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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D19B7D it is the complementary color #2E6482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D19B7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D19B7D shade: #D69B78, #E7AD8B, #F8BF9E, #FFD1B1 and #FFE3C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D19B7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D19B7D shade: #D19B7D, #C0896A, #AF7757, #9E6544 and #8D5331

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D19B7D shade: #D0997A, #D0827A and #D07A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D19B7D shade: #D0997A, #D0B07A, #D0C77A, #C2D07A and #ABD07A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D19B7D shade matches the following richer shades: #D0997A, #DF956C, #ED915E and #FB8D4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D19B7D shade: #D0997A, #C29D89, #B3A197, #A5A5A6 and #96AAB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D19B7D shade: #D07A8A, #D0827A, #D0987A, #D0AF7A and #D0C67A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D19B7D shade: #B86B40, #C5825C, #D0997A, #DBB099 and #E6C8B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D19B7D shade: #D19B7D, #A1D07A and #7A7FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D19B7D shade: #D19B7D, #7AD098 and #987AD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D19B7D shade: #D19B7D, #A1D07A, #7AB2D0 and #AA7AD0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D19B7D shade: #D19B7D, #87D07A, #7AB2D0 and #C37AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 40 / 18

HEX #D19B7D

RGB 209 155 125

HSL 21.43, 0.48%, 0.65%

LAB 68.37, 16.31, 23.61

 

Complementary color

CMYK 65 / 23 / 0 / 49

HEX #2E6482

RGB 46 100 130

HSL 201.43, 0.48%, 0.35%

LAB 40.09, -8.01, -22.04

 

CMYK 0 / 28 / 44 / 16

HEX #D69B78

RGB 214 155 120

HSL 22.34, 0.53%, 0.65%

LAB 68.82, 17.77, 27.03

 

CMYK 0 / 25 / 40 / 9

HEX #E7AD8B

RGB 231 173 139

HSL 22.17, 0.66%, 0.73%

LAB 75.29, 16.91, 25.73

 

CMYK 0 / 23 / 36 / 3

HEX #F8BF9E

RGB 248 191 158

HSL 22, 0.87%, 0.8%

LAB 81.67, 16.15, 24.53

 

CMYK 0 / 18 / 31 / 0

HEX #FFD1B1

RGB 255 209 177

HSL 24.62, 1%, 0.85%

LAB 87.01, 11.72, 21.96

 

CMYK 0 / 11 / 23 / 0

HEX #FFE3C4

RGB 255 227 196

HSL 31.53, 1%, 0.88%

LAB 91.77, 4.95, 18.66

 

CMYK 0 / 26 / 40 / 18

HEX #D19B7D

RGB 209 155 125

HSL 21.43, 0.48%, 0.65%

LAB 68.37, 16.31, 23.61

 

CMYK 0 / 29 / 45 / 25

HEX #C0896A

RGB 192 137 106

HSL 21.63, 0.41%, 0.58%

LAB 61.77, 17.2, 24.94

 

CMYK 0 / 32 / 50 / 31

HEX #AF7757

RGB 175 119 87

HSL 21.82, 0.35%, 0.51%

LAB 55.07, 18.23, 26.41

 

CMYK 0 / 36 / 57 / 38

HEX #9E6544

RGB 158 101 68

HSL 22, 0.4%, 0.44%

LAB 48.25, 19.44, 28.05

 

CMYK 0 / 41 / 65 / 45

HEX #8D5331

RGB 141 83 49

HSL 22.17, 0.48%, 0.37%

LAB 41.33, 20.87, 29.88

 

CMYK 0 / 26 / 41 / 18

HEX #D0997A

RGB 208 153 122

HSL 21.63, 0.48%, 0.65%

LAB 67.72, 16.66, 24.36

 

CMYK 0 / 38 / 41 / 18

HEX #D0827A

RGB 208 130 122

HSL 5.58, 0.48%, 0.65%

LAB 62.32, 29.15, 17.01

 

