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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D24181 it is the complementary color #2DBE7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D24181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D24181 shade: #D7417C, #E8538F, #F965A2, #FF77B5 and #FF89C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D24181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D24181 shade: #D24181, #C12F6E, #B01D5B, #9F0B48 and #8E0035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D24181 shade: #D24081, #D24059 and #D24040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D24181 shade: #D24081, #D240A8, #D240CF, #AE40D2 and #8640D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D24181 shade matches the following richer shades: #D24081, #E52D7E and #F81B7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D24181 shade: #D24081, #BF5383, #AC6685, #997987 and #868C8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D24181 shade: #D240D0, #D240A9, #D24082, #D2405B and #D24D40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D24181 shade: #9C2459, #BD2C6C, #D24081, #DA6297 and #E283AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D24181 shade: #D24181, #D2AE40 and #40BCD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D24181 shade: #D24181, #82D240 and #4082D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D24181 shade: #D24181, #D2AE40, #40D290 and #4065D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D24181 shade: #D24181, #CBD240, #40D290 and #4840D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 39 / 18

HEX #D24181

RGB 210 65 129

HSL 333.52, 0.62%, 0.54%

LAB 50.77, 61.61, -3.55

 

Complementary color

CMYK 76 / 0 / 34 / 25

HEX #2DBE7E

RGB 45 190 126

HSL 153.52, 0.62%, 0.46%

LAB 68.67, -52.21, 21.88

 

CMYK 0 / 70 / 42 / 16

HEX #D7417C

RGB 215 65 124

HSL 336.4, 0.65%, 0.55%

LAB 51.48, 62.52, 0.6

 

CMYK 0 / 64 / 38 / 9

HEX #E8538F

RGB 232 83 143

HSL 335.84, 0.76%, 0.62%

LAB 57.39, 62.46, -1.69

 

CMYK 0 / 59 / 35 / 2

HEX #F965A2

RGB 249 101 162

HSL 335.27, 0.93%, 0.69%

LAB 63.39, 62.08, -3.59

 

CMYK 0 / 53 / 29 / 0

HEX #FF77B5

RGB 255 119 181

HSL 332.65, 1%, 0.73%

LAB 67.87, 58.12, -7.67

 

CMYK 0 / 46 / 22 / 0

HEX #FF89C8

RGB 255 137 200

HSL 327.97, 1%, 0.77%

LAB 71.77, 52.04, -12.46

 

CMYK 0 / 69 / 39 / 18

HEX #D24181

RGB 210 65 129

HSL 333.52, 0.62%, 0.54%

LAB 50.77, 61.61, -3.55

 

CMYK 0 / 76 / 43 / 24

HEX #C12F6E

RGB 193 47 110

HSL 334.11, 0.61%, 0.47%

LAB 44.94, 61.18, -0.89

 

CMYK 0 / 84 / 48 / 31

HEX #B01D5B

RGB 176 29 91

HSL 334.69, 0.72%, 0.4%

LAB 39.35, 59.96, 2.49

 

CMYK 0 / 93 / 55 / 38

HEX #9F0B48

RGB 159 11 72

HSL 335.27, 0.87%, 0.33%

LAB 34.15, 57.54, 6.84

 

CMYK 0 / 100 / 63 / 44

HEX #8E0035

RGB 142 0 53

HSL 337.61, 1%, 0.28%

LAB 29.43, 53.59, 12.37

 

CMYK 0 / 70 / 39 / 18

HEX #D24081

RGB 210 64 129

HSL 333.29, 0.62%, 0.54%

LAB 50.63, 61.98, -3.74

 

CMYK 0 / 70 / 58 / 18

HEX #D24059

RGB 210 64 89

HSL 349.73, 0.62%, 0.54%

LAB 49.6, 58.46, 18.98

 

CMYK 0 / 70 / 70 / 18

HEX #D24040

RGB 210 64 64

HSL 0, 0.62%, 0.54%

LAB 49.18, 56.97, 33.31

 

CMYK 0 / 70 / 39 / 18

HEX #D24081

RGB 210 64 129

HSL 333.29, 0.62%, 0.54%

LAB 50.63, 61.98, -3.74

 

CMYK 0 / 70 / 20 / 18

HEX #D240A8

RGB 210 64 168

HSL 317.26, 0.62%, 0.54%

LAB 52.06, 66.66, -24.78

 

CMYK 0 / 70 / 1 / 18

HEX #D240CF

RGB 210 64 207

HSL 301.23, 0.62%, 0.54%

LAB 53.89, 72.41, -44.52

 

CMYK 17 / 70 / 0 / 18

HEX #AE40D2

RGB 174 64 210

HSL 285.21, 0.62%, 0.54%

LAB 48.66, 65.18, -54.9

 

CMYK 36 / 70 / 0 / 18

HEX #8640D2

RGB 134 64 210

HSL 268.77, 0.62%, 0.54%

LAB 43.34, 57.13, -63.75

 

CMYK 0 / 70 / 39 / 18

HEX #D24081

RGB 210 64 129

HSL 333.29, 0.62%, 0.54%

LAB 50.63, 61.98, -3.74

 

CMYK 0 / 80 / 45 / 10

HEX #E52D7E

RGB 229 45 126

HSL 333.59, 0.78%, 0.54%

LAB 51.88, 72.54, 0.3

 

CMYK 0 / 89 / 50 / 3

HEX #F81B7C

RGB 248 27 124

HSL 333.67, 0.94%, 0.54%

LAB 54.23, 80.33, 5.36

 

CMYK 0 / 70 / 39 / 18

HEX #D24081

RGB 210 64 129

HSL 333.29, 0.62%, 0.54%

LAB 50.63, 61.98, -3.74

 

