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Color name
HEX #D29AB3

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D29AB3 it is the complementary color #2D654C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D29AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D29AB3 shade: #D79AAE, #E8ACC1, #F9BED4, #FFD0E7 and #FFE2FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D29AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D29AB3 shade: #D29AB3, #C188A0, #B0768D, #9F647A and #8E5267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D29AB3 shade: #D198B2, #D198A2 and #D19898

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D29AB3 shade: #D198B2, #D198C1, #D198D0, #C298D1 and #B398D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D29AB3 shade matches the following richer shades: #D198B2, #DD8CB0, #E981AF and #F575AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D29AB3 shade: #D198B2, #C5A4B3, #B9B0B4, #ADBCB5 and #A1C8B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D29AB3 shade: #D198D0, #D198C1, #D198B2, #D198A3 and #D19D98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D29AB3 shade: #B76087, #C47C9C, #D198B2, #DDB5C7 and #EAD1DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D29AB3 shade: #D29AB3, #D1C398 and #98C8D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D29AB3 shade: #D29AB3, #B2D198 and #98B2D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D29AB3 shade: #D29AB3, #D1C398, #98D1B7 and #98A6D1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D29AB3 shade: #D29AB3, #CED198, #98D1B7 and #9B98D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 15 / 18

HEX #D29AB3

RGB 210 154 179

HSL 333.21, 0.38%, 0.71%

LAB 69.52, 24.72, -4.71

 

Complementary color

CMYK 55 / 0 / 25 / 60

HEX #2D654C

RGB 45 101 76

HSL 153.21, 0.38%, 0.29%

LAB 38.53, -25.05, 8.63

 

CMYK 0 / 28 / 19 / 16

HEX #D79AAE

RGB 215 154 174

HSL 340.33, 0.43%, 0.72%

LAB 69.9, 25.72, -1.3

 

CMYK 0 / 26 / 17 / 9

HEX #E8ACC1

RGB 232 172 193

HSL 339, 0.57%, 0.79%

LAB 76.38, 25.06, -2.06

 

CMYK 0 / 24 / 15 / 2

HEX #F9BED4

RGB 249 190 212

HSL 337.63, 0.83%, 0.86%

LAB 82.76, 24.45, -2.78

 

CMYK 0 / 18 / 9 / 0

HEX #FFD0E7

RGB 255 208 231

HSL 330.64, 1%, 0.91%

LAB 88.04, 20.12, -5.07

 

CMYK 0 / 11 / 2 / 0

HEX #FFE2FA

RGB 255 226 250

HSL 310.34, 1%, 0.94%

LAB 92.82, 13.98, -7.99

 

CMYK 0 / 27 / 15 / 18

HEX #D29AB3

RGB 210 154 179

HSL 333.21, 0.38%, 0.71%

LAB 69.52, 24.72, -4.71

 

CMYK 0 / 30 / 17 / 24

HEX #C188A0

RGB 193 136 160

HSL 334.74, 0.31%, 0.65%

LAB 62.91, 25.4, -3.98

 

CMYK 0 / 33 / 20 / 31

HEX #B0768D

RGB 176 118 141

HSL 336.21, 0.27%, 0.58%

LAB 56.2, 26.15, -3.18

 

CMYK 0 / 37 / 23 / 38

HEX #9F647A

RGB 159 100 122

HSL 337.63, 0.24%, 0.51%

LAB 49.36, 26.96, -2.28

 

CMYK 0 / 42 / 27 / 44

HEX #8E5267

RGB 142 82 103

HSL 339, 0.27%, 0.44%

LAB 42.41, 27.85, -1.24

 

CMYK 0 / 27 / 15 / 18

HEX #D198B2

RGB 209 152 178

HSL 332.63, 0.38%, 0.71%

LAB 68.91, 25.29, -5.06

 

