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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2227B it is the complementary color #2DDD84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2227B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2227B shade: #D72276, #E83489, #F9469C, #FF58AF and #FF6AC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2227B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2227B shade: #D2227B, #C11068, #B00055, #9F0042 and #8E002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2227B shade: #D2227B, #D2224B and #D22222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2227B shade: #D2227B, #D222AA, #CA22D2, #9B22D2 and #6B22D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2227B shade matches the following richer shades: #D2227B and #E60E7B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2227B shade: #D2227B, #BE367B, #AA497A, #975D7A and #83717A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2227B shade: #C922D2, #D222AC, #D2227D, #D2224E and #D22522

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2227B shade: #8B1651, #AF1C66, #D2227B, #DF3E8F and #E561A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2227B shade: #D2227B, #D29A22 and #22C3D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2227B shade: #D2227B, #7DD222 and #227DD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2227B shade: #D2227B, #D29A22, #22D277 and #225AD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2227B shade: #D2227B, #D2CF22, #22D277 and #2225D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

Complementary color

CMYK 80 / 0 / 40 / 13

HEX #2DDD84

RGB 45 221 132

HSL 149.66, 0.72%, 0.52%

LAB 78.42, -62.45, 31.8

 

CMYK 0 / 84 / 45 / 16

HEX #D72276

RGB 215 34 118

HSL 332.15, 0.73%, 0.49%

LAB 48.13, 70.92, -0.64

 

CMYK 0 / 78 / 41 / 9

HEX #E83489

RGB 232 52 137

HSL 331.67, 0.8%, 0.56%

LAB 53.4, 72.46, -4.01

 

CMYK 0 / 72 / 37 / 2

HEX #F9469C

RGB 249 70 156

HSL 331.17, 0.94%, 0.63%

LAB 58.9, 73.26, -6.76

 

CMYK 0 / 65 / 31 / 0

HEX #FF58AF

RGB 255 88 175

HSL 328.74, 1%, 0.67%

LAB 62.79, 70.55, -11.84

 

CMYK 0 / 58 / 24 / 0

HEX #FF6AC2

RGB 255 106 194

HSL 324.56, 1%, 0.71%

LAB 66.11, 65.58, -17.64

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 92 / 46 / 24

HEX #C11068

RGB 193 16 104

HSL 330.17, 0.85%, 0.41%

LAB 42.32, 67.59, -0.99

 

CMYK 0 / 100 / 52 / 31

HEX #B00055

RGB 176 0 85

HSL 331.02, 1%, 0.35%

LAB 37.64, 63.92, 3.86

 

CMYK 0 / 100 / 58 / 38

HEX #9F0042

RGB 159 0 66

HSL 335.09, 1%, 0.31%

LAB 33.49, 58.57, 9.87

 

CMYK 0 / 100 / 67 / 44

HEX #8E002F

RGB 142 0 47

HSL 340.14, 1%, 0.28%

LAB 29.3, 53.24, 16.23

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 84 / 64 / 18

HEX #D2224B

RGB 210 34 75

HSL 346.02, 0.72%, 0.48%

LAB 46.11, 66.61, 22.9

 

CMYK 0 / 84 / 84 / 18

HEX #D22222

RGB 210 34 34

HSL 0, 0.72%, 0.48%

LAB 45.58, 65.02, 46.07

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 84 / 19 / 18

HEX #D222AA

RGB 210 34 170

HSL 313.64, 0.72%, 0.48%

LAB 49.19, 75.36, -30.42

 

CMYK 4 / 84 / 0 / 18

HEX #CA22D2

RGB 202 34 210

HSL 297.27, 0.72%, 0.48%

LAB 49.92, 79.49, -52.63

 

CMYK 26 / 84 / 0 / 18

HEX #9B22D2

RGB 155 34 210

HSL 281.25, 0.72%, 0.48%

LAB 42.41, 71.66, -65.14

 

CMYK 49 / 84 / 0 / 18

HEX #6B22D2

RGB 107 34 210

HSL 264.89, 0.72%, 0.48%

LAB 35.84, 65.12, -76.16

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 94 / 47 / 10

HEX #E60E7B

RGB 230 14 123

HSL 329.72, 0.89%, 0.48%

LAB 50.18, 77.74, -0.36

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 72 / 35 / 25

HEX #BE367B

RGB 190 54 123

HSL 329.56, 0.56%, 0.48%

LAB 45.66, 59.36, -7.88

 

