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Color name
HEX #D24F6C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D24F6C it is the complementary color #2DB093. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D24F6C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D24F6C shade: #D74F67, #E8617A, #F9738D, #FF85A0 and #FF97B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D24F6C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D24F6C shade: #D24F6C, #C13D59, #B02B46, #9F1933 and #8E0720

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D24F6C shade: #D2506D and #D25050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D24F6C shade: #D2506D, #D25090, #D250B3, #CE50D2 and #AB50D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D24F6C shade matches the following richer shades: #D2506D, #E33E63 and #F52D59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D24F6C shade: #D2506D, #C06277, #AE7481, #9C858A and #8B9794

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D24F6C shade: #D250B3, #D25091, #D2506E, #D25450 and #D27750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D24F6C shade: #A52A45, #C63353, #D2506D, #DA7188 and #E292A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D24F6C shade: #D24F6C, #D2CD50 and #50A2D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D24F6C shade: #D24F6C, #6ED250 and #506ED2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D24F6C shade: #D24F6C, #D2CD50, #50D2B3 and #5054D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D24F6C shade: #D24F6C, #AFD250, #50D2B3 and #7350D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 49 / 18

HEX #D24F6C

RGB 210 79 108

HSL 346.72, 0.59%, 0.57%

LAB 52.26, 53.9, 11.21

 

Complementary color

CMYK 74 / 0 / 16 / 31

HEX #2DB093

RGB 45 176 147

HSL 166.72, 0.59%, 0.43%

LAB 64.74, -41.59, 4.91

 

CMYK 0 / 63 / 52 / 16

HEX #D74F67

RGB 215 79 103

HSL 349.41, 0.63%, 0.58%

LAB 52.97, 55.09, 15.31

 

CMYK 0 / 58 / 47 / 9

HEX #E8617A

RGB 232 97 122

HSL 348.89, 0.75%, 0.65%

LAB 59.08, 54.39, 13.01

 

CMYK 0 / 54 / 43 / 2

HEX #F9738D

RGB 249 115 141

HSL 348.36, 0.92%, 0.71%

LAB 65.22, 53.56, 11.07

 

CMYK 0 / 48 / 37 / 0

HEX #FF85A0

RGB 255 133 160

HSL 346.72, 1%, 0.76%

LAB 69.88, 48.94, 7.08

 

CMYK 0 / 41 / 30 / 0

HEX #FF97B3

RGB 255 151 179

HSL 343.85, 1%, 0.8%

LAB 73.96, 42.2, 2.4

 

CMYK 0 / 62 / 49 / 18

HEX #D24F6C

RGB 210 79 108

HSL 346.72, 0.59%, 0.57%

LAB 52.26, 53.9, 11.21

 

CMYK 0 / 68 / 54 / 24

HEX #C13D59

RGB 193 61 89

HSL 347.27, 0.52%, 0.5%

LAB 46.17, 54.35, 13.82

 

CMYK 0 / 76 / 60 / 31

HEX #B02B46

RGB 176 43 70

HSL 347.82, 0.61%, 0.43%

LAB 40.25, 54.33, 17.06

 

CMYK 0 / 84 / 68 / 38

HEX #9F1933

RGB 159 25 51

HSL 348.36, 0.73%, 0.36%

LAB 34.61, 53.51, 21.15

 

CMYK 0 / 95 / 77 / 44

HEX #8E0720

RGB 142 7 32

HSL 348.89, 0.91%, 0.29%

LAB 29.43, 51.42, 26.27

 

CMYK 0 / 62 / 48 / 18

HEX #D2506D

RGB 210 80 109

HSL 346.62, 0.59%, 0.57%

LAB 52.45, 53.56, 10.88

 

CMYK 0 / 62 / 62 / 18

HEX #D25050

RGB 210 80 80

HSL 0, 0.59%, 0.57%

LAB 51.86, 51.29, 27.29

 

CMYK 0 / 62 / 48 / 18

HEX #D2506D

RGB 210 80 109

HSL 346.62, 0.59%, 0.57%

LAB 52.45, 53.56, 10.88

 

CMYK 0 / 62 / 31 / 18

HEX #D25090

RGB 210 80 144

HSL 330.46, 0.59%, 0.57%

LAB 53.44, 57.29, -8.52

 

CMYK 0 / 62 / 15 / 18

HEX #D250B3

RGB 210 80 179

HSL 314.31, 0.59%, 0.57%

LAB 54.76, 62.01, -27.04

 

CMYK 2 / 62 / 0 / 18

HEX #CE50D2

RGB 206 80 210

HSL 298.15, 0.59%, 0.57%

LAB 55.6, 65.95, -43.57

 

CMYK 19 / 62 / 0 / 18

HEX #AB50D2

RGB 171 80 210

HSL 282, 0.59%, 0.57%

LAB 50.74, 57.58, -51.58

 

CMYK 0 / 62 / 48 / 18

HEX #D2506D

RGB 210 80 109

HSL 346.62, 0.59%, 0.57%

LAB 52.45, 53.56, 10.88

 

CMYK 0 / 73 / 56 / 11

HEX #E33E63

RGB 227 62 99

HSL 346.55, 0.75%, 0.57%

LAB 52.59, 64.93, 17.52

 

CMYK 0 / 82 / 64 / 4

HEX #F52D59

RGB 245 45 89

HSL 346.8, 0.91%, 0.57%

LAB 54.04, 74.04, 26.02

 

CMYK 0 / 62 / 48 / 18

HEX #D2506D

RGB 210 80 109

HSL 346.62, 0.59%, 0.57%

LAB 52.45, 53.56, 10.88

 

