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Color name
HEX #D292A7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D292A7 it is the complementary color #2D6D58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D292A7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D292A7 shade: #D792A2, #E8A4B5, #F9B6C8, #FFC8DB and #FFDAEE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D292A7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D292A7 shade: #D292A7, #C18094, #B06E81, #9F5C6E and #8E4A5B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D292A7 shade: #D292A7, #D29296 and #D29292

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D292A7 shade: #D292A7, #D292B8, #D292CA, #C992D2 and #B892D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D292A7 shade matches the following richer shades: #D292A7, #DF85A3, #EB799E and #F76D9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D292A7 shade: #D292A7, #C69EAB, #B9ABAF, #ADB7B4 and #A1C3B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D292A7 shade: #D292CA, #D292B8, #D292A7, #D29296 and #D29F92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D292A7 shade: #BA5778, #C6758F, #D292A7, #DEAFBF and #EACCD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D292A7 shade: #D292A7, #D2CA92 and #92C1D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D292A7 shade: #D292A7, #A7D292 and #92A7D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D292A7 shade: #D292A7, #D2CA92, #92D2BD and #929AD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D292A7 shade: #D292A7, #C7D292, #92D2BD and #9D92D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

Complementary color

CMYK 59 / 0 / 19 / 57

HEX #2D6D58

RGB 45 109 88

HSL 160.31, 0.42%, 0.3%

LAB 41.53, -26.04, 5.63

 

CMYK 0 / 32 / 25 / 16

HEX #D792A2

RGB 215 146 162

HSL 346.09, 0.46%, 0.71%

LAB 67.73, 28.27, 2.24

 

CMYK 0 / 29 / 22 / 9

HEX #E8A4B5

RGB 232 164 181

HSL 345, 0.6%, 0.78%

LAB 74.22, 27.52, 1.35

 

CMYK 0 / 27 / 20 / 2

HEX #F9B6C8

RGB 249 182 200

HSL 343.88, 0.85%, 0.85%

LAB 80.61, 26.84, 0.53

 

CMYK 0 / 22 / 14 / 0

HEX #FFC8DB

RGB 255 200 219

HSL 339.27, 1%, 0.89%

LAB 85.85, 22.38, -1.93

 

CMYK 0 / 15 / 7 / 0

HEX #FFDAEE

RGB 255 218 238

HSL 327.57, 1%, 0.93%

LAB 90.59, 16.07, -5

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 34 / 23 / 24

HEX #C18094

RGB 193 128 148

HSL 341.54, 0.34%, 0.63%

LAB 60.71, 27.95, -0.37

 

CMYK 0 / 38 / 27 / 31

HEX #B06E81

RGB 176 110 129

HSL 342.73, 0.29%, 0.56%

LAB 53.99, 28.78, 0.6

 

CMYK 0 / 42 / 31 / 38

HEX #9F5C6E

RGB 159 92 110

HSL 343.88, 0.27%, 0.49%

LAB 47.17, 29.69, 1.72

 

CMYK 0 / 48 / 36 / 44

HEX #8E4A5B

RGB 142 74 91

HSL 345, 0.31%, 0.42%

LAB 40.25, 30.66, 3.05

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 30 / 29 / 18

HEX #D29296

RGB 210 146 150

HSL 356.25, 0.42%, 0.7%

LAB 66.87, 24.73, 7.65

 

CMYK 0 / 30 / 30 / 18

HEX #D29292

RGB 210 146 146

HSL 0, 0.42%, 0.7%

LAB 66.77, 24.19, 9.76

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 30 / 12 / 18

HEX #D292B8

RGB 210 146 184

HSL 324.38, 0.42%, 0.7%

LAB 67.81, 29.9, -10.03

 

CMYK 0 / 30 / 4 / 18

HEX #D292CA

RGB 210 146 202

HSL 307.5, 0.42%, 0.7%

LAB 68.4, 33.02, -19.18

 

CMYK 4 / 30 / 0 / 18

HEX #C992D2

RGB 201 146 210

HSL 291.56, 0.42%, 0.7%

LAB 67.75, 31.59, -24.71

 

CMYK 12 / 30 / 0 / 18

HEX #B892D2

RGB 184 146 210

HSL 275.63, 0.42%, 0.7%

LAB 66.06, 26.16, -27.44

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 40 / 27 / 13

HEX #DF85A3

RGB 223 133 163

HSL 340, 0.58%, 0.7%

LAB 65.83, 38.21, -0.99

 

CMYK 0 / 49 / 33 / 8

HEX #EB799E

RGB 235 121 158

HSL 340.53, 0.74%, 0.7%

LAB 64.81, 47.83, 0.54

 