CMYK 0 / 41 / 41 / 18

HEX #D07A7A

RGB 208 122 122

HSL 0, 0.48%, 0.65%

LAB 60.55, 33.44, 14.55

 

CMYK 0 / 26 / 41 / 18

HEX #D0997A

RGB 208 153 122

HSL 21.63, 0.48%, 0.65%

LAB 67.72, 16.66, 24.36

 

CMYK 0 / 15 / 41 / 18

HEX #D0B07A

RGB 208 176 122

HSL 37.67, 0.48%, 0.65%

LAB 73.46, 4.25, 31.95

 

CMYK 0 / 4 / 41 / 18

HEX #D0C77A

RGB 208 199 122

HSL 53.72, 0.48%, 0.65%

LAB 79.42, -7.81, 39.61

 

CMYK 7 / 0 / 41 / 18

HEX #C2D07A

RGB 194 208 122

HSL 69.77, 0.48%, 0.65%

LAB 80.73, -17.9, 41.04

 

CMYK 18 / 0 / 41 / 18

HEX #ABD07A

RGB 171 208 122

HSL 85.81, 0.48%, 0.65%

LAB 79.14, -26.66, 38.69

 

CMYK 0 / 26 / 41 / 18

HEX #D0997A

RGB 208 153 122

HSL 21.63, 0.48%, 0.65%

LAB 67.72, 16.66, 24.36

 

CMYK 0 / 33 / 52 / 13

HEX #DF956C

RGB 223 149 108

HSL 21.39, 0.64%, 0.65%

LAB 68.22, 23.45, 32.93

 

CMYK 0 / 39 / 60 / 7

HEX #ED915E

RGB 237 145 94

HSL 21.4, 0.8%, 0.65%

LAB 68.8, 30.08, 41.44

 

CMYK 0 / 44 / 69 / 2

HEX #FB8D4F

RGB 251 141 79

HSL 21.63, 0.96%, 0.65%

LAB 69.56, 36.77, 50.39

 

CMYK 0 / 26 / 41 / 18

HEX #D0997A

RGB 208 153 122

HSL 21.63, 0.48%, 0.65%

LAB 67.72, 16.66, 24.36

 

CMYK 0 / 19 / 29 / 24

HEX #C29D89

RGB 194 157 137

HSL 21.05, 0.32%, 0.65%

LAB 67.57, 10.77, 15.64

 

CMYK 0 / 10 / 16 / 30

HEX #B3A197

RGB 179 161 151

HSL 21.43, 0.16%, 0.65%

LAB 67.51, 4.88, 7.59

 

CMYK 1 / 1 / 0 / 35

HEX #A5A5A6

RGB 165 165 166

HSL 240, 0.01%, 0.65%

LAB 67.77, 0.19, -0.52

 

CMYK 17 / 6 / 0 / 29

HEX #96AAB4

RGB 150 170 180

HSL 200, 0.17%, 0.65%

LAB 68.41, -4.8, -7.48

 

CMYK 0 / 41 / 34 / 18

HEX #D07A8A

RGB 208 122 138

HSL 348.84, 0.48%, 0.65%

LAB 60.93, 35.34, 5.91

 

CMYK 0 / 38 / 41 / 18

HEX #D0827A

RGB 208 130 122

HSL 5.58, 0.48%, 0.65%

LAB 62.32, 29.15, 17.01

 

CMYK 0 / 27 / 41 / 18

HEX #D0987A

RGB 208 152 122

HSL 20.93, 0.48%, 0.65%

LAB 67.48, 17.2, 24.03

 

CMYK 0 / 16 / 41 / 18

HEX #D0AF7A

RGB 208 175 122

HSL 36.98, 0.48%, 0.65%

LAB 73.2, 4.78, 31.62

 

CMYK 0 / 5 / 41 / 18

HEX #D0C67A

RGB 208 198 122

HSL 53.02, 0.48%, 0.65%

LAB 79.16, -7.29, 39.28

 

