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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1CAAE it is the complementary color #2E3551. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1CAAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1CAAE shade: #D6CAA9, #E7DCBC, #F8EECF, #FFFFE2 and #FFFFF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1CAAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1CAAE shade: #D1CAAE, #C0B89B, #AFA688, #9E9475 and #8D8262

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1CAAE shade: #D1C9AD, #D1C0AD, #D1B6AD and #D1ADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1CAAE shade: #D1C9AD, #CED1AD, #C4D1AD, #BBD1AD and #B1D1AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1CAAE shade matches the following richer shades: #D1C9AD, #DBD0A3, #E5D698, #F0DC8E and #FAE284

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1CAAE shade: #D1C9AD, #C6C3B7, #BCBDC2, #B2B7CC and #A7B1D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1CAAE shade: #D1B6AD, #D1C0AD, #D1C9AD, #CED1AD and #C5D1AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1CAAE shade: #B3A778, #C2B892, #D1C9AD, #DFDBC7 and #EEECE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1CAAE shade: #D1CAAE, #ADD1AD and #BBADD1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1CAAE shade: #D1CAAE, #ADD1C9 and #C9ADD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1CAAE shade: #D1CAAE, #ADD1AD, #ADB4D1 and #D1ADD1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1CAAE shade: #D1CAAE, #ADD1B8, #ADB4D1 and #D1ADC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 17 / 18

HEX #D1CAAE

RGB 209 202 174

HSL 48, 0.28%, 0.75%

LAB 81.21, -2.21, 14.86

 

Complementary color

CMYK 43 / 35 / 0 / 68

HEX #2E3551

RGB 46 53 81

HSL 228, 0.28%, 0.25%

LAB 22.73, 5.31, -18.02

 

CMYK 0 / 6 / 21 / 16

HEX #D6CAA9

RGB 214 202 169

HSL 44, 0.35%, 0.75%

LAB 81.51, -1.11, 18

 

CMYK 0 / 5 / 19 / 9

HEX #E7DCBC

RGB 231 220 188

HSL 44.65, 0.47%, 0.82%

LAB 87.88, -1.37, 17.09

 

CMYK 0 / 4 / 17 / 3

HEX #F8EECF

RGB 248 238 207

HSL 45.37, 0.75%, 0.89%

LAB 94.15, -1.6, 16.22

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 0 / 3 / 17 / 18

HEX #D1CAAE

RGB 209 202 174

HSL 48, 0.28%, 0.75%

LAB 81.21, -2.21, 14.86

 

CMYK 0 / 4 / 19 / 25

HEX #C0B89B

RGB 192 184 155

HSL 47.03, 0.23%, 0.68%

LAB 74.73, -1.98, 15.77

 

CMYK 0 / 5 / 22 / 31

HEX #AFA688

RGB 175 166 136

HSL 46.15, 0.2%, 0.61%

LAB 68.14, -1.72, 16.73

 

CMYK 0 / 6 / 26 / 38

HEX #9E9475

RGB 158 148 117

HSL 45.37, 0.17%, 0.54%

LAB 61.42, -1.42, 17.76

 

CMYK 0 / 8 / 30 / 45

HEX #8D8262

RGB 141 130 98

HSL 44.65, 0.18%, 0.47%

LAB 54.56, -1.06, 18.87

 

CMYK 0 / 4 / 17 / 18

HEX #D1C9AD

RGB 209 201 173

HSL 46.67, 0.28%, 0.75%

LAB 80.93, -1.85, 15

 

CMYK 0 / 8 / 17 / 18

HEX #D1C0AD

RGB 209 192 173

HSL 31.67, 0.28%, 0.75%

LAB 78.62, 2.89, 11.74

 

CMYK 0 / 13 / 17 / 18

HEX #D1B6AD

RGB 209 182 173

HSL 15, 0.28%, 0.75%

LAB 76.09, 8.22, 8.13

 

