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Color name
HEX #D2719B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2719B it is the complementary color #2D8E64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2719B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2719B shade: #D77196, #E883A9, #F995BC, #FFA7CF and #FFB9E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2719B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2719B shade: #D2719B, #C15F88, #B04D75, #9F3B62 and #8E294F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2719B shade: #D16F9A, #D16F7F and #D16F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2719B shade: #D16F9A, #D16FB4, #D16FCE, #B96FD1 and #9F6FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2719B shade matches the following richer shades: #D16F9A, #E06098 and #F05195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2719B shade: #D16F9A, #C27E9C, #B38E9E, #A39DA0 and #94ACA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2719B shade: #D16FCE, #D16FB4, #D16F9A, #D16F7F and #D1796F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2719B shade: #B5396F, #C75084, #D16F9A, #DB8EB0 and #E5AEC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2719B shade: #D2719B, #D1BA6F and #6FC1D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2719B shade: #D2719B, #9AD16F and #6F9AD1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2719B shade: #D2719B, #D1BA6F, #6FD1A7 and #6F86D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2719B shade: #D2719B, #CBD16F, #6FD1A7 and #766FD1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 26 / 18

HEX #D2719B

RGB 210 113 155

HSL 334.02, 0.52%, 0.63%

LAB 59.78, 43, -5.52

 

Complementary color

CMYK 68 / 0 / 30 / 44

HEX #2D8E64

RGB 45 142 100

HSL 154.02, 0.52%, 0.37%

LAB 52.76, -38.38, 14.37

 

CMYK 0 / 47 / 30 / 16

HEX #D77196

RGB 215 113 150

HSL 338.24, 0.56%, 0.64%

LAB 60.3, 44.03, -1.79

 

CMYK 0 / 44 / 27 / 9

HEX #E883A9

RGB 232 131 169

HSL 337.43, 0.69%, 0.71%

LAB 66.71, 43.18, -2.95

 

CMYK 0 / 40 / 24 / 2

HEX #F995BC

RGB 249 149 188

HSL 336.6, 0.89%, 0.78%

LAB 73.07, 42.35, -3.97

 

CMYK 0 / 35 / 19 / 0

HEX #FFA7CF

RGB 255 167 207

HSL 332.73, 1%, 0.83%

LAB 78.11, 37.83, -6.87

 

CMYK 0 / 27 / 11 / 0

HEX #FFB9E2

RGB 255 185 226

HSL 324.86, 1%, 0.86%

LAB 82.62, 31.38, -10.44

 

CMYK 0 / 46 / 26 / 18

HEX #D2719B

RGB 210 113 155

HSL 334.02, 0.52%, 0.63%

LAB 59.78, 43, -5.52

 

CMYK 0 / 51 / 30 / 24

HEX #C15F88

RGB 193 95 136

HSL 334.9, 0.44%, 0.56%

LAB 53.28, 43.82, -4.31

 

CMYK 0 / 56 / 34 / 31

HEX #B04D75

RGB 176 77 117

HSL 335.76, 0.39%, 0.5%

LAB 46.74, 44.58, -2.86

 

CMYK 0 / 63 / 38 / 38

HEX #9F3B62

RGB 159 59 98

HSL 336.6, 0.46%, 0.43%

LAB 40.21, 45.18, -1.05

 

CMYK 0 / 71 / 44 / 44

HEX #8E294F

RGB 142 41 79

HSL 337.43, 0.55%, 0.36%

LAB 33.78, 45.42, 1.3

 

CMYK 0 / 47 / 26 / 18

HEX #D16F9A

RGB 209 111 154

HSL 333.67, 0.52%, 0.63%

LAB 59.21, 43.54, -5.8

 

CMYK 0 / 47 / 39 / 18

HEX #D16F7F

RGB 209 111 127

HSL 350.2, 0.52%, 0.63%

LAB 58.47, 40.14, 8.77

 

CMYK 0 / 47 / 47 / 18

HEX #D16F6F

RGB 209 111 111

HSL 0, 0.52%, 0.63%

LAB 58.11, 38.44, 17.53

 

CMYK 0 / 47 / 26 / 18

HEX #D16F9A

RGB 209 111 154

HSL 333.67, 0.52%, 0.63%

LAB 59.21, 43.54, -5.8

 

CMYK 0 / 47 / 14 / 18

HEX #D16FB4

RGB 209 111 180

HSL 317.76, 0.52%, 0.63%

LAB 60.09, 47.41, -19.44

 

CMYK 0 / 47 / 1 / 18

HEX #D16FCE

RGB 209 111 206

HSL 301.84, 0.52%, 0.63%

LAB 61.12, 51.8, -32.63

 

CMYK 11 / 47 / 0 / 18

HEX #B96FD1

RGB 185 111 209

HSL 285.31, 0.52%, 0.63%

LAB 58.31, 45.45, -38.92

 

CMYK 24 / 47 / 0 / 18

HEX #9F6FD1

RGB 159 111 209

HSL 269.39, 0.52%, 0.63%

LAB 55.42, 38.12, -43.66

 

CMYK 0 / 47 / 26 / 18

HEX #D16F9A

RGB 209 111 154

HSL 333.67, 0.52%, 0.63%

LAB 59.21, 43.54, -5.8

 

CMYK 0 / 57 / 32 / 12

HEX #E06098

RGB 224 96 152

HSL 333.75, 0.67%, 0.63%

LAB 58.49, 55.45, -5.47

 

CMYK 0 / 66 / 38 / 6

HEX #F05195

RGB 240 81 149

HSL 334.34, 0.84%, 0.63%

LAB 58.58, 66.19, -3.3

 

CMYK 0 / 47 / 26 / 18

HEX #D16F9A

RGB 209 111 154

HSL 333.67, 0.52%, 0.63%

LAB 59.21, 43.54, -5.8

 

