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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D23DF0 it is the complementary color #2DC20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D23DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D23DF0 shade: #D73DEB, #E84FFE, #F961FF, #FF73FF and #FF85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D23DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D23DF0 shade: #D23DF0, #C12BDD, #B019CA, #9F07B7 and #8E00A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D23DF0 shade: #D23CF0, #F03CDE, #F03CAD, #F03C7D and #F03C4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D23DF0 shade: #D23CF0, #A13CF0, #713CF0, #403CF0 and #3C3CF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D23DF0 shade matches the following richer shades: #D23CF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D23DF0 shade: #D23CF0, #C64DDF, #BB5ECE, #B06FBD and #A580AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D23DF0 shade: #6F3CF0, #9F3CF0, #CF3CF0, #F03CE1 and #F03CB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D23DF0 shade: #AB0FCB, #C916ED, #D23CF0, #DB62F3 and #E389F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D23DF0 shade: #D23DF0, #F03F3C and #3CF087

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D23DF0 shade: #D23DF0, #F0CF3C and #3CF0CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D23DF0 shade: #D23DF0, #F03F3C, #5DF03C and #3CEDF0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D23DF0 shade: #D23DF0, #F0753C, #5DF03C and #3CB7F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 75 / 0 / 6

HEX #D23DF0

RGB 210 61 240

HSL 289.94, 0.86%, 0.59%

LAB 55.41, 78.91, -60.76

 

Complementary color

CMYK 77 / 0 / 92 / 24

HEX #2DC20F

RGB 45 194 15

HSL 109.94, 0.86%, 0.41%

LAB 68.88, -66.2, 66.47

 

CMYK 9 / 74 / 0 / 8

HEX #D73DEB

RGB 215 61 235

HSL 293.1, 0.81%, 0.58%

LAB 55.87, 79.01, -57.18

 

CMYK 9 / 69 / 0 / 0

HEX #E84FFE

RGB 232 79 254

HSL 292.46, 0.99%, 0.65%

LAB 61.57, 79.67, -58.5

 

CMYK 2 / 62 / 0 / 0

HEX #F961FF

RGB 249 97 255

HSL 297.72, 1%, 0.69%

LAB 66.45, 76.82, -51.14

 

CMYK 0 / 55 / 0 / 0

HEX #FF73FF

RGB 255 115 255

HSL 300, 1%, 0.73%

LAB 69.99, 70.8, -45.51

 

CMYK 0 / 48 / 0 / 0

HEX #FF85FF

RGB 255 133 255

HSL 300, 1%, 0.76%

LAB 73.06, 62.61, -40.71

 

CMYK 13 / 75 / 0 / 6

HEX #D23DF0

RGB 210 61 240

HSL 289.94, 0.86%, 0.59%

LAB 55.41, 78.91, -60.76

 

CMYK 13 / 81 / 0 / 13

HEX #C12BDD

RGB 193 43 221

HSL 290.56, 0.72%, 0.52%

LAB 49.84, 77.66, -59.13

 

CMYK 13 / 88 / 0 / 21

HEX #B019CA

RGB 176 25 202

HSL 291.19, 0.78%, 0.45%

LAB 44.5, 75.48, -56.96

 

CMYK 13 / 96 / 0 / 28

HEX #9F07B7

RGB 159 7 183

HSL 291.82, 0.93%, 0.37%

LAB 39.48, 72.07, -54.09

 

CMYK 13 / 100 / 0 / 36

HEX #8E00A4

RGB 142 0 164

HSL 291.95, 1%, 0.32%

LAB 34.87, 67.12, -50.35

 

CMYK 13 / 75 / 0 / 6

HEX #D23CF0

RGB 210 60 240

HSL 290, 0.86%, 0.59%

LAB 55.3, 79.22, -60.93

 

CMYK 0 / 75 / 8 / 6

HEX #F03CDE

RGB 240 60 222

HSL 306, 0.86%, 0.59%

LAB 59, 82.31, -44.64

 

CMYK 0 / 75 / 28 / 6

HEX #F03CAD

RGB 240 60 173

HSL 322.33, 0.86%, 0.59%

LAB 56.85, 75.94, -19.91

 

CMYK 0 / 75 / 48 / 6

HEX #F03C7D

RGB 240 60 125

HSL 338.33, 0.86%, 0.59%

LAB 55.32, 71.17, 6.11

 

CMYK 0 / 75 / 68 / 6

HEX #F03C4C

RGB 240 60 76

HSL 354.67, 0.86%, 0.59%

LAB 54.32, 67.98, 33.83

 

CMYK 13 / 75 / 0 / 6

HEX #D23CF0

RGB 210 60 240

HSL 290, 0.86%, 0.59%

LAB 55.3, 79.22, -60.93

 

CMYK 33 / 75 / 0 / 6

HEX #A13CF0

RGB 161 60 240

HSL 273.67, 0.86%, 0.59%

LAB 48.39, 70.46, -72.46

 

CMYK 53 / 75 / 0 / 6

HEX #713CF0

RGB 113 60 240

HSL 257.67, 0.86%, 0.59%

LAB 42.81, 63.2, -81.79

 

CMYK 73 / 75 / 0 / 6

HEX #403CF0

RGB 64 60 240

HSL 241.33, 0.86%, 0.59%

LAB 38.92, 57.96, -88.35

 

CMYK 75 / 75 / 0 / 6

HEX #3C3CF0

RGB 60 60 240

HSL 240, 0.86%, 0.59%

LAB 38.7, 57.65, -88.72

 

CMYK 13 / 75 / 0 / 6

HEX #D23CF0

RGB 210 60 240

HSL 290, 0.86%, 0.59%

LAB 55.3, 79.22, -60.93

 

