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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1E2BB it is the complementary color #2E1D44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1E2BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1E2BB shade: #D6E2B6, #E7F4C9, #F8FFDC and #FFFFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1E2BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1E2BB shade: #D1E2BB, #C0D0A8, #AFBE95, #9EAC82 and #8D9A6F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1E2BB shade: #D1E1BB, #DBE1BB, #E1DDBB, #E1D3BB and #E1C9BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1E2BB shade: #D1E1BB, #C6E1BB, #BCE1BB, #BBE1C4 and #BBE1CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1E2BB shade matches the following richer shades: #D1E1BB, #D2E9B3, #D3F1AB and #D4F9A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1E2BB shade: #D1E1BB, #D0DAC3, #CFD2CA, #CECAD2 and #CDC2DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1E2BB shade: #E1DEBB, #DBE1BB, #D1E1BB, #C6E1BB and #BCE1BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1E2BB shade: #A9C981, #BDD59E, #D1E1BB, #E4EED8 and #F8FAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1E2BB shade: #D1E2BB, #BBE1D3 and #E1BBE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1E2BB shade: #D1E2BB, #BBD1E1 and #E1BBD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1E2BB shade: #D1E2BB, #BBE1D3, #CBBBE1 and #E1BBC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1E2BB shade: #D1E2BB, #BBE1DF, #CBBBE1 and #E1BBBD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 17 / 11

HEX #D1E2BB

RGB 209 226 187

HSL 86.15, 0.4%, 0.81%

LAB 87.74, -12.47, 17.18

 

Complementary color

CMYK 32 / 57 / 0 / 73

HEX #2E1D44

RGB 46 29 68

HSL 266.15, 0.4%, 0.19%

LAB 14.83, 17.96, -21.64

 

CMYK 5 / 0 / 19 / 11

HEX #D6E2B6

RGB 214 226 182

HSL 76.36, 0.43%, 0.8%

LAB 88, -11.47, 20.2

 

CMYK 5 / 0 / 18 / 4

HEX #E7F4C9

RGB 231 244 201

HSL 78.14, 0.66%, 0.87%

LAB 94.27, -11.54, 19.3

 

CMYK 3 / 0 / 14 / 0

HEX #F8FFDC

RGB 248 255 220

HSL 72, 1%, 0.93%

LAB 98.69, -8.15, 15.95

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFEF

RGB 255 255 239

HSL 60, 1%, 0.97%

LAB 99.62, -2.71, 7.63

 

CMYK 8 / 0 / 17 / 11

HEX #D1E2BB

RGB 209 226 187

HSL 86.15, 0.4%, 0.81%

LAB 87.74, -12.47, 17.18

 

CMYK 8 / 0 / 19 / 18

HEX #C0D0A8

RGB 192 208 168

HSL 84, 0.3%, 0.74%

LAB 81.37, -12.45, 18.08

 

CMYK 8 / 0 / 22 / 25

HEX #AFBE95

RGB 175 190 149

HSL 81.95, 0.24%, 0.66%

LAB 74.89, -12.41, 19.02

 

CMYK 8 / 0 / 24 / 33

HEX #9EAC82

RGB 158 172 130

HSL 80, 0.2%, 0.59%

LAB 68.3, -12.38, 20.02

 

CMYK 8 / 0 / 28 / 40

HEX #8D9A6F

RGB 141 154 111

HSL 78.14, 0.18%, 0.52%

LAB 61.59, -12.33, 21.08

 

CMYK 7 / 0 / 17 / 12

HEX #D1E1BB

RGB 209 225 187

HSL 85.26, 0.39%, 0.81%

LAB 87.48, -11.97, 16.82

 

CMYK 3 / 0 / 17 / 12

HEX #DBE1BB

RGB 219 225 187

HSL 69.47, 0.39%, 0.81%

LAB 88.21, -8.41, 17.94

 

CMYK 0 / 2 / 17 / 12

HEX #E1DDBB

RGB 225 221 187

HSL 53.68, 0.39%, 0.81%

LAB 87.63, -4.21, 17.2

 