CMYK 0 / 35 / 20 / 24

HEX #C27E9C

RGB 194 126 156

HSL 333.53, 0.36%, 0.63%

LAB 60.6, 30.63, -5.11

 

CMYK 0 / 21 / 12 / 30

HEX #B38E9E

RGB 179 142 158

HSL 334.05, 0.2%, 0.63%

LAB 62.84, 16.61, -3.12

 

CMYK 0 / 4 / 2 / 36

HEX #A39DA0

RGB 163 157 160

HSL 330, 0.03%, 0.63%

LAB 65.31, 2.74, -0.79

 

CMYK 14 / 0 / 6 / 33

HEX #94ACA2

RGB 148 172 162

HSL 155, 0.13%, 0.63%

LAB 68.32, -10.31, 2.34

 

CMYK 0 / 47 / 1 / 18

HEX #D16FCE

RGB 209 111 206

HSL 301.84, 0.52%, 0.63%

LAB 61.12, 51.8, -32.63

 

CMYK 0 / 47 / 14 / 18

HEX #D16FB4

RGB 209 111 180

HSL 317.76, 0.52%, 0.63%

LAB 60.09, 47.41, -19.44

 

CMYK 0 / 47 / 26 / 18

HEX #D16F9A

RGB 209 111 154

HSL 333.67, 0.52%, 0.63%

LAB 59.21, 43.54, -5.8

 

CMYK 0 / 47 / 39 / 18

HEX #D16F7F

RGB 209 111 127

HSL 350.2, 0.52%, 0.63%

LAB 58.47, 40.14, 8.77

 

CMYK 0 / 42 / 47 / 18

HEX #D1796F

RGB 209 121 111

HSL 6.12, 0.52%, 0.63%

LAB 60.23, 33.2, 20.42

 

CMYK 0 / 69 / 39 / 29

HEX #B5396F

RGB 181 57 111

HSL 333.87, 0.52%, 0.47%

LAB 44.09, 54.33, -3.01

 

CMYK 0 / 60 / 34 / 22

HEX #C75084

RGB 199 80 132

HSL 333.78, 0.52%, 0.55%

LAB 51.32, 52.47, -4.73

 

CMYK 0 / 47 / 26 / 18

HEX #D16F9A

RGB 209 111 154

HSL 333.67, 0.52%, 0.63%

LAB 59.21, 43.54, -5.8

 

CMYK 0 / 35 / 20 / 14

HEX #DB8EB0

RGB 219 142 176

HSL 333.51, 0.52%, 0.71%

LAB 67.68, 33.92, -5.64

 

CMYK 0 / 24 / 14 / 10

HEX #E5AEC6

RGB 229 174 198

HSL 333.82, 0.51%, 0.79%

LAB 76.68, 23.73, -4.38

 

CMYK 0 / 46 / 26 / 18

HEX #D2719B

RGB 210 113 155

HSL 334.02, 0.52%, 0.63%

LAB 59.78, 43, -5.52

 

CMYK 0 / 11 / 47 / 18

HEX #D1BA6F

RGB 209 186 111

HSL 45.92, 0.52%, 0.63%

LAB 75.96, -1.77, 40.85

 

CMYK 47 / 8 / 0 / 18

HEX #6FC1D1

RGB 111 193 209

HSL 189.8, 0.52%, 0.63%

LAB 73.63, -20.79, -15.81

 

CMYK 0 / 46 / 26 / 18

HEX #D2719B

RGB 210 113 155

HSL 334.02, 0.52%, 0.63%

LAB 59.78, 43, -5.52

 

CMYK 26 / 0 / 47 / 18

HEX #9AD16F

RGB 154 209 111

HSL 93.67, 0.52%, 0.63%

LAB 78.24, -34.67, 42.8

 

CMYK 47 / 26 / 0 / 18

HEX #6F9AD1

RGB 111 154 209

HSL 213.67, 0.52%, 0.63%

LAB 62.59, 0.25, -32.7

 

CMYK 0 / 46 / 26 / 18

HEX #D2719B

RGB 210 113 155

HSL 334.02, 0.52%, 0.63%

LAB 59.78, 43, -5.52

 

CMYK 0 / 11 / 47 / 18

HEX #D1BA6F

RGB 209 186 111

HSL 45.92, 0.52%, 0.63%

LAB 75.96, -1.77, 40.85

 

CMYK 47 / 0 / 20 / 18

HEX #6FD1A7

RGB 111 209 167

HSL 154.29, 0.52%, 0.63%

LAB 77.14, -38.61, 12.02

 

CMYK 47 / 36 / 0 / 18

HEX #6F86D1

RGB 111 134 209

HSL 225.92, 0.52%, 0.63%

LAB 57.11, 11.89, -41.27

 

CMYK 0 / 46 / 26 / 18

HEX #D2719B

RGB 210 113 155

HSL 334.02, 0.52%, 0.63%

LAB 59.78, 43, -5.52

 

CMYK 3 / 0 / 47 / 18

HEX #CBD16F

RGB 203 209 111

HSL 63.67, 0.52%, 0.63%

LAB 81.54, -15.98, 47.58

 

CMYK 47 / 0 / 20 / 18

HEX #6FD1A7

RGB 111 209 167

HSL 154.29, 0.52%, 0.63%

LAB 77.14, -38.61, 12.02

 

CMYK 44 / 47 / 0 / 18

HEX #766FD1

RGB 118 111 209

HSL 244.29, 0.52%, 0.63%

LAB 51.64, 27.38, -49.91

 

Description

Color code: HEX #D2719B | qconv.com Color code: HEX #D2719B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 113 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 113 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 26% 18% C M Y K

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Provide designers and agencies with accurate color values.

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