CMYK 13 / 75 / 0 / 6

HEX #D23CF0

RGB 210 60 240

HSL 290, 0.86%, 0.59%

LAB 55.3, 79.22, -60.93

 

CMYK 11 / 65 / 0 / 13

HEX #C64DDF

RGB 198 77 223

HSL 289.73, 0.7%, 0.59%

LAB 54.7, 67.63, -52.44

 

CMYK 9 / 54 / 0 / 19

HEX #BB5ECE

RGB 187 94 206

HSL 289.82, 0.53%, 0.59%

LAB 55.1, 54.08, -42.25

 

CMYK 7 / 41 / 0 / 26

HEX #B06FBD

RGB 176 111 189

HSL 290, 0.37%, 0.59%

LAB 56.36, 38.72, -30.67

 

CMYK 4 / 26 / 0 / 33

HEX #A580AC

RGB 165 128 172

HSL 290.45, 0.21%, 0.59%

LAB 58.43, 22.18, -17.85

 

CMYK 54 / 75 / 0 / 6

HEX #6F3CF0

RGB 111 60 240

HSL 257, 0.86%, 0.59%

LAB 42.62, 62.93, -82.13

 

CMYK 34 / 75 / 0 / 6

HEX #9F3CF0

RGB 159 60 240

HSL 273, 0.86%, 0.59%

LAB 48.13, 70.13, -72.89

 

CMYK 14 / 75 / 0 / 6

HEX #CF3CF0

RGB 207 60 240

HSL 289, 0.86%, 0.59%

LAB 54.85, 78.66, -61.68

 

CMYK 0 / 75 / 6 / 6

HEX #F03CE1

RGB 240 60 225

HSL 305, 0.86%, 0.59%

LAB 59.15, 82.74, -46.1

 

CMYK 0 / 75 / 26 / 6

HEX #F03CB1

RGB 240 60 177

HSL 321, 0.86%, 0.59%

LAB 57.01, 76.41, -22

 

CMYK 16 / 93 / 0 / 20

HEX #AB0FCB

RGB 171 15 203

HSL 289.79, 0.86%, 0.43%

LAB 43.23, 76.38, -59.64

 

CMYK 15 / 91 / 0 / 7

HEX #C916ED

RGB 201 22 237

HSL 289.95, 0.86%, 0.51%

LAB 50.81, 85.65, -66.56

 

CMYK 13 / 75 / 0 / 6

HEX #D23CF0

RGB 210 60 240

HSL 290, 0.86%, 0.59%

LAB 55.3, 79.22, -60.93

 

CMYK 10 / 60 / 0 / 5

HEX #DB62F3

RGB 219 98 243

HSL 290.07, 0.86%, 0.67%

LAB 61.88, 67.27, -52.02

 

CMYK 8 / 44 / 0 / 4

HEX #E389F6

RGB 227 137 246

HSL 289.54, 0.86%, 0.75%

LAB 70.09, 51.21, -40.69

 

CMYK 13 / 75 / 0 / 6

HEX #D23DF0

RGB 210 61 240

HSL 289.94, 0.86%, 0.59%

LAB 55.41, 78.91, -60.76

 

CMYK 0 / 74 / 75 / 6

HEX #F03F3C

RGB 240 63 60

HSL 1, 0.86%, 0.59%

LAB 54.46, 66.35, 43.03

 

CMYK 75 / 0 / 44 / 6

HEX #3CF087

RGB 60 240 135

HSL 145, 0.86%, 0.59%

LAB 84.5, -66.8, 38.25

 

CMYK 13 / 75 / 0 / 6

HEX #D23DF0

RGB 210 61 240

HSL 289.94, 0.86%, 0.59%

LAB 55.41, 78.91, -60.76

 

CMYK 0 / 14 / 75 / 6

HEX #F0CF3C

RGB 240 207 60

HSL 49, 0.86%, 0.59%

LAB 83.69, -3.04, 72.37

 

CMYK 75 / 0 / 14 / 6

HEX #3CF0CF

RGB 60 240 207

HSL 169, 0.86%, 0.59%

LAB 85.9, -51.59, 3.25

 

CMYK 13 / 75 / 0 / 6

HEX #D23DF0

RGB 210 61 240

HSL 289.94, 0.86%, 0.59%

LAB 55.41, 78.91, -60.76

 

CMYK 0 / 74 / 75 / 6

HEX #F03F3C

RGB 240 63 60

HSL 1, 0.86%, 0.59%

LAB 54.46, 66.35, 43.03

 

CMYK 61 / 0 / 75 / 6

HEX #5DF03C

RGB 93 240 60

HSL 109, 0.86%, 0.59%

LAB 84.47, -69.66, 70.18

 

CMYK 75 / 1 / 0 / 6

HEX #3CEDF0

RGB 60 237 240

HSL 181, 0.86%, 0.59%

LAB 85.92, -41.47, -14.05

 

CMYK 13 / 75 / 0 / 6

HEX #D23DF0

RGB 210 61 240

HSL 289.94, 0.86%, 0.59%

LAB 55.41, 78.91, -60.76

 

CMYK 0 / 51 / 75 / 6

HEX #F0753C

RGB 240 117 60

HSL 19, 0.86%, 0.59%

LAB 62.99, 43.7, 52.08

 

CMYK 61 / 0 / 75 / 6

HEX #5DF03C

RGB 93 240 60

HSL 109, 0.86%, 0.59%

LAB 84.47, -69.66, 70.18

 

CMYK 75 / 24 / 0 / 6

HEX #3CB7F0

RGB 60 183 240

HSL 199, 0.86%, 0.59%

LAB 70.26, -15.05, -37.96

 

Description

Color code: HEX #D23DF0 | qconv.com Color code: HEX #D23DF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 61 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 61 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 75 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 75% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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