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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D19D7A it is the complementary color #2E6285. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D19D7A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D19D7A shade: #D69D75, #E7AF88, #F8C19B, #FFD3AE and #FFE5C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D19D7A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D19D7A shade: #D19D7A, #C08B67, #AF7954, #9E6741 and #8D552E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D19D7A shade: #D19D7A, #D1857A and #D17A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D19D7A shade: #D19D7A, #D1B47A, #D1CC7A, #BED17A and #A7D17A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D19D7A shade matches the following richer shades: #D19D7A, #DF9A6B, #EE975D and #FC944E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D19D7A shade: #D19D7A, #C3A088, #B4A296, #A6A5A5 and #97A8B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D19D7A shade: #D17A85, #D1857A, #D19D7A, #D1B47A and #D1CB7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D19D7A shade: #B9703F, #C6865B, #D19D7A, #DCB398 and #E6CAB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D19D7A shade: #D19D7A, #9DD17A and #7A7AD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D19D7A shade: #D19D7A, #7AD19D and #9D7AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D19D7A shade: #D19D7A, #9DD17A, #7AAED1 and #AE7AD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D19D7A shade: #D19D7A, #82D17A, #7AAED1 and #C87AD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

Complementary color

CMYK 65 / 26 / 0 / 48

HEX #2E6285

RGB 46 98 133

HSL 204.14, 0.49%, 0.35%

LAB 39.6, -5.76, -24.62

 

CMYK 0 / 27 / 45 / 16

HEX #D69D75

RGB 214 157 117

HSL 24.74, 0.54%, 0.65%

LAB 69.25, 16.37, 29.23

 

CMYK 0 / 24 / 41 / 9

HEX #E7AF88

RGB 231 175 136

HSL 24.63, 0.66%, 0.72%

LAB 75.72, 15.51, 27.91

 

CMYK 0 / 22 / 38 / 3

HEX #F8C19B

RGB 248 193 155

HSL 24.52, 0.87%, 0.79%

LAB 82.09, 14.76, 26.69

 

CMYK 0 / 17 / 32 / 0

HEX #FFD3AE

RGB 255 211 174

HSL 27.41, 1%, 0.84%

LAB 87.44, 10.3, 24.12

 

CMYK 0 / 10 / 24 / 0

HEX #FFE5C1

RGB 255 229 193

HSL 34.84, 1%, 0.88%

LAB 92.2, 3.51, 20.82

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 0 / 28 / 46 / 25

HEX #C08B67

RGB 192 139 103

HSL 24.27, 0.41%, 0.58%

LAB 62.21, 15.78, 27.18

 

CMYK 0 / 31 / 52 / 31

HEX #AF7954

RGB 175 121 84

HSL 24.4, 0.36%, 0.51%

LAB 55.51, 16.82, 28.67

 

CMYK 0 / 35 / 59 / 38

HEX #9E6741

RGB 158 103 65

HSL 24.52, 0.42%, 0.44%

LAB 48.7, 18.05, 30.3

 

CMYK 0 / 40 / 67 / 45

HEX #8D552E

RGB 141 85 46

HSL 24.63, 0.51%, 0.37%

LAB 41.78, 19.5, 32.07

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 0 / 36 / 42 / 18

HEX #D1857A

RGB 209 133 122

HSL 7.59, 0.49%, 0.65%

LAB 63.12, 27.92, 18.13

 

CMYK 0 / 42 / 42 / 18

HEX #D17A7A

RGB 209 122 122

HSL 0, 0.49%, 0.65%

LAB 60.68, 33.82, 14.75

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 0 / 14 / 42 / 18

HEX #D1B47A

RGB 209 180 122

HSL 40, 0.49%, 0.65%

LAB 74.57, 2.52, 33.42

 

CMYK 0 / 2 / 42 / 18

HEX #D1CC7A

RGB 209 204 122

HSL 56.55, 0.49%, 0.65%

LAB 80.82, -9.97, 41.39

 

CMYK 9 / 0 / 42 / 18

HEX #BED17A

RGB 190 209 122

HSL 73.1, 0.49%, 0.65%

LAB 80.71, -19.95, 40.95

 

CMYK 20 / 0 / 42 / 18

HEX #A7D17A

RGB 167 209 122

HSL 88.97, 0.49%, 0.65%

LAB 79.17, -28.62, 38.68

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 0 / 31 / 52 / 13

HEX #DF9A6B

RGB 223 154 107

HSL 24.31, 0.64%, 0.65%

LAB 69.37, 20.68, 34.94

 

CMYK 0 / 37 / 61 / 7

HEX #EE975D

RGB 238 151 93

HSL 24, 0.81%, 0.65%

LAB 70.25, 27.25, 43.73

 

