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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1D4BB it is the complementary color #2E2B44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1D4BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1D4BB shade: #D6D4B6, #E7E6C9, #F8F8DC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1D4BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1D4BB shade: #D1D4BB, #C0C2A8, #AFB095, #9E9E82 and #8D8C6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1D4BB shade: #D0D3B9, #D3CFB9, #D3C8B9, #D3C2B9 and #D3BBB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1D4BB shade: #D0D3B9, #C9D3B9, #C2D3B9, #BBD3B9 and #B9D3BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1D4BB shade matches the following richer shades: #D0D3B9, #D7DCB0, #DEE5A7, #E5EF9E and #ECF895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1D4BB shade: #D0D3B9, #C9CAC3, #C2C1CC, #BCB8D5 and #B5AFDE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1D4BB shade: #D3C9B9, #D3CFB9, #D0D3B9, #C9D3B9 and #C3D3B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1D4BB shade: #AEB487, #BFC3A0, #D0D3B9, #E1E3D3 and #F2F3EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1D4BB shade: #D1D4BB, #B9D3C2 and #CCB9D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1D4BB shade: #D1D4BB, #B9D0D3 and #D3B9D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1D4BB shade: #D1D4BB, #B9D3C2, #BDB9D3 and #D3B9CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1D4BB shade: #D1D4BB, #B9D3C9, #BDB9D3 and #D3B9C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 12 / 17

HEX #D1D4BB

RGB 209 212 187

HSL 67.2, 0.23%, 0.78%

LAB 84.09, -5.35, 12.02

 

Complementary color

CMYK 32 / 37 / 0 / 73

HEX #2E2B44

RGB 46 43 68

HSL 247.2, 0.23%, 0.22%

LAB 18.91, 8.13, -15.21

 

CMYK 0 / 1 / 15 / 16

HEX #D6D4B6

RGB 214 212 182

HSL 56.25, 0.28%, 0.78%

LAB 84.36, -4.34, 15.11

 

CMYK 0 / 0 / 13 / 9

HEX #E7E6C9

RGB 231 230 201

HSL 58, 0.38%, 0.85%

LAB 90.69, -4.5, 14.27

 

CMYK 0 / 0 / 11 / 3

HEX #F8F8DC

RGB 248 248 220

HSL 60, 0.67%, 0.92%

LAB 96.93, -4.66, 13.46

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 1 / 0 / 12 / 17

HEX #D1D4BB

RGB 209 212 187

HSL 67.2, 0.23%, 0.78%

LAB 84.09, -5.35, 12.02

 

CMYK 1 / 0 / 13 / 24

HEX #C0C2A8

RGB 192 194 168

HSL 64.62, 0.18%, 0.71%

LAB 77.65, -5.21, 12.86

 

CMYK 1 / 0 / 15 / 31

HEX #AFB095

RGB 175 176 149

HSL 62.22, 0.15%, 0.64%

LAB 71.1, -5.07, 13.73

 

CMYK 0 / 0 / 18 / 38

HEX #9E9E82

RGB 158 158 130

HSL 60, 0.13%, 0.56%

LAB 64.43, -4.91, 14.67

 

CMYK 0 / 1 / 21 / 45

HEX #8D8C6F

RGB 141 140 111

HSL 58, 0.12%, 0.49%

LAB 57.62, -4.72, 15.67

 

CMYK 1 / 0 / 12 / 17

HEX #D0D3B9

RGB 208 211 185

HSL 66.92, 0.23%, 0.78%

LAB 83.71, -5.51, 12.53

 

CMYK 0 / 2 / 12 / 17

HEX #D3CFB9

RGB 211 207 185

HSL 50.77, 0.23%, 0.78%

LAB 82.9, -2.36, 11.42

 

CMYK 0 / 5 / 12 / 17

HEX #D3C8B9

RGB 211 200 185

HSL 34.62, 0.23%, 0.78%

LAB 81.1, 1.3, 8.86

 

CMYK 0 / 8 / 12 / 17

HEX #D3C2B9

RGB 211 194 185

HSL 20.77, 0.23%, 0.78%

LAB 79.58, 4.47, 6.67

 

