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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2998C it is the complementary color #2D6673. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2998C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2998C shade: #D79987, #E8AB9A, #F9BDAD, #FFCFC0 and #FFE1D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2998C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2998C shade: #D2998C, #C18779, #B07566, #9F6353 and #8E5140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2998C shade: #D29A8D and #D28D8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2998C shade: #D29A8D, #D2AC8D, #D2BF8D, #D2D28D and #C0D28D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2998C shade matches the following richer shades: #D29A8D, #DF9280, #EC8A73 and #F98166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2998C shade: #D29A8D, #C5A299, #B9AAA6, #ACB2B3 and #9FBAC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2998C shade: #D28DA5, #D28D92, #D2998D, #D2AC8D and #D2BF8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2998C shade: #BB6551, #C77F6F, #D29A8D, #DEB4AA and #E9CEC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2998C shade: #D2998C, #B8D28D and #8D9CD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2998C shade: #D2998C, #8DD299 and #998DD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2998C shade: #D2998C, #B8D28D, #8DC5D2 and #A78DD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2998C shade: #D2998C, #A3D28D, #8DC5D2 and #BC8DD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 33 / 18

HEX #D2998C

RGB 210 153 140

HSL 11.14, 0.44%, 0.69%

LAB 68.3, 19.6, 15.25

 

Complementary color

CMYK 61 / 11 / 0 / 55

HEX #2D6673

RGB 45 102 115

HSL 191.14, 0.44%, 0.31%

LAB 40.08, -14.43, -12.94

 

CMYK 0 / 29 / 37 / 16

HEX #D79987

RGB 215 153 135

HSL 13.5, 0.5%, 0.69%

LAB 68.74, 20.93, 18.71

 

CMYK 0 / 26 / 34 / 9

HEX #E8AB9A

RGB 232 171 154

HSL 13.08, 0.63%, 0.76%

LAB 75.21, 20.13, 17.54

 

CMYK 0 / 24 / 31 / 2

HEX #F9BDAD

RGB 249 189 173

HSL 12.63, 0.86%, 0.83%

LAB 81.59, 19.42, 16.46

 

CMYK 0 / 19 / 25 / 0

HEX #FFCFC0

RGB 255 207 192

HSL 14.29, 1%, 0.88%

LAB 86.85, 14.74, 13.84

 

CMYK 0 / 12 / 17 / 0

HEX #FFE1D3

RGB 255 225 211

HSL 19.09, 1%, 0.91%

LAB 91.6, 8.14, 10.62

 

CMYK 0 / 27 / 33 / 18

HEX #D2998C

RGB 210 153 140

HSL 11.14, 0.44%, 0.69%

LAB 68.3, 19.6, 15.25

 

CMYK 0 / 30 / 37 / 24

HEX #C18779

RGB 193 135 121

HSL 11.67, 0.37%, 0.62%

LAB 61.69, 20.42, 16.43

 

CMYK 0 / 34 / 42 / 31

HEX #B07566

RGB 176 117 102

HSL 12.16, 0.32%, 0.55%

LAB 54.98, 21.36, 17.76

 

CMYK 0 / 38 / 48 / 38

HEX #9F6353

RGB 159 99 83

HSL 12.63, 0.31%, 0.47%

LAB 48.16, 22.44, 19.26

 

CMYK 0 / 43 / 55 / 44

HEX #8E5140

RGB 142 81 64

HSL 13.08, 0.38%, 0.4%

LAB 41.23, 23.68, 21

 

CMYK 0 / 27 / 33 / 18

HEX #D29A8D

RGB 210 154 141

HSL 11.3, 0.43%, 0.69%

LAB 68.56, 19.18, 15.06

 

CMYK 0 / 33 / 33 / 18

HEX #D28D8D

RGB 210 141 141

HSL 0, 0.43%, 0.69%

LAB 65.49, 26.25, 10.75

 

CMYK 0 / 27 / 33 / 18

HEX #D29A8D

RGB 210 154 141

HSL 11.3, 0.43%, 0.69%

LAB 68.56, 19.18, 15.06

 

CMYK 0 / 18 / 33 / 18

HEX #D2AC8D

RGB 210 172 141

HSL 26.96, 0.43%, 0.69%

LAB 72.98, 9.43, 21.16

 

CMYK 0 / 9 / 33 / 18

HEX #D2BF8D

RGB 210 191 141

HSL 43.48, 0.43%, 0.69%

LAB 77.81, -0.67, 27.71

 

CMYK 0 / 0 / 33 / 18

HEX #D2D28D

RGB 210 210 141

HSL 60, 0.43%, 0.69%

LAB 82.76, -10.48, 34.27

 

CMYK 9 / 0 / 33 / 18

HEX #C0D28D

RGB 192 210 141

HSL 75.65, 0.43%, 0.69%

LAB 81.41, -17.36, 32.25

 

CMYK 0 / 27 / 33 / 18

HEX #D29A8D

RGB 210 154 141

HSL 11.3, 0.43%, 0.69%

LAB 68.56, 19.18, 15.06

 

CMYK 0 / 35 / 43 / 13

HEX #DF9280

RGB 223 146 128

HSL 11.37, 0.6%, 0.69%

LAB 67.88, 27.02, 21.55

 

CMYK 0 / 42 / 51 / 7

HEX #EC8A73

RGB 236 138 115

HSL 11.4, 0.76%, 0.69%

LAB 67.46, 35, 28.45

 

CMYK 0 / 48 / 59 / 2

HEX #F98166

RGB 249 129 102

HSL 11.02, 0.92%, 0.69%

LAB 67.13, 43.47, 35.47

 

CMYK 0 / 27 / 33 / 18

HEX #D29A8D

RGB 210 154 141

HSL 11.3, 0.43%, 0.69%

LAB 68.56, 19.18, 15.06

 