CMYK 0 / 17 / 17 / 18

HEX #D1ADAD

RGB 209 173 173

HSL 0, 0.28%, 0.75%

LAB 73.84, 13.07, 4.9

 

CMYK 0 / 4 / 17 / 18

HEX #D1C9AD

RGB 209 201 173

HSL 46.67, 0.28%, 0.75%

LAB 80.93, -1.85, 15

 

CMYK 1 / 0 / 17 / 18

HEX #CED1AD

RGB 206 209 173

HSL 65, 0.28%, 0.75%

LAB 82.77, -7.09, 17.55

 

CMYK 6 / 0 / 17 / 18

HEX #C4D1AD

RGB 196 209 173

HSL 81.67, 0.28%, 0.75%

LAB 82.03, -10.72, 16.4

 

CMYK 11 / 0 / 17 / 18

HEX #BBD1AD

RGB 187 209 173

HSL 96.67, 0.28%, 0.75%

LAB 81.39, -13.93, 15.41

 

CMYK 15 / 0 / 17 / 18

HEX #B1D1AD

RGB 177 209 173

HSL 113.33, 0.28%, 0.75%

LAB 80.72, -17.41, 14.36

 

CMYK 0 / 4 / 17 / 18

HEX #D1C9AD

RGB 209 201 173

HSL 46.67, 0.28%, 0.75%

LAB 80.93, -1.85, 15

 

CMYK 0 / 5 / 26 / 14

HEX #DBD0A3

RGB 219 208 163

HSL 48.21, 0.44%, 0.75%

LAB 83.35, -3.19, 23.76

 

CMYK 0 / 7 / 34 / 10

HEX #E5D698

RGB 229 214 152

HSL 48.31, 0.6%, 0.75%

LAB 85.51, -3.86, 32.54

 

CMYK 0 / 8 / 41 / 6

HEX #F0DC8E

RGB 240 220 142

HSL 47.76, 0.77%, 0.75%

LAB 87.81, -3.76, 40.78

 

CMYK 0 / 10 / 47 / 2

HEX #FAE284

RGB 250 226 132

HSL 47.8, 0.92%, 0.75%

LAB 90.04, -3.84, 48.69

 

CMYK 0 / 4 / 17 / 18

HEX #D1C9AD

RGB 209 201 173

HSL 46.67, 0.28%, 0.75%

LAB 80.93, -1.85, 15

 

CMYK 0 / 2 / 8 / 22

HEX #C6C3B7

RGB 198 195 183

HSL 48, 0.12%, 0.75%

LAB 78.73, -1.07, 6.39

 

CMYK 3 / 3 / 0 / 24

HEX #BCBDC2

RGB 188 189 194

HSL 230, 0.05%, 0.75%

LAB 76.67, 0.6, -2.65

 

CMYK 13 / 10 / 0 / 20

HEX #B2B7CC

RGB 178 183 204

HSL 228.46, 0.2%, 0.75%

LAB 74.63, 2.46, -11.19

 

CMYK 22 / 17 / 0 / 16

HEX #A7B1D6

RGB 167 177 214

HSL 227.23, 0.36%, 0.75%

LAB 72.57, 4.42, -19.82

 

CMYK 0 / 13 / 17 / 18

HEX #D1B6AD

RGB 209 182 173

HSL 15, 0.28%, 0.75%

LAB 76.09, 8.22, 8.13

 

CMYK 0 / 8 / 17 / 18

HEX #D1C0AD

RGB 209 192 173

HSL 31.67, 0.28%, 0.75%

LAB 78.62, 2.89, 11.74

 

CMYK 0 / 4 / 17 / 18

HEX #D1C9AD

RGB 209 201 173

HSL 46.67, 0.28%, 0.75%

LAB 80.93, -1.85, 15

 

CMYK 1 / 0 / 17 / 18

HEX #CED1AD

RGB 206 209 173

HSL 65, 0.28%, 0.75%

LAB 82.77, -7.09, 17.55

 

CMYK 6 / 0 / 17 / 18

HEX #C5D1AD

RGB 197 209 173

HSL 80, 0.28%, 0.75%

LAB 82.1, -10.36, 16.51

 