CMYK 0 / 11 / 12 / 17

HEX #D3BBB9

RGB 211 187 185

HSL 4.62, 0.23%, 0.78%

LAB 77.81, 8.19, 4.13

 

CMYK 1 / 0 / 12 / 17

HEX #D0D3B9

RGB 208 211 185

HSL 66.92, 0.23%, 0.78%

LAB 83.71, -5.51, 12.53

 

CMYK 5 / 0 / 12 / 17

HEX #C9D3B9

RGB 201 211 185

HSL 83.08, 0.23%, 0.78%

LAB 83.18, -8, 11.72

 

CMYK 8 / 0 / 12 / 17

HEX #C2D3B9

RGB 194 211 185

HSL 99.23, 0.23%, 0.78%

LAB 82.68, -10.46, 10.93

 

CMYK 11 / 0 / 12 / 17

HEX #BBD3B9

RGB 187 211 185

HSL 115.38, 0.23%, 0.78%

LAB 82.19, -12.89, 10.18

 

CMYK 12 / 0 / 9 / 17

HEX #B9D3BF

RGB 185 211 191

HSL 133.85, 0.23%, 0.78%

LAB 82.2, -12.49, 6.97

 

CMYK 1 / 0 / 12 / 17

HEX #D0D3B9

RGB 208 211 185

HSL 66.92, 0.23%, 0.78%

LAB 83.71, -5.51, 12.53

 

CMYK 2 / 0 / 20 / 14

HEX #D7DCB0

RGB 215 220 176

HSL 66.82, 0.39%, 0.78%

LAB 86.39, -8.98, 21.1

 

CMYK 3 / 0 / 27 / 10

HEX #DEE5A7

RGB 222 229 167

HSL 66.77, 0.54%, 0.78%

LAB 89.09, -12.2, 29.53

 

CMYK 4 / 0 / 34 / 6

HEX #E5EF9E

RGB 229 239 158

HSL 67.41, 0.72%, 0.78%

LAB 92.07, -15.68, 38.13

 

CMYK 5 / 0 / 40 / 3

HEX #ECF895

RGB 236 248 149

HSL 67.27, 0.88%, 0.78%

LAB 94.8, -18.46, 46.17

 

CMYK 1 / 0 / 12 / 17

HEX #D0D3B9

RGB 208 211 185

HSL 66.92, 0.23%, 0.78%

LAB 83.71, -5.51, 12.53

 

CMYK 0 / 0 / 3 / 21

HEX #C9CAC3

RGB 201 202 195

HSL 68.57, 0.06%, 0.78%

LAB 81.07, -1.6, 3.36

 

CMYK 5 / 5 / 0 / 20

HEX #C2C1CC

RGB 194 193 204

HSL 245.45, 0.1%, 0.78%

LAB 78.44, 2.42, -5.39

 

CMYK 12 / 14 / 0 / 16

HEX #BCB8D5

RGB 188 184 213

HSL 248.28, 0.26%, 0.78%

LAB 75.93, 7.07, -14.05

 

CMYK 18 / 21 / 0 / 13

HEX #B5AFDE

RGB 181 175 222

HSL 247.66, 0.42%, 0.78%

LAB 73.39, 11.69, -22.85

 

CMYK 0 / 5 / 12 / 17

HEX #D3C9B9

RGB 211 201 185

HSL 36.92, 0.23%, 0.78%

LAB 81.36, 0.77, 9.23

 

CMYK 0 / 2 / 12 / 17

HEX #D3CFB9

RGB 211 207 185

HSL 50.77, 0.23%, 0.78%

LAB 82.9, -2.36, 11.42

 

CMYK 1 / 0 / 12 / 17

HEX #D0D3B9

RGB 208 211 185

HSL 66.92, 0.23%, 0.78%

LAB 83.71, -5.51, 12.53

 

CMYK 5 / 0 / 12 / 17

HEX #C9D3B9

RGB 201 211 185

HSL 83.08, 0.23%, 0.78%

LAB 83.18, -8, 11.72

 

