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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1D651 it is the complementary color #2E29AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1D651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1D651 shade: #D6D64C, #E7E85F, #F8FA72, #FFFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1D651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1D651 shade: #D1D651, #C0C43E, #AFB22B, #9EA018 and #8D8E05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1D651 shade: #D1D651, #D6B751, #D69351, #D66F51 and #D65151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1D651 shade: #D1D651, #ADD651, #89D651, #65D651 and #51D660

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1D651 shade matches the following richer shades: #D1D651, #E1E740 and #F1F82E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1D651 shade: #D1D651, #C1C462, #B1B374, #A1A285 and #919096

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1D651 shade: #D69351, #D6B751, #D1D651, #AED651 and #8BD651

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1D651 shade: #A7AC28, #C8CE30, #D1D651, #DADE72 and #E2E594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1D651 shade: #D1D651, #51D670 and #A551D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1D651 shade: #D1D651, #51D1D6 and #D651D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1D651 shade: #D1D651, #51D670, #5551D6 and #D651B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1D651 shade: #D1D651, #51D698, #5551D6 and #D6518F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

Complementary color

CMYK 74 / 76 / 0 / 32

HEX #2E29AE

RGB 46 41 174

HSL 242.26, 0.62%, 0.42%

LAB 27.36, 45.63, -69.13

 

CMYK 0 / 0 / 64 / 16

HEX #D6D64C

RGB 214 214 76

HSL 60, 0.63%, 0.57%

LAB 83.4, -16.67, 65.43

 

CMYK 0 / 0 / 59 / 9

HEX #E7E85F

RGB 231 232 95

HSL 60.44, 0.75%, 0.64%

LAB 89.64, -17.38, 64.71

 

CMYK 1 / 0 / 54 / 2

HEX #F8FA72

RGB 248 250 114

HSL 60.88, 0.93%, 0.71%

LAB 95.81, -17.98, 63.79

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 2 / 0 / 68 / 23

HEX #C0C43E

RGB 192 196 62

HSL 61.79, 0.53%, 0.51%

LAB 76.7, -17.68, 63.47

 

CMYK 2 / 0 / 76 / 30

HEX #AFB22B

RGB 175 178 43

HSL 61.33, 0.61%, 0.43%

LAB 70.27, -16.78, 63.49

 

CMYK 1 / 0 / 85 / 37

HEX #9EA018

RGB 158 160 24

HSL 60.88, 0.74%, 0.36%

LAB 63.73, -15.67, 62.58

 

CMYK 1 / 0 / 96 / 44

HEX #8D8E05

RGB 141 142 5

HSL 60.44, 0.93%, 0.29%

LAB 57.09, -14.31, 60.2

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 0 / 14 / 62 / 16

HEX #D6B751

RGB 214 183 81

HSL 46.02, 0.62%, 0.58%

LAB 75.3, -0.54, 54.67

 

CMYK 0 / 31 / 62 / 16

HEX #D69351

RGB 214 147 81

HSL 29.77, 0.62%, 0.58%

LAB 66.33, 18.71, 44.5

 

CMYK 0 / 48 / 62 / 16

HEX #D66F51

RGB 214 111 81

HSL 13.53, 0.62%, 0.58%

LAB 58.28, 37.86, 34.89

 

CMYK 0 / 62 / 62 / 16

HEX #D65151

RGB 214 81 81

HSL 0, 0.62%, 0.58%

LAB 52.7, 52.28, 27.92

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 19 / 0 / 62 / 16

HEX #ADD651

RGB 173 214 81

HSL 78.5, 0.62%, 0.58%

LAB 80.5, -32.81, 59.44

 

CMYK 36 / 0 / 62 / 16

HEX #89D651

RGB 137 214 81

HSL 94.74, 0.62%, 0.58%

LAB 78.46, -45.92, 56.63

 

CMYK 53 / 0 / 62 / 16

HEX #65D651

RGB 101 214 81

HSL 110.98, 0.62%, 0.58%

LAB 76.95, -56.86, 54.53

 

CMYK 62 / 0 / 55 / 16

HEX #51D660

RGB 81 214 96

HSL 126.77, 0.62%, 0.58%

LAB 76.49, -59.93, 47.13

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 3 / 0 / 72 / 9

HEX #E1E740

RGB 225 231 64

HSL 62.16, 0.78%, 0.58%

LAB 88.7, -21.06, 75.3

 

