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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D248B8 it is the complementary color #2DB747. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D248B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D248B8 shade: #D748B3, #E85AC6, #F96CD9, #FF7EEC and #FF90FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D248B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D248B8 shade: #D248B8, #C136A5, #B02492, #9F127F and #8E006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D248B8 shade: #D246B7, #D24692, #D2466C, #D24646 and #D24646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D248B8 shade: #D246B7, #C646D2, #A146D2, #7B46D2 and #5546D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D248B8 shade matches the following richer shades: #D246B7, #E433C3 and #F721CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D248B8 shade: #D246B7, #BF58AC, #AD6BA0, #9A7D95 and #879089

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D248B8 shade: #A146D2, #C646D2, #D246B8, #D24693 and #D2466D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D248B8 shade: #9F2688, #C02EA5, #D246B7, #DA67C4 and #E288D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D248B8 shade: #D248B8, #D27B46 and #46D2B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D248B8 shade: #D248B8, #B8D246 and #46B8D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D248B8 shade: #D248B8, #D27B46, #46D25F and #469CD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D248B8 shade: #D248B8, #D2A546, #46D25F and #4672D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 12 / 18

HEX #D248B8

RGB 210 72 184

HSL 311.3, 0.61%, 0.55%

LAB 53.81, 65.96, -31.4

 

Complementary color

CMYK 75 / 0 / 61 / 28

HEX #2DB747

RGB 45 183 71

HSL 131.3, 0.61%, 0.45%

LAB 65.65, -58.82, 45.74

 

CMYK 0 / 67 / 17 / 16

HEX #D748B3

RGB 215 72 179

HSL 315.1, 0.64%, 0.56%

LAB 54.38, 66.51, -27.55

 

CMYK 0 / 61 / 15 / 9

HEX #E85AC6

RGB 232 90 198

HSL 314.37, 0.76%, 0.63%

LAB 60.38, 66.53, -28.98

 

CMYK 0 / 57 / 13 / 2

HEX #F96CD9

RGB 249 108 217

HSL 313.62, 0.92%, 0.7%

LAB 66.42, 66.26, -30.15

 

CMYK 0 / 51 / 7 / 0

HEX #FF7EEC

RGB 255 126 236

HSL 308.84, 1%, 0.75%

LAB 71.03, 62.73, -33.48

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FF

RGB 255 144 255

HSL 300, 1%, 0.78%

LAB 75.09, 57.3, -37.55

 

CMYK 0 / 66 / 12 / 18

HEX #D248B8

RGB 210 72 184

HSL 311.3, 0.61%, 0.55%

LAB 53.81, 65.96, -31.4

 

CMYK 0 / 72 / 15 / 24

HEX #C136A5

RGB 193 54 165

HSL 312.09, 0.56%, 0.48%

LAB 47.87, 65.52, -29.74

 

CMYK 0 / 80 / 17 / 31

HEX #B02492

RGB 176 36 146

HSL 312.86, 0.66%, 0.42%

LAB 42.1, 64.36, -27.56

 

CMYK 0 / 89 / 20 / 38

HEX #9F127F

RGB 159 18 127

HSL 313.62, 0.8%, 0.35%

LAB 36.62, 62.13, -24.67

 

CMYK 0 / 100 / 24 / 44

HEX #8E006C

RGB 142 0 108

HSL 314.37, 1%, 0.28%

LAB 31.42, 58.77, -21.01

 

CMYK 0 / 67 / 13 / 18

HEX #D246B7

RGB 210 70 183

HSL 311.57, 0.61%, 0.55%

LAB 53.49, 66.58, -31.32

 

CMYK 0 / 67 / 30 / 18

HEX #D24692

RGB 210 70 146

HSL 327.43, 0.61%, 0.55%

LAB 52.01, 61.62, -11.85

 

CMYK 0 / 67 / 49 / 18

HEX #D2466C

RGB 210 70 108

HSL 343.71, 0.61%, 0.55%

LAB 50.88, 57.65, 9.27

 

