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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D1EBC7 it is the complementary color #2E1438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D1EBC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D1EBC7 shade: #D6EBC2, #E7FDD5, #F8FFE8 and #FFFFFB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D1EBC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D1EBC7 shade: #D1EBC7, #C0D9B4, #AFC7A1, #9EB58E and #8DA37B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D1EBC7 shade: #D0EAC6, #DAEAC6, #E4EAC6, #EAE7C6 and #EADDC6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D1EBC7 shade: #D0EAC6, #C7EAC6, #C6EAD0, #C6EAD9 and #C6EAE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D1EBC7 shade matches the following richer shades: #D0EAC6, #CEF0C0, #CBF7BA and #C8FDB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D1EBC7 shade: #D0EAC6, #D3E4CC, #D6DED3, #D9D8D9 and #DBD1DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D1EBC7 shade: #E4EAC6, #DAEAC6, #D0EAC6, #C7EAC6 and #C6EACF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D1EBC7 shade: #9ED48A, #B7DFA8, #D0EAC6 and #E9F5E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D1EBC7 shade: #D1EBC7, #C6EAE7 and #EAC6DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D1EBC7 shade: #D1EBC7, #C6D0EA and #EAC6D0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D1EBC7 shade: #D1EBC7, #C6EAE7, #E0C6EA and #EAC6C9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D1EBC7 shade: #D1EBC7, #C6E2EA, #E0C6EA and #EACEC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 15 / 8

HEX #D1EBC7

RGB 209 235 199

HSL 103.33, 0.47%, 0.85%

LAB 90.37, -15.01, 14.63

 

Complementary color

CMYK 18 / 64 / 0 / 78

HEX #2E1438

RGB 46 20 56

HSL 283.33, 0.47%, 0.15%

LAB 11.73, 20.55, -18.08

 

CMYK 9 / 0 / 17 / 8

HEX #D6EBC2

RGB 214 235 194

HSL 90.73, 0.51%, 0.84%

LAB 90.6, -14.1, 17.6

 

CMYK 9 / 0 / 16 / 1

HEX #E7FDD5

RGB 231 253 213

HSL 93, 0.91%, 0.91%

LAB 96.84, -14.11, 16.75

 

CMYK 3 / 0 / 9 / 0

HEX #F8FFE8

RGB 248 255 232

HSL 78.26, 1%, 0.95%

LAB 98.95, -6.23, 10.19

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 11 / 0 / 15 / 8

HEX #D1EBC7

RGB 209 235 199

HSL 103.33, 0.47%, 0.85%

LAB 90.37, -15.01, 14.63

 

CMYK 12 / 0 / 17 / 15

HEX #C0D9B4

RGB 192 217 180

HSL 100.54, 0.33%, 0.78%

LAB 84.03, -15.05, 15.47

 

CMYK 12 / 0 / 19 / 22

HEX #AFC7A1

RGB 175 199 161

HSL 97.89, 0.25%, 0.71%

LAB 77.6, -15.09, 16.36

 

CMYK 13 / 0 / 22 / 29

HEX #9EB58E

RGB 158 181 142

HSL 95.38, 0.21%, 0.63%

LAB 71.06, -15.14, 17.29

 

CMYK 13 / 0 / 25 / 36

HEX #8DA37B

RGB 141 163 123

HSL 93, 0.18%, 0.56%

LAB 64.39, -15.19, 18.29

 

CMYK 11 / 0 / 15 / 8

HEX #D0EAC6

RGB 208 234 198

HSL 103.33, 0.46%, 0.85%

LAB 90.01, -15.02, 14.64

 

CMYK 7 / 0 / 15 / 8

HEX #DAEAC6

RGB 218 234 198

HSL 86.67, 0.46%, 0.85%

LAB 90.7, -11.57, 15.71

 

CMYK 3 / 0 / 15 / 8

HEX #E4EAC6

RGB 228 234 198

HSL 70, 0.46%, 0.85%

LAB 91.42, -8.06, 16.83

 