CMYK 0 / 42 / 65 / 28

HEX #B86B40

RGB 184 107 64

HSL 21.5, 0.48%, 0.49%

LAB 53.03, 26.81, 36.85

 

CMYK 0 / 34 / 53 / 23

HEX #C5825C

RGB 197 130 92

HSL 21.71, 0.48%, 0.57%

LAB 60.43, 21.75, 31.05

 

CMYK 0 / 26 / 41 / 18

HEX #D0997A

RGB 208 153 122

HSL 21.63, 0.48%, 0.65%

LAB 67.72, 16.66, 24.36

 

CMYK 0 / 20 / 30 / 14

HEX #DBB099

RGB 219 176 153

HSL 20.91, 0.48%, 0.73%

LAB 75.08, 12.34, 17.7

 

CMYK 0 / 13 / 20 / 10

HEX #E6C8B7

RGB 230 200 183

HSL 21.7, 0.48%, 0.81%

LAB 82.67, 7.93, 12.39

 

CMYK 0 / 26 / 40 / 18

HEX #D19B7D

RGB 209 155 125

HSL 21.43, 0.48%, 0.65%

LAB 68.37, 16.31, 23.61

 

CMYK 23 / 0 / 41 / 18

HEX #A1D07A

RGB 161 208 122

HSL 92.79, 0.48%, 0.65%

LAB 78.52, -30.33, 37.77

 

CMYK 41 / 39 / 0 / 18

HEX #7A7FD0

RGB 122 127 208

HSL 236.51, 0.48%, 0.65%

LAB 55.96, 18.52, -42.47

 

CMYK 0 / 26 / 40 / 18

HEX #D19B7D

RGB 209 155 125

HSL 21.43, 0.48%, 0.65%

LAB 68.37, 16.31, 23.61

 

CMYK 41 / 0 / 27 / 18

HEX #7AD098

RGB 122 208 152

HSL 140.93, 0.48%, 0.65%

LAB 76.99, -38.23, 19.84

 

CMYK 27 / 41 / 0 / 18

HEX #987AD0

RGB 152 122 208

HSL 260.93, 0.48%, 0.65%

LAB 57.22, 29.65, -40.31

 

CMYK 0 / 26 / 40 / 18

HEX #D19B7D

RGB 209 155 125

HSL 21.43, 0.48%, 0.65%

LAB 68.37, 16.31, 23.61

 

CMYK 23 / 0 / 41 / 18

HEX #A1D07A

RGB 161 208 122

HSL 92.79, 0.48%, 0.65%

LAB 78.52, -30.33, 37.77

 

CMYK 41 / 14 / 0 / 18

HEX #7AB2D0

RGB 122 178 208

HSL 200.93, 0.48%, 0.65%

LAB 69.85, -10.52, -20.94

 

CMYK 18 / 41 / 0 / 18

HEX #AA7AD0

RGB 170 122 208

HSL 273.49, 0.48%, 0.65%

LAB 58.99, 34.88, -37.4

 

CMYK 0 / 26 / 40 / 18

HEX #D19B7D

RGB 209 155 125

HSL 21.43, 0.48%, 0.65%

LAB 68.37, 16.31, 23.61

 

CMYK 35 / 0 / 41 / 18

HEX #87D07A

RGB 135 208 122

HSL 110.93, 0.48%, 0.65%

LAB 77.08, -39.25, 35.64

 

CMYK 41 / 14 / 0 / 18

HEX #7AB2D0

RGB 122 178 208

HSL 200.93, 0.48%, 0.65%

LAB 69.85, -10.52, -20.94

 

CMYK 6 / 41 / 0 / 18

HEX #C37AD0

RGB 195 122 208

HSL 290.93, 0.48%, 0.65%

LAB 61.72, 42.34, -32.95

 

Description

Color code: HEX #D19B7D | qconv.com Color code: HEX #D19B7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 155 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 155 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 40% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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