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Color name
HEX #D25E95

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D25E95 it is the complementary color #2DA16A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D25E95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D25E95 shade: #D75E90, #E870A3, #F982B6, #FF94C9 and #FFA6DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D25E95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D25E95 shade: #D25E95, #C14C82, #B03A6F, #9F285C and #8E1649

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D25E95 shade: #D25F96, #D25F77 and #D25F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D25E95 shade: #D25F96, #D25FB4, #D05FD2, #B15FD2 and #925FD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D25E95 shade matches the following richer shades: #D25F96, #E24F95 and #F33E94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D25E95 shade: #D25F96, #C17096, #B18097, #A09198 and #90A199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D25E95 shade: #D05FD2, #D25FB5, #D25F97, #D25F78 and #D2655F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D25E95 shade: #AE316C, #C93F80, #D25F96, #DB80AB and #E4A0C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D25E95 shade: #D25E95, #D2B15F and #5FC4D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D25E95 shade: #D25E95, #97D25F and #5F97D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D25E95 shade: #D25E95, #D2B15F, #5FD29A and #5F80D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D25E95 shade: #D25E95, #D0D25F, #5FD29A and #615FD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 29 / 18

HEX #D25E95

RGB 210 94 149

HSL 331.55, 0.56%, 0.6%

LAB 55.96, 51.59, -7.7

 

Complementary color

CMYK 72 / 0 / 34 / 37

HEX #2DA16A

RGB 45 161 106

HSL 151.55, 0.56%, 0.4%

LAB 59.06, -45, 19.64

 

CMYK 0 / 56 / 33 / 16

HEX #D75E90

RGB 215 94 144

HSL 335.21, 0.6%, 0.61%

LAB 56.55, 52.56, -3.82

 

CMYK 0 / 52 / 30 / 9

HEX #E870A3

RGB 232 112 163

HSL 334.5, 0.72%, 0.67%

LAB 62.83, 51.86, -5.26

 

CMYK 0 / 48 / 27 / 2

HEX #F982B6

RGB 249 130 182

HSL 333.78, 0.91%, 0.74%

LAB 69.1, 51.09, -6.49

 

CMYK 0 / 42 / 21 / 0

HEX #FF94C9

RGB 255 148 201

HSL 330.28, 1%, 0.79%

LAB 73.97, 46.7, -9.73

 

CMYK 0 / 35 / 14 / 0

HEX #FFA6DC

RGB 255 166 220

HSL 323.6, 1%, 0.83%

LAB 78.29, 40.33, -13.68

 

CMYK 0 / 55 / 29 / 18

HEX #D25E95

RGB 210 94 149

HSL 331.55, 0.56%, 0.6%

LAB 55.96, 51.59, -7.7

 

CMYK 0 / 61 / 33 / 24

HEX #C14C82

RGB 193 76 130

HSL 332.31, 0.49%, 0.53%

LAB 49.64, 52.15, -6.13

 

CMYK 0 / 67 / 37 / 31

HEX #B03A6F

RGB 176 58 111

HSL 333.05, 0.5%, 0.46%

LAB 43.37, 52.44, -4.17

 

CMYK 0 / 75 / 42 / 38

HEX #9F285C

RGB 159 40 92

HSL 333.78, 0.6%, 0.39%

LAB 37.23, 52.22, -1.64

 

CMYK 0 / 85 / 49 / 44

HEX #8E1649

RGB 142 22 73

HSL 334.5, 0.73%, 0.32%

LAB 31.36, 51.11, 1.72

 

CMYK 0 / 55 / 29 / 18

HEX #D25F96

RGB 210 95 150

HSL 331.3, 0.56%, 0.6%

LAB 56.18, 51.25, -7.97

 

CMYK 0 / 55 / 43 / 18

HEX #D25F77

RGB 210 95 119

HSL 347.48, 0.56%, 0.6%

LAB 55.3, 47.63, 8.97

 

CMYK 0 / 55 / 55 / 18

HEX #D25F5F

RGB 210 95 95

HSL 0, 0.56%, 0.6%

LAB 54.77, 45.42, 22.33

 

CMYK 0 / 55 / 29 / 18

HEX #D25F96

RGB 210 95 150

HSL 331.3, 0.56%, 0.6%

LAB 56.18, 51.25, -7.97

 

CMYK 0 / 55 / 14 / 18

HEX #D25FB4

RGB 210 95 180

HSL 315.65, 0.56%, 0.6%

LAB 57.25, 55.52, -23.76

 

CMYK 1 / 55 / 0 / 18

HEX #D05FD2

RGB 208 95 210

HSL 298.96, 0.56%, 0.6%

LAB 58.27, 59.91, -39.34

 

CMYK 16 / 55 / 0 / 18

HEX #B15FD2

RGB 177 95 210

HSL 282.78, 0.56%, 0.6%

LAB 54.22, 51.75, -46

 

CMYK 30 / 55 / 0 / 18

HEX #925FD2

RGB 146 95 210

HSL 266.61, 0.56%, 0.6%

LAB 50.63, 43.83, -51.94

 

CMYK 0 / 55 / 29 / 18

HEX #D25F96

RGB 210 95 150

HSL 331.3, 0.56%, 0.6%

LAB 56.18, 51.25, -7.97

 

CMYK 0 / 65 / 34 / 11

HEX #E24F95

RGB 226 79 149

HSL 331.43, 0.72%, 0.6%

LAB 56.02, 62.97, -7.36

 

CMYK 0 / 74 / 39 / 5

HEX #F33E94

RGB 243 62 148

HSL 331.49, 0.88%, 0.6%

LAB 56.72, 73.42, -5.41

 