CMYK 0 / 57 / 28 / 33

HEX #AA497A

RGB 170 73 122

HSL 329.69, 0.4%, 0.48%

LAB 45.24, 45.2, -8.23

 

CMYK 0 / 38 / 19 / 41

HEX #975D7A

RGB 151 93 122

HSL 330, 0.24%, 0.48%

LAB 46.73, 27.95, -6.29

 

CMYK 0 / 14 / 7 / 49

HEX #83717A

RGB 131 113 122

HSL 330, 0.07%, 0.48%

LAB 49.55, 8.69, -2.37

 

CMYK 4 / 84 / 0 / 18

HEX #C922D2

RGB 201 34 210

HSL 296.93, 0.72%, 0.48%

LAB 49.76, 79.31, -52.91

 

CMYK 0 / 84 / 18 / 18

HEX #D222AC

RGB 210 34 172

HSL 312.95, 0.72%, 0.48%

LAB 49.28, 75.61, -31.45

 

CMYK 0 / 84 / 40 / 18

HEX #D2227D

RGB 210 34 125

HSL 328.98, 0.72%, 0.48%

LAB 47.4, 70.35, -6.11

 

CMYK 0 / 84 / 63 / 18

HEX #D2224E

RGB 210 34 78

HSL 345, 0.72%, 0.48%

LAB 46.17, 66.78, 21.13

 

CMYK 0 / 82 / 84 / 18

HEX #D22522

RGB 210 37 34

HSL 1.02, 0.72%, 0.48%

LAB 45.83, 64.33, 46.29

 

CMYK 0 / 84 / 42 / 45

HEX #8B1651

RGB 139 22 81

HSL 329.74, 0.73%, 0.32%

LAB 31.01, 51.08, -4.13

 

CMYK 0 / 84 / 42 / 31

HEX #AF1C66

RGB 175 28 102

HSL 329.8, 0.72%, 0.4%

LAB 39.42, 60.95, -4.41

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 72 / 36 / 13

HEX #DF3E8F

RGB 223 62 143

HSL 329.81, 0.72%, 0.56%

LAB 53.08, 67.71, -8.25

 

CMYK 0 / 58 / 28 / 10

HEX #E561A4

RGB 229 97 164

HSL 329.55, 0.72%, 0.64%

LAB 59.79, 58.02, -10.42

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 27 / 84 / 18

HEX #D29A22

RGB 210 154 34

HSL 40.91, 0.72%, 0.48%

LAB 67.22, 10.98, 64.86

 

CMYK 84 / 7 / 0 / 18

HEX #22C3D2

RGB 34 195 210

HSL 185.11, 0.72%, 0.48%

LAB 72.24, -33.23, -18.64

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 40 / 0 / 84 / 18

HEX #7DD222

RGB 125 210 34

HSL 88.98, 0.72%, 0.48%

LAB 76.42, -51.27, 70.33

 

CMYK 84 / 40 / 0 / 18

HEX #227DD2

RGB 34 125 210

HSL 208.98, 0.72%, 0.48%

LAB 51.45, 4.79, -51.01

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 27 / 84 / 18

HEX #D29A22

RGB 210 154 34

HSL 40.91, 0.72%, 0.48%

LAB 67.22, 10.98, 64.86

 

CMYK 84 / 0 / 43 / 18

HEX #22D277

RGB 34 210 119

HSL 148.98, 0.72%, 0.48%

LAB 74.68, -62.02, 33.47

 

CMYK 84 / 57 / 0 / 18

HEX #225AD2

RGB 34 90 210

HSL 220.91, 0.72%, 0.48%

LAB 41.7, 27.08, -66.74

 

CMYK 0 / 84 / 41 / 18

HEX #D2227B

RGB 210 34 123

HSL 329.66, 0.72%, 0.48%

LAB 47.33, 70.16, -4.98

 

CMYK 0 / 1 / 84 / 18

HEX #D2CF22

RGB 210 207 34

HSL 58.98, 0.72%, 0.48%

LAB 80.98, -16.63, 76.38

 

CMYK 84 / 0 / 43 / 18

HEX #22D277

RGB 34 210 119

HSL 148.98, 0.72%, 0.48%

LAB 74.68, -62.02, 33.47

 

CMYK 84 / 82 / 0 / 18

HEX #2225D2

RGB 34 37 210

HSL 238.98, 0.72%, 0.48%

LAB 30.2, 58.19, -85.68

 

Description

Color code: HEX #D2227B | qconv.com Color code: HEX #D2227B | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 34 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 34 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 41 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 41% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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