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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D29964 it is the complementary color #2D669B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D29964. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D29964 shade: #D7995F, #E8AB72, #F9BD85, #FFCF98 and #FFE1AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D29964. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D29964 shade: #D29964, #C18751, #B0753E, #9F632B and #8E5118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D29964 shade: #D29964, #D27C64 and #D26464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D29964 shade: #D29964, #D2B764, #CFD264, #B2D264 and #94D264

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D29964 shade matches the following richer shades: #D29964, #E29854 and #F29844

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D29964 shade: #D29964, #C29A74, #B29A85, #A19B95 and #919BA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D29964 shade: #D2646C, #D27A64, #D29764, #D2B564 and #D2D264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D29964 shade: #B17033, #C88444, #D29964, #DBAE84 and #E4C3A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D29964 shade: #D29964, #89D264 and #6C64D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D29964 shade: #D29964, #64D297 and #9764D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D29964 shade: #D29964, #89D264, #649FD2 and #AD64D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D29964 shade: #D29964, #68D264, #649FD2 and #CE64D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

Complementary color

CMYK 71 / 34 / 0 / 39

HEX #2D669B

RGB 45 102 155

HSL 208.91, 0.55%, 0.39%

LAB 41.89, -0.44, -34.25

 

CMYK 0 / 29 / 56 / 16

HEX #D7995F

RGB 215 153 95

HSL 29, 0.6%, 0.61%

LAB 68.06, 16.93, 39.43

 

CMYK 0 / 26 / 51 / 9

HEX #E8AB72

RGB 232 171 114

HSL 28.98, 0.72%, 0.68%

LAB 74.51, 15.87, 37.97

 

CMYK 0 / 24 / 47 / 2

HEX #F9BD85

RGB 249 189 133

HSL 28.97, 0.91%, 0.75%

LAB 80.87, 14.93, 36.6

 

CMYK 0 / 19 / 40 / 0

HEX #FFCF98

RGB 255 207 152

HSL 32.04, 1%, 0.8%

LAB 86.08, 9.84, 33.71

 

CMYK 0 / 12 / 33 / 0

HEX #FFE1AB

RGB 255 225 171

HSL 38.57, 1%, 0.84%

LAB 90.8, 2.74, 30.24

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 0 / 30 / 58 / 24

HEX #C18751

RGB 193 135 81

HSL 28.93, 0.47%, 0.54%

LAB 61.01, 16.41, 37.59

 

CMYK 0 / 34 / 65 / 31

HEX #B0753E

RGB 176 117 62

HSL 28.95, 0.48%, 0.47%

LAB 54.34, 17.73, 39.16

 

CMYK 0 / 38 / 73 / 38

HEX #9F632B

RGB 159 99 43

HSL 28.97, 0.57%, 0.4%

LAB 47.58, 19.29, 40.72

 

CMYK 0 / 43 / 83 / 44

HEX #8E5118

RGB 142 81 24

HSL 28.98, 0.71%, 0.33%

LAB 40.74, 21.14, 41.97

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 0 / 41 / 52 / 18

HEX #D27C64

RGB 210 124 100

HSL 13.09, 0.55%, 0.61%

LAB 60.81, 30.96, 27.43

 

CMYK 0 / 52 / 52 / 18

HEX #D26464

RGB 210 100 100

HSL 0, 0.55%, 0.61%

LAB 55.82, 43.38, 20.82

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 0 / 13 / 52 / 18

HEX #D2B764

RGB 210 183 100

HSL 45.27, 0.55%, 0.61%

LAB 75.13, -0.78, 45.36

 

CMYK 1 / 0 / 52 / 18

HEX #CFD264

RGB 207 210 100

HSL 61.64, 0.55%, 0.61%

LAB 81.99, -15.86, 53.39

 

CMYK 15 / 0 / 52 / 18

HEX #B2D264

RGB 178 210 100

HSL 77.45, 0.55%, 0.61%

LAB 79.89, -27.37, 50.4

 

CMYK 30 / 0 / 52 / 18

HEX #94D264

RGB 148 210 100

HSL 93.82, 0.55%, 0.61%

LAB 78.06, -38.51, 47.79

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 0 / 33 / 63 / 11

HEX #E29854

RGB 226 152 84

HSL 28.73, 0.71%, 0.61%

LAB 68.94, 21.22, 46.39

 

CMYK 0 / 37 / 72 / 5

HEX #F29844

RGB 242 152 68

HSL 28.97, 0.87%, 0.61%

LAB 70.7, 26.91, 56.47

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 0 / 21 / 40 / 24

HEX #C29A74

RGB 194 154 116

HSL 29.23, 0.39%, 0.61%

LAB 66.4, 9.77, 25.62

 

