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Color name
HEX #D1C65C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1C65C it is the complementary color #2E39A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1C65C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1C65C shade: #D6C657, #E7D86A, #F8EA7D, #FFFC90 and #FFFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1C65C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1C65C shade: #D1C65C, #C0B449, #AFA236, #9E9023 and #8D7E10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1C65C shade: #D0C55B, #D0A65B, #D0865B, #D0675B and #D05B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1C65C shade: #D0C55B, #BCD05B, #9CD05B, #7DD05B and #5DD05B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1C65C shade matches the following richer shades: #D0C55B, #E1D34A and #F2E13A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1C65C shade: #D0C55B, #C0B86C, #AFAA7D, #9E9C8E and #8D8F9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1C65C shade: #D0865B, #D0A65B, #D0C55B, #BDD05B and #9ED05B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1C65C shade: #AA9E30, #C7BA3B, #D0C55B, #DAD17C and #E3DC9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1C65C shade: #D1C65C, #5BD067 and #965BD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1C65C shade: #D1C65C, #5BD0C5 and #C55BD0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1C65C shade: #D1C65C, #5BD067, #5B67D0 and #D05BC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1C65C shade: #D1C65C, #5BD08A, #5B67D0 and #D05BA2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 5 / 56 / 18

HEX #D1C65C

RGB 209 198 92

HSL 54.36, 0.56%, 0.59%

LAB 78.88, -9.62, 53.54

 

Complementary color

CMYK 72 / 65 / 0 / 36

HEX #2E39A3

RGB 46 57 163

HSL 234.36, 0.56%, 0.41%

LAB 29.79, 32.2, -58.51

 

CMYK 0 / 7 / 59 / 16

HEX #D6C657

RGB 214 198 87

HSL 52.44, 0.61%, 0.59%

LAB 79.26, -7.91, 56.35

 

CMYK 0 / 6 / 54 / 9

HEX #E7D86A

RGB 231 216 106

HSL 52.8, 0.72%, 0.66%

LAB 85.58, -8.64, 55.29

 

CMYK 0 / 6 / 50 / 3

HEX #F8EA7D

RGB 248 234 125

HSL 53.17, 0.9%, 0.73%

LAB 91.81, -9.26, 54.15

 

CMYK 0 / 1 / 44 / 0

HEX #FFFC90

RGB 255 252 144

HSL 58.38, 1%, 0.78%

LAB 97.18, -13.66, 51.86

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 5 / 56 / 18

HEX #D1C65C

RGB 209 198 92

HSL 54.36, 0.56%, 0.59%

LAB 78.88, -9.62, 53.54

 

CMYK 0 / 6 / 62 / 25

HEX #C0B449

RGB 192 180 73

HSL 53.95, 0.49%, 0.52%

LAB 72.45, -8.87, 54.55

 

CMYK 0 / 7 / 69 / 31

HEX #AFA236

RGB 175 162 54

HSL 53.55, 0.53%, 0.45%

LAB 65.92, -7.95, 55.3

 

CMYK 0 / 9 / 78 / 38

HEX #9E9023

RGB 158 144 35

HSL 53.17, 0.64%, 0.38%

LAB 59.28, -6.83, 55.5

 

CMYK 0 / 11 / 89 / 45

HEX #8D7E10

RGB 141 126 16

HSL 52.8, 0.8%, 0.31%

LAB 52.53, -5.43, 54.61

 

CMYK 0 / 5 / 56 / 18

HEX #D0C55B

RGB 208 197 91

HSL 54.36, 0.55%, 0.59%

LAB 78.52, -9.6, 53.57

 

CMYK 0 / 20 / 56 / 18

HEX #D0A65B

RGB 208 166 91

HSL 38.46, 0.55%, 0.59%

LAB 70.48, 6.67, 44.22

 

CMYK 0 / 36 / 56 / 18

HEX #D0865B

RGB 208 134 91

HSL 22.05, 0.55%, 0.59%

LAB 62.69, 24.01, 34.72

 

