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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1E443 it is the complementary color #2E1BBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1E443. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1E443 shade: #D6E43E, #E7F651, #F8FF64, #FFFF77 and #FFFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1E443. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1E443 shade: #D1E443, #C0D230, #AFC01D, #9EAE0A and #8D9C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1E443 shade: #D1E443, #E4CB43, #E4A043, #E47543 and #E44943

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1E443 shade: #D1E443, #A5E443, #7AE443, #4FE443 and #43E463

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1E443 shade matches the following richer shades: #D1E443 and #DEF532

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1E443 shade: #D1E443, #C4D254, #B6C166, #A9B077 and #9C9E88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1E443 shade: #E4A143, #E4CC43, #D1E443, #A6E443 and #7BE443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1E443 shade: #A7BA1A, #C8DE1F, #D1E443, #DAE967 and #E2EE8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1E443 shade: #D1E443, #43E476 and #B643E4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1E443 shade: #D1E443, #43D1E4 and #E443D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1E443 shade: #D1E443, #43E476, #5643E4 and #E443B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1E443 shade: #D1E443, #43E4A6, #5643E4 and #E44381

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

Complementary color

CMYK 76 / 86 / 0 / 26

HEX #2E1BBC

RGB 46 27 188

HSL 247.08, 0.75%, 0.42%

LAB 26.72, 56.49, -78.54

 

CMYK 6 / 0 / 73 / 11

HEX #D6E43E

RGB 214 228 62

HSL 65.06, 0.75%, 0.57%

LAB 87.06, -24.2, 74.11

 

CMYK 6 / 0 / 67 / 4

HEX #E7F651

RGB 231 246 81

HSL 65.45, 0.9%, 0.64%

LAB 93.23, -24.96, 73.98

 

CMYK 3 / 0 / 61 / 0

HEX #F8FF64

RGB 248 255 100

HSL 62.71, 1%, 0.7%

LAB 96.98, -21.34, 70.96

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF8A

RGB 255 255 138

HSL 60, 1%, 0.77%

LAB 97.88, -15.67, 55.52

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 9 / 0 / 77 / 18

HEX #C0D230

RGB 192 210 48

HSL 66.67, 0.64%, 0.51%

LAB 80.47, -25.19, 71.76

 

CMYK 9 / 0 / 85 / 25

HEX #AFC01D

RGB 175 192 29

HSL 66.26, 0.74%, 0.43%

LAB 74.13, -24.22, 70.66

 

CMYK 9 / 0 / 94 / 32

HEX #9EAE0A

RGB 158 174 10

HSL 65.85, 0.89%, 0.36%

LAB 67.7, -23.03, 68.22

 

CMYK 10 / 0 / 100 / 39

HEX #8D9C00

RGB 141 156 0

HSL 65.77, 1%, 0.31%

LAB 61.17, -21.62, 64.02

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 0 / 11 / 71 / 11

HEX #E4CB43

RGB 228 203 67

HSL 50.68, 0.75%, 0.58%

LAB 81.63, -5.76, 67.49

 

CMYK 0 / 30 / 71 / 11

HEX #E4A043

RGB 228 160 67

HSL 34.66, 0.75%, 0.58%

LAB 70.9, 16.8, 56.61

 

CMYK 0 / 49 / 71 / 11

HEX #E47543

RGB 228 117 67

HSL 18.63, 0.75%, 0.58%

LAB 61.33, 39.41, 46.35

 

CMYK 0 / 68 / 71 / 11

HEX #E44943

RGB 228 73 67

HSL 2.24, 0.75%, 0.58%

LAB 53.67, 59.41, 37.68

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 28 / 0 / 71 / 11

HEX #A5E443

RGB 165 228 67

HSL 83.48, 0.75%, 0.58%

LAB 83.91, -43.05, 68.26

 

CMYK 46 / 0 / 71 / 11

HEX #7AE443

RGB 122 228 67

HSL 99.5, 0.75%, 0.58%

LAB 81.85, -57.42, 65.52

 

CMYK 65 / 0 / 71 / 11

HEX #4FE443

RGB 79 228 67

HSL 115.53, 0.75%, 0.58%

LAB 80.49, -68.14, 63.68

 

CMYK 71 / 0 / 57 / 11

HEX #43E463

RGB 67 228 99

HSL 131.93, 0.75%, 0.58%

LAB 80.51, -67.01, 50.44

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 9 / 0 / 80 / 4

HEX #DEF532

RGB 222 245 50

HSL 67.08, 0.91%, 0.58%

LAB 92.16, -29.45, 82.45

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 7 / 0 / 60 / 18

HEX #C4D254

RGB 196 210 84

HSL 66.67, 0.58%, 0.58%

LAB 81, -21.56, 59.18

 