CMYK 0 / 13 / 25 / 30

HEX #B29A85

RGB 178 154 133

HSL 28, 0.23%, 0.61%

LAB 65.18, 5.56, 14.3

 

CMYK 0 / 4 / 7 / 37

HEX #A19B95

RGB 161 155 149

HSL 30, 0.06%, 0.61%

LAB 64.31, 1.09, 3.91

 

CMYK 12 / 6 / 0 / 35

HEX #919BA5

RGB 145 155 165

HSL 210, 0.1%, 0.61%

LAB 63.49, -1.48, -6.45

 

CMYK 0 / 52 / 49 / 18

HEX #D2646C

RGB 210 100 108

HSL 355.64, 0.55%, 0.61%

LAB 55.99, 44.1, 16.38

 

CMYK 0 / 42 / 52 / 18

HEX #D27A64

RGB 210 122 100

HSL 12, 0.55%, 0.61%

LAB 60.37, 32.02, 26.86

 

CMYK 0 / 28 / 52 / 18

HEX #D29764

RGB 210 151 100

HSL 27.82, 0.55%, 0.61%

LAB 67.09, 16.36, 35.47

 

CMYK 0 / 14 / 52 / 18

HEX #D2B564

RGB 210 181 100

HSL 44.18, 0.55%, 0.61%

LAB 74.62, 0.27, 44.74

 

CMYK 0 / 0 / 52 / 18

HEX #D2D264

RGB 210 210 100

HSL 60, 0.55%, 0.61%

LAB 82.23, -14.64, 53.73

 

CMYK 0 / 37 / 71 / 31

HEX #B17033

RGB 177 112 51

HSL 29.05, 0.55%, 0.45%

LAB 53.14, 20.29, 43.41

 

CMYK 0 / 34 / 66 / 22

HEX #C88444

RGB 200 132 68

HSL 29.09, 0.55%, 0.53%

LAB 60.96, 20.11, 44.42

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 0 / 21 / 40 / 14

HEX #DBAE84

RGB 219 174 132

HSL 28.97, 0.55%, 0.69%

LAB 74.19, 10.85, 27.8

 

CMYK 0 / 14 / 28 / 11

HEX #E4C3A4

RGB 228 195 164

HSL 29.06, 0.54%, 0.77%

LAB 80.85, 7.14, 19.92

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 35 / 0 / 52 / 18

HEX #89D264

RGB 137 210 100

HSL 99.82, 0.55%, 0.61%

LAB 77.48, -42.29, 46.96

 

CMYK 49 / 52 / 0 / 18

HEX #6C64D2

RGB 108 100 210

HSL 244.36, 0.55%, 0.61%

LAB 48.2, 31.98, -56.02

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 52 / 0 / 28 / 18

HEX #64D297

RGB 100 210 151

HSL 147.82, 0.55%, 0.61%

LAB 76.7, -45.03, 19.83

 

CMYK 28 / 52 / 0 / 18

HEX #9764D2

RGB 151 100 210

HSL 267.82, 0.55%, 0.61%

LAB 52.23, 42.34, -49.35

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 35 / 0 / 52 / 18

HEX #89D264

RGB 137 210 100

HSL 99.82, 0.55%, 0.61%

LAB 77.48, -42.29, 46.96

 

CMYK 52 / 24 / 0 / 18

HEX #649FD2

RGB 100 159 210

HSL 207.82, 0.55%, 0.61%

LAB 63.47, -4.85, -31.93

 

CMYK 18 / 52 / 0 / 18

HEX #AD64D2

RGB 173 100 210

HSL 279.82, 0.55%, 0.61%

LAB 54.71, 48.13, -45.25

 

CMYK 0 / 27 / 52 / 18

HEX #D29964

RGB 210 153 100

HSL 28.91, 0.55%, 0.61%

LAB 67.58, 15.28, 36.08

 

CMYK 50 / 0 / 52 / 18

HEX #68D264

RGB 104 210 100

HSL 117.82, 0.55%, 0.61%

LAB 76.04, -52.35, 44.89

 

CMYK 52 / 24 / 0 / 18

HEX #649FD2

RGB 100 159 210

HSL 207.82, 0.55%, 0.61%

LAB 63.47, -4.85, -31.93

 

CMYK 2 / 52 / 0 / 18

HEX #CE64D2

RGB 206 100 210

HSL 297.82, 0.55%, 0.61%

LAB 58.87, 57.03, -38.42

 

Description

Color code: HEX #D29964 | qconv.com Color code: HEX #D29964 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 153 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 153 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 52% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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