CMYK 0 / 27 / 22 / 18

HEX #D198A2

RGB 209 152 162

HSL 349.47, 0.38%, 0.71%

LAB 68.48, 22.8, 3.23

 

CMYK 0 / 27 / 27 / 18

HEX #D19898

RGB 209 152 152

HSL 0, 0.38%, 0.71%

LAB 68.23, 21.36, 8.45

 

CMYK 0 / 27 / 15 / 18

HEX #D198B2

RGB 209 152 178

HSL 332.63, 0.38%, 0.71%

LAB 68.91, 25.29, -5.06

 

CMYK 0 / 27 / 8 / 18

HEX #D198C1

RGB 209 152 193

HSL 316.84, 0.38%, 0.71%

LAB 69.37, 27.82, -12.73

 

CMYK 0 / 27 / 0 / 18

HEX #D198D0

RGB 209 152 208

HSL 301.05, 0.38%, 0.71%

LAB 69.87, 30.53, -20.29

 

CMYK 7 / 27 / 0 / 18

HEX #C298D1

RGB 194 152 209

HSL 284.21, 0.38%, 0.71%

LAB 68.41, 25.82, -23.2

 

CMYK 14 / 27 / 0 / 18

HEX #B398D1

RGB 179 152 209

HSL 268.42, 0.38%, 0.71%

LAB 67.01, 21, -25.47

 

CMYK 0 / 27 / 15 / 18

HEX #D198B2

RGB 209 152 178

HSL 332.63, 0.38%, 0.71%

LAB 68.91, 25.29, -5.06

 

CMYK 0 / 37 / 20 / 13

HEX #DD8CB0

RGB 221 140 176

HSL 333.33, 0.54%, 0.71%

LAB 67.47, 35.68, -5.92

 

CMYK 0 / 45 / 25 / 9

HEX #E981AF

RGB 233 129 175

HSL 333.46, 0.7%, 0.71%

LAB 66.61, 45.36, -6.47

 

CMYK 0 / 52 / 29 / 4

HEX #F575AE

RGB 245 117 174

HSL 333.28, 0.86%, 0.71%

LAB 65.9, 55.03, -6.79

 

CMYK 0 / 27 / 15 / 18

HEX #D198B2

RGB 209 152 178

HSL 332.63, 0.38%, 0.71%

LAB 68.91, 25.29, -5.06

 

CMYK 0 / 17 / 9 / 23

HEX #C5A4B3

RGB 197 164 179

HSL 332.73, 0.22%, 0.71%

LAB 70.65, 14.59, -3.19

 

CMYK 0 / 5 / 3 / 27

HEX #B9B0B4

RGB 185 176 180

HSL 333.33, 0.06%, 0.71%

LAB 72.67, 3.93, -0.9

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 20 / 0 / 9 / 22

HEX #A1C8B7

RGB 161 200 183

HSL 153.85, 0.26%, 0.71%

LAB 77.46, -16.36, 4.23

 

CMYK 0 / 27 / 0 / 18

HEX #D198D0

RGB 209 152 208

HSL 301.05, 0.38%, 0.71%

LAB 69.87, 30.53, -20.29

 

CMYK 0 / 27 / 8 / 18

HEX #D198C1

RGB 209 152 193

HSL 316.84, 0.38%, 0.71%

LAB 69.37, 27.82, -12.73

 

CMYK 0 / 27 / 15 / 18

HEX #D198B2

RGB 209 152 178

HSL 332.63, 0.38%, 0.71%

LAB 68.91, 25.29, -5.06

 

CMYK 0 / 27 / 22 / 18

HEX #D198A3

RGB 209 152 163

HSL 348.42, 0.38%, 0.71%

LAB 68.5, 22.95, 2.71

 

CMYK 0 / 25 / 27 / 18

HEX #D19D98

RGB 209 157 152

HSL 5.26, 0.38%, 0.71%

LAB 69.42, 18.64, 10.16

 

