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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D242F7 it is the complementary color #2DBD08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D242F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D242F7 shade: #D742F2, #E854FF, #F966FF, #FF78FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D242F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D242F7 shade: #D242F7, #C130E4, #B01ED1, #9F0CBE and #8E00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D242F7 shade: #D140F7, #F740EB, #F740B9, #F74088 and #F74057

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D242F7 shade: #D140F7, #A040F7, #6E40F7 and #4040F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D242F7 shade matches the following richer shades: #D140F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D242F7 shade: #D140F7, #C850E6, #BE60D6, #B570C6 and #AB80B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D242F7 shade: #6D40F7, #9E40F7, #CF40F7, #F740ED and #F740BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D242F7 shade: #B009DB, #C818F5, #D140F7, #DB67F8 and #E48FFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D242F7 shade: #D242F7, #F74043 and #40F786

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D242F7 shade: #D242F7, #F7CF40 and #40F7CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D242F7 shade: #D242F7, #F74043, #67F740 and #40F7F3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D242F7 shade: #D242F7, #F77340, #67F740 and #40C3F7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 73 / 0 / 3

HEX #D242F7

RGB 210 66 247

HSL 287.73, 0.92%, 0.61%

LAB 56.4, 78.54, -63.08

 

Complementary color

CMYK 76 / 0 / 96 / 26

HEX #2DBD08

RGB 45 189 8

HSL 107.73, 0.92%, 0.39%

LAB 67.25, -64.85, 65.99

 

CMYK 11 / 73 / 0 / 5

HEX #D742F2

RGB 215 66 242

HSL 290.8, 0.87%, 0.6%

LAB 56.84, 78.62, -59.55

 

CMYK 9 / 67 / 0 / 0

HEX #E854FF

RGB 232 84 255

HSL 291.93, 1%, 0.66%

LAB 62.27, 78.03, -57.94

 

CMYK 2 / 60 / 0 / 0

HEX #F966FF

RGB 249 102 255

HSL 297.65, 1%, 0.7%

LAB 67.17, 74.82, -50

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 15 / 73 / 0 / 3

HEX #D242F7

RGB 210 66 247

HSL 287.73, 0.92%, 0.61%

LAB 56.4, 78.54, -63.08

 

CMYK 15 / 79 / 0 / 11

HEX #C130E4

RGB 193 48 228

HSL 288.33, 0.77%, 0.54%

LAB 50.75, 77.55, -61.64

 

CMYK 16 / 86 / 0 / 18

HEX #B01ED1

RGB 176 30 209

HSL 288.94, 0.75%, 0.47%

LAB 45.31, 75.72, -59.71

 

CMYK 16 / 94 / 0 / 25

HEX #9F0CBE

RGB 159 12 190

HSL 289.55, 0.88%, 0.4%

LAB 40.17, 72.72, -57.11

 

CMYK 17 / 100 / 0 / 33

HEX #8E00AB

RGB 142 0 171

HSL 289.82, 1%, 0.34%

LAB 35.38, 68.32, -53.72

 

CMYK 15 / 74 / 0 / 3

HEX #D140F7

RGB 209 64 247

HSL 287.54, 0.92%, 0.61%

LAB 56.03, 79, -63.69

 

CMYK 0 / 74 / 5 / 3

HEX #F740EB

RGB 247 64 235

HSL 303.93, 0.92%, 0.61%

LAB 61.17, 84.51, -48.45

 

CMYK 0 / 74 / 25 / 3

HEX #F740B9

RGB 247 64 185

HSL 320.33, 0.92%, 0.61%

LAB 58.92, 77.84, -23.59

 

CMYK 0 / 74 / 45 / 3

HEX #F74088

RGB 247 64 136

HSL 336.39, 0.92%, 0.61%

LAB 57.29, 72.75, 2.59

 

CMYK 0 / 74 / 65 / 3

HEX #F74057

RGB 247 64 87

HSL 352.46, 0.92%, 0.61%

LAB 56.22, 69.29, 30.07

 

CMYK 15 / 74 / 0 / 3

HEX #D140F7

RGB 209 64 247

HSL 287.54, 0.92%, 0.61%

LAB 56.03, 79, -63.69

 

CMYK 35 / 74 / 0 / 3

HEX #A040F7

RGB 160 64 247

HSL 271.48, 0.92%, 0.61%

LAB 49.32, 70.29, -74.86

 

CMYK 55 / 74 / 0 / 3

HEX #6E40F7

RGB 110 64 247

HSL 255.08, 0.92%, 0.61%

LAB 43.8, 62.84, -84.13

 

CMYK 74 / 74 / 0 / 3

HEX #4040F7

RGB 64 64 247

HSL 240, 0.92%, 0.61%

LAB 40.36, 58.05, -89.9

 

CMYK 15 / 74 / 0 / 3

HEX #D140F7

RGB 209 64 247

HSL 287.54, 0.92%, 0.61%

LAB 56.03, 79, -63.69

 

CMYK 15 / 74 / 0 / 3

HEX #D140F7

RGB 209 64 247

HSL 287.54, 0.92%, 0.61%

LAB 56.03, 79, -63.69

 

CMYK 13 / 65 / 0 / 10

HEX #C850E6

RGB 200 80 230

HSL 288, 0.75%, 0.61%

LAB 55.82, 68.15, -54.58

 