CMYK 0 / 67 / 67 / 18

HEX #D24646

RGB 210 70 70

HSL 0, 0.61%, 0.55%

LAB 50.13, 54.93, 30.96

 

CMYK 0 / 67 / 67 / 18

HEX #D24646

RGB 210 70 70

HSL 0, 0.61%, 0.55%

LAB 50.13, 54.93, 30.96

 

CMYK 0 / 67 / 13 / 18

HEX #D246B7

RGB 210 70 183

HSL 311.57, 0.61%, 0.55%

LAB 53.49, 66.58, -31.32

 

CMYK 6 / 67 / 0 / 18

HEX #C646D2

RGB 198 70 210

HSL 294.86, 0.61%, 0.55%

LAB 52.99, 68.07, -47.77

 

CMYK 23 / 67 / 0 / 18

HEX #A146D2

RGB 161 70 210

HSL 279, 0.61%, 0.55%

LAB 47.77, 59.89, -56.43

 

CMYK 41 / 67 / 0 / 18

HEX #7B46D2

RGB 123 70 210

HSL 262.71, 0.61%, 0.55%

LAB 43.13, 52.09, -64.15

 

CMYK 60 / 67 / 0 / 18

HEX #5546D2

RGB 85 70 210

HSL 246.43, 0.61%, 0.55%

LAB 39.52, 45.51, -70.19

 

CMYK 0 / 67 / 13 / 18

HEX #D246B7

RGB 210 70 183

HSL 311.57, 0.61%, 0.55%

LAB 53.49, 66.58, -31.32

 

CMYK 0 / 78 / 14 / 11

HEX #E433C3

RGB 228 51 195

HSL 311.19, 0.77%, 0.55%

LAB 54.87, 78.46, -35.89

 

CMYK 0 / 87 / 16 / 3

HEX #F721CF

RGB 247 33 207

HSL 311.21, 0.93%, 0.55%

LAB 57.43, 87.55, -38.52

 

CMYK 0 / 67 / 13 / 18

HEX #D246B7

RGB 210 70 183

HSL 311.57, 0.61%, 0.55%

LAB 53.49, 66.58, -31.32

 

CMYK 0 / 54 / 10 / 25

HEX #BF58AC

RGB 191 88 172

HSL 311.07, 0.45%, 0.55%

LAB 52.99, 52, -25.93

 

CMYK 0 / 38 / 8 / 32

HEX #AD6BA0

RGB 173 107 160

HSL 311.82, 0.29%, 0.55%

LAB 53.96, 34.42, -17.64

 

CMYK 0 / 19 / 3 / 40

HEX #9A7D95

RGB 154 125 149

HSL 310.34, 0.13%, 0.55%

LAB 55.79, 15.47, -8.68

 

CMYK 6 / 0 / 5 / 44

HEX #879089

RGB 135 144 137

HSL 133.33, 0.04%, 0.55%

LAB 58.88, -4.66, 2.58

 

CMYK 23 / 67 / 0 / 18

HEX #A146D2

RGB 161 70 210

HSL 279, 0.61%, 0.55%

LAB 47.77, 59.89, -56.43

 

CMYK 6 / 67 / 0 / 18

HEX #C646D2

RGB 198 70 210

HSL 294.86, 0.61%, 0.55%

LAB 52.99, 68.07, -47.77

 

CMYK 0 / 67 / 12 / 18

HEX #D246B8

RGB 210 70 184

HSL 311.14, 0.61%, 0.55%

LAB 53.54, 66.73, -31.83

 

CMYK 0 / 67 / 30 / 18

HEX #D24693

RGB 210 70 147

HSL 327, 0.61%, 0.55%

LAB 52.05, 61.74, -12.39

 

CMYK 0 / 67 / 48 / 18

HEX #D2466D

RGB 210 70 109

HSL 343.29, 0.61%, 0.55%

LAB 50.9, 57.74, 8.7

 

