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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1E66F it is the complementary color #2E1990. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1E66F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1E66F shade: #D6E66A, #E7F87D, #F8FF90, #FFFFA3 and #FFFFB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1E66F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1E66F shade: #D1E66F, #C0D45C, #AFC249, #9EB036 and #8D9E23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1E66F shade: #D0E56F, #E5DA6F, #E5BB6F, #E59B6F and #E57B6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1E66F shade: #D0E56F, #B1E56F, #91E56F, #71E56F and #6FE58E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1E66F shade matches the following richer shades: #D0E56F and #D9F362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1E66F shade: #D0E56F, #C8D87D, #BFCA8B, #B6BC98 and #ADAFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1E66F shade: #E5BA6F, #E5D96F, #D2E56F, #B2E56F and #93E56F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1E66F shade: #BAD929, #C5DF4C, #D0E56F, #DCEB93 and #E7F2B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1E66F shade: #D1E66F, #6FE59B and #CA6FE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1E66F shade: #D1E66F, #6FD2E5 and #E56FD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1E66F shade: #D1E66F, #6FE59B, #836FE5 and #E56FBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1E66F shade: #D1E66F, #6FE5BE, #836FE5 and #E56F97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 52 / 10

HEX #D1E66F

RGB 209 230 111

HSL 70.59, 0.7%, 0.67%

LAB 87.63, -23.9, 54.95

 

Complementary color

CMYK 68 / 83 / 0 / 44

HEX #2E1990

RGB 46 25 144

HSL 250.59, 0.7%, 0.33%

LAB 21.17, 44.35, -61.06

 

CMYK 7 / 0 / 54 / 10

HEX #D6E66A

RGB 214 230 106

HSL 67.74, 0.71%, 0.66%

LAB 87.94, -22.37, 57.67

 

CMYK 7 / 0 / 50 / 3

HEX #E7F87D

RGB 231 248 125

HSL 68.29, 0.9%, 0.73%

LAB 94.14, -22.74, 56.62

 

CMYK 3 / 0 / 44 / 0

HEX #F8FF90

RGB 248 255 144

HSL 63.78, 1%, 0.78%

LAB 97.43, -17.8, 52.04

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA3

RGB 255 255 163

HSL 60, 1%, 0.82%

LAB 98.2, -13.17, 43.99

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB6

RGB 255 255 182

HSL 60, 1%, 0.86%

LAB 98.49, -10.95, 34.99

 

CMYK 9 / 0 / 52 / 10

HEX #D1E66F

RGB 209 230 111

HSL 70.59, 0.7%, 0.67%

LAB 87.63, -23.9, 54.95

 

CMYK 9 / 0 / 57 / 17

HEX #C0D45C

RGB 192 212 92

HSL 70, 0.58%, 0.6%

LAB 81.33, -23.53, 55.97

 

CMYK 10 / 0 / 62 / 24

HEX #AFC249

RGB 175 194 73

HSL 69.42, 0.5%, 0.52%

LAB 74.94, -23.07, 56.84

 

CMYK 10 / 0 / 69 / 31

HEX #9EB036

RGB 158 176 54

HSL 68.85, 0.53%, 0.45%

LAB 68.45, -22.48, 57.4

 

CMYK 11 / 0 / 78 / 38

HEX #8D9E23

RGB 141 158 35

HSL 68.29, 0.64%, 0.38%

LAB 61.86, -21.71, 57.35

 

CMYK 9 / 0 / 52 / 10

HEX #D0E56F

RGB 208 229 111

HSL 70.68, 0.69%, 0.67%

LAB 87.29, -23.81, 54.54

 

CMYK 0 / 5 / 52 / 10

HEX #E5DA6F

RGB 229 218 111

HSL 54.41, 0.69%, 0.67%

LAB 85.98, -10.05, 53.4

 

