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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D29E6E it is the complementary color #2D6191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D29E6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D29E6E shade: #D79E69, #E8B07C, #F9C28F, #FFD4A2 and #FFE6B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D29E6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D29E6E shade: #D29E6E, #C18C5B, #B07A48, #9F6835 and #8E5622

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D29E6E shade: #D29E6E, #D2836E and #D26E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D29E6E shade: #D29E6E, #D2B96E, #D0D26E, #B5D26E and #9AD26E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D29E6E shade matches the following richer shades: #D29E6E, #E19E5F and #F19D50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D29E6E shade: #D29E6E, #C39F7D, #B49F8D, #A4A09C and #95A1AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D29E6E shade: #D26E75, #D2826E, #D29D6E, #D2B76E and #D2D26E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D29E6E shade: #B67438, #C8894F, #D29E6E, #DCB38E and #E6C8AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D29E6E shade: #D29E6E, #8FD26E and #756ED2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D29E6E shade: #D29E6E, #6ED29D and #9D6ED2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D29E6E shade: #D29E6E, #8FD26E, #6EA3D2 and #B16ED2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D29E6E shade: #D29E6E, #71D26E, #6EA3D2 and #CF6ED2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

Complementary color

CMYK 69 / 33 / 0 / 43

HEX #2D6191

RGB 45 97 145

HSL 208.8, 0.53%, 0.37%

LAB 39.83, -1, -31.5

 

CMYK 0 / 27 / 51 / 16

HEX #D79E69

RGB 215 158 105

HSL 28.91, 0.58%, 0.63%

LAB 69.41, 15.08, 35.87

 

CMYK 0 / 24 / 47 / 9

HEX #E8B07C

RGB 232 176 124

HSL 28.89, 0.7%, 0.7%

LAB 75.86, 14.14, 34.48

 

CMYK 0 / 22 / 43 / 2

HEX #F9C28F

RGB 249 194 143

HSL 28.87, 0.9%, 0.77%

LAB 82.22, 13.31, 33.17

 

CMYK 0 / 17 / 36 / 0

HEX #FFD4A2

RGB 255 212 162

HSL 32.26, 1%, 0.82%

LAB 87.46, 8.36, 30.39

 

CMYK 0 / 10 / 29 / 0

HEX #FFE6B5

RGB 255 230 181

HSL 39.73, 1%, 0.85%

LAB 92.22, 1.42, 27.03

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 0 / 27 / 53 / 24

HEX #C18C5B

RGB 193 140 91

HSL 28.82, 0.45%, 0.56%

LAB 62.38, 14.49, 33.96

 

CMYK 0 / 31 / 59 / 31

HEX #B07A48

RGB 176 122 72

HSL 28.85, 0.42%, 0.49%

LAB 55.7, 15.65, 35.49

 

CMYK 0 / 35 / 67 / 38

HEX #9F6835

RGB 159 104 53

HSL 28.87, 0.5%, 0.42%

LAB 48.92, 17.03, 37.1

 

CMYK 0 / 39 / 76 / 44

HEX #8E5622

RGB 142 86 34

HSL 28.89, 0.61%, 0.35%

LAB 42.03, 18.68, 38.65

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 0 / 38 / 48 / 18

HEX #D2836E

RGB 210 131 110

HSL 12.6, 0.53%, 0.63%

LAB 62.56, 28.14, 24.14

 

CMYK 0 / 48 / 48 / 18

HEX #D26E6E

RGB 210 110 110

HSL 0, 0.53%, 0.63%

LAB 58.02, 39.24, 18.01

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 0 / 12 / 48 / 18

HEX #D2B96E

RGB 210 185 110

HSL 45, 0.53%, 0.63%

LAB 75.78, -0.93, 41.15

 

CMYK 1 / 0 / 48 / 18

HEX #D0D26E

RGB 208 210 110

HSL 61.2, 0.53%, 0.63%

LAB 82.18, -14.58, 48.93

 

CMYK 14 / 0 / 48 / 18

HEX #B5D26E

RGB 181 210 110

HSL 77.4, 0.53%, 0.63%

LAB 80.2, -25.21, 46.08

 

CMYK 27 / 0 / 48 / 18

HEX #9AD26E

RGB 154 210 110

HSL 93.6, 0.53%, 0.63%

LAB 78.51, -35.25, 43.63

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 0 / 30 / 58 / 12

HEX #E19E5F

RGB 225 158 95

HSL 29.08, 0.68%, 0.63%

LAB 70.38, 18.37, 42.5

 

CMYK 0 / 35 / 67 / 5

HEX #F19D50

RGB 241 157 80

HSL 28.7, 0.85%, 0.63%

LAB 71.82, 24.49, 52.08

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 0 / 18 / 36 / 24

HEX #C39F7D

RGB 195 159 125

HSL 29.14, 0.37%, 0.63%

LAB 67.93, 8.52, 22.77

 

