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Color name
HEX #D1B898

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1B898 it is the complementary color #2E4767. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1B898. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1B898 shade: #D6B893, #E7CAA6, #F8DCB9, #FFEECC and #FFFFDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1B898. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1B898 shade: #D1B898, #C0A685, #AF9472, #9E825F and #8D704C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1B898 shade: #D1B898, #D1A998, #D19A98 and #D19898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1B898 shade: #D1B898, #D1C798, #CBD198, #BCD198 and #ADD198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1B898 shade matches the following richer shades: #D1B898, #DDB98C, #E9BB81 and #F5BC75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1B898 shade: #D1B898, #C5B7A4, #B9B5B0, #ADB4BC and #A1B2C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1B898 shade: #D19998, #D1A898, #D1B798, #D1C698 and #CCD198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1B898 shade: #B79160, #C4A47C, #D1B898, #DDCCB5 and #EADFD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1B898 shade: #D1B898, #A6D198 and #A198D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1B898 shade: #D1B898, #98D1B7 and #B798D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1B898 shade: #D1B898, #A6D198, #98B2D1 and #C398D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1B898 shade: #D1B898, #98D19B, #98B2D1 and #D198CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

Complementary color

CMYK 55 / 31 / 0 / 60

HEX #2E4767

RGB 46 71 103

HSL 213.68, 0.38%, 0.29%

LAB 29.58, 0.7, -21.62

 

CMYK 0 / 14 / 31 / 16

HEX #D6B893

RGB 214 184 147

HSL 33.13, 0.45%, 0.71%

LAB 76.49, 5.35, 22.79

 

CMYK 0 / 13 / 28 / 9

HEX #E7CAA6

RGB 231 202 166

HSL 33.23, 0.58%, 0.78%

LAB 82.9, 4.88, 21.74

 

CMYK 0 / 11 / 25 / 3

HEX #F8DCB9

RGB 248 220 185

HSL 33.33, 0.82%, 0.85%

LAB 89.23, 4.46, 20.75

 

CMYK 0 / 7 / 20 / 0

HEX #FFEECC

RGB 255 238 204

HSL 40, 1%, 0.9%

LAB 94.64, 0.47, 18.54

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 0 / 14 / 31 / 25

HEX #C0A685

RGB 192 166 133

HSL 33.56, 0.32%, 0.64%

LAB 69.59, 4.54, 20.61

 

CMYK 0 / 15 / 35 / 31

HEX #AF9472

RGB 175 148 114

HSL 33.44, 0.28%, 0.57%

LAB 62.93, 5.07, 21.74

 

CMYK 0 / 18 / 40 / 38

HEX #9E825F

RGB 158 130 95

HSL 33.33, 0.25%, 0.5%

LAB 56.15, 5.7, 22.98

 

CMYK 0 / 21 / 46 / 45

HEX #8D704C

RGB 141 112 76

HSL 33.23, 0.3%, 0.43%

LAB 49.22, 6.46, 24.32

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 0 / 19 / 27 / 18

HEX #D1A998

RGB 209 169 152

HSL 17.89, 0.38%, 0.71%

LAB 72.36, 12.12, 14.3

 

CMYK 0 / 26 / 27 / 18

HEX #D19A98

RGB 209 154 152

HSL 2.11, 0.38%, 0.71%

LAB 68.7, 20.27, 9.13

 

CMYK 0 / 27 / 27 / 18

HEX #D19898

RGB 209 152 152

HSL 0, 0.38%, 0.71%

LAB 68.23, 21.36, 8.45

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 0 / 5 / 27 / 18

HEX #D1C798

RGB 209 199 152

HSL 49.47, 0.38%, 0.71%

LAB 79.99, -3.82, 24.84

 

CMYK 3 / 0 / 27 / 18

HEX #CBD198

RGB 203 209 152

HSL 66.32, 0.38%, 0.71%

LAB 82.14, -11.24, 27.67

 

CMYK 10 / 0 / 27 / 18

HEX #BCD198

RGB 188 209 152

HSL 82.11, 0.38%, 0.71%

LAB 81.05, -16.83, 26

 

CMYK 17 / 0 / 27 / 18

HEX #ADD198

RGB 173 209 152

HSL 97.89, 0.38%, 0.71%

LAB 80.04, -22.25, 24.47

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 0 / 16 / 37 / 13

HEX #DDB98C

RGB 221 185 140

HSL 33.33, 0.54%, 0.71%

LAB 77.26, 6.7, 27.67

 

CMYK 0 / 20 / 45 / 9

HEX #E9BB81

RGB 233 187 129

HSL 33.46, 0.7%, 0.71%

LAB 78.72, 9.22, 35.59

 