CMYK 0 / 56 / 38 / 3

HEX #F76D9A

RGB 247 109 154

HSL 340.43, 0.9%, 0.7%

LAB 64.2, 57.03, 2.14

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 20 / 14 / 22

HEX #C69EAB

RGB 198 158 171

HSL 340.5, 0.26%, 0.7%

LAB 69.04, 16.89, -1.1

 

CMYK 0 / 8 / 5 / 27

HEX #B9ABAF

RGB 185 171 175

HSL 342.86, 0.09%, 0.7%

LAB 71.24, 5.74, -0.24

 

CMYK 5 / 0 / 2 / 28

HEX #ADB7B4

RGB 173 183 180

HSL 162, 0.06%, 0.7%

LAB 73.58, -4.04, 0.31

 

CMYK 17 / 0 / 6 / 24

HEX #A1C3B8

RGB 161 195 184

HSL 160.59, 0.22%, 0.7%

LAB 76.11, -13.6, 1.73

 

CMYK 0 / 30 / 4 / 18

HEX #D292CA

RGB 210 146 202

HSL 307.5, 0.42%, 0.7%

LAB 68.4, 33.02, -19.18

 

CMYK 0 / 30 / 12 / 18

HEX #D292B8

RGB 210 146 184

HSL 324.38, 0.42%, 0.7%

LAB 67.81, 29.9, -10.03

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 30 / 29 / 18

HEX #D29296

RGB 210 146 150

HSL 356.25, 0.42%, 0.7%

LAB 66.87, 24.73, 7.65

 

CMYK 0 / 24 / 30 / 18

HEX #D29F92

RGB 210 159 146

HSL 12.19, 0.42%, 0.7%

LAB 69.88, 17.12, 14.13

 

CMYK 0 / 53 / 35 / 27

HEX #BA5778

RGB 186 87 120

HSL 340, 0.42%, 0.54%

LAB 50.23, 43.41, 0.62

 

CMYK 0 / 41 / 28 / 22

HEX #C6758F

RGB 198 117 143

HSL 340.74, 0.42%, 0.62%

LAB 58.71, 35.03, -0.34

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 21 / 14 / 13

HEX #DEAFBF

RGB 222 175 191

HSL 339.57, 0.42%, 0.78%

LAB 76.04, 19.58, -1.59

 

CMYK 0 / 13 / 9 / 8

HEX #EACCD6

RGB 234 204 214

HSL 340, 0.42%, 0.86%

LAB 84.76, 12.15, -1.09

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 4 / 30 / 18

HEX #D2CA92

RGB 210 202 146

HSL 52.5, 0.42%, 0.7%

LAB 80.75, -5.77, 29.02

 

CMYK 30 / 8 / 0 / 18

HEX #92C1D2

RGB 146 193 210

HSL 195.94, 0.42%, 0.7%

LAB 75.39, -11.42, -13.52

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 20 / 0 / 30 / 18

HEX #A7D292

RGB 167 210 146

HSL 100.31, 0.42%, 0.7%

LAB 79.83, -25.78, 27.25

 

CMYK 30 / 20 / 0 / 18

HEX #92A7D2

RGB 146 167 210

HSL 220.31, 0.42%, 0.7%

LAB 68.32, 2.66, -24.25

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 0 / 4 / 30 / 18

HEX #D2CA92

RGB 210 202 146

HSL 52.5, 0.42%, 0.7%

LAB 80.75, -5.77, 29.02

 

CMYK 30 / 0 / 10 / 18

HEX #92D2BD

RGB 146 210 189

HSL 160.31, 0.42%, 0.7%

LAB 79.54, -24.79, 3.92

 

CMYK 30 / 27 / 0 / 18

HEX #929AD2

RGB 146 154 210

HSL 232.5, 0.42%, 0.7%

LAB 64.86, 9.98, -29.55

 

CMYK 0 / 30 / 20 / 18

HEX #D292A7

RGB 210 146 167

HSL 340.31, 0.42%, 0.7%

LAB 67.31, 27.18, -1.25

 

CMYK 5 / 0 / 30 / 18

HEX #C7D292

RGB 199 210 146

HSL 70.31, 0.42%, 0.7%

LAB 82.01, -14.06, 30.55

 

CMYK 30 / 0 / 10 / 18

HEX #92D2BD

RGB 146 210 189

HSL 160.31, 0.42%, 0.7%

LAB 79.54, -24.79, 3.92

 

CMYK 25 / 30 / 0 / 18

HEX #9D92D2

RGB 157 146 210

HSL 250.31, 0.42%, 0.7%

LAB 63.65, 17.81, -31.35

 

Description

Color code: HEX #D292A7 | qconv.com Color code: HEX #D292A7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 146 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 146 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 20 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 20% 18% C M Y K

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Provide designers and agencies with accurate color values.

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