CMYK 0 / 41 / 69 / 1

HEX #FC944E

RGB 252 148 78

HSL 24.14, 0.97%, 0.65%

LAB 71.16, 33.52, 52.69

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 0 / 18 / 30 / 24

HEX #C3A088

RGB 195 160 136

HSL 24.41, 0.33%, 0.65%

LAB 68.4, 9.38, 17.37

 

CMYK 0 / 10 / 17 / 29

HEX #B4A296

RGB 180 162 150

HSL 24, 0.17%, 0.65%

LAB 67.83, 4.55, 8.62

 

CMYK 0 / 1 / 1 / 35

HEX #A6A5A5

RGB 166 165 165

HSL 0, 0.01%, 0.65%

LAB 67.82, 0.36, 0.12

 

CMYK 16 / 6 / 0 / 30

HEX #97A8B3

RGB 151 168 179

HSL 203.57, 0.16%, 0.65%

LAB 67.9, -3.6, -7.67

 

CMYK 0 / 42 / 36 / 18

HEX #D17A85

RGB 209 122 133

HSL 352.41, 0.49%, 0.65%

LAB 60.93, 35.09, 8.81

 

CMYK 0 / 36 / 42 / 18

HEX #D1857A

RGB 209 133 122

HSL 7.59, 0.49%, 0.65%

LAB 63.12, 27.92, 18.13

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 0 / 14 / 42 / 18

HEX #D1B47A

RGB 209 180 122

HSL 40, 0.49%, 0.65%

LAB 74.57, 2.52, 33.42

 

CMYK 0 / 3 / 42 / 18

HEX #D1CB7A

RGB 209 203 122

HSL 55.86, 0.49%, 0.65%

LAB 80.56, -9.46, 41.06

 

CMYK 0 / 39 / 66 / 27

HEX #B9703F

RGB 185 112 63

HSL 24.1, 0.49%, 0.49%

LAB 54.3, 24.43, 38.89

 

CMYK 0 / 32 / 54 / 22

HEX #C6865B

RGB 198 134 91

HSL 24.11, 0.48%, 0.57%

LAB 61.49, 19.88, 32.96

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 0 / 19 / 31 / 14

HEX #DCB398

RGB 220 179 152

HSL 23.82, 0.49%, 0.73%

LAB 75.9, 10.99, 19.39

 

CMYK 0 / 12 / 20 / 10

HEX #E6CAB7

RGB 230 202 183

HSL 24.26, 0.48%, 0.81%

LAB 83.17, 6.88, 13.09

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 25 / 0 / 42 / 18

HEX #9DD17A

RGB 157 209 122

HSL 95.86, 0.49%, 0.65%

LAB 78.56, -32.23, 37.78

 

CMYK 42 / 42 / 0 / 18

HEX #7A7AD1

RGB 122 122 209

HSL 240, 0.49%, 0.65%

LAB 54.72, 21.79, -44.99

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 42 / 0 / 25 / 18

HEX #7AD19D

RGB 122 209 157

HSL 144.14, 0.49%, 0.65%

LAB 77.38, -37.72, 17.74

 

CMYK 25 / 42 / 0 / 18

HEX #9D7AD1

RGB 157 122 209

HSL 264.14, 0.49%, 0.65%

LAB 57.74, 31.33, -40.02

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 25 / 0 / 42 / 18

HEX #9DD17A

RGB 157 209 122

HSL 95.86, 0.49%, 0.65%

LAB 78.56, -32.23, 37.78

 

CMYK 42 / 17 / 0 / 18

HEX #7AAED1

RGB 122 174 209

HSL 204.14, 0.49%, 0.65%

LAB 68.76, -8.09, -23.14

 

CMYK 17 / 42 / 0 / 18

HEX #AE7AD1

RGB 174 122 209

HSL 275.86, 0.49%, 0.65%

LAB 59.45, 36.28, -37.21

 

CMYK 0 / 25 / 42 / 18

HEX #D19D7A

RGB 209 157 122

HSL 24.14, 0.49%, 0.65%

LAB 68.81, 14.89, 25.83

 

CMYK 38 / 0 / 42 / 18

HEX #82D17A

RGB 130 209 122

HSL 114.48, 0.49%, 0.65%

LAB 77.13, -41.29, 35.66

 

CMYK 42 / 17 / 0 / 18

HEX #7AAED1

RGB 122 174 209

HSL 204.14, 0.49%, 0.65%

LAB 68.76, -8.09, -23.14

 

CMYK 4 / 42 / 0 / 18

HEX #C87AD1

RGB 200 122 209

HSL 293.79, 0.49%, 0.65%

LAB 62.34, 44.03, -32.5

 

Description

Color code: HEX #D19D7A | qconv.com Color code: HEX #D19D7A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 157 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 157 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 42 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 42% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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