CMYK 0 / 6 / 17 / 12

HEX #E1D3BB

RGB 225 211 187

HSL 37.89, 0.39%, 0.81%

LAB 85.09, 0.94, 13.62

 

CMYK 0 / 11 / 17 / 12

HEX #E1C9BB

RGB 225 201 187

HSL 22.11, 0.39%, 0.81%

LAB 82.58, 6.17, 10.05

 

CMYK 7 / 0 / 17 / 12

HEX #D1E1BB

RGB 209 225 187

HSL 85.26, 0.39%, 0.81%

LAB 87.48, -11.97, 16.82

 

CMYK 12 / 0 / 17 / 12

HEX #C6E1BB

RGB 198 225 187

HSL 102.63, 0.39%, 0.81%

LAB 86.72, -15.81, 15.64

 

CMYK 16 / 0 / 17 / 12

HEX #BCE1BB

RGB 188 225 187

HSL 118.42, 0.39%, 0.81%

LAB 86.07, -19.22, 14.63

 

CMYK 17 / 0 / 13 / 12

HEX #BBE1C4

RGB 187 225 196

HSL 134.21, 0.39%, 0.81%

LAB 86.21, -17.96, 10.09

 

CMYK 17 / 0 / 8 / 12

HEX #BBE1CF

RGB 187 225 207

HSL 151.58, 0.39%, 0.81%

LAB 86.46, -15.91, 4.67

 

CMYK 7 / 0 / 17 / 12

HEX #D1E1BB

RGB 209 225 187

HSL 85.26, 0.39%, 0.81%

LAB 87.48, -11.97, 16.82

 

CMYK 10 / 0 / 23 / 9

HEX #D2E9B3

RGB 210 233 179

HSL 85.56, 0.55%, 0.81%

LAB 89.5, -16.84, 23.78

 

CMYK 12 / 0 / 29 / 5

HEX #D3F1AB

RGB 211 241 171

HSL 85.71, 0.71%, 0.81%

LAB 91.55, -21.55, 30.67

 

CMYK 15 / 0 / 35 / 2

HEX #D4F9A3

RGB 212 249 163

HSL 85.81, 0.88%, 0.81%

LAB 93.62, -26.11, 37.45

 

CMYK 7 / 0 / 17 / 12

HEX #D1E1BB

RGB 209 225 187

HSL 85.26, 0.39%, 0.81%

LAB 87.48, -11.97, 16.82

 

CMYK 5 / 0 / 11 / 15

HEX #D0DAC3

RGB 208 218 195

HSL 86.09, 0.24%, 0.81%

LAB 85.75, -7.45, 10.16

 

CMYK 1 / 0 / 4 / 18

HEX #CFD2CA

RGB 207 210 202

HSL 82.5, 0.08%, 0.81%

LAB 83.77, -2.46, 3.59

 

CMYK 2 / 4 / 0 / 18

HEX #CECAD2

RGB 206 202 210

HSL 270, 0.08%, 0.81%

LAB 81.85, 2.85, -3.49

 

CMYK 6 / 11 / 0 / 15

HEX #CDC2DA

RGB 205 194 218

HSL 267.5, 0.24%, 0.81%

LAB 79.97, 8.3, -10.58

 

CMYK 0 / 1 / 17 / 12

HEX #E1DEBB

RGB 225 222 187

HSL 55.26, 0.39%, 0.81%

LAB 87.89, -4.72, 17.56

 

CMYK 3 / 0 / 17 / 12

HEX #DBE1BB

RGB 219 225 187

HSL 69.47, 0.39%, 0.81%

LAB 88.21, -8.41, 17.94

 

CMYK 7 / 0 / 17 / 12

HEX #D1E1BB

RGB 209 225 187

HSL 85.26, 0.39%, 0.81%

LAB 87.48, -11.97, 16.82

 

CMYK 12 / 0 / 17 / 12

HEX #C6E1BB

RGB 198 225 187

HSL 102.63, 0.39%, 0.81%

LAB 86.72, -15.81, 15.64

 