CMYK 0 / 18 / 52 / 10

HEX #E5BB6F

RGB 229 187 111

HSL 38.64, 0.69%, 0.67%

LAB 78.08, 5.91, 43.88

 

CMYK 0 / 32 / 52 / 10

HEX #E59B6F

RGB 229 155 111

HSL 22.37, 0.69%, 0.67%

LAB 70.35, 22.92, 34.2

 

CMYK 0 / 46 / 52 / 10

HEX #E57B6F

RGB 229 123 111

HSL 6.1, 0.69%, 0.67%

LAB 63.32, 39.74, 25.03

 

CMYK 9 / 0 / 52 / 10

HEX #D0E56F

RGB 208 229 111

HSL 70.68, 0.69%, 0.67%

LAB 87.29, -23.81, 54.54

 

CMYK 23 / 0 / 52 / 10

HEX #B1E56F

RGB 177 229 111

HSL 86.44, 0.69%, 0.67%

LAB 85.27, -35.53, 51.65

 

CMYK 37 / 0 / 52 / 10

HEX #91E56F

RGB 145 229 111

HSL 102.71, 0.69%, 0.67%

LAB 83.55, -46.56, 49.18

 

CMYK 51 / 0 / 52 / 10

HEX #71E56F

RGB 113 229 111

HSL 118.98, 0.69%, 0.67%

LAB 82.22, -55.98, 47.25

 

CMYK 52 / 0 / 38 / 10

HEX #6FE58E

RGB 111 229 142

HSL 135.76, 0.69%, 0.67%

LAB 82.58, -51.91, 32.49

 

CMYK 9 / 0 / 52 / 10

HEX #D0E56F

RGB 208 229 111

HSL 70.68, 0.69%, 0.67%

LAB 87.29, -23.81, 54.54

 

CMYK 11 / 0 / 60 / 5

HEX #D9F362

RGB 217 243 98

HSL 70.76, 0.86%, 0.67%

LAB 91.57, -27.99, 65.27

 

CMYK 9 / 0 / 52 / 10

HEX #D0E56F

RGB 208 229 111

HSL 70.68, 0.69%, 0.67%

LAB 87.29, -23.81, 54.54

 

CMYK 7 / 0 / 42 / 15

HEX #C8D87D

RGB 200 216 125

HSL 70.55, 0.54%, 0.67%

LAB 83.37, -19.2, 42.96

 

CMYK 5 / 0 / 31 / 21

HEX #BFCA8B

RGB 191 202 139

HSL 70.48, 0.37%, 0.67%

LAB 79.15, -13.98, 30.27

 

CMYK 3 / 0 / 19 / 26

HEX #B6BC98

RGB 182 188 152

HSL 70, 0.21%, 0.67%

LAB 74.94, -8.31, 17.55

 

CMYK 1 / 0 / 5 / 31

HEX #ADAFA6

RGB 173 175 166

HSL 73.33, 0.05%, 0.67%

LAB 71.08, -2.37, 4.36

 

CMYK 0 / 19 / 52 / 10

HEX #E5BA6F

RGB 229 186 111

HSL 38.14, 0.69%, 0.67%

LAB 77.83, 6.43, 43.58

 

CMYK 0 / 5 / 52 / 10

HEX #E5D96F

RGB 229 217 111

HSL 53.9, 0.69%, 0.67%

LAB 85.72, -9.55, 53.09

 

CMYK 8 / 0 / 52 / 10

HEX #D2E56F

RGB 210 229 111

HSL 69.66, 0.69%, 0.67%

LAB 87.43, -23.03, 54.74

 

CMYK 22 / 0 / 52 / 10

HEX #B2E56F

RGB 178 229 111

HSL 85.93, 0.69%, 0.67%

LAB 85.33, -35.16, 51.73

 

CMYK 36 / 0 / 52 / 10

HEX #93E56F

RGB 147 229 111

HSL 101.69, 0.69%, 0.67%

LAB 83.65, -45.91, 49.32

 

