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Color name
HEX #D2657F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2657F it is the complementary color #2D9A80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2657F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2657F shade: #D7657A, #E8778D, #F989A0, #FF9BB3 and #FFADC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2657F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2657F shade: #D2657F, #C1536C, #B04159, #9F2F46 and #8E1D33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2657F shade: #D2647E and #D26464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2657F shade: #D2647E, #D2649C, #D264B9, #CD64D2 and #AF64D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2657F shade matches the following richer shades: #D2647E, #E25476 and #F2446E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2657F shade: #D2647E, #C27487, #B2858F, #A19598 and #91A5A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2657F shade: #D264BA, #D2649D, #D26480, #D26664 and #D28364

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2657F shade: #B13351, #C84464, #D2647E, #DB8499 and #E4A4B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2657F shade: #D2657F, #D2CC64 and #64ABD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2657F shade: #D2657F, #80D264 and #6480D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2657F shade: #D2657F, #D2CC64, #64D2B6 and #646AD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2657F shade: #D2657F, #B6D264, #64D2B6 and #8064D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 40 / 18

HEX #D2657F

RGB 210 101 127

HSL 345.69, 0.55%, 0.61%

LAB 56.63, 45.55, 6.16

 

Complementary color

CMYK 71 / 0 / 17 / 40

HEX #2D9A80

RGB 45 154 128

HSL 165.69, 0.55%, 0.39%

LAB 57.3, -36.82, 4.86

 

CMYK 0 / 53 / 43 / 16

HEX #D7657A

RGB 215 101 122

HSL 348.95, 0.59%, 0.62%

LAB 57.23, 46.75, 10.05

 

CMYK 0 / 49 / 39 / 9

HEX #E8778D

RGB 232 119 141

HSL 348.32, 0.71%, 0.69%

LAB 63.57, 45.82, 8.4

 

CMYK 0 / 45 / 36 / 2

HEX #F989A0

RGB 249 137 160

HSL 347.68, 0.9%, 0.76%

LAB 69.87, 44.89, 6.97

 

CMYK 0 / 39 / 30 / 0

HEX #FF9BB3

RGB 255 155 179

HSL 345.6, 1%, 0.8%

LAB 74.8, 40.15, 3.61

 

CMYK 0 / 32 / 22 / 0

HEX #FFADC6

RGB 255 173 198

HSL 341.71, 1%, 0.84%

LAB 79.17, 33.39, -0.41

 

CMYK 0 / 52 / 40 / 18

HEX #D2657F

RGB 210 101 127

HSL 345.69, 0.55%, 0.61%

LAB 56.63, 45.55, 6.16

 

CMYK 0 / 57 / 44 / 24

HEX #C1536C

RGB 193 83 108

HSL 346.36, 0.47%, 0.54%

LAB 50.22, 46.42, 7.95

 

CMYK 0 / 63 / 49 / 31

HEX #B04159

RGB 176 65 89

HSL 347.03, 0.46%, 0.47%

LAB 43.85, 47.16, 10.14

 

CMYK 0 / 70 / 56 / 38

HEX #9F2F46

RGB 159 47 70

HSL 347.68, 0.54%, 0.4%

LAB 37.56, 47.59, 12.89

 

CMYK 0 / 80 / 64 / 44

HEX #8E1D33

RGB 142 29 51

HSL 348.32, 0.66%, 0.34%

LAB 31.51, 47.4, 16.46

 

CMYK 0 / 52 / 40 / 18

HEX #D2647E

RGB 210 100 126

HSL 345.82, 0.55%, 0.61%

LAB 56.41, 45.94, 6.44

 

CMYK 0 / 52 / 52 / 18

HEX #D26464

RGB 210 100 100

HSL 0, 0.55%, 0.61%

LAB 55.82, 43.38, 20.82

 

CMYK 0 / 52 / 40 / 18

HEX #D2647E

RGB 210 100 126

HSL 345.82, 0.55%, 0.61%

LAB 56.41, 45.94, 6.44

 

CMYK 0 / 52 / 26 / 18

HEX #D2649C

RGB 210 100 156

HSL 329.45, 0.55%, 0.61%

LAB 57.29, 49.64, -9.81

 

CMYK 0 / 52 / 12 / 18

HEX #D264B9

RGB 210 100 185

HSL 313.64, 0.55%, 0.61%

LAB 58.34, 53.93, -24.97

 

CMYK 2 / 52 / 0 / 18

HEX #CD64D2

RGB 205 100 210

HSL 297.27, 0.55%, 0.61%

LAB 58.74, 56.76, -38.63

 

CMYK 17 / 52 / 0 / 18

HEX #AF64D2

RGB 175 100 210

HSL 280.91, 0.55%, 0.61%

LAB 54.95, 48.66, -44.86

 

CMYK 0 / 52 / 40 / 18

HEX #D2647E

RGB 210 100 126

HSL 345.82, 0.55%, 0.61%

LAB 56.41, 45.94, 6.44

 

CMYK 0 / 63 / 48 / 11

HEX #E25476

RGB 226 84 118

HSL 345.63, 0.71%, 0.61%

LAB 55.9, 57.78, 10.77

 

CMYK 0 / 72 / 55 / 5

HEX #F2446E

RGB 242 68 110

HSL 345.52, 0.87%, 0.61%

LAB 56.22, 68, 16.36

 

CMYK 0 / 52 / 40 / 18

HEX #D2647E

RGB 210 100 126

HSL 345.82, 0.55%, 0.61%

LAB 56.41, 45.94, 6.44

 