CMYK 16 / 0 / 17 / 12

HEX #BCE1BB

RGB 188 225 187

HSL 118.42, 0.39%, 0.81%

LAB 86.07, -19.22, 14.63

 

CMYK 16 / 0 / 36 / 21

HEX #A9C981

RGB 169 201 129

HSL 86.67, 0.4%, 0.65%

LAB 77.16, -23.1, 32.54

 

CMYK 11 / 0 / 26 / 16

HEX #BDD59E

RGB 189 213 158

HSL 86.18, 0.4%, 0.73%

LAB 82.31, -17.59, 24.6

 

CMYK 7 / 0 / 17 / 12

HEX #D1E1BB

RGB 209 225 187

HSL 85.26, 0.39%, 0.81%

LAB 87.48, -11.97, 16.82

 

CMYK 4 / 0 / 9 / 7

HEX #E4EED8

RGB 228 238 216

HSL 87.27, 0.39%, 0.89%

LAB 92.84, -7.17, 9.5

 

CMYK 1 / 0 / 2 / 2

HEX #F8FAF4

RGB 248 250 244

HSL 80, 0.37%, 0.97%

LAB 97.98, -1.7, 2.63

 

CMYK 8 / 0 / 17 / 11

HEX #D1E2BB

RGB 209 226 187

HSL 86.15, 0.4%, 0.81%

LAB 87.74, -12.47, 17.18

 

CMYK 17 / 0 / 6 / 12

HEX #BBE1D3

RGB 187 225 211

HSL 157.89, 0.39%, 0.81%

LAB 86.56, -15.13, 2.71

 

CMYK 0 / 17 / 0 / 12

HEX #E1BBE0

RGB 225 187 224

HSL 301.58, 0.39%, 0.81%

LAB 80.14, 19.88, -13.37

 

CMYK 8 / 0 / 17 / 11

HEX #D1E2BB

RGB 209 226 187

HSL 86.15, 0.4%, 0.81%

LAB 87.74, -12.47, 17.18

 

CMYK 17 / 7 / 0 / 12

HEX #BBD1E1

RGB 187 209 225

HSL 205.26, 0.39%, 0.81%

LAB 82.7, -4.07, -10.39

 

CMYK 0 / 17 / 7 / 12

HEX #E1BBD1

RGB 225 187 209

HSL 325.26, 0.39%, 0.81%

LAB 79.7, 17.2, -5.94

 

CMYK 8 / 0 / 17 / 11

HEX #D1E2BB

RGB 209 226 187

HSL 86.15, 0.4%, 0.81%

LAB 87.74, -12.47, 17.18

 

CMYK 17 / 0 / 6 / 12

HEX #BBE1D3

RGB 187 225 211

HSL 157.89, 0.39%, 0.81%

LAB 86.56, -15.13, 2.71

 

CMYK 10 / 17 / 0 / 12

HEX #CBBBE1

RGB 203 187 225

HSL 265.26, 0.39%, 0.81%

LAB 78.27, 12.8, -16.91

 

CMYK 0 / 17 / 11 / 12

HEX #E1BBC9

RGB 225 187 201

HSL 337.89, 0.39%, 0.81%

LAB 79.48, 15.85, -1.94

 

CMYK 8 / 0 / 17 / 11

HEX #D1E2BB

RGB 209 226 187

HSL 86.15, 0.4%, 0.81%

LAB 87.74, -12.47, 17.18

 

CMYK 17 / 0 / 1 / 12

HEX #BBE1DF

RGB 187 225 223

HSL 176.84, 0.39%, 0.81%

LAB 86.87, -12.74, -3.16

 

CMYK 10 / 17 / 0 / 12

HEX #CBBBE1

RGB 203 187 225

HSL 265.26, 0.39%, 0.81%

LAB 78.27, 12.8, -16.91

 

CMYK 0 / 17 / 16 / 12

HEX #E1BBBD

RGB 225 187 189

HSL 356.84, 0.39%, 0.81%

LAB 79.17, 13.9, 4.09

 

Description

Color code: HEX #D1E2BB | qconv.com Color code: HEX #D1E2BB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 226 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 226 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 17 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 17% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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