CMYK 0 / 55 / 29 / 18

HEX #D25F96

RGB 210 95 150

HSL 331.3, 0.56%, 0.6%

LAB 56.18, 51.25, -7.97

 

CMYK 0 / 42 / 22 / 24

HEX #C17096

RGB 193 112 150

HSL 331.85, 0.4%, 0.6%

LAB 57.2, 36.94, -6.7

 

CMYK 0 / 28 / 15 / 31

HEX #B18097

RGB 177 128 151

HSL 331.84, 0.24%, 0.6%

LAB 58.99, 22.54, -4.82

 

CMYK 0 / 9 / 5 / 37

HEX #A09198

RGB 160 145 152

HSL 332, 0.07%, 0.6%

LAB 61.65, 6.84, -1.68

 

CMYK 11 / 0 / 5 / 37

HEX #90A199

RGB 144 161 153

HSL 151.76, 0.08%, 0.6%

LAB 64.74, -7.59, 2.12

 

CMYK 1 / 55 / 0 / 18

HEX #D05FD2

RGB 208 95 210

HSL 298.96, 0.56%, 0.6%

LAB 58.27, 59.91, -39.34

 

CMYK 0 / 55 / 14 / 18

HEX #D25FB5

RGB 210 95 181

HSL 315.13, 0.56%, 0.6%

LAB 57.29, 55.67, -24.28

 

CMYK 0 / 55 / 28 / 18

HEX #D25F97

RGB 210 95 151

HSL 330.78, 0.56%, 0.6%

LAB 56.21, 51.38, -8.51

 

CMYK 0 / 55 / 43 / 18

HEX #D25F78

RGB 210 95 120

HSL 346.96, 0.56%, 0.6%

LAB 55.32, 47.73, 8.41

 

CMYK 0 / 52 / 55 / 18

HEX #D2655F

RGB 210 101 95

HSL 3.13, 0.56%, 0.6%

LAB 55.92, 42.46, 23.85

 

CMYK 0 / 72 / 38 / 32

HEX #AE316C

RGB 174 49 108

HSL 331.68, 0.56%, 0.44%

LAB 41.65, 55.01, -4.88

 

CMYK 0 / 69 / 36 / 21

HEX #C93F80

RGB 201 63 128

HSL 331.74, 0.56%, 0.52%

LAB 48.92, 59.69, -5.84

 

CMYK 0 / 55 / 29 / 18

HEX #D25F96

RGB 210 95 150

HSL 331.3, 0.56%, 0.6%

LAB 56.18, 51.25, -7.97

 

CMYK 0 / 42 / 22 / 14

HEX #DB80AB

RGB 219 128 171

HSL 331.65, 0.56%, 0.68%

LAB 64.51, 40.57, -7.52

 

CMYK 0 / 30 / 16 / 11

HEX #E4A0C0

RGB 228 160 192

HSL 331.76, 0.56%, 0.76%

LAB 73.18, 29.92, -6.28

 

CMYK 0 / 55 / 29 / 18

HEX #D25E95

RGB 210 94 149

HSL 331.55, 0.56%, 0.6%

LAB 55.96, 51.59, -7.7

 

CMYK 0 / 16 / 55 / 18

HEX #D2B15F

RGB 210 177 95

HSL 42.78, 0.56%, 0.6%

LAB 73.53, 1.96, 45.91

 

CMYK 55 / 7 / 0 / 18

HEX #5FC4D2

RGB 95 196 210

HSL 187.3, 0.56%, 0.6%

LAB 73.91, -25.48, -15.98

 

CMYK 0 / 55 / 29 / 18

HEX #D25E95

RGB 210 94 149

HSL 331.55, 0.56%, 0.6%

LAB 55.96, 51.59, -7.7

 

CMYK 28 / 0 / 55 / 18

HEX #97D25F

RGB 151 210 95

HSL 90.78, 0.56%, 0.6%

LAB 78.17, -37.96, 50.29

 

CMYK 55 / 28 / 0 / 18

HEX #5F97D2

RGB 95 151 210

HSL 210.78, 0.56%, 0.6%

LAB 60.97, -1.41, -35.83

 

CMYK 0 / 55 / 29 / 18

HEX #D25E95

RGB 210 94 149

HSL 331.55, 0.56%, 0.6%

LAB 55.96, 51.59, -7.7

 

CMYK 0 / 16 / 55 / 18

HEX #D2B15F

RGB 210 177 95

HSL 42.78, 0.56%, 0.6%

LAB 73.53, 1.96, 45.91

 

CMYK 55 / 0 / 27 / 18

HEX #5FD29A

RGB 95 210 154

HSL 150.78, 0.56%, 0.6%

LAB 76.59, -45.58, 18.07

 

CMYK 55 / 39 / 0 / 18

HEX #5F80D2

RGB 95 128 210

HSL 222.78, 0.56%, 0.6%

LAB 54.58, 12.12, -45.89

 

CMYK 0 / 55 / 29 / 18

HEX #D25E95

RGB 210 94 149

HSL 331.55, 0.56%, 0.6%

LAB 55.96, 51.59, -7.7

 

CMYK 1 / 0 / 55 / 18

HEX #D0D25F

RGB 208 210 95

HSL 61.04, 0.56%, 0.6%

LAB 82.02, -15.86, 55.73

 

CMYK 55 / 0 / 27 / 18

HEX #5FD29A

RGB 95 210 154

HSL 150.78, 0.56%, 0.6%

LAB 76.59, -45.58, 18.07

 

CMYK 54 / 55 / 0 / 18

HEX #615FD2

RGB 97 95 210

HSL 241.04, 0.56%, 0.6%

LAB 46.15, 32.72, -59.37

 

Description

Color code: HEX #D25E95 | qconv.com Color code: HEX #D25E95 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 94 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 94 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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