CMYK 14 / 0 / 81 / 15

HEX #BAD929

RGB 186 217 41

HSL 70.57, 0.7%, 0.51%

LAB 81.96, -31.21, 74.84

 

CMYK 12 / 0 / 66 / 13

HEX #C5DF4C

RGB 197 223 76

HSL 70.61, 0.7%, 0.59%

LAB 84.57, -27.94, 66.25

 

CMYK 9 / 0 / 52 / 10

HEX #D0E56F

RGB 208 229 111

HSL 70.68, 0.69%, 0.67%

LAB 87.29, -23.81, 54.54

 

CMYK 6 / 0 / 37 / 8

HEX #DCEB93

RGB 220 235 147

HSL 70.23, 0.69%, 0.75%

LAB 90.2, -18.4, 41.05

 

CMYK 5 / 0 / 25 / 5

HEX #E7F2B6

RGB 231 242 182

HSL 71, 0.7%, 0.83%

LAB 93.39, -13.32, 27.81

 

CMYK 9 / 0 / 52 / 10

HEX #D1E66F

RGB 209 230 111

HSL 70.59, 0.7%, 0.67%

LAB 87.63, -23.9, 54.95

 

CMYK 52 / 0 / 32 / 10

HEX #6FE59B

RGB 111 229 155

HSL 142.37, 0.69%, 0.67%

LAB 82.8, -49.63, 26.15

 

CMYK 12 / 52 / 0 / 10

HEX #CA6FE5

RGB 202 111 229

HSL 286.27, 0.69%, 0.67%

LAB 61.29, 54.17, -45.32

 

CMYK 9 / 0 / 52 / 10

HEX #D1E66F

RGB 209 230 111

HSL 70.59, 0.7%, 0.67%

LAB 87.63, -23.9, 54.95

 

CMYK 52 / 8 / 0 / 10

HEX #6FD2E5

RGB 111 210 229

HSL 189.66, 0.69%, 0.67%

LAB 79.12, -23.94, -18.31

 

CMYK 0 / 52 / 8 / 10

HEX #E56FD2

RGB 229 111 210

HSL 309.66, 0.69%, 0.67%

LAB 63.9, 58.23, -30.35

 

CMYK 9 / 0 / 52 / 10

HEX #D1E66F

RGB 209 230 111

HSL 70.59, 0.7%, 0.67%

LAB 87.63, -23.9, 54.95

 

CMYK 52 / 0 / 32 / 10

HEX #6FE59B

RGB 111 229 155

HSL 142.37, 0.69%, 0.67%

LAB 82.8, -49.63, 26.15

 

CMYK 43 / 52 / 0 / 10

HEX #836FE5

RGB 131 111 229

HSL 250.17, 0.69%, 0.67%

LAB 53.87, 36.17, -57.57

 

CMYK 0 / 52 / 19 / 10

HEX #E56FBA

RGB 229 111 186

HSL 321.86, 0.69%, 0.67%

LAB 62.99, 54.53, -18.2

 

CMYK 9 / 0 / 52 / 10

HEX #D1E66F

RGB 209 230 111

HSL 70.59, 0.7%, 0.67%

LAB 87.63, -23.9, 54.95

 

CMYK 52 / 0 / 17 / 10

HEX #6FE5BE

RGB 111 229 190

HSL 160.17, 0.69%, 0.67%

LAB 83.51, -42.53, 8.9

 

CMYK 43 / 52 / 0 / 10

HEX #836FE5

RGB 131 111 229

HSL 250.17, 0.69%, 0.67%

LAB 53.87, 36.17, -57.57

 

CMYK 0 / 52 / 34 / 10

HEX #E56F97

RGB 229 111 151

HSL 339.66, 0.69%, 0.67%

LAB 61.88, 49.88, 0.17

 

Description

Color code: HEX #D1E66F | qconv.com Color code: HEX #D1E66F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 230 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 230 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 52 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 52% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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