CMYK 0 / 23 / 52 / 4

HEX #F5BC75

RGB 245 188 117

HSL 33.28, 0.86%, 0.71%

LAB 79.99, 12.41, 43.58

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 0 / 7 / 17 / 23

HEX #C5B7A4

RGB 197 183 164

HSL 34.55, 0.22%, 0.71%

LAB 75.09, 1.81, 11.45

 

CMYK 0 / 2 / 5 / 27

HEX #B9B5B0

RGB 185 181 176

HSL 33.33, 0.06%, 0.71%

LAB 73.87, 0.51, 3.03

 

CMYK 8 / 4 / 0 / 26

HEX #ADB4BC

RGB 173 180 188

HSL 212, 0.1%, 0.71%

LAB 73, -0.86, -4.91

 

CMYK 20 / 11 / 0 / 22

HEX #A1B2C8

RGB 161 178 200

HSL 213.85, 0.26%, 0.71%

LAB 71.95, -1.18, -13.14

 

CMYK 0 / 27 / 27 / 18

HEX #D19998

RGB 209 153 152

HSL 1.05, 0.38%, 0.71%

LAB 68.46, 20.82, 8.79

 

CMYK 0 / 20 / 27 / 18

HEX #D1A898

RGB 209 168 152

HSL 16.84, 0.38%, 0.71%

LAB 72.11, 12.66, 13.95

 

CMYK 0 / 12 / 27 / 18

HEX #D1B798

RGB 209 183 152

HSL 32.63, 0.38%, 0.71%

LAB 75.88, 4.61, 19.2

 

CMYK 0 / 5 / 27 / 18

HEX #D1C698

RGB 209 198 152

HSL 48.42, 0.38%, 0.71%

LAB 79.73, -3.3, 24.49

 

CMYK 2 / 0 / 27 / 18

HEX #CCD198

RGB 204 209 152

HSL 65.26, 0.38%, 0.71%

LAB 82.22, -10.86, 27.78

 

CMYK 0 / 21 / 48 / 28

HEX #B79160

RGB 183 145 96

HSL 33.79, 0.38%, 0.55%

LAB 62.64, 8, 31.37

 

CMYK 0 / 16 / 37 / 23

HEX #C4A47C

RGB 196 164 124

HSL 33.33, 0.38%, 0.63%

LAB 69.29, 6.08, 25.15

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 0 / 8 / 18 / 13

HEX #DDCCB5

RGB 221 204 181

HSL 34.5, 0.37%, 0.79%

LAB 82.86, 2.22, 13.6

 

CMYK 0 / 5 / 11 / 8

HEX #EADFD1

RGB 234 223 209

HSL 33.6, 0.37%, 0.87%

LAB 89.33, 1.41, 8.19

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 21 / 0 / 27 / 18

HEX #A6D198

RGB 166 209 152

HSL 105.26, 0.38%, 0.71%

LAB 79.6, -24.71, 23.79

 

CMYK 23 / 27 / 0 / 18

HEX #A198D1

RGB 161 152 209

HSL 249.47, 0.38%, 0.71%

LAB 65.47, 15.36, -27.97

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 27 / 0 / 12 / 18

HEX #98D1B7

RGB 152 209 183

HSL 152.63, 0.38%, 0.71%

LAB 79.44, -23.72, 7.01

 

CMYK 12 / 27 / 0 / 18

HEX #B798D1

RGB 183 152 209

HSL 272.63, 0.38%, 0.71%

LAB 67.37, 22.27, -24.88

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 21 / 0 / 27 / 18

HEX #A6D198

RGB 166 209 152

HSL 105.26, 0.38%, 0.71%

LAB 79.6, -24.71, 23.79

 

CMYK 27 / 15 / 0 / 18

HEX #98B2D1

RGB 152 178 209

HSL 212.63, 0.38%, 0.71%

LAB 71.64, -1.87, -18.6

 

CMYK 7 / 27 / 0 / 18

HEX #C398D1

RGB 195 152 209

HSL 285.26, 0.38%, 0.71%

LAB 68.51, 26.15, -23.05

 

CMYK 0 / 12 / 27 / 18

HEX #D1B898

RGB 209 184 152

HSL 33.68, 0.38%, 0.71%

LAB 76.13, 4.07, 19.55

 

CMYK 27 / 0 / 26 / 18

HEX #98D19B

RGB 152 209 155

HSL 123.16, 0.38%, 0.71%

LAB 78.84, -28.95, 21.04

 

CMYK 27 / 15 / 0 / 18

HEX #98B2D1

RGB 152 178 209

HSL 212.63, 0.38%, 0.71%

LAB 71.64, -1.87, -18.6

 

CMYK 0 / 27 / 1 / 18

HEX #D198CE

RGB 209 152 206

HSL 303.16, 0.38%, 0.71%

LAB 69.8, 30.16, -19.28

 

Description

Color code: HEX #D1B898 | qconv.com Color code: HEX #D1B898 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 184 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 184 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 27 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 27% 18% C M Y K

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Provide designers and agencies with accurate color values.

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