CMYK 6 / 0 / 47 / 24

HEX #B6C166

RGB 182 193 102

HSL 67.25, 0.42%, 0.58%

LAB 75.48, -17.25, 44.24

 

CMYK 4 / 0 / 32 / 31

HEX #A9B077

RGB 169 176 119

HSL 67.37, 0.27%, 0.58%

LAB 70.05, -11.77, 28.43

 

CMYK 1 / 0 / 14 / 38

HEX #9C9E88

RGB 156 158 136

HSL 65.45, 0.1%, 0.58%

LAB 64.4, -4.69, 11.26

 

CMYK 0 / 29 / 71 / 11

HEX #E4A143

RGB 228 161 67

HSL 35.03, 0.75%, 0.58%

LAB 71.14, 16.26, 56.86

 

CMYK 0 / 11 / 71 / 11

HEX #E4CC43

RGB 228 204 67

HSL 51.06, 0.75%, 0.58%

LAB 81.88, -6.27, 67.75

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 27 / 0 / 71 / 11

HEX #A6E443

RGB 166 228 67

HSL 83.11, 0.75%, 0.58%

LAB 83.97, -42.69, 68.33

 

CMYK 46 / 0 / 71 / 11

HEX #7BE443

RGB 123 228 67

HSL 99.13, 0.75%, 0.58%

LAB 81.89, -57.12, 65.57

 

CMYK 10 / 0 / 86 / 27

HEX #A7BA1A

RGB 167 186 26

HSL 67.13, 0.75%, 0.42%

LAB 71.83, -24.76, 69.16

 

CMYK 10 / 0 / 86 / 13

HEX #C8DE1F

RGB 200 222 31

HSL 66.91, 0.75%, 0.5%

LAB 84.29, -28.14, 79.41

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 6 / 0 / 56 / 9

HEX #DAE967

RGB 218 233 103

HSL 66.92, 0.75%, 0.66%

LAB 89, -22.48, 60.29

 

CMYK 5 / 0 / 42 / 7

HEX #E2EE8B

RGB 226 238 139

HSL 67.27, 0.74%, 0.74%

LAB 91.32, -18.47, 46.48

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 71 / 0 / 48 / 11

HEX #43E476

RGB 67 228 118

HSL 139.01, 0.75%, 0.58%

LAB 80.73, -64.37, 41.79

 

CMYK 20 / 71 / 0 / 11

HEX #B643E4

RGB 182 67 228

HSL 282.86, 0.75%, 0.58%

LAB 51.34, 69.16, -60.78

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 71 / 8 / 0 / 11

HEX #43D1E4

RGB 67 209 228

HSL 187.08, 0.75%, 0.58%

LAB 77.52, -31.17, -20.32

 

CMYK 0 / 71 / 8 / 11

HEX #E443D1

RGB 228 67 209

HSL 307.08, 0.75%, 0.58%

LAB 57.18, 75.72, -40.27

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 71 / 0 / 48 / 11

HEX #43E476

RGB 67 228 118

HSL 139.01, 0.75%, 0.58%

LAB 80.73, -64.37, 41.79

 

CMYK 62 / 71 / 0 / 11

HEX #5643E4

RGB 86 67 228

HSL 247.08, 0.75%, 0.58%

LAB 40.56, 52.83, -78.78

 

CMYK 0 / 71 / 22 / 11

HEX #E443B1

RGB 228 67 177

HSL 319.01, 0.75%, 0.58%

LAB 55.77, 71.3, -24.07

 

CMYK 8 / 0 / 71 / 11

HEX #D1E443

RGB 209 228 67

HSL 67.08, 0.75%, 0.58%

LAB 86.73, -26, 71.98

 

CMYK 71 / 0 / 27 / 11

HEX #43E4A6

RGB 67 228 166

HSL 156.89, 0.75%, 0.58%

LAB 81.53, -55.5, 18.52

 

CMYK 62 / 71 / 0 / 11

HEX #5643E4

RGB 86 67 228

HSL 247.08, 0.75%, 0.58%

LAB 40.56, 52.83, -78.78

 

CMYK 0 / 71 / 43 / 11

HEX #E44381

RGB 228 67 129

HSL 336.89, 0.75%, 0.58%

LAB 54.13, 65.96, 1.74

 

Description

Color code: HEX #D1E443 | qconv.com Color code: HEX #D1E443 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 228 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 228 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 71 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 71% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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