CMYK 0 / 18 / 22 / 23

HEX #C5A299

RGB 197 162 153

HSL 12.27, 0.28%, 0.69%

LAB 69.48, 11.48, 9.51

 

CMYK 0 / 8 / 10 / 27

HEX #B9AAA6

RGB 185 170 166

HSL 12.63, 0.12%, 0.69%

LAB 70.74, 4.71, 4

 

CMYK 4 / 1 / 0 / 30

HEX #ACB2B3

RGB 172 178 179

HSL 188.57, 0.04%, 0.69%

LAB 72.14, -1.9, -1.25

 

CMYK 17 / 3 / 0 / 25

HEX #9FBAC0

RGB 159 186 192

HSL 190.91, 0.21%, 0.69%

LAB 73.74, -7.87, -6.12

 

CMYK 0 / 33 / 21 / 18

HEX #D28DA5

RGB 210 141 165

HSL 339.13, 0.43%, 0.69%

LAB 66.11, 29.59, -1.89

 

CMYK 0 / 33 / 30 / 18

HEX #D28D92

RGB 210 141 146

HSL 355.65, 0.43%, 0.69%

LAB 65.61, 26.9, 8.1

 

CMYK 0 / 27 / 33 / 18

HEX #D2998D

RGB 210 153 141

HSL 10.43, 0.43%, 0.69%

LAB 68.32, 19.73, 14.72

 

CMYK 0 / 18 / 33 / 18

HEX #D2AC8D

RGB 210 172 141

HSL 26.96, 0.43%, 0.69%

LAB 72.98, 9.43, 21.16

 

CMYK 0 / 9 / 33 / 18

HEX #D2BF8D

RGB 210 191 141

HSL 43.48, 0.43%, 0.69%

LAB 77.81, -0.67, 27.71

 

CMYK 0 / 46 / 57 / 27

HEX #BB6551

RGB 187 101 81

HSL 11.32, 0.44%, 0.53%

LAB 52.36, 32.53, 26.64

 

CMYK 0 / 36 / 44 / 22

HEX #C77F6F

RGB 199 127 111

HSL 10.91, 0.44%, 0.61%

LAB 60.31, 26.06, 20.32

 

CMYK 0 / 27 / 33 / 18

HEX #D29A8D

RGB 210 154 141

HSL 11.3, 0.43%, 0.69%

LAB 68.56, 19.18, 15.06

 

CMYK 0 / 19 / 23 / 13

HEX #DEB4AA

RGB 222 180 170

HSL 11.54, 0.44%, 0.77%

LAB 76.72, 13.68, 10.83

 

CMYK 0 / 12 / 14 / 9

HEX #E9CEC8

RGB 233 206 200

HSL 10.91, 0.43%, 0.85%

LAB 84.81, 8.46, 6.43

 

CMYK 0 / 27 / 33 / 18

HEX #D2998C

RGB 210 153 140

HSL 11.14, 0.44%, 0.69%

LAB 68.3, 19.6, 15.25

 

CMYK 12 / 0 / 33 / 18

HEX #B8D28D

RGB 184 210 141

HSL 82.61, 0.43%, 0.69%

LAB 80.85, -20.35, 31.4

 

CMYK 33 / 26 / 0 / 18

HEX #8D9CD2

RGB 141 156 210

HSL 226.96, 0.43%, 0.69%

LAB 65.04, 7.39, -29.32

 

CMYK 0 / 27 / 33 / 18

HEX #D2998C

RGB 210 153 140

HSL 11.14, 0.44%, 0.69%

LAB 68.3, 19.6, 15.25

 

CMYK 33 / 0 / 27 / 18

HEX #8DD299

RGB 141 210 153

HSL 130.43, 0.43%, 0.69%

LAB 78.49, -33.29, 21.53

 

CMYK 27 / 33 / 0 / 18

HEX #998DD2

RGB 153 141 210

HSL 250.43, 0.43%, 0.69%

LAB 62.06, 19.48, -33.85

 

CMYK 0 / 27 / 33 / 18

HEX #D2998C

RGB 210 153 140

HSL 11.14, 0.44%, 0.69%

LAB 68.3, 19.6, 15.25

 

CMYK 12 / 0 / 33 / 18

HEX #B8D28D

RGB 184 210 141

HSL 82.61, 0.43%, 0.69%

LAB 80.85, -20.35, 31.4

 

CMYK 33 / 6 / 0 / 18

HEX #8DC5D2

RGB 141 197 210

HSL 191.3, 0.43%, 0.69%

LAB 76.22, -14.91, -12.31

 

CMYK 20 / 33 / 0 / 18

HEX #A78DD2

RGB 167 141 210

HSL 262.61, 0.43%, 0.69%

LAB 63.28, 23.69, -31.87

 

CMYK 0 / 27 / 33 / 18

HEX #D2998C

RGB 210 153 140

HSL 11.14, 0.44%, 0.69%

LAB 68.3, 19.6, 15.25

 

CMYK 22 / 0 / 33 / 18

HEX #A3D28D

RGB 163 210 141

HSL 100.87, 0.43%, 0.69%

LAB 79.5, -27.93, 29.36

 

CMYK 33 / 6 / 0 / 18

HEX #8DC5D2

RGB 141 197 210

HSL 191.3, 0.43%, 0.69%

LAB 76.22, -14.91, -12.31

 

CMYK 10 / 33 / 0 / 18

HEX #BC8DD2

RGB 188 141 210

HSL 280.87, 0.43%, 0.69%

LAB 65.27, 30.21, -28.62

 

Description

Color code: HEX #D2998C | qconv.com Color code: HEX #D2998C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 153 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 153 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 33 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 33% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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