CMYK 0 / 49 / 38 / 25

HEX #C06277

RGB 192 98 119

HSL 346.6, 0.43%, 0.57%

LAB 53.25, 39.8, 5.69

 

CMYK 0 / 33 / 26 / 32

HEX #AE7481

RGB 174 116 129

HSL 346.55, 0.26%, 0.57%

LAB 55.15, 24.68, 2.25

 

CMYK 0 / 15 / 12 / 39

HEX #9C858A

RGB 156 133 138

HSL 346.96, 0.1%, 0.57%

LAB 57.73, 9.6, 0.55

 

CMYK 8 / 0 / 2 / 41

HEX #8B9794

RGB 139 151 148

HSL 165, 0.05%, 0.57%

LAB 61.45, -4.9, 0.09

 

CMYK 0 / 62 / 15 / 18

HEX #D250B3

RGB 210 80 179

HSL 314.31, 0.59%, 0.57%

LAB 54.76, 62.01, -27.04

 

CMYK 0 / 62 / 31 / 18

HEX #D25091

RGB 210 80 145

HSL 330, 0.59%, 0.57%

LAB 53.47, 57.41, -9.06

 

CMYK 0 / 62 / 48 / 18

HEX #D2506E

RGB 210 80 110

HSL 346.15, 0.59%, 0.57%

LAB 52.47, 53.65, 10.31

 

CMYK 0 / 60 / 62 / 18

HEX #D25450

RGB 210 84 80

HSL 1.85, 0.59%, 0.57%

LAB 52.53, 49.5, 28.15

 

CMYK 0 / 43 / 62 / 18

HEX #D27750

RGB 210 119 80

HSL 18, 0.59%, 0.57%

LAB 59.41, 32.04, 36.68

 

CMYK 0 / 75 / 58 / 35

HEX #A52A45

RGB 165 42 69

HSL 346.83, 0.59%, 0.41%

LAB 37.99, 51.28, 14.3

 

CMYK 0 / 74 / 58 / 22

HEX #C63353

RGB 198 51 83

HSL 346.94, 0.59%, 0.49%

LAB 45.63, 59.06, 16.92

 

CMYK 0 / 62 / 48 / 18

HEX #D2506D

RGB 210 80 109

HSL 346.62, 0.59%, 0.57%

LAB 52.45, 53.56, 10.88

 

CMYK 0 / 48 / 38 / 15

HEX #DA7188

RGB 218 113 136

HSL 346.86, 0.59%, 0.65%

LAB 60.33, 43.36, 6.39

 

CMYK 0 / 35 / 27 / 11

HEX #E292A4

RGB 226 146 164

HSL 346.5, 0.58%, 0.73%

LAB 69.04, 32.55, 3.17

 

CMYK 0 / 62 / 49 / 18

HEX #D24F6C

RGB 210 79 108

HSL 346.72, 0.59%, 0.57%

LAB 52.26, 53.9, 11.21

 

CMYK 0 / 2 / 62 / 18

HEX #D2CD50

RGB 210 205 80

HSL 57.69, 0.59%, 0.57%

LAB 80.71, -13.6, 60.88

 

CMYK 62 / 23 / 0 / 18

HEX #50A2D2

RGB 80 162 210

HSL 202.15, 0.59%, 0.57%

LAB 63.51, -10.56, -31.94

 

CMYK 0 / 62 / 49 / 18

HEX #D24F6C

RGB 210 79 108

HSL 346.72, 0.59%, 0.57%

LAB 52.26, 53.9, 11.21

 

CMYK 48 / 0 / 62 / 18

HEX #6ED250

RGB 110 210 80

HSL 106.15, 0.59%, 0.57%

LAB 76.06, -52.92, 54.06

 

CMYK 62 / 48 / 0 / 18

HEX #506ED2

RGB 80 110 210

HSL 226.15, 0.59%, 0.57%

LAB 48.9, 20.21, -55

 

CMYK 0 / 62 / 49 / 18

HEX #D24F6C

RGB 210 79 108

HSL 346.72, 0.59%, 0.57%

LAB 52.26, 53.9, 11.21

 

CMYK 0 / 2 / 62 / 18

HEX #D2CD50

RGB 210 205 80

HSL 57.69, 0.59%, 0.57%

LAB 80.71, -13.6, 60.88

 

CMYK 62 / 0 / 15 / 18

HEX #50D2B3

RGB 80 210 179

HSL 165.69, 0.59%, 0.57%

LAB 76.71, -42.98, 4.85

 

CMYK 62 / 60 / 0 / 18

HEX #5054D2

RGB 80 84 210

HSL 238.15, 0.59%, 0.57%

LAB 42.31, 36.4, -65.66

 

CMYK 0 / 62 / 49 / 18

HEX #D24F6C

RGB 210 79 108

HSL 346.72, 0.59%, 0.57%

LAB 52.26, 53.9, 11.21

 

CMYK 17 / 0 / 62 / 18

HEX #AFD250

RGB 175 210 80

HSL 76.15, 0.59%, 0.57%

LAB 79.49, -30.24, 58.81

 

CMYK 62 / 0 / 15 / 18

HEX #50D2B3

RGB 80 210 179

HSL 165.69, 0.59%, 0.57%

LAB 76.71, -42.98, 4.85

 

CMYK 45 / 62 / 0 / 18

HEX #7350D2

RGB 115 80 210

HSL 256.15, 0.59%, 0.57%

LAB 44.28, 45.15, -62.32

 

Description

Color code: HEX #D24F6C | qconv.com Color code: HEX #D24F6C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 79 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 79 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 49 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 49% 18% C M Y K

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Provide designers and agencies with accurate color values.

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