CMYK 0 / 50 / 56 / 18

HEX #D0675B

RGB 208 103 91

HSL 6.15, 0.55%, 0.59%

LAB 55.95, 40.39, 26.14

 

CMYK 0 / 56 / 56 / 18

HEX #D05B5B

RGB 208 91 91

HSL 0, 0.55%, 0.59%

LAB 53.65, 46.31, 23.12

 

CMYK 0 / 5 / 56 / 18

HEX #D0C55B

RGB 208 197 91

HSL 54.36, 0.55%, 0.59%

LAB 78.52, -9.6, 53.57

 

CMYK 10 / 0 / 56 / 18

HEX #BCD05B

RGB 188 208 91

HSL 70.26, 0.55%, 0.59%

LAB 79.93, -23.27, 54.76

 

CMYK 25 / 0 / 56 / 18

HEX #9CD05B

RGB 156 208 91

HSL 86.67, 0.55%, 0.59%

LAB 77.84, -35.63, 51.81

 

CMYK 40 / 0 / 56 / 18

HEX #7DD05B

RGB 125 208 91

HSL 102.56, 0.55%, 0.59%

LAB 76.21, -46.38, 49.5

 

CMYK 55 / 0 / 56 / 18

HEX #5DD05B

RGB 93 208 91

HSL 118.97, 0.55%, 0.59%

LAB 74.95, -55.57, 47.71

 

CMYK 0 / 5 / 56 / 18

HEX #D0C55B

RGB 208 197 91

HSL 54.36, 0.55%, 0.59%

LAB 78.52, -9.6, 53.57

 

CMYK 0 / 6 / 67 / 12

HEX #E1D34A

RGB 225 211 74

HSL 54.44, 0.72%, 0.59%

LAB 83.49, -10.72, 66.6

 

CMYK 0 / 7 / 76 / 5

HEX #F2E13A

RGB 242 225 58

HSL 54.46, 0.88%, 0.59%

LAB 88.46, -11.33, 77.48

 

CMYK 0 / 5 / 56 / 18

HEX #D0C55B

RGB 208 197 91

HSL 54.36, 0.55%, 0.59%

LAB 78.52, -9.6, 53.57

 

CMYK 0 / 4 / 44 / 25

HEX #C0B86C

RGB 192 184 108

HSL 54.29, 0.4%, 0.59%

LAB 73.91, -7.98, 39.5

 

CMYK 0 / 3 / 29 / 31

HEX #AFAA7D

RGB 175 170 125

HSL 54, 0.24%, 0.59%

LAB 69, -5.44, 23.9

 

CMYK 0 / 1 / 10 / 38

HEX #9E9C8E

RGB 158 156 142

HSL 52.5, 0.08%, 0.59%

LAB 64.16, -1.82, 7.58

 

CMYK 11 / 10 / 0 / 38

HEX #8D8F9F

RGB 141 143 159

HSL 233.33, 0.09%, 0.59%

LAB 59.72, 2.58, -8.69

 

CMYK 0 / 36 / 56 / 18

HEX #D0865B

RGB 208 134 91

HSL 22.05, 0.55%, 0.59%

LAB 62.69, 24.01, 34.72

 

CMYK 0 / 20 / 56 / 18

HEX #D0A65B

RGB 208 166 91

HSL 38.46, 0.55%, 0.59%

LAB 70.48, 6.67, 44.22

 

CMYK 0 / 5 / 56 / 18

HEX #D0C55B

RGB 208 197 91

HSL 54.36, 0.55%, 0.59%

LAB 78.52, -9.6, 53.57

 

CMYK 9 / 0 / 56 / 18

HEX #BDD05B

RGB 189 208 91

HSL 69.74, 0.55%, 0.59%

LAB 80, -22.87, 54.86

 

CMYK 24 / 0 / 56 / 18

HEX #9ED05B

RGB 158 208 91

HSL 85.64, 0.55%, 0.59%

LAB 77.96, -34.89, 51.98

 