CMYK 3 / 0 / 81 / 3

HEX #F1F82E

RGB 241 248 46

HSL 62.08, 0.94%, 0.58%

LAB 94.33, -23.29, 85.83

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 2 / 0 / 50 / 23

HEX #C1C462

RGB 193 196 98

HSL 61.84, 0.45%, 0.58%

LAB 77.1, -14.69, 48.33

 

CMYK 1 / 0 / 35 / 30

HEX #B1B374

RGB 177 179 116

HSL 61.9, 0.29%, 0.58%

LAB 71.45, -10.54, 31.98

 

CMYK 1 / 0 / 18 / 36

HEX #A1A285

RGB 161 162 133

HSL 62.07, 0.13%, 0.58%

LAB 65.84, -5.44, 15

 

CMYK 3 / 4 / 0 / 41

HEX #919096

RGB 145 144 150

HSL 250, 0.03%, 0.58%

LAB 60.04, 1.55, -3.05

 

CMYK 0 / 31 / 62 / 16

HEX #D69351

RGB 214 147 81

HSL 29.77, 0.62%, 0.58%

LAB 66.33, 18.71, 44.5

 

CMYK 0 / 14 / 62 / 16

HEX #D6B751

RGB 214 183 81

HSL 46.02, 0.62%, 0.58%

LAB 75.3, -0.54, 54.67

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 19 / 0 / 62 / 16

HEX #AED651

RGB 174 214 81

HSL 78.05, 0.62%, 0.58%

LAB 80.56, -32.42, 59.53

 

CMYK 35 / 0 / 62 / 16

HEX #8BD651

RGB 139 214 81

HSL 93.83, 0.62%, 0.58%

LAB 78.56, -45.24, 56.77

 

CMYK 3 / 0 / 77 / 33

HEX #A7AC28

RGB 167 172 40

HSL 62.27, 0.62%, 0.42%

LAB 67.93, -17.32, 62.07

 

CMYK 3 / 0 / 77 / 19

HEX #C8CE30

RGB 200 206 48

HSL 62.28, 0.62%, 0.5%

LAB 79.97, -19.91, 71.54

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 2 / 0 / 49 / 13

HEX #DADE72

RGB 218 222 114

HSL 62.22, 0.62%, 0.66%

LAB 86.19, -16.19, 52.02

 

CMYK 1 / 0 / 35 / 10

HEX #E2E594

RGB 226 229 148

HSL 62.22, 0.61%, 0.74%

LAB 89.09, -13.05, 39.2

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 62 / 0 / 48 / 16

HEX #51D670

RGB 81 214 112

HSL 133.98, 0.62%, 0.58%

LAB 76.69, -57.7, 39.71

 

CMYK 23 / 62 / 0 / 16

HEX #A551D6

RGB 165 81 214

HSL 277.89, 0.62%, 0.58%

LAB 50.38, 56.55, -54.49

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 62 / 2 / 0 / 16

HEX #51D1D6

RGB 81 209 214

HSL 182.26, 0.62%, 0.58%

LAB 77.4, -33.19, -12.94

 

CMYK 0 / 62 / 2 / 16

HEX #D651D1

RGB 214 81 209

HSL 302.26, 0.62%, 0.58%

LAB 56.86, 67.32, -40.92

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 62 / 0 / 48 / 16

HEX #51D670

RGB 81 214 112

HSL 133.98, 0.62%, 0.58%

LAB 76.69, -57.7, 39.71

 

CMYK 60 / 62 / 0 / 16

HEX #5551D6

RGB 85 81 214

HSL 241.8, 0.62%, 0.58%

LAB 42.26, 40.32, -68.01

 

CMYK 0 / 62 / 14 / 16

HEX #D651B7

RGB 214 81 183

HSL 313.98, 0.62%, 0.58%

LAB 55.68, 63.26, -27.86

 

CMYK 2 / 0 / 62 / 16

HEX #D1D651

RGB 209 214 81

HSL 62.26, 0.62%, 0.58%

LAB 83.04, -18.42, 62.93

 

CMYK 62 / 0 / 29 / 16

HEX #51D698

RGB 81 214 152

HSL 152.03, 0.62%, 0.58%

LAB 77.35, -50.55, 20.11

 

CMYK 60 / 62 / 0 / 16

HEX #5551D6

RGB 85 81 214

HSL 241.8, 0.62%, 0.58%

LAB 42.26, 40.32, -68.01

 

CMYK 0 / 62 / 33 / 16

HEX #D6518F

RGB 214 81 143

HSL 332.03, 0.62%, 0.58%

LAB 54.2, 57.94, -6.73

 

Description

Color code: HEX #D1D651 | qconv.com Color code: HEX #D1D651 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 214 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 214 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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