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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D193B3 it is the complementary color #2E6C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D193B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D193B3 shade: #D693AE, #E7A5C1, #F8B7D4, #FFC9E7 and #FFDBFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D193B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D193B3 shade: #D193B3, #C081A0, #AF6F8D, #9E5D7A and #8D4B67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D193B3 shade: #D193B3, #D193A2 and #D19393

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D193B3 shade: #D193B3, #D193C3, #CD93D1, #BD93D1 and #AC93D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D193B3 shade matches the following richer shades: #D193B3, #DD87B3, #E97BB4 and #F66EB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D193B3 shade: #D193B3, #C4A0B3, #B8ACB2, #ABB9B2 and #9FC5B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D193B3 shade: #CE93D1, #D193C3, #D193B3, #D193A3 and #D19493

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D193B3 shade: #B85A8A, #C4779F, #D193B3, #DDB0C7 and #E9CDDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D193B3 shade: #D193B3, #D1BD93 and #93CBD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D193B3 shade: #D193B3, #B3D193 and #93B3D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D193B3 shade: #D193B3, #D1BD93, #93D1B1 and #93A7D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D193B3 shade: #D193B3, #D1D093, #93D1B1 and #9394D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

Complementary color

CMYK 57 / 0 / 30 / 58

HEX #2E6C4C

RGB 46 108 76

HSL 149.03, 0.4%, 0.3%

LAB 40.94, -28.21, 12

 

CMYK 0 / 31 / 19 / 16

HEX #D693AE

RGB 214 147 174

HSL 335.82, 0.45%, 0.71%

LAB 68.18, 29.15, -3.84

 

CMYK 0 / 29 / 16 / 9

HEX #E7A5C1

RGB 231 165 193

HSL 334.55, 0.58%, 0.78%

LAB 74.67, 28.45, -4.6

 

CMYK 0 / 26 / 15 / 3

HEX #F8B7D4

RGB 248 183 212

HSL 333.23, 0.82%, 0.85%

LAB 81.06, 27.8, -5.3

 

CMYK 0 / 21 / 9 / 0

HEX #FFC9E7

RGB 255 201 231

HSL 326.67, 1%, 0.89%

LAB 86.41, 23.79, -7.48

 

CMYK 0 / 14 / 2 / 0

HEX #FFDBFA

RGB 255 219 250

HSL 308.33, 1%, 0.93%

LAB 91.16, 17.62, -10.46

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 33 / 17 / 25

HEX #C081A0

RGB 192 129 160

HSL 330.48, 0.33%, 0.63%

LAB 61.17, 28.9, -6.57

 

CMYK 0 / 37 / 19 / 31

HEX #AF6F8D

RGB 175 111 141

HSL 331.88, 0.29%, 0.56%

LAB 54.46, 29.68, -5.77

 

CMYK 0 / 41 / 23 / 38

HEX #9E5D7A

RGB 158 93 122

HSL 333.23, 0.26%, 0.49%

LAB 47.63, 30.53, -4.86

 

CMYK 0 / 47 / 27 / 45

HEX #8D4B67

RGB 141 75 103

HSL 334.55, 0.31%, 0.42%

LAB 40.69, 31.41, -3.78

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 30 / 22 / 18

HEX #D193A2

RGB 209 147 162

HSL 345.48, 0.4%, 0.7%

LAB 67.3, 25.52, 1.52

 

CMYK 0 / 30 / 30 / 18

HEX #D19393

RGB 209 147 147

HSL 0, 0.4%, 0.7%

LAB 66.92, 23.4, 9.39

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 30 / 7 / 18

HEX #D193C3

RGB 209 147 195

HSL 313.55, 0.4%, 0.7%

LAB 68.29, 30.9, -15.47

 

CMYK 2 / 30 / 0 / 18

HEX #CD93D1

RGB 205 147 209

HSL 296.13, 0.4%, 0.7%

LAB 68.35, 32.14, -23.19

 

CMYK 10 / 30 / 0 / 18

HEX #BD93D1

RGB 189 147 209

HSL 280.65, 0.4%, 0.7%

LAB 66.74, 26.98, -25.8

 

CMYK 18 / 30 / 0 / 18

HEX #AC93D1

RGB 172 147 209

HSL 264.19, 0.4%, 0.7%

LAB 65.15, 21.6, -28.38

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 39 / 19 / 13

HEX #DD87B3

RGB 221 135 179

HSL 329.3, 0.56%, 0.7%

LAB 66.49, 38.78, -9.07

 

CMYK 0 / 47 / 23 / 9

HEX #E97BB4

RGB 233 123 180

HSL 328.91, 0.71%, 0.7%

LAB 65.58, 49.07, -10.83

 

