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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1C118 it is the complementary color #2E3EE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1C118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1C118 shade: #D6C113, #E7D326, #F8E539, #FFF74C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1C118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1C118 shade: #D1C118, #C0AF05, #AF9D00, #9E8B00 and #8D7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1C118 shade: #D1C118, #D18F18, #D15D18, #D12C18 and #D11818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1C118 shade: #D1C118, #B0D118, #7ED118, #4CD118 and #1AD118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1C118 shade matches the following richer shades: #D1C118 and #E4D105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1C118 shade: #D1C118, #BEB22B, #ACA23E, #999251 and #868364

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1C118 shade: #D15C18, #D18E18, #D1BF18, #B3D118 and #81D118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1C118 shade: #887D0F, #AD9F14, #D1C118, #E6D62D and #EADD52

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1C118 shade: #D1C118, #18D12B and #7518D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1C118 shade: #D1C118, #18D1BF and #BF18D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1C118 shade: #D1C118, #18D12B, #182BD1 and #D118BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1C118 shade: #D1C118, #18D162, #182BD1 and #D11887

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

Complementary color

CMYK 80 / 73 / 0 / 9

HEX #2E3EE7

RGB 46 62 231

HSL 234.81, 0.79%, 0.54%

LAB 37.47, 52.73, -85.67

 

CMYK 0 / 10 / 91 / 16

HEX #D6C113

RGB 214 193 19

HSL 53.54, 0.84%, 0.46%

LAB 77.57, -8.15, 76.61

 

CMYK 0 / 9 / 84 / 9

HEX #E7D326

RGB 231 211 38

HSL 53.78, 0.8%, 0.53%

LAB 83.82, -9.6, 78.53

 

CMYK 0 / 8 / 77 / 3

HEX #F8E539

RGB 248 229 57

HSL 54.03, 0.93%, 0.6%

LAB 89.99, -10.85, 79.36

 

CMYK 0 / 3 / 70 / 0

HEX #FFF74C

RGB 255 247 76

HSL 57.32, 1%, 0.65%

LAB 95.29, -16.01, 78.4

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 0 / 9 / 97 / 25

HEX #C0AF05

RGB 192 175 5

HSL 54.55, 0.95%, 0.39%

LAB 70.79, -8.68, 72.39

 

CMYK 0 / 10 / 100 / 31

HEX #AF9D00

RGB 175 157 0

HSL 53.83, 1%, 0.34%

LAB 64.35, -6.88, 67.65

 

CMYK 0 / 12 / 100 / 38

HEX #9E8B00

RGB 158 139 0

HSL 52.78, 1%, 0.31%

LAB 57.78, -4.96, 62.22

 

CMYK 0 / 14 / 100 / 45

HEX #8D7900

RGB 141 121 0

HSL 51.49, 1%, 0.28%

LAB 51.08, -2.96, 56.67

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 0 / 32 / 89 / 18

HEX #D18F18

RGB 209 143 24

HSL 38.59, 0.79%, 0.46%

LAB 64.38, 16.26, 65.22

 

CMYK 0 / 56 / 89 / 18

HEX #D15D18

RGB 209 93 24

HSL 22.38, 0.79%, 0.46%

LAB 53.44, 42.54, 56.72

 

CMYK 0 / 79 / 89 / 18

HEX #D12C18

RGB 209 44 24

HSL 6.49, 0.79%, 0.46%

LAB 46.21, 62, 51.19

 

CMYK 0 / 89 / 89 / 18

HEX #D11818

RGB 209 24 24

HSL 0, 0.79%, 0.46%

LAB 44.62, 66.5, 49.99

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 16 / 0 / 89 / 18

HEX #B0D118

RGB 176 209 24

HSL 70.7, 0.79%, 0.46%

LAB 78.98, -32.01, 75.66

 

CMYK 40 / 0 / 89 / 18

HEX #7ED118

RGB 126 209 24

HSL 86.92, 0.79%, 0.46%

LAB 76.13, -50.85, 72.15

 

CMYK 64 / 0 / 89 / 18

HEX #4CD118

RGB 76 209 24

HSL 103.14, 0.79%, 0.46%

LAB 74.32, -64.96, 69.89

 

CMYK 88 / 0 / 89 / 18

HEX #1AD118

RGB 26 209 24

HSL 119.35, 0.79%, 0.46%

LAB 73.47, -72.32, 68.82

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 0 / 8 / 98 / 11

HEX #E4D105

RGB 228 209 5

HSL 54.89, 0.96%, 0.46%

LAB 82.97, -10.39, 82.74

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 0 / 6 / 77 / 25

HEX #BEB22B

RGB 190 178 43

HSL 55.1, 0.63%, 0.46%

LAB 71.53, -10.26, 65.11

 