CMYK 0 / 48 / 26 / 28

HEX #B76087

RGB 183 96 135

HSL 333.1, 0.38%, 0.55%

LAB 52.04, 39.74, -5.7

 

CMYK 0 / 37 / 20 / 23

HEX #C47C9C

RGB 196 124 156

HSL 333.33, 0.38%, 0.63%

LAB 60.38, 32.43, -5.4

 

CMYK 0 / 27 / 15 / 18

HEX #D198B2

RGB 209 152 178

HSL 332.63, 0.38%, 0.71%

LAB 68.91, 25.29, -5.06

 

CMYK 0 / 18 / 10 / 13

HEX #DDB5C7

RGB 221 181 199

HSL 333, 0.37%, 0.79%

LAB 77.6, 17.32, -3.66

 

CMYK 0 / 11 / 6 / 8

HEX #EAD1DC

RGB 234 209 220

HSL 333.6, 0.37%, 0.87%

LAB 86.14, 10.54, -2.25

 

CMYK 0 / 27 / 15 / 18

HEX #D29AB3

RGB 210 154 179

HSL 333.21, 0.38%, 0.71%

LAB 69.52, 24.72, -4.71

 

CMYK 0 / 7 / 27 / 18

HEX #D1C398

RGB 209 195 152

HSL 45.26, 0.38%, 0.71%

LAB 78.96, -1.73, 23.43

 

CMYK 27 / 4 / 0 / 18

HEX #98C8D1

RGB 152 200 209

HSL 189.47, 0.38%, 0.71%

LAB 77.63, -13.56, -9.6

 

CMYK 0 / 27 / 15 / 18

HEX #D29AB3

RGB 210 154 179

HSL 333.21, 0.38%, 0.71%

LAB 69.52, 24.72, -4.71

 

CMYK 15 / 0 / 27 / 18

HEX #B2D198

RGB 178 209 152

HSL 92.63, 0.38%, 0.71%

LAB 80.37, -20.47, 24.96

 

CMYK 27 / 15 / 0 / 18

HEX #98B2D1

RGB 152 178 209

HSL 212.63, 0.38%, 0.71%

LAB 71.64, -1.87, -18.6

 

CMYK 0 / 27 / 15 / 18

HEX #D29AB3

RGB 210 154 179

HSL 333.21, 0.38%, 0.71%

LAB 69.52, 24.72, -4.71

 

CMYK 0 / 7 / 27 / 18

HEX #D1C398

RGB 209 195 152

HSL 45.26, 0.38%, 0.71%

LAB 78.96, -1.73, 23.43

 

CMYK 27 / 0 / 12 / 18

HEX #98D1B7

RGB 152 209 183

HSL 152.63, 0.38%, 0.71%

LAB 79.44, -23.72, 7.01

 

CMYK 27 / 21 / 0 / 18

HEX #98A6D1

RGB 152 166 209

HSL 225.26, 0.38%, 0.71%

LAB 68.42, 4.74, -23.49

 

CMYK 0 / 27 / 15 / 18

HEX #D29AB3

RGB 210 154 179

HSL 333.21, 0.38%, 0.71%

LAB 69.52, 24.72, -4.71

 

CMYK 1 / 0 / 27 / 18

HEX #CED198

RGB 206 209 152

HSL 63.16, 0.38%, 0.71%

LAB 82.37, -10.11, 28.02

 

CMYK 27 / 0 / 12 / 18

HEX #98D1B7

RGB 152 209 183

HSL 152.63, 0.38%, 0.71%

LAB 79.44, -23.72, 7.01

 

CMYK 26 / 27 / 0 / 18

HEX #9B98D1

RGB 155 152 209

HSL 243.16, 0.38%, 0.71%

LAB 64.99, 13.54, -28.75

 

Description

Color code: HEX #D29AB3 | qconv.com Color code: HEX #D29AB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 154 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 154 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 15 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 15% 18% C M Y K

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Provide designers and agencies with accurate color values.

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