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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D245AC it is the complementary color #2DBA53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D245AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D245AC shade: #D745A7, #E857BA, #F969CD, #FF7BE0 and #FF8DF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D245AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D245AC shade: #D245AC, #C13399, #B02186, #9F0F73 and #8E0060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D245AC shade: #D246AC, #D24686, #D24661 and #D24646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D245AC shade: #D246AC, #D246D2, #AC46D2, #8646D2 and #6046D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D245AC shade matches the following richer shades: #D246AC, #E433B5 and #F721BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D245AC shade: #D246AC, #BF58A3, #AD6B9B, #9A7D92 and #87908A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D245AC shade: #AC46D2, #D246D2, #D246AC, #D24687 and #D24662

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D245AC shade: #9F267E, #C02E99, #D246AC, #DA67BB and #E288CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D245AC shade: #D245AC, #D28746 and #46D2BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D245AC shade: #D245AC, #ACD246 and #46ACD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D245AC shade: #D245AC, #D28746, #46D26B and #4690D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D245AC shade: #D245AC, #D2B146, #46D26B and #4666D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 18 / 18

HEX #D245AC

RGB 210 69 172

HSL 316.17, 0.61%, 0.55%

LAB 52.88, 65.38, -25.86

 

Complementary color

CMYK 76 / 0 / 55 / 27

HEX #2DBA53

RGB 45 186 83

HSL 136.17, 0.61%, 0.45%

LAB 66.75, -58.28, 41.42

 

CMYK 0 / 68 / 22 / 16

HEX #D745A7

RGB 215 69 167

HSL 319.73, 0.65%, 0.56%

LAB 53.49, 66, -21.93

 

CMYK 0 / 63 / 20 / 9

HEX #E857BA

RGB 232 87 186

HSL 319.03, 0.76%, 0.63%

LAB 59.45, 66.06, -23.56

 

CMYK 0 / 58 / 18 / 2

HEX #F969CD

RGB 249 105 205

HSL 318.33, 0.92%, 0.69%

LAB 65.48, 65.82, -24.88

 

CMYK 0 / 52 / 12 / 0

HEX #FF7BE0

RGB 255 123 224

HSL 314.09, 1%, 0.74%

LAB 70.04, 62.25, -28.39

 

CMYK 0 / 45 / 5 / 0

HEX #FF8DF3

RGB 255 141 243

HSL 306.32, 1%, 0.78%

LAB 74.05, 56.72, -32.64

 

CMYK 0 / 67 / 18 / 18

HEX #D245AC

RGB 210 69 172

HSL 316.17, 0.61%, 0.55%

LAB 52.88, 65.38, -25.86

 

CMYK 0 / 74 / 21 / 24

HEX #C13399

RGB 193 51 153

HSL 316.9, 0.58%, 0.48%

LAB 46.98, 64.85, -23.97

 

CMYK 0 / 81 / 24 / 31

HEX #B02186

RGB 176 33 134

HSL 317.62, 0.68%, 0.41%

LAB 41.28, 63.56, -21.52

 

CMYK 0 / 91 / 28 / 38

HEX #9F0F73

RGB 159 15 115

HSL 318.33, 0.83%, 0.34%

LAB 35.89, 61.13, -18.28

 

CMYK 0 / 100 / 32 / 44

HEX #8E0060

RGB 142 0 96

HSL 319.44, 1%, 0.28%

LAB 30.87, 57.35, -14.12

 

CMYK 0 / 67 / 18 / 18

HEX #D246AC

RGB 210 70 172

HSL 316.29, 0.61%, 0.55%

LAB 53.02, 65, -25.65

 

CMYK 0 / 67 / 36 / 18

HEX #D24686

RGB 210 70 134

HSL 332.57, 0.61%, 0.55%

LAB 51.61, 60.24, -5.29

 

CMYK 0 / 67 / 54 / 18

HEX #D24661

RGB 210 70 97

HSL 348.43, 0.61%, 0.55%

LAB 50.62, 56.73, 15.54

 

CMYK 0 / 67 / 67 / 18

HEX #D24646

RGB 210 70 70

HSL 0, 0.61%, 0.55%

LAB 50.13, 54.93, 30.96

 

CMYK 0 / 67 / 18 / 18

HEX #D246AC

RGB 210 70 172

HSL 316.29, 0.61%, 0.55%

LAB 53.02, 65, -25.65

 

CMYK 0 / 67 / 0 / 18

HEX #D246D2

RGB 210 70 210

HSL 300, 0.61%, 0.55%

LAB 54.8, 70.78, -44.79

 

CMYK 18 / 67 / 0 / 18

HEX #AC46D2

RGB 172 70 210

HSL 283.71, 0.61%, 0.55%

LAB 49.26, 62.28, -53.95

 

CMYK 36 / 67 / 0 / 18

HEX #8646D2

RGB 134 70 210

HSL 267.43, 0.61%, 0.55%

LAB 44.38, 54.25, -62.07

 

CMYK 54 / 67 / 0 / 18

HEX #6046D2

RGB 96 70 210

HSL 251.14, 0.61%, 0.55%

LAB 40.44, 47.24, -68.64

 

CMYK 0 / 67 / 18 / 18

HEX #D246AC

RGB 210 70 172

HSL 316.29, 0.61%, 0.55%

LAB 53.02, 65, -25.65

 

CMYK 0 / 78 / 21 / 11

HEX #E433B5

RGB 228 51 181

HSL 315.93, 0.77%, 0.55%

LAB 54.24, 76.64, -28.77

 

CMYK 0 / 87 / 23 / 3

HEX #F721BD

RGB 247 33 189

HSL 316.26, 0.93%, 0.55%

LAB 56.62, 85.39, -29.45

 

