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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D27355 it is the complementary color #2D8CAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D27355. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D27355 shade: #D77350, #E88563, #F99776, #FFA989 and #FFBB9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D27355. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D27355 shade: #D27355, #C16142, #B04F2F, #9F3D1C and #8E2B09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D27355 shade: #D27355 and #D25555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D27355 shade: #D27355, #D29555, #D2B655, #CBD255 and #AAD255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D27355 shade matches the following richer shades: #D27355, #E36A44 and #F46133

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D27355 shade: #D27355, #C07C67, #AF8578, #9E8E89 and #8C979B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D27355 shade: #D2557B, #D25559, #D27255, #D29355 and #D2B555

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D27355 shade: #A84A2C, #C95835, #D27355, #DA8E76 and #E3A996

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D27355 shade: #D27355, #9CD255 and #556AD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D27355 shade: #D27355, #55D272 and #7255D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D27355 shade: #D27355, #9CD255, #55B5D2 and #8B55D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D27355 shade: #D27355, #76D255, #55B5D2 and #B055D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

Complementary color

CMYK 74 / 18 / 0 / 33

HEX #2D8CAA

RGB 45 140 170

HSL 194.4, 0.58%, 0.42%

LAB 54.26, -17.21, -23.74

 

CMYK 0 / 47 / 63 / 16

HEX #D77350

RGB 215 115 80

HSL 15.56, 0.63%, 0.58%

LAB 59.24, 36.12, 36.63

 

CMYK 0 / 43 / 57 / 9

HEX #E88563

RGB 232 133 99

HSL 15.34, 0.74%, 0.65%

LAB 65.62, 34.75, 34.71

 

CMYK 0 / 39 / 53 / 2

HEX #F99776

RGB 249 151 118

HSL 15.11, 0.92%, 0.72%

LAB 71.95, 33.5, 32.98

 

CMYK 0 / 34 / 46 / 0

HEX #FFA989

RGB 255 169 137

HSL 16.27, 1%, 0.77%

LAB 76.95, 28.15, 29.48

 

CMYK 0 / 27 / 39 / 0

HEX #FFBB9C

RGB 255 187 156

HSL 18.79, 1%, 0.81%

LAB 81.4, 20.71, 25.35

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 0 / 50 / 66 / 24

HEX #C16142

RGB 193 97 66

HSL 14.65, 0.51%, 0.51%

LAB 52.15, 35.94, 35.04

 

CMYK 0 / 55 / 73 / 31

HEX #B04F2F

RGB 176 79 47

HSL 14.88, 0.58%, 0.44%

LAB 45.67, 37.47, 37.33

 

CMYK 0 / 62 / 82 / 38

HEX #9F3D1C

RGB 159 61 28

HSL 15.11, 0.7%, 0.37%

LAB 39.23, 39.03, 39.7

 

CMYK 0 / 70 / 94 / 44

HEX #8E2B09

RGB 142 43 9

HSL 15.34, 0.88%, 0.3%

LAB 32.92, 40.47, 41.5

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 0 / 60 / 60 / 18

HEX #D25555

RGB 210 85 85

HSL 0, 0.58%, 0.58%

LAB 52.79, 49.38, 25.56

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 0 / 29 / 60 / 18

HEX #D29555

RGB 210 149 85

HSL 30.72, 0.58%, 0.58%

LAB 66.41, 16.23, 42.45

 

CMYK 0 / 13 / 60 / 18

HEX #D2B655

RGB 210 182 85

HSL 46.56, 0.58%, 0.58%

LAB 74.71, -1.44, 52.07

 

CMYK 3 / 0 / 60 / 18

HEX #CBD255

RGB 203 210 85

HSL 63.36, 0.58%, 0.58%

LAB 81.54, -18.64, 59.49

 

CMYK 19 / 0 / 60 / 18

HEX #AAD255

RGB 170 210 85

HSL 79.2, 0.58%, 0.58%

LAB 79.21, -31.79, 56.27

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 0 / 53 / 70 / 11

HEX #E36A44

RGB 227 106 68

HSL 14.34, 0.74%, 0.58%

LAB 59.03, 44.55, 43.23

 

CMYK 0 / 60 / 79 / 4

HEX #F46133

RGB 244 97 51

HSL 14.3, 0.9%, 0.58%

LAB 59.91, 54.19, 53.45

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 0 / 35 / 46 / 25

HEX #C07C67

RGB 192 124 103

HSL 14.16, 0.41%, 0.58%

LAB 58.6, 24.06, 22.41

 