CMYK 0 / 57 / 31 / 25

HEX #BF5383

RGB 191 83 131

HSL 333.33, 0.46%, 0.54%

LAB 50.57, 48.4, -5.38

 

CMYK 0 / 41 / 23 / 33

HEX #AC6685

RGB 172 102 133

HSL 333.43, 0.3%, 0.54%

LAB 51.8, 32.33, -5.04

 

CMYK 0 / 21 / 12 / 40

HEX #997987

RGB 153 121 135

HSL 333.75, 0.14%, 0.54%

LAB 54.23, 14.81, -2.86

 

CMYK 4 / 0 / 1 / 45

HEX #868C8A

RGB 134 140 138

HSL 160, 0.03%, 0.54%

LAB 57.71, -2.59, 0.3

 

CMYK 0 / 70 / 1 / 18

HEX #D240D0

RGB 210 64 208

HSL 300.82, 0.62%, 0.54%

LAB 53.94, 72.57, -45.01

 

CMYK 0 / 70 / 20 / 18

HEX #D240A9

RGB 210 64 169

HSL 316.85, 0.62%, 0.54%

LAB 52.1, 66.8, -25.31

 

CMYK 0 / 70 / 38 / 18

HEX #D24082

RGB 210 64 130

HSL 332.88, 0.62%, 0.54%

LAB 50.66, 62.08, -4.3

 

CMYK 0 / 70 / 57 / 18

HEX #D2405B

RGB 210 64 91

HSL 348.9, 0.62%, 0.54%

LAB 49.65, 58.61, 17.83

 

CMYK 0 / 63 / 70 / 18

HEX #D24D40

RGB 210 77 64

HSL 5.34, 0.62%, 0.54%

LAB 51.13, 51.68, 35.61

 

CMYK 0 / 77 / 43 / 39

HEX #9C2459

RGB 156 36 89

HSL 333.5, 0.63%, 0.38%

LAB 36.08, 52.41, -1.47

 

CMYK 0 / 77 / 43 / 26

HEX #BD2C6C

RGB 189 44 108

HSL 333.52, 0.62%, 0.46%

LAB 43.8, 60.84, -1.4

 

CMYK 0 / 70 / 39 / 18

HEX #D24081

RGB 210 64 129

HSL 333.29, 0.62%, 0.54%

LAB 50.63, 61.98, -3.74

 

CMYK 0 / 55 / 31 / 15

HEX #DA6297

RGB 218 98 151

HSL 333.5, 0.62%, 0.62%

LAB 57.92, 52.51, -5.84

 

CMYK 0 / 42 / 23 / 11

HEX #E283AD

RGB 226 131 173

HSL 333.47, 0.62%, 0.7%

LAB 66.07, 41.69, -6.24

 

CMYK 0 / 69 / 39 / 18

HEX #D24181

RGB 210 65 129

HSL 333.52, 0.62%, 0.54%

LAB 50.77, 61.61, -3.55

 

CMYK 0 / 17 / 70 / 18

HEX #D2AE40

RGB 210 174 64

HSL 45.21, 0.62%, 0.54%

LAB 72.46, 1.48, 58.91

 

CMYK 70 / 10 / 0 / 18

HEX #40BCD2

RGB 64 188 210

HSL 189.04, 0.62%, 0.54%

LAB 70.67, -26.72, -20.98

 

CMYK 0 / 69 / 39 / 18

HEX #D24181

RGB 210 65 129

HSL 333.52, 0.62%, 0.54%

LAB 50.77, 61.61, -3.55

 

CMYK 38 / 0 / 70 / 18

HEX #82D240

RGB 130 210 64

HSL 92.88, 0.62%, 0.54%

LAB 76.81, -47.97, 61.56

 

CMYK 70 / 38 / 0 / 18

HEX #4082D2

RGB 64 130 210

HSL 212.88, 0.62%, 0.54%

LAB 53.72, 5.23, -47.35

 

CMYK 0 / 69 / 39 / 18

HEX #D24181

RGB 210 65 129

HSL 333.52, 0.62%, 0.54%

LAB 50.77, 61.61, -3.55

 

CMYK 0 / 17 / 70 / 18

HEX #D2AE40

RGB 210 174 64

HSL 45.21, 0.62%, 0.54%

LAB 72.46, 1.48, 58.91

 

CMYK 70 / 0 / 31 / 18

HEX #40D290

RGB 64 210 144

HSL 152.88, 0.62%, 0.54%

LAB 75.57, -53.55, 21.81

 

CMYK 70 / 52 / 0 / 18

HEX #4065D2

RGB 64 101 210

HSL 224.79, 0.62%, 0.54%

LAB 45.7, 23.29, -60.19

 

CMYK 0 / 69 / 39 / 18

HEX #D24181

RGB 210 65 129

HSL 333.52, 0.62%, 0.54%

LAB 50.77, 61.61, -3.55

 

CMYK 3 / 0 / 70 / 18

HEX #CBD240

RGB 203 210 64

HSL 62.88, 0.62%, 0.54%

LAB 81.38, -19.91, 67.66

 

CMYK 70 / 0 / 31 / 18

HEX #40D290

RGB 64 210 144

HSL 152.88, 0.62%, 0.54%

LAB 75.57, -53.55, 21.81

 

CMYK 66 / 70 / 0 / 18

HEX #4840D2

RGB 72 64 210

HSL 243.29, 0.62%, 0.54%

LAB 37.29, 47.16, -73.88

 

Description

Color code: HEX #D24181 | qconv.com Color code: HEX #D24181 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 65 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 65 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 39 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 39% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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