CMYK 0 / 1 / 15 / 8

HEX #EAE7C6

RGB 234 231 198

HSL 55, 0.46%, 0.85%

LAB 91.11, -4.41, 16.45

 

CMYK 0 / 6 / 15 / 8

HEX #EADDC6

RGB 234 221 198

HSL 38.33, 0.46%, 0.85%

LAB 88.58, 0.71, 12.88

 

CMYK 11 / 0 / 15 / 8

HEX #D0EAC6

RGB 208 234 198

HSL 103.33, 0.46%, 0.85%

LAB 90.01, -15.02, 14.64

 

CMYK 15 / 0 / 15 / 8

HEX #C7EAC6

RGB 199 234 198

HSL 118.33, 0.46%, 0.85%

LAB 89.42, -18.07, 13.72

 

CMYK 15 / 0 / 11 / 8

HEX #C6EAD0

RGB 198 234 208

HSL 136.67, 0.46%, 0.85%

LAB 89.58, -16.63, 8.73

 

CMYK 15 / 0 / 7 / 8

HEX #C6EAD9

RGB 198 234 217

HSL 151.67, 0.46%, 0.85%

LAB 89.79, -14.96, 4.33

 

CMYK 15 / 0 / 3 / 8

HEX #C6EAE3

RGB 198 234 227

HSL 168.33, 0.46%, 0.85%

LAB 90.04, -13.04, -0.53

 

CMYK 11 / 0 / 15 / 8

HEX #D0EAC6

RGB 208 234 198

HSL 103.33, 0.46%, 0.85%

LAB 90.01, -15.02, 14.64

 

CMYK 14 / 0 / 20 / 6

HEX #CEF0C0

RGB 206 240 192

HSL 102.5, 0.62%, 0.85%

LAB 91.35, -19.65, 19.59

 

CMYK 18 / 0 / 25 / 3

HEX #CBF7BA

RGB 203 247 186

HSL 103.28, 0.79%, 0.85%

LAB 92.91, -25, 24.81

 

CMYK 21 / 0 / 29 / 1

HEX #C8FDB4

RGB 200 253 180

HSL 103.56, 0.95%, 0.85%

LAB 94.24, -29.77, 29.63

 

CMYK 11 / 0 / 15 / 8

HEX #D0EAC6

RGB 208 234 198

HSL 103.33, 0.46%, 0.85%

LAB 90.01, -15.02, 14.64

 

CMYK 7 / 0 / 11 / 11

HEX #D3E4CC

RGB 211 228 204

HSL 102.5, 0.31%, 0.85%

LAB 88.78, -9.97, 9.78

 

CMYK 4 / 0 / 5 / 13

HEX #D6DED3

RGB 214 222 211

HSL 103.64, 0.14%, 0.85%

LAB 87.6, -4.67, 4.45

 

CMYK 0 / 0 / 0 / 15

HEX #D9D8D9

RGB 217 216 217

HSL 300, 0.01%, 0.85%

LAB 86.44, 0.52, -0.38

 

CMYK 2 / 6 / 0 / 13

HEX #DBD1DF

RGB 219 209 223

HSL 282.86, 0.18%, 0.85%

LAB 84.99, 5.96, -5.67

 

CMYK 3 / 0 / 15 / 8

HEX #E4EAC6

RGB 228 234 198

HSL 70, 0.46%, 0.85%

LAB 91.42, -8.06, 16.83

 

CMYK 7 / 0 / 15 / 8

HEX #DAEAC6

RGB 218 234 198

HSL 86.67, 0.46%, 0.85%

LAB 90.7, -11.57, 15.71

 

CMYK 11 / 0 / 15 / 8

HEX #D0EAC6

RGB 208 234 198

HSL 103.33, 0.46%, 0.85%

LAB 90.01, -15.02, 14.64

 

CMYK 15 / 0 / 15 / 8

HEX #C7EAC6

RGB 199 234 198

HSL 118.33, 0.46%, 0.85%

LAB 89.42, -18.07, 13.72

 