CMYK 0 / 24 / 31 / 31

HEX #AF8578

RGB 175 133 120

HSL 14.18, 0.26%, 0.58%

LAB 59.2, 14.23, 13.24

 

CMYK 0 / 10 / 13 / 38

HEX #9E8E89

RGB 158 142 137

HSL 14.29, 0.1%, 0.58%

LAB 60.27, 5.09, 4.83

 

CMYK 10 / 3 / 0 / 39

HEX #8C979B

RGB 140 151 155

HSL 196, 0.07%, 0.58%

LAB 61.72, -3.1, -3.46

 

CMYK 0 / 60 / 41 / 18

HEX #D2557B

RGB 210 85 123

HSL 341.76, 0.58%, 0.58%

LAB 53.63, 52.71, 4.22

 

CMYK 0 / 60 / 58 / 18

HEX #D25559

RGB 210 85 89

HSL 358.08, 0.58%, 0.58%

LAB 52.86, 49.67, 23.31

 

CMYK 0 / 46 / 60 / 18

HEX #D27255

RGB 210 114 85

HSL 13.92, 0.58%, 0.58%

LAB 58.41, 35.03, 32.71

 

CMYK 0 / 30 / 60 / 18

HEX #D29355

RGB 210 147 85

HSL 29.76, 0.58%, 0.58%

LAB 65.92, 17.32, 41.87

 

CMYK 0 / 14 / 60 / 18

HEX #D2B555

RGB 210 181 85

HSL 46.08, 0.58%, 0.58%

LAB 74.45, -0.91, 51.77

 

CMYK 0 / 56 / 74 / 34

HEX #A84A2C

RGB 168 74 44

HSL 14.52, 0.58%, 0.42%

LAB 43.37, 36.73, 36.06

 

CMYK 0 / 56 / 74 / 21

HEX #C95835

RGB 201 88 53

HSL 14.19, 0.58%, 0.5%

LAB 51.44, 42.85, 41.58

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 0 / 35 / 46 / 15

HEX #DA8E76

RGB 218 142 118

HSL 14.4, 0.57%, 0.66%

LAB 66.18, 26.17, 24.7

 

CMYK 0 / 26 / 34 / 11

HEX #E3A996

RGB 227 169 150

HSL 14.81, 0.58%, 0.74%

LAB 74.13, 18.79, 18.13

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 26 / 0 / 60 / 18

HEX #9CD255

RGB 156 210 85

HSL 85.92, 0.58%, 0.58%

LAB 78.35, -37.08, 55.07

 

CMYK 60 / 50 / 0 / 18

HEX #556AD2

RGB 85 106 210

HSL 229.92, 0.58%, 0.58%

LAB 48.12, 23.62, -56.23

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 60 / 0 / 46 / 18

HEX #55D272

RGB 85 210 114

HSL 133.92, 0.58%, 0.58%

LAB 75.6, -55.04, 37.37

 

CMYK 46 / 60 / 0 / 18

HEX #7255D2

RGB 114 85 210

HSL 253.92, 0.58%, 0.58%

LAB 45.26, 42.11, -60.74

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 26 / 0 / 60 / 18

HEX #9CD255

RGB 156 210 85

HSL 85.92, 0.58%, 0.58%

LAB 78.35, -37.08, 55.07

 

CMYK 60 / 14 / 0 / 18

HEX #55B5D2

RGB 85 181 210

HSL 193.92, 0.58%, 0.58%

LAB 69.21, -19.79, -23.15

 

CMYK 34 / 60 / 0 / 18

HEX #8B55D2

RGB 139 85 210

HSL 265.92, 0.58%, 0.58%

LAB 47.8, 47.59, -56.51

 

CMYK 0 / 45 / 60 / 18

HEX #D27355

RGB 210 115 85

HSL 14.4, 0.58%, 0.58%

LAB 58.62, 34.51, 32.97

 

CMYK 44 / 0 / 60 / 18

HEX #76D255

RGB 118 210 85

HSL 104.16, 0.58%, 0.58%

LAB 76.44, -50.03, 52.39

 

CMYK 60 / 14 / 0 / 18

HEX #55B5D2

RGB 85 181 210

HSL 193.92, 0.58%, 0.58%

LAB 69.21, -19.79, -23.15

 

CMYK 16 / 60 / 0 / 18

HEX #B055D2

RGB 176 85 210

HSL 283.68, 0.58%, 0.58%

LAB 52.26, 56.42, -49.12

 

Description

Color code: HEX #D27355 | qconv.com Color code: HEX #D27355 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 115 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 115 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 60 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 60% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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