CMYK 0 / 7 / 72 / 33

HEX #AA9E30

RGB 170 158 48

HSL 54.1, 0.56%, 0.43%

LAB 64.33, -8.35, 55.94

 

CMYK 0 / 7 / 70 / 22

HEX #C7BA3B

RGB 199 186 59

HSL 54.43, 0.56%, 0.51%

LAB 74.56, -9.79, 62.67

 

CMYK 0 / 5 / 56 / 18

HEX #D0C55B

RGB 208 197 91

HSL 54.36, 0.55%, 0.59%

LAB 78.52, -9.6, 53.57

 

CMYK 0 / 4 / 43 / 15

HEX #DAD17C

RGB 218 209 124

HSL 54.26, 0.56%, 0.67%

LAB 82.89, -8.72, 43.15

 

CMYK 0 / 3 / 31 / 11

HEX #E3DC9C

RGB 227 220 156

HSL 54.08, 0.56%, 0.75%

LAB 86.96, -7.2, 32.37

 

CMYK 0 / 5 / 56 / 18

HEX #D1C65C

RGB 209 198 92

HSL 54.36, 0.56%, 0.59%

LAB 78.88, -9.62, 53.54

 

CMYK 56 / 0 / 50 / 18

HEX #5BD067

RGB 91 208 103

HSL 126.15, 0.55%, 0.59%

LAB 75.02, -54.51, 42.1

 

CMYK 28 / 56 / 0 / 18

HEX #965BD0

RGB 150 91 208

HSL 270.26, 0.55%, 0.59%

LAB 50.12, 46.51, -51.58

 

CMYK 0 / 5 / 56 / 18

HEX #D1C65C

RGB 209 198 92

HSL 54.36, 0.56%, 0.59%

LAB 78.88, -9.62, 53.54

 

CMYK 56 / 0 / 5 / 18

HEX #5BD0C5

RGB 91 208 197

HSL 174.36, 0.55%, 0.59%

LAB 76.9, -35.52, -4.51

 

CMYK 5 / 56 / 0 / 18

HEX #C55BD0

RGB 197 91 208

HSL 294.36, 0.55%, 0.59%

LAB 55.99, 58.51, -41.89

 

CMYK 0 / 5 / 56 / 18

HEX #D1C65C

RGB 209 198 92

HSL 54.36, 0.56%, 0.59%

LAB 78.88, -9.62, 53.54

 

CMYK 56 / 0 / 50 / 18

HEX #5BD067

RGB 91 208 103

HSL 126.15, 0.55%, 0.59%

LAB 75.02, -54.51, 42.1

 

CMYK 56 / 50 / 0 / 18

HEX #5B67D0

RGB 91 103 208

HSL 233.85, 0.55%, 0.59%

LAB 47.6, 25.97, -55.92

 

CMYK 0 / 56 / 5 / 18

HEX #D05BC5

RGB 208 91 197

HSL 305.64, 0.55%, 0.59%

LAB 57, 59.51, -33.93

 

CMYK 0 / 5 / 56 / 18

HEX #D1C65C

RGB 209 198 92

HSL 54.36, 0.56%, 0.59%

LAB 78.88, -9.62, 53.54

 

CMYK 56 / 0 / 34 / 18

HEX #5BD08A

RGB 91 208 138

HSL 144.1, 0.55%, 0.59%

LAB 75.56, -48.79, 25.06

 

CMYK 56 / 50 / 0 / 18

HEX #5B67D0

RGB 91 103 208

HSL 233.85, 0.55%, 0.59%

LAB 47.6, 25.97, -55.92

 

CMYK 0 / 56 / 22 / 18

HEX #D05BA2

RGB 208 91 162

HSL 323.59, 0.55%, 0.59%

LAB 55.58, 54.13, -15.9

 

Description

Color code: HEX #D1C65C | qconv.com Color code: HEX #D1C65C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 198 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 198 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 5 magenta, 56 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 5% 56% 18% C M Y K

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Provide designers and agencies with accurate color values.

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