CMYK 0 / 76 / 14 / 38

HEX #9F2688

RGB 159 38 136

HSL 311.4, 0.61%, 0.39%

LAB 38.79, 58.42, -26.86

 

CMYK 0 / 76 / 14 / 25

HEX #C02EA5

RGB 192 46 165

HSL 311.1, 0.61%, 0.47%

LAB 46.81, 67.81, -31.4

 

CMYK 0 / 67 / 13 / 18

HEX #D246B7

RGB 210 70 183

HSL 311.57, 0.61%, 0.55%

LAB 53.49, 66.58, -31.32

 

CMYK 0 / 53 / 10 / 15

HEX #DA67C4

RGB 218 103 196

HSL 311.48, 0.61%, 0.63%

LAB 60.42, 56.6, -27.95

 

CMYK 0 / 40 / 8 / 11

HEX #E288D1

RGB 226 136 209

HSL 311.33, 0.61%, 0.71%

LAB 68.3, 44.73, -23.06

 

CMYK 0 / 66 / 12 / 18

HEX #D248B8

RGB 210 72 184

HSL 311.3, 0.61%, 0.55%

LAB 53.81, 65.96, -31.4

 

CMYK 0 / 41 / 67 / 18

HEX #D27B46

RGB 210 123 70

HSL 22.71, 0.61%, 0.55%

LAB 60.17, 29.28, 42.85

 

CMYK 67 / 0 / 15 / 18

HEX #46D2B3

RGB 70 210 179

HSL 166.71, 0.61%, 0.55%

LAB 76.47, -44.64, 4.46

 

CMYK 0 / 66 / 12 / 18

HEX #D248B8

RGB 210 72 184

HSL 311.3, 0.61%, 0.55%

LAB 53.81, 65.96, -31.4

 

CMYK 12 / 0 / 67 / 18

HEX #B8D246

RGB 184 210 70

HSL 71.14, 0.61%, 0.55%

LAB 80.03, -27.35, 63.6

 

CMYK 67 / 12 / 0 / 18

HEX #46B8D2

RGB 70 184 210

HSL 191.14, 0.61%, 0.55%

LAB 69.64, -23.85, -22.54

 

CMYK 0 / 66 / 12 / 18

HEX #D248B8

RGB 210 72 184

HSL 311.3, 0.61%, 0.55%

LAB 53.81, 65.96, -31.4

 

CMYK 0 / 41 / 67 / 18

HEX #D27B46

RGB 210 123 70

HSL 22.71, 0.61%, 0.55%

LAB 60.17, 29.28, 42.85

 

CMYK 67 / 0 / 55 / 18

HEX #46D25F

RGB 70 210 95

HSL 130.71, 0.61%, 0.55%

LAB 74.96, -60.84, 45.71

 

CMYK 67 / 26 / 0 / 18

HEX #469CD2

RGB 70 156 210

HSL 203.14, 0.61%, 0.55%

LAB 61.42, -8.95, -35.21

 

CMYK 0 / 66 / 12 / 18

HEX #D248B8

RGB 210 72 184

HSL 311.3, 0.61%, 0.55%

LAB 53.81, 65.96, -31.4

 

CMYK 0 / 21 / 67 / 18

HEX #D2A546

RGB 210 165 70

HSL 40.71, 0.61%, 0.55%

LAB 70.21, 6.61, 53.97

 

CMYK 67 / 0 / 55 / 18

HEX #46D25F

RGB 70 210 95

HSL 130.71, 0.61%, 0.55%

LAB 74.96, -60.84, 45.71

 

CMYK 67 / 46 / 0 / 18

HEX #4672D2

RGB 70 114 210

HSL 221.14, 0.61%, 0.55%

LAB 49.48, 16.01, -54.09

 

Description

Color code: HEX #D248B8 | qconv.com Color code: HEX #D248B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 72 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 72 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 12 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 12% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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