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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1936B it is the complementary color #2E6C94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1936B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1936B shade: #D69366, #E7A579, #F8B78C, #FFC99F and #FFDBB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1936B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1936B shade: #D1936B, #C08158, #AF6F45, #9E5D32 and #8D4B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1936B shade: #D1936A, #D1776A and #D16A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1936B shade: #D1936A, #D1AE6A, #D1CA6A, #BCD16A and #A1D16A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1936B shade matches the following richer shades: #D1936A, #E18F5B and #F08C4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1936B shade: #D1936A, #C1967A, #B2998A, #A29D99 and #92A0A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1936B shade: #D16A7A, #D1766A, #D1926A, #D1AD6A and #D1C86A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1936B shade: #B26736, #C77C4B, #D1936A, #DBAA8A and #E4C0A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1936B shade: #D1936B, #95D16A and #6A6CD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1936B shade: #D1936B, #6AD192 and #926AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1936B shade: #D1936B, #95D16A, #6AAAD1 and #A66AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1936B shade: #D1936B, #76D16A, #6AAAD1 and #C56AD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 49 / 18

HEX #D1936B

RGB 209 147 107

HSL 23.53, 0.53%, 0.62%

LAB 66.12, 18.77, 30.46

 

Complementary color

CMYK 69 / 27 / 0 / 42

HEX #2E6C94

RGB 46 108 148

HSL 203.53, 0.53%, 0.38%

LAB 43.42, -6.47, -27.67

 

CMYK 0 / 31 / 52 / 16

HEX #D69366

RGB 214 147 102

HSL 24.11, 0.58%, 0.62%

LAB 66.61, 20.35, 33.89

 

CMYK 0 / 29 / 48 / 9

HEX #E7A579

RGB 231 165 121

HSL 24, 0.7%, 0.69%

LAB 73.08, 19.31, 32.43

 

CMYK 0 / 26 / 44 / 3

HEX #F8B78C

RGB 248 183 140

HSL 23.89, 0.89%, 0.76%

LAB 79.45, 18.39, 31.07

 

CMYK 0 / 21 / 38 / 0

HEX #FFC99F

RGB 255 201 159

HSL 26.25, 1%, 0.81%

LAB 84.76, 13.73, 28.31

 

CMYK 0 / 14 / 30 / 0

HEX #FFDBB2

RGB 255 219 178

HSL 31.95, 1%, 0.85%

LAB 89.46, 6.67, 24.8

 

CMYK 0 / 30 / 49 / 18

HEX #D1936B

RGB 209 147 107

HSL 23.53, 0.53%, 0.62%

LAB 66.12, 18.77, 30.46

 

CMYK 0 / 33 / 54 / 25

HEX #C08158

RGB 192 129 88

HSL 23.65, 0.45%, 0.55%

LAB 59.54, 19.88, 31.98

 

CMYK 0 / 37 / 61 / 31

HEX #AF6F45

RGB 175 111 69

HSL 23.77, 0.43%, 0.48%

LAB 52.85, 21.16, 33.64

 

CMYK 0 / 41 / 68 / 38

HEX #9E5D32

RGB 158 93 50

HSL 23.89, 0.52%, 0.41%

LAB 46.08, 22.65, 35.43

 

CMYK 0 / 47 / 78 / 45

HEX #8D4B1F

RGB 141 75 31

HSL 24, 0.64%, 0.34%

LAB 39.23, 24.4, 37.23

 

CMYK 0 / 30 / 49 / 18

HEX #D1936A

RGB 209 147 106

HSL 23.88, 0.53%, 0.62%

LAB 66.11, 18.68, 30.98

 

CMYK 0 / 43 / 49 / 18

HEX #D1776A

RGB 209 119 106

HSL 7.57, 0.53%, 0.62%

LAB 59.7, 33.77, 22.55

 

CMYK 0 / 49 / 49 / 18

HEX #D16A6A

RGB 209 106 106

HSL 0, 0.53%, 0.62%

LAB 56.98, 40.53, 18.88

 

CMYK 0 / 30 / 49 / 18

HEX #D1936A

RGB 209 147 106

HSL 23.88, 0.53%, 0.62%

LAB 66.11, 18.68, 30.98

 

CMYK 0 / 17 / 49 / 18

HEX #D1AE6A

RGB 209 174 106

HSL 39.61, 0.53%, 0.62%

LAB 72.8, 4.1, 39.47

 

CMYK 0 / 3 / 49 / 18

HEX #D1CA6A

RGB 209 202 106

HSL 55.92, 0.53%, 0.62%

LAB 80.09, -10.5, 48.36

 

CMYK 10 / 0 / 49 / 18

HEX #BCD16A

RGB 188 209 106

HSL 72.23, 0.53%, 0.62%

LAB 80.37, -22.41, 48.31

 

CMYK 23 / 0 / 49 / 18

HEX #A1D16A

RGB 161 209 106

HSL 87.96, 0.53%, 0.62%

LAB 78.59, -32.71, 45.75

 

CMYK 0 / 30 / 49 / 18

HEX #D1936A

RGB 209 147 106

HSL 23.88, 0.53%, 0.62%

LAB 66.11, 18.68, 30.98

 

CMYK 0 / 36 / 60 / 12

HEX #E18F5B

RGB 225 143 91

HSL 23.28, 0.69%, 0.62%

LAB 66.83, 26.1, 40.28

 

CMYK 0 / 42 / 69 / 6

HEX #F08C4B

RGB 240 140 75

HSL 23.64, 0.85%, 0.62%

LAB 67.87, 32.73, 50.07

 

CMYK 0 / 30 / 49 / 18

HEX #D1936A

RGB 209 147 106

HSL 23.88, 0.53%, 0.62%

LAB 66.11, 18.68, 30.98

 