CMYK 11 / 55 / 0 / 16

HEX #BE60D6

RGB 190 96 214

HSL 287.8, 0.59%, 0.61%

LAB 56.26, 55.45, -44.94

 

CMYK 9 / 43 / 0 / 22

HEX #B570C6

RGB 181 112 198

HSL 288.14, 0.43%, 0.61%

LAB 57.55, 41.51, -33.91

 

CMYK 6 / 30 / 0 / 29

HEX #AB80B6

RGB 171 128 182

HSL 287.78, 0.27%, 0.61%

LAB 59.41, 26.23, -22.01

 

CMYK 56 / 74 / 0 / 3

HEX #6D40F7

RGB 109 64 247

HSL 254.75, 0.92%, 0.61%

LAB 43.7, 62.72, -84.28

 

CMYK 36 / 74 / 0 / 3

HEX #9E40F7

RGB 158 64 247

HSL 270.82, 0.92%, 0.61%

LAB 49.07, 69.96, -75.28

 

CMYK 16 / 74 / 0 / 3

HEX #CF40F7

RGB 207 64 247

HSL 286.89, 0.92%, 0.61%

LAB 55.73, 78.63, -64.17

 

CMYK 0 / 74 / 4 / 3

HEX #F740ED

RGB 247 64 237

HSL 303.28, 0.92%, 0.61%

LAB 61.27, 84.8, -49.4

 

CMYK 0 / 74 / 23 / 3

HEX #F740BD

RGB 247 64 189

HSL 319.02, 0.92%, 0.61%

LAB 59.08, 78.32, -25.64

 

CMYK 20 / 96 / 0 / 14

HEX #B009DB

RGB 176 9 219

HSL 287.71, 0.92%, 0.45%

LAB 45, 80.47, -65.95

 

CMYK 18 / 90 / 0 / 4

HEX #C818F5

RGB 200 24 245

HSL 287.78, 0.92%, 0.53%

LAB 51.3, 86.57, -70.28

 

CMYK 15 / 74 / 0 / 3

HEX #D140F7

RGB 209 64 247

HSL 287.54, 0.92%, 0.61%

LAB 56.03, 79, -63.69

 

CMYK 12 / 58 / 0 / 3

HEX #DB67F8

RGB 219 103 248

HSL 288, 0.91%, 0.69%

LAB 62.96, 65.98, -53.08

 

CMYK 9 / 43 / 0 / 2

HEX #E48FFA

RGB 228 143 250

HSL 287.66, 0.91%, 0.77%

LAB 71.58, 49.18, -40.53

 

CMYK 15 / 73 / 0 / 3

HEX #D242F7

RGB 210 66 247

HSL 287.73, 0.92%, 0.61%

LAB 56.4, 78.54, -63.08

 

CMYK 0 / 74 / 73 / 3

HEX #F74043

RGB 247 64 67

HSL 359.02, 0.92%, 0.61%

LAB 55.93, 68.36, 41.17

 

CMYK 74 / 0 / 46 / 3

HEX #40F786

RGB 64 247 134

HSL 142.95, 0.92%, 0.61%

LAB 86.67, -68.85, 41.53

 

CMYK 15 / 73 / 0 / 3

HEX #D242F7

RGB 210 66 247

HSL 287.73, 0.92%, 0.61%

LAB 56.4, 78.54, -63.08

 

CMYK 0 / 16 / 74 / 3

HEX #F7CF40

RGB 247 207 64

HSL 46.89, 0.92%, 0.61%

LAB 84.37, 0.08, 71.84

 

CMYK 74 / 0 / 16 / 3

HEX #40F7CF

RGB 64 247 207

HSL 166.89, 0.92%, 0.61%

LAB 88.02, -54.01, 6.33

 

CMYK 15 / 73 / 0 / 3

HEX #D242F7

RGB 210 66 247

HSL 287.73, 0.92%, 0.61%

LAB 56.4, 78.54, -63.08

 

CMYK 0 / 74 / 73 / 3

HEX #F74043

RGB 247 64 67

HSL 359.02, 0.92%, 0.61%

LAB 55.93, 68.36, 41.17

 

CMYK 58 / 0 / 74 / 3

HEX #67F740

RGB 103 247 64

HSL 107.21, 0.92%, 0.61%

LAB 86.89, -69.47, 71.37

 

CMYK 74 / 0 / 2 / 3

HEX #40F7F3

RGB 64 247 243

HSL 178.69, 0.92%, 0.61%

LAB 88.96, -44.66, -11.06

 

CMYK 15 / 73 / 0 / 3

HEX #D242F7

RGB 210 66 247

HSL 287.73, 0.92%, 0.61%

LAB 56.4, 78.54, -63.08

 

CMYK 0 / 53 / 74 / 3

HEX #F77340

RGB 247 115 64

HSL 16.72, 0.92%, 0.61%

LAB 63.68, 47.45, 51.19

 

CMYK 58 / 0 / 74 / 3

HEX #67F740

RGB 103 247 64

HSL 107.21, 0.92%, 0.61%

LAB 86.89, -69.47, 71.37

 

CMYK 74 / 21 / 0 / 3

HEX #40C3F7

RGB 64 195 247

HSL 197.05, 0.92%, 0.61%

LAB 74.08, -18.61, -35.8

 

Description

Color code: HEX #D242F7 | qconv.com Color code: HEX #D242F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 66 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 66 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 73 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 73% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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