 

CMYK 27 / 0 / 14 / 18

HEX #98D1B4

RGB 152 209 180

HSL 149.47, 0.38%, 0.71%

LAB 79.37, -24.32, 8.51

 

CMYK 27 / 19 / 0 / 18

HEX #98AAD1

RGB 152 170 209

HSL 221.05, 0.38%, 0.71%

LAB 69.49, 2.52, -21.87

 

CMYK 0 / 27 / 13 / 18

HEX #D198B5

RGB 209 152 181

HSL 329.47, 0.38%, 0.71%

LAB 69, 25.78, -6.6

 

CMYK 0 / 0 / 27 / 18

HEX #D1D098

RGB 209 208 152

HSL 58.95, 0.38%, 0.71%

LAB 82.34, -8.46, 28.02

 

CMYK 27 / 0 / 14 / 18

HEX #98D1B4

RGB 152 209 180

HSL 149.47, 0.38%, 0.71%

LAB 79.37, -24.32, 8.51

 

CMYK 27 / 27 / 0 / 18

HEX #9899D1

RGB 152 153 209

HSL 238.95, 0.38%, 0.71%

LAB 65.01, 12.07, -28.73

 

Description

Color code: HEX #D198B5 | qconv.com Color code: HEX #D198B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 152 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 152 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 13 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 13% 18% C M Y K

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Provide designers and agencies with accurate color values.

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