CMYK 0 / 40 / 30 / 24

HEX #C27487

RGB 194 116 135

HSL 345.38, 0.39%, 0.61%

LAB 57.76, 33.02, 2.85

 

CMYK 0 / 25 / 20 / 30

HEX #B2858F

RGB 178 133 143

HSL 346.67, 0.23%, 0.61%

LAB 60.09, 18.79, 1.39

 

CMYK 0 / 7 / 6 / 37

HEX #A19598

RGB 161 149 152

HSL 345, 0.06%, 0.61%

LAB 62.79, 4.97, 0.01

 

CMYK 12 / 0 / 3 / 35

HEX #91A5A0

RGB 145 165 160

HSL 165, 0.1%, 0.61%

LAB 66.11, -8, 0.21

 

CMYK 0 / 52 / 11 / 18

HEX #D264BA

RGB 210 100 186

HSL 313.09, 0.55%, 0.61%

LAB 58.38, 54.09, -25.48

 

CMYK 0 / 52 / 25 / 18

HEX #D2649D

RGB 210 100 157

HSL 328.91, 0.55%, 0.61%

LAB 57.32, 49.78, -10.34

 

CMYK 0 / 52 / 39 / 18

HEX #D26480

RGB 210 100 128

HSL 344.73, 0.55%, 0.61%

LAB 56.46, 46.16, 5.34

 

CMYK 0 / 51 / 52 / 18

HEX #D26664

RGB 210 102 100

HSL 1.09, 0.55%, 0.61%

LAB 56.21, 42.38, 21.35

 

CMYK 0 / 38 / 52 / 18

HEX #D28364

RGB 210 131 100

HSL 16.91, 0.55%, 0.61%

LAB 62.38, 27.2, 29.47

 

CMYK 0 / 71 / 54 / 31

HEX #B13351

RGB 177 51 81

HSL 345.71, 0.55%, 0.45%

LAB 41.7, 52.59, 12.16

 

CMYK 0 / 66 / 50 / 22

HEX #C84464

RGB 200 68 100

HSL 345.45, 0.55%, 0.53%

LAB 48.68, 54.65, 10.77

 

CMYK 0 / 52 / 40 / 18

HEX #D2647E

RGB 210 100 126

HSL 345.82, 0.55%, 0.61%

LAB 56.41, 45.94, 6.44

 

CMYK 0 / 40 / 30 / 14

HEX #DB8499

RGB 219 132 153

HSL 345.52, 0.55%, 0.69%

LAB 64.85, 35.97, 3.19

 

CMYK 0 / 28 / 21 / 11

HEX #E4A4B4

RGB 228 164 180

HSL 345, 0.54%, 0.77%

LAB 73.77, 25.93, 1.19

 

CMYK 0 / 52 / 40 / 18

HEX #D2657F

RGB 210 101 127

HSL 345.69, 0.55%, 0.61%

LAB 56.63, 45.55, 6.16

 

CMYK 0 / 3 / 52 / 18

HEX #D2CC64

RGB 210 204 100

HSL 56.73, 0.55%, 0.61%

LAB 80.63, -11.62, 51.88

 

CMYK 52 / 19 / 0 / 18

HEX #64ABD2

RGB 100 171 210

HSL 201.27, 0.55%, 0.61%

LAB 66.89, -11.45, -26.65

 

CMYK 0 / 52 / 40 / 18

HEX #D2657F

RGB 210 101 127

HSL 345.69, 0.55%, 0.61%

LAB 56.63, 45.55, 6.16

 

CMYK 39 / 0 / 52 / 18

HEX #80D264

RGB 128 210 100

HSL 104.73, 0.55%, 0.61%

LAB 77.04, -45.25, 46.33

 

CMYK 52 / 39 / 0 / 18

HEX #6480D2

RGB 100 128 210

HSL 224.73, 0.55%, 0.61%

LAB 54.87, 13.21, -45.42

 

CMYK 0 / 52 / 40 / 18

HEX #D2657F

RGB 210 101 127

HSL 345.69, 0.55%, 0.61%

LAB 56.63, 45.55, 6.16

 

CMYK 0 / 3 / 52 / 18

HEX #D2CC64

RGB 210 204 100

HSL 56.73, 0.55%, 0.61%

LAB 80.63, -11.62, 51.88

 

CMYK 52 / 0 / 13 / 18

HEX #64D2B6

RGB 100 210 182

HSL 164.73, 0.55%, 0.61%

LAB 77.39, -38.29, 4.29

 

CMYK 52 / 50 / 0 / 18

HEX #646AD2

RGB 100 106 210

HSL 236.73, 0.55%, 0.61%

LAB 49.09, 26.61, -54.62

 

CMYK 0 / 52 / 40 / 18

HEX #D2657F

RGB 210 101 127

HSL 345.69, 0.55%, 0.61%

LAB 56.63, 45.55, 6.16

 

CMYK 13 / 0 / 52 / 18

HEX #B6D264

RGB 182 210 100

HSL 75.27, 0.55%, 0.61%

LAB 80.16, -25.82, 50.79

 

CMYK 52 / 0 / 13 / 18

HEX #64D2B6

RGB 100 210 182

HSL 164.73, 0.55%, 0.61%

LAB 77.39, -38.29, 4.29

 

CMYK 39 / 52 / 0 / 18

HEX #8064D2

RGB 128 100 210

HSL 255.27, 0.55%, 0.61%

LAB 49.93, 36.59, -53.16

 

Description

Color code: HEX #D2657F | qconv.com Color code: HEX #D2657F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 101 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 101 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 40 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 40% 18% C M Y K

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Provide designers and agencies with accurate color values.

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