CMYK 0 / 22 / 37 / 24

HEX #C1967A

RGB 193 150 122

HSL 23.66, 0.36%, 0.62%

LAB 65.4, 12.27, 20.95

 

CMYK 0 / 14 / 22 / 30

HEX #B2998A

RGB 178 153 138

HSL 22.5, 0.21%, 0.62%

LAB 65.03, 6.85, 11.3

 

CMYK 0 / 3 / 6 / 36

HEX #A29D99

RGB 162 157 153

HSL 26.67, 0.05%, 0.62%

LAB 65.04, 1.08, 2.72

 

CMYK 14 / 5 / 0 / 34

HEX #92A0A9

RGB 146 160 169

HSL 203.48, 0.12%, 0.62%

LAB 65.06, -3.05, -6.36

 

CMYK 0 / 49 / 42 / 18

HEX #D16A7A

RGB 209 106 122

HSL 350.68, 0.53%, 0.62%

LAB 57.34, 42.15, 10.07

 

CMYK 0 / 44 / 49 / 18

HEX #D1766A

RGB 209 118 106

HSL 6.99, 0.53%, 0.62%

LAB 59.48, 34.3, 22.26

 

CMYK 0 / 30 / 49 / 18

HEX #D1926A

RGB 209 146 106

HSL 23.3, 0.53%, 0.62%

LAB 65.87, 19.22, 30.67

 

CMYK 0 / 17 / 49 / 18

HEX #D1AD6A

RGB 209 173 106

HSL 39.03, 0.53%, 0.62%

LAB 72.55, 4.64, 39.15

 

CMYK 0 / 4 / 49 / 18

HEX #D1C86A

RGB 209 200 106

HSL 54.76, 0.53%, 0.62%

LAB 79.56, -9.48, 47.73

 

CMYK 0 / 42 / 70 / 30

HEX #B26736

RGB 178 103 54

HSL 23.71, 0.53%, 0.45%

LAB 51.19, 25.88, 39.81

 

CMYK 0 / 38 / 62 / 22

HEX #C77C4B

RGB 199 124 75

HSL 23.71, 0.53%, 0.54%

LAB 59.03, 24.52, 38.56

 

CMYK 0 / 30 / 49 / 18

HEX #D1936A

RGB 209 147 106

HSL 23.88, 0.53%, 0.62%

LAB 66.11, 18.68, 30.98

 

CMYK 0 / 22 / 37 / 14

HEX #DBAA8A

RGB 219 170 138

HSL 23.7, 0.53%, 0.7%

LAB 73.31, 13.68, 23.39

 

CMYK 0 / 16 / 26 / 11

HEX #E4C0A9

RGB 228 192 169

HSL 23.39, 0.52%, 0.78%

LAB 80.21, 9.41, 16.37

 

CMYK 0 / 30 / 49 / 18

HEX #D1936B

RGB 209 147 107

HSL 23.53, 0.53%, 0.62%

LAB 66.12, 18.77, 30.46

 

CMYK 29 / 0 / 49 / 18

HEX #95D16A

RGB 149 209 106

HSL 94.95, 0.53%, 0.62%

LAB 77.89, -37.03, 44.74

 

CMYK 49 / 48 / 0 / 18

HEX #6A6CD1

RGB 106 108 209

HSL 238.83, 0.53%, 0.62%

LAB 49.97, 26.39, -52.63

 

CMYK 0 / 30 / 49 / 18

HEX #D1936B

RGB 209 147 107

HSL 23.53, 0.53%, 0.62%

LAB 66.12, 18.77, 30.46

 

CMYK 49 / 0 / 30 / 18

HEX #6AD192

RGB 106 209 146

HSL 143.3, 0.53%, 0.62%

LAB 76.52, -44.1, 22.26

 

CMYK 30 / 49 / 0 / 18

HEX #926AD1

RGB 146 106 209

HSL 263.3, 0.53%, 0.62%

LAB 52.97, 37.42, -47.63

 

CMYK 0 / 30 / 49 / 18

HEX #D1936B

RGB 209 147 107

HSL 23.53, 0.53%, 0.62%

LAB 66.12, 18.77, 30.46

 

CMYK 29 / 0 / 49 / 18

HEX #95D16A

RGB 149 209 106

HSL 94.95, 0.53%, 0.62%

LAB 77.89, -37.03, 44.74

 

CMYK 49 / 19 / 0 / 18

HEX #6AAAD1

RGB 106 170 209

HSL 202.72, 0.53%, 0.62%

LAB 66.84, -9.85, -26.16

 

CMYK 21 / 49 / 0 / 18

HEX #A66AD1

RGB 166 106 209

HSL 274.95, 0.53%, 0.62%

LAB 55.09, 42.81, -44.14

 

CMYK 0 / 30 / 49 / 18

HEX #D1936B

RGB 209 147 107

HSL 23.53, 0.53%, 0.62%

LAB 66.12, 18.77, 30.46

 

CMYK 44 / 0 / 49 / 18

HEX #76D16A

RGB 118 209 106

HSL 113.01, 0.53%, 0.62%

LAB 76.37, -47.18, 42.53

 

CMYK 49 / 19 / 0 / 18

HEX #6AAAD1

RGB 106 170 209

HSL 202.72, 0.53%, 0.62%

LAB 66.84, -9.85, -26.16

 

CMYK 6 / 49 / 0 / 18

HEX #C56AD1

RGB 197 106 209

HSL 293.01, 0.53%, 0.62%

LAB 58.77, 51.43, -38.09

 

Description

Color code: HEX #D1936B | qconv.com Color code: HEX #D1936B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 147 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 147 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 49 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 49% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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