CMYK 0 / 7 / 33 / 30

HEX #B3A778

RGB 179 167 120

HSL 47.8, 0.28%, 0.59%

LAB 68.44, -2.89, 25.92

 

CMYK 0 / 5 / 25 / 24

HEX #C2B892

RGB 194 184 146

HSL 47.5, 0.28%, 0.67%

LAB 74.71, -2.54, 20.62

 

CMYK 0 / 4 / 17 / 18

HEX #D1C9AD

RGB 209 201 173

HSL 46.67, 0.28%, 0.75%

LAB 80.93, -1.85, 15

 

CMYK 0 / 2 / 11 / 13

HEX #DFDBC7

RGB 223 219 199

HSL 50, 0.27%, 0.83%

LAB 87.23, -2.03, 10.31

 

CMYK 0 / 1 / 5 / 7

HEX #EEECE2

RGB 238 236 226

HSL 50, 0.26%, 0.91%

LAB 93.3, -1.05, 5.07

 

CMYK 0 / 3 / 17 / 18

HEX #D1CAAE

RGB 209 202 174

HSL 48, 0.28%, 0.75%

LAB 81.21, -2.21, 14.86

 

CMYK 17 / 0 / 17 / 18

HEX #ADD1AD

RGB 173 209 173

HSL 120, 0.28%, 0.75%

LAB 80.46, -18.78, 13.96

 

CMYK 11 / 17 / 0 / 18

HEX #BBADD1

RGB 187 173 209

HSL 263.33, 0.28%, 0.75%

LAB 72.93, 11.92, -16.4

 

CMYK 0 / 3 / 17 / 18

HEX #D1CAAE

RGB 209 202 174

HSL 48, 0.28%, 0.75%

LAB 81.21, -2.21, 14.86

 

CMYK 17 / 0 / 4 / 18

HEX #ADD1C9

RGB 173 209 201

HSL 166.67, 0.28%, 0.75%

LAB 81.13, -13.48, -0.01

 

CMYK 4 / 17 / 0 / 18

HEX #C9ADD1

RGB 201 173 209

HSL 286.67, 0.28%, 0.75%

LAB 74.13, 16.58, -14.47

 

CMYK 0 / 3 / 17 / 18

HEX #D1CAAE

RGB 209 202 174

HSL 48, 0.28%, 0.75%

LAB 81.21, -2.21, 14.86

 

CMYK 17 / 0 / 17 / 18

HEX #ADD1AD

RGB 173 209 173

HSL 120, 0.28%, 0.75%

LAB 80.46, -18.78, 13.96

 

CMYK 17 / 14 / 0 / 18

HEX #ADB4D1

RGB 173 180 209

HSL 228.33, 0.28%, 0.75%

LAB 73.63, 3.55, -15.45

 

CMYK 0 / 17 / 0 / 18

HEX #D1ADD1

RGB 209 173 209

HSL 300, 0.28%, 0.75%

LAB 74.85, 19.28, -13.31

 

CMYK 0 / 3 / 17 / 18

HEX #D1CAAE

RGB 209 202 174

HSL 48, 0.28%, 0.75%

LAB 81.21, -2.21, 14.86

 

CMYK 17 / 0 / 12 / 18

HEX #ADD1B8

RGB 173 209 184

HSL 138.33, 0.28%, 0.75%

LAB 80.71, -16.79, 8.46

 

CMYK 17 / 14 / 0 / 18

HEX #ADB4D1

RGB 173 180 209

HSL 228.33, 0.28%, 0.75%

LAB 73.63, 3.55, -15.45

 

CMYK 0 / 17 / 5 / 18

HEX #D1ADC6

RGB 209 173 198

HSL 318.33, 0.28%, 0.75%

LAB 74.52, 17.27, -7.8

 

Description

Color code: HEX #D1CAAE | qconv.com Color code: HEX #D1CAAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 202 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 202 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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