CMYK 0 / 6 / 64 / 33

HEX #ACA23E

RGB 172 162 62

HSL 54.55, 0.47%, 0.46%

LAB 65.72, -8.78, 51.62

 

CMYK 0 / 5 / 47 / 40

HEX #999251

RGB 153 146 81

HSL 54.17, 0.31%, 0.46%

LAB 59.82, -6.88, 35.2

 

CMYK 0 / 2 / 25 / 47

HEX #868364

RGB 134 131 100

HSL 54.71, 0.15%, 0.46%

LAB 54.26, -4.23, 17.21

 

CMYK 0 / 56 / 89 / 18

HEX #D15C18

RGB 209 92 24

HSL 22.05, 0.79%, 0.46%

LAB 53.25, 43.02, 56.57

 

CMYK 0 / 32 / 89 / 18

HEX #D18E18

RGB 209 142 24

HSL 38.27, 0.79%, 0.46%

LAB 64.13, 16.8, 65.03

 

CMYK 0 / 9 / 89 / 18

HEX #D1BF18

RGB 209 191 24

HSL 54.16, 0.79%, 0.46%

LAB 76.61, -9.21, 74.84

 

CMYK 14 / 0 / 89 / 18

HEX #B3D118

RGB 179 209 24

HSL 69.73, 0.79%, 0.46%

LAB 79.19, -30.79, 75.91

 

CMYK 38 / 0 / 89 / 18

HEX #81D118

RGB 129 209 24

HSL 85.95, 0.79%, 0.46%

LAB 76.27, -49.83, 72.32

 

CMYK 0 / 8 / 89 / 47

HEX #887D0F

RGB 136 125 15

HSL 54.55, 0.8%, 0.3%

LAB 51.76, -7.25, 54.02

 

CMYK 0 / 8 / 88 / 32

HEX #AD9F14

RGB 173 159 20

HSL 54.51, 0.79%, 0.38%

LAB 64.75, -8.54, 64.83

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 0 / 7 / 80 / 10

HEX #E6D62D

RGB 230 214 45

HSL 54.81, 0.79%, 0.54%

LAB 84.54, -11.33, 77.35

 

CMYK 0 / 6 / 65 / 8

HEX #EADD52

RGB 234 221 82

HSL 54.87, 0.78%, 0.62%

LAB 86.91, -11.54, 67.2

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 89 / 0 / 79 / 18

HEX #18D12B

RGB 24 209 43

HSL 126.16, 0.79%, 0.46%

LAB 73.53, -71.56, 64.38

 

CMYK 44 / 89 / 0 / 18

HEX #7518D1

RGB 117 24 209

HSL 270.16, 0.79%, 0.46%

LAB 36.06, 68.84, -75.17

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 89 / 0 / 9 / 18

HEX #18D1BF

RGB 24 209 191

HSL 174.16, 0.79%, 0.46%

LAB 75.8, -45.75, -3.05

 

CMYK 9 / 89 / 0 / 18

HEX #BF18D1

RGB 191 24 209

HSL 294.16, 0.79%, 0.46%

LAB 47.41, 79.25, -56.19

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 89 / 0 / 79 / 18

HEX #18D12B

RGB 24 209 43

HSL 126.16, 0.79%, 0.46%

LAB 73.53, -71.56, 64.38

 

CMYK 89 / 79 / 0 / 18

HEX #182BD1

RGB 24 43 209

HSL 233.84, 0.79%, 0.46%

LAB 30.7, 54.65, -84.27

 

CMYK 0 / 89 / 9 / 18

HEX #D118BF

RGB 209 24 191

HSL 305.84, 0.79%, 0.46%

LAB 49.46, 79.69, -42.32

 

CMYK 0 / 8 / 89 / 18

HEX #D1C118

RGB 209 193 24

HSL 54.81, 0.79%, 0.46%

LAB 77.14, -10.24, 75.26

 

CMYK 89 / 0 / 53 / 18

HEX #18D162

RGB 24 209 98

HSL 144, 0.79%, 0.46%

LAB 73.98, -65.87, 42.94

 

CMYK 89 / 79 / 0 / 18

HEX #182BD1

RGB 24 43 209

HSL 233.84, 0.79%, 0.46%

LAB 30.7, 54.65, -84.27

 

CMYK 0 / 89 / 35 / 18

HEX #D11887

RGB 209 24 135

HSL 324, 0.79%, 0.46%

LAB 46.92, 72.95, -12.95

 

Description

Color code: HEX #D1C118 | qconv.com Color code: HEX #D1C118 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 193 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 193 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 89 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 89% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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