CMYK 15 / 0 / 12 / 8

HEX #C6EACF

RGB 198 234 207

HSL 135, 0.46%, 0.85%

LAB 89.56, -16.81, 9.22

 

CMYK 25 / 0 / 35 / 17

HEX #9ED48A

RGB 158 212 138

HSL 103.78, 0.46%, 0.69%

LAB 79.72, -31.06, 31.15

 

CMYK 18 / 0 / 25 / 13

HEX #B7DFA8

RGB 183 223 168

HSL 103.64, 0.46%, 0.77%

LAB 84.83, -23.1, 22.77

 

CMYK 11 / 0 / 15 / 8

HEX #D0EAC6

RGB 208 234 198

HSL 103.33, 0.46%, 0.85%

LAB 90.01, -15.02, 14.64

 

CMYK 5 / 0 / 7 / 4

HEX #E9F5E5

RGB 233 245 229

HSL 105, 0.44%, 0.93%

LAB 95.28, -6.79, 6.32

 

CMYK 11 / 0 / 15 / 8

HEX #D1EBC7

RGB 209 235 199

HSL 103.33, 0.47%, 0.85%

LAB 90.37, -15.01, 14.63

 

CMYK 15 / 0 / 1 / 8

HEX #C6EAE7

RGB 198 234 231

HSL 175, 0.46%, 0.85%

LAB 90.15, -12.24, -2.47

 

CMYK 0 / 15 / 5 / 8

HEX #EAC6DF

RGB 234 198 223

HSL 318.33, 0.46%, 0.85%

LAB 83.55, 16.87, -7.66

 

CMYK 11 / 0 / 15 / 8

HEX #D1EBC7

RGB 209 235 199

HSL 103.33, 0.47%, 0.85%

LAB 90.37, -15.01, 14.63

 

CMYK 15 / 11 / 0 / 8

HEX #C6D0EA

RGB 198 208 234

HSL 223.33, 0.46%, 0.85%

LAB 83.47, 1.81, -13.95

 

CMYK 0 / 15 / 11 / 8

HEX #EAC6D0

RGB 234 198 208

HSL 343.33, 0.46%, 0.85%

LAB 83.14, 14.32, -0.24

 

CMYK 11 / 0 / 15 / 8

HEX #D1EBC7

RGB 209 235 199

HSL 103.33, 0.47%, 0.85%

LAB 90.37, -15.01, 14.63

 

CMYK 15 / 0 / 1 / 8

HEX #C6EAE7

RGB 198 234 231

HSL 175, 0.46%, 0.85%

LAB 90.15, -12.24, -2.47

 

CMYK 4 / 15 / 0 / 8

HEX #E0C6EA

RGB 224 198 234

HSL 283.33, 0.46%, 0.85%

LAB 83.01, 15.53, -14.44

 

CMYK 0 / 15 / 14 / 8

HEX #EAC6C9

RGB 234 198 201

HSL 355, 0.46%, 0.85%

LAB 82.97, 13.19, 3.24

 

CMYK 11 / 0 / 15 / 8

HEX #D1EBC7

RGB 209 235 199

HSL 103.33, 0.47%, 0.85%

LAB 90.37, -15.01, 14.63

 

CMYK 15 / 3 / 0 / 8

HEX #C6E2EA

RGB 198 226 234

HSL 193.33, 0.46%, 0.85%

LAB 88.13, -7.57, -7.01

 

CMYK 4 / 15 / 0 / 8

HEX #E0C6EA

RGB 224 198 234

HSL 283.33, 0.46%, 0.85%

LAB 83.01, 15.53, -14.44

 

CMYK 0 / 12 / 15 / 8

HEX #EACEC6

RGB 234 206 198

HSL 13.33, 0.46%, 0.85%

LAB 84.85, 8.51, 7.56

 

Description

Color code: HEX #D1EBC7 | qconv.com Color code: HEX #D1EBC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 209 red, 235 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
209 235 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 15 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 15% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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