CMYK 0 / 67 / 18 / 18

HEX #D246AC

RGB 210 70 172

HSL 316.29, 0.61%, 0.55%

LAB 53.02, 65, -25.65

 

CMYK 0 / 54 / 15 / 25

HEX #BF58A3

RGB 191 88 163

HSL 316.31, 0.45%, 0.55%

LAB 52.62, 50.56, -21.23

 

CMYK 0 / 38 / 10 / 32

HEX #AD6B9B

RGB 173 107 155

HSL 316.36, 0.29%, 0.55%

LAB 53.78, 33.53, -15

 

CMYK 0 / 19 / 5 / 40

HEX #9A7D92

RGB 154 125 146

HSL 316.55, 0.13%, 0.55%

LAB 55.7, 14.9, -7.09

 

CMYK 6 / 0 / 4 / 44

HEX #87908A

RGB 135 144 138

HSL 140, 0.04%, 0.55%

LAB 58.91, -4.46, 2.05

 

CMYK 18 / 67 / 0 / 18

HEX #AC46D2

RGB 172 70 210

HSL 283.71, 0.61%, 0.55%

LAB 49.26, 62.28, -53.95

 

CMYK 0 / 67 / 0 / 18

HEX #D246D2

RGB 210 70 210

HSL 300, 0.61%, 0.55%

LAB 54.8, 70.78, -44.79

 

CMYK 0 / 67 / 18 / 18

HEX #D246AC

RGB 210 70 172

HSL 316.29, 0.61%, 0.55%

LAB 53.02, 65, -25.65

 

CMYK 0 / 67 / 36 / 18

HEX #D24687

RGB 210 70 135

HSL 332.14, 0.61%, 0.55%

LAB 51.65, 60.35, -5.84

 

CMYK 0 / 67 / 53 / 18

HEX #D24662

RGB 210 70 98

HSL 348, 0.61%, 0.55%

LAB 50.64, 56.81, 14.97

 

CMYK 0 / 76 / 21 / 38

HEX #9F267E

RGB 159 38 126

HSL 316.36, 0.61%, 0.39%

LAB 38.31, 57, -21.42

 

CMYK 0 / 76 / 20 / 25

HEX #C02E99

RGB 192 46 153

HSL 316.03, 0.61%, 0.47%

LAB 46.26, 66.17, -25.1

 

CMYK 0 / 67 / 18 / 18

HEX #D246AC

RGB 210 70 172

HSL 316.29, 0.61%, 0.55%

LAB 53.02, 65, -25.65

 

CMYK 0 / 53 / 14 / 15

HEX #DA67BB

RGB 218 103 187

HSL 316.17, 0.61%, 0.63%

LAB 60.06, 55.18, -23.37

 

CMYK 0 / 40 / 11 / 11

HEX #E288CA

RGB 226 136 202

HSL 316, 0.61%, 0.71%

LAB 68.05, 43.56, -19.54

 

CMYK 0 / 67 / 18 / 18

HEX #D245AC

RGB 210 69 172

HSL 316.17, 0.61%, 0.55%

LAB 52.88, 65.38, -25.86

 

CMYK 0 / 36 / 67 / 18

HEX #D28746

RGB 210 135 70

HSL 27.86, 0.61%, 0.55%

LAB 62.9, 22.82, 45.95

 

CMYK 67 / 0 / 9 / 18

HEX #46D2BF

RGB 70 210 191

HSL 171.86, 0.61%, 0.55%

LAB 76.77, -41.59, -1.54

 

CMYK 0 / 67 / 18 / 18

HEX #D245AC

RGB 210 69 172

HSL 316.17, 0.61%, 0.55%

LAB 52.88, 65.38, -25.86

 

CMYK 18 / 0 / 67 / 18

HEX #ACD246

RGB 172 210 70

HSL 76.29, 0.61%, 0.55%

LAB 79.22, -32.12, 62.51

 

CMYK 67 / 18 / 0 / 18

HEX #46ACD2

RGB 70 172 210

HSL 196.29, 0.61%, 0.55%

LAB 66.11, -17.64, -27.95

 

CMYK 0 / 67 / 18 / 18

HEX #D245AC

RGB 210 69 172

HSL 316.17, 0.61%, 0.55%

LAB 52.88, 65.38, -25.86

 

CMYK 0 / 36 / 67 / 18

HEX #D28746

RGB 210 135 70

HSL 27.86, 0.61%, 0.55%

LAB 62.9, 22.82, 45.95

 

CMYK 67 / 0 / 49 / 18

HEX #46D26B

RGB 70 210 107

HSL 135.86, 0.61%, 0.55%

LAB 75.11, -59.14, 40.13

 

CMYK 67 / 31 / 0 / 18

HEX #4690D2

RGB 70 144 210

HSL 208.29, 0.61%, 0.55%

LAB 57.94, -2.12, -40.65

 

CMYK 0 / 67 / 18 / 18

HEX #D245AC

RGB 210 69 172

HSL 316.17, 0.61%, 0.55%

LAB 52.88, 65.38, -25.86

 

CMYK 0 / 16 / 67 / 18

HEX #D2B146

RGB 210 177 70

HSL 45.86, 0.61%, 0.55%

LAB 73.28, 0.22, 57.23

 

CMYK 67 / 0 / 49 / 18

HEX #46D26B

RGB 70 210 107

HSL 135.86, 0.61%, 0.55%

LAB 75.11, -59.14, 40.13

 

CMYK 67 / 51 / 0 / 18

HEX #4666D2

RGB 70 102 210

HSL 226.29, 0.61%, 0.55%

LAB 46.26, 23.55, -59.28

 

Description

Color code: HEX #D245AC | qconv.com Color code: HEX #D245AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 69 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 69 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 18 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 18% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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