CMYK 0 / 12 / 22 / 29

HEX #B49F8D

RGB 180 159 141

HSL 27.69, 0.21%, 0.63%

LAB 66.84, 4.78, 12.21

 

CMYK 0 / 2 / 5 / 36

HEX #A4A09C

RGB 164 160 156

HSL 30, 0.04%, 0.63%

LAB 66.09, 0.71, 2.59

 

CMYK 13 / 6 / 0 / 33

HEX #95A1AB

RGB 149 161 171

HSL 207.27, 0.12%, 0.63%

LAB 65.61, -2.16, -6.64

 

CMYK 0 / 48 / 44 / 18

HEX #D26E75

RGB 210 110 117

HSL 355.8, 0.53%, 0.63%

LAB 58.17, 39.94, 14.17

 

CMYK 0 / 38 / 48 / 18

HEX #D2826E

RGB 210 130 110

HSL 12, 0.53%, 0.63%

LAB 62.33, 28.67, 23.83

 

CMYK 0 / 25 / 48 / 18

HEX #D29D6E

RGB 210 157 110

HSL 28.2, 0.53%, 0.63%

LAB 68.71, 14.04, 32.2

 

CMYK 0 / 13 / 48 / 18

HEX #D2B76E

RGB 210 183 110

HSL 43.8, 0.53%, 0.63%

LAB 75.26, 0.12, 40.51

 

CMYK 0 / 0 / 48 / 18

HEX #D2D26E

RGB 210 210 110

HSL 60, 0.53%, 0.63%

LAB 82.34, -13.77, 49.16

 

CMYK 0 / 36 / 69 / 29

HEX #B67438

RGB 182 116 56

HSL 28.57, 0.53%, 0.47%

LAB 54.78, 20.51, 42.91

 

CMYK 0 / 32 / 61 / 22

HEX #C8894F

RGB 200 137 79

HSL 28.76, 0.52%, 0.55%

LAB 62.28, 18.12, 40.36

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 0 / 19 / 35 / 14

HEX #DCB38E

RGB 220 179 142

HSL 28.46, 0.53%, 0.71%

LAB 75.7, 9.74, 24.5

 

CMYK 0 / 13 / 25 / 10

HEX #E6C8AD

RGB 230 200 173

HSL 28.42, 0.53%, 0.79%

LAB 82.46, 6.5, 17.4

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 32 / 0 / 48 / 18

HEX #8FD26E

RGB 143 210 110

HSL 100.2, 0.53%, 0.63%

LAB 77.91, -39.08, 42.74

 

CMYK 44 / 48 / 0 / 18

HEX #756ED2

RGB 117 110 210

HSL 244.2, 0.53%, 0.63%

LAB 51.37, 28.03, -50.91

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 48 / 0 / 25 / 18

HEX #6ED29D

RGB 110 210 157

HSL 148.2, 0.53%, 0.63%

LAB 77.19, -41.37, 17.39

 

CMYK 25 / 48 / 0 / 18

HEX #9D6ED2

RGB 157 110 210

HSL 268.2, 0.53%, 0.63%

LAB 55.04, 38.37, -44.84

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 32 / 0 / 48 / 18

HEX #8FD26E

RGB 143 210 110

HSL 100.2, 0.53%, 0.63%

LAB 77.91, -39.08, 42.74

 

CMYK 48 / 22 / 0 / 18

HEX #6EA3D2

RGB 110 163 210

HSL 208.2, 0.53%, 0.63%

LAB 65.09, -4.77, -29.38

 

CMYK 16 / 48 / 0 / 18

HEX #B16ED2

RGB 177 110 210

HSL 280.2, 0.53%, 0.63%

LAB 57.22, 43.92, -41.26

 

CMYK 0 / 25 / 48 / 18

HEX #D29E6E

RGB 210 158 110

HSL 28.8, 0.53%, 0.63%

LAB 68.95, 13.5, 32.52

 

CMYK 46 / 0 / 48 / 18

HEX #71D26E

RGB 113 210 110

HSL 118.2, 0.53%, 0.63%

LAB 76.51, -48.52, 40.71

 

CMYK 48 / 22 / 0 / 18

HEX #6EA3D2

RGB 110 163 210

HSL 208.2, 0.53%, 0.63%

LAB 65.09, -4.77, -29.38

 

CMYK 1 / 48 / 0 / 18

HEX #CF6ED2

RGB 207 110 210

HSL 298.2, 0.53%, 0.63%

LAB 60.84, 52.44, -35.32

 

Description

Color code: HEX #D29E6E | qconv.com Color code: HEX #D29E6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 158 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 158 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 48 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 48% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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