CMYK 0 / 55 / 27 / 4

HEX #F66EB4

RGB 246 110 180

HSL 329.12, 0.88%, 0.7%

LAB 64.99, 59.35, -11.53

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 18 / 9 / 23

HEX #C4A0B3

RGB 196 160 179

HSL 328.33, 0.23%, 0.7%

LAB 69.56, 16.43, -4.8

 

CMYK 0 / 7 / 3 / 28

HEX #B8ACB2

RGB 184 172 178

HSL 330, 0.08%, 0.7%

LAB 71.49, 5.38, -1.53

 

CMYK 8 / 0 / 4 / 27

HEX #ABB9B2

RGB 171 185 178

HSL 150, 0.09%, 0.7%

LAB 73.91, -6.18, 1.88

 

CMYK 19 / 0 / 10 / 23

HEX #9FC5B1

RGB 159 197 177

HSL 148.42, 0.25%, 0.7%

LAB 76.36, -16.67, 5.86

 

CMYK 1 / 30 / 0 / 18

HEX #CE93D1

RGB 206 147 209

HSL 297.1, 0.4%, 0.7%

LAB 68.46, 32.46, -23.02

 

CMYK 0 / 30 / 7 / 18

HEX #D193C3

RGB 209 147 195

HSL 313.55, 0.4%, 0.7%

LAB 68.29, 30.9, -15.47

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 30 / 22 / 18

HEX #D193A3

RGB 209 147 163

HSL 344.52, 0.4%, 0.7%

LAB 67.33, 25.67, 1

 

CMYK 0 / 29 / 30 / 18

HEX #D19493

RGB 209 148 147

HSL 0.97, 0.4%, 0.7%

LAB 67.16, 22.85, 9.72

 

CMYK 0 / 51 / 25 / 28

HEX #B85A8A

RGB 184 90 138

HSL 329.36, 0.4%, 0.54%

LAB 51.08, 43.6, -8.9

 

CMYK 0 / 39 / 19 / 23

HEX #C4779F

RGB 196 119 159

HSL 328.83, 0.39%, 0.62%

LAB 59.37, 35.6, -8.62

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 20 / 10 / 13

HEX #DDB0C7

RGB 221 176 199

HSL 329.33, 0.4%, 0.78%

LAB 76.4, 20.01, -5.43

 

CMYK 0 / 12 / 6 / 9

HEX #E9CDDC

RGB 233 205 220

HSL 327.86, 0.39%, 0.86%

LAB 85.07, 12.3, -3.82

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 10 / 30 / 18

HEX #D1BD93

RGB 209 189 147

HSL 40.65, 0.4%, 0.7%

LAB 77.31, 0.76, 23.85

 

CMYK 30 / 3 / 0 / 18

HEX #93CBD1

RGB 147 203 209

HSL 185.81, 0.4%, 0.7%

LAB 78.18, -16.55, -8.81

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 14 / 0 / 30 / 18

HEX #B3D193

RGB 179 209 147

HSL 89.03, 0.4%, 0.7%

LAB 80.34, -20.85, 27.55

 

CMYK 30 / 14 / 0 / 18

HEX #93B3D1

RGB 147 179 209

HSL 209.03, 0.4%, 0.7%

LAB 71.59, -3.89, -18.71

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 10 / 30 / 18

HEX #D1BD93

RGB 209 189 147

HSL 40.65, 0.4%, 0.7%

LAB 77.31, 0.76, 23.85

 

CMYK 30 / 0 / 15 / 18

HEX #93D1B1

RGB 147 209 177

HSL 149.03, 0.4%, 0.7%

LAB 79.03, -26.46, 9.59

 

CMYK 30 / 20 / 0 / 18

HEX #93A7D1

RGB 147 167 209

HSL 220.65, 0.4%, 0.7%

LAB 68.35, 2.7, -23.64

 

CMYK 0 / 30 / 14 / 18

HEX #D193B3

RGB 209 147 179

HSL 329.03, 0.4%, 0.7%

LAB 67.78, 28.18, -7.29

 

CMYK 0 / 0 / 30 / 18

HEX #D1D093

RGB 209 208 147

HSL 59.03, 0.4%, 0.7%

LAB 82.26, -9.11, 30.5

 

CMYK 30 / 0 / 15 / 18

HEX #93D1B1

RGB 147 209 177

HSL 149.03, 0.4%, 0.7%

LAB 79.03, -26.46, 9.59

 

CMYK 30 / 29 / 0 / 18

HEX #9394D1

RGB 147 148 209

HSL 239.03, 0.4%, 0.7%

LAB 63.33, 13.45, -31.36

 

Description

Color code: HEX #D193B3 | qconv.com Color code: HEX #D193B3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 147 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 147 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 14 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 14% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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