CMYK 8 / 0 / 12 / 17

HEX #C3D3B9

RGB 195 211 185

HSL 96.92, 0.23%, 0.78%

LAB 82.75, -10.11, 11.04

 

CMYK 3 / 0 / 25 / 29

HEX #AEB487

RGB 174 180 135

HSL 68, 0.23%, 0.62%

LAB 71.82, -9.7, 22.31

 

CMYK 2 / 0 / 18 / 24

HEX #BFC3A0

RGB 191 195 160

HSL 66.86, 0.23%, 0.7%

LAB 77.66, -7.37, 17.16

 

CMYK 1 / 0 / 12 / 17

HEX #D0D3B9

RGB 208 211 185

HSL 66.92, 0.23%, 0.78%

LAB 83.71, -5.51, 12.53

 

CMYK 1 / 0 / 7 / 11

HEX #E1E3D3

RGB 225 227 211

HSL 67.5, 0.22%, 0.86%

LAB 89.7, -3.46, 7.57

 

CMYK 0 / 0 / 3 / 5

HEX #F2F3EC

RGB 242 243 236

HSL 68.57, 0.23%, 0.94%

LAB 95.59, -1.55, 3.24

 

CMYK 1 / 0 / 12 / 17

HEX #D1D4BB

RGB 209 212 187

HSL 67.2, 0.23%, 0.78%

LAB 84.09, -5.35, 12.02

 

CMYK 12 / 0 / 8 / 17

HEX #B9D3C2

RGB 185 211 194

HSL 140.77, 0.23%, 0.78%

LAB 82.27, -11.93, 5.48

 

CMYK 3 / 12 / 0 / 17

HEX #CCB9D3

RGB 204 185 211

HSL 283.85, 0.23%, 0.78%

LAB 77.42, 11.45, -10.6

 

CMYK 1 / 0 / 12 / 17

HEX #D1D4BB

RGB 209 212 187

HSL 67.2, 0.23%, 0.78%

LAB 84.09, -5.35, 12.02

 

CMYK 12 / 1 / 0 / 17

HEX #B9D0D3

RGB 185 208 211

HSL 186.92, 0.23%, 0.78%

LAB 81.91, -7.08, -4.11

 

CMYK 0 / 12 / 1 / 17

HEX #D3B9D0

RGB 211 185 208

HSL 306.92, 0.23%, 0.78%

LAB 77.93, 13.27, -8.15

 

CMYK 1 / 0 / 12 / 17

HEX #D1D4BB

RGB 209 212 187

HSL 67.2, 0.23%, 0.78%

LAB 84.09, -5.35, 12.02

 

CMYK 12 / 0 / 8 / 17

HEX #B9D3C2

RGB 185 211 194

HSL 140.77, 0.23%, 0.78%

LAB 82.27, -11.93, 5.48

 

CMYK 10 / 12 / 0 / 17

HEX #BDB9D3

RGB 189 185 211

HSL 249.23, 0.23%, 0.78%

LAB 76.2, 6.45, -12.55

 

CMYK 0 / 12 / 4 / 17

HEX #D3B9CB

RGB 211 185 203

HSL 318.46, 0.23%, 0.78%

LAB 77.79, 12.36, -5.65

 

CMYK 1 / 0 / 12 / 17

HEX #D1D4BB

RGB 209 212 187

HSL 67.2, 0.23%, 0.78%

LAB 84.09, -5.35, 12.02

 

CMYK 12 / 0 / 5 / 17

HEX #B9D3C9

RGB 185 211 201

HSL 156.92, 0.23%, 0.78%

LAB 82.44, -10.61, 2.01

 

CMYK 10 / 12 / 0 / 17

HEX #BDB9D3

RGB 189 185 211

HSL 249.23, 0.23%, 0.78%

LAB 76.2, 6.45, -12.55

 

CMYK 0 / 12 / 8 / 17

HEX #D3B9C3

RGB 211 185 195

HSL 336.92, 0.23%, 0.78%

LAB 77.57, 10.95, -1.64

 

Description

Color code: HEX #D1D4BB | qconv.com Color code: HEX #D1D4BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 212 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 212 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 12 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 12% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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