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Color name
HEX #D2A264

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2A264 it is the complementary color #2D5D9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2A264. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2A264 shade: #D7A25F, #E8B472, #F9C685, #FFD898 and #FFEAAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2A264. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2A264 shade: #D2A264, #C19051, #B07E3E, #9F6C2B and #8E5A18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2A264 shade: #D2A264, #D28564, #D26764 and #D26464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2A264 shade: #D2A264, #D2C064, #C6D264, #A9D264 and #8BD264

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2A264 shade matches the following richer shades: #D2A264, #E2A454 and #F2A644

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2A264 shade: #D2A264, #C2A074, #B29E85, #A19C95 and #919AA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2A264 shade: #D26664, #D28364, #D2A164, #D2BE64 and #C9D264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2A264 shade: #B17A33, #C88F44, #D2A264, #DBB584 and #E4C8A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2A264 shade: #D2A264, #80D264 and #7564D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2A264 shade: #D2A264, #64D2A1 and #A164D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2A264 shade: #D2A264, #80D264, #6496D2 and #B664D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2A264 shade: #D2A264, #64D26A, #6496D2 and #D264CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

Complementary color

CMYK 71 / 40 / 0 / 39

HEX #2D5D9B

RGB 45 93 155

HSL 213.82, 0.55%, 0.39%

LAB 39.16, 5.25, -38.57

 

CMYK 0 / 25 / 56 / 16

HEX #D7A25F

RGB 215 162 95

HSL 33.5, 0.6%, 0.61%

LAB 70.26, 12.08, 42.1

 

CMYK 0 / 22 / 51 / 9

HEX #E8B472

RGB 232 180 114

HSL 33.56, 0.72%, 0.68%

LAB 76.69, 11.09, 40.71

 

CMYK 0 / 20 / 47 / 2

HEX #F9C685

RGB 249 198 133

HSL 33.62, 0.91%, 0.75%

LAB 83.03, 10.23, 39.38

 

CMYK 0 / 15 / 40 / 0

HEX #FFD898

RGB 255 216 152

HSL 37.28, 1%, 0.8%

LAB 88.28, 5.2, 36.59

 

CMYK 0 / 8 / 33 / 0

HEX #FFEAAB

RGB 255 234 171

HSL 45, 1%, 0.84%

LAB 93.03, -1.83, 33.23

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 0 / 25 / 58 / 24

HEX #C19051

RGB 193 144 81

HSL 33.75, 0.47%, 0.54%

LAB 63.24, 11.45, 40.27

 

CMYK 0 / 28 / 65 / 31

HEX #B07E3E

RGB 176 126 62

HSL 33.68, 0.48%, 0.47%

LAB 56.58, 12.68, 41.72

 

CMYK 0 / 32 / 73 / 38

HEX #9F6C2B

RGB 159 108 43

HSL 33.62, 0.57%, 0.4%

LAB 49.82, 14.16, 43.07

 

CMYK 0 / 37 / 83 / 44

HEX #8E5A18

RGB 142 90 24

HSL 33.56, 0.71%, 0.33%

LAB 42.96, 15.93, 43.99

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 0 / 37 / 52 / 18

HEX #D28564

RGB 210 133 100

HSL 18, 0.55%, 0.61%

LAB 62.84, 26.12, 30.06

 

CMYK 0 / 51 / 52 / 18

HEX #D26764

RGB 210 103 100

HSL 1.64, 0.55%, 0.61%

LAB 56.41, 41.88, 21.61

 

CMYK 0 / 52 / 52 / 18

HEX #D26464

RGB 210 100 100

HSL 0, 0.55%, 0.61%

LAB 55.82, 43.38, 20.82

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 0 / 9 / 52 / 18

HEX #D2C064

RGB 210 192 100

HSL 50.18, 0.55%, 0.61%

LAB 77.47, -5.48, 48.16

 

CMYK 6 / 0 / 52 / 18

HEX #C6D264

RGB 198 210 100

HSL 66.55, 0.55%, 0.61%

LAB 81.3, -19.48, 52.42

 

CMYK 20 / 0 / 52 / 18

HEX #A9D264

RGB 169 210 100

HSL 82.36, 0.55%, 0.61%

LAB 79.3, -30.81, 49.57

 

CMYK 34 / 0 / 52 / 18

HEX #8BD264

RGB 139 210 100

HSL 98.73, 0.55%, 0.61%

LAB 77.58, -41.62, 47.1

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 0 / 27 / 63 / 11

HEX #E2A454

RGB 226 164 84

HSL 33.8, 0.71%, 0.61%

LAB 71.8, 14.8, 49.67

 

CMYK 0 / 31 / 72 / 5

HEX #F2A644

RGB 242 166 68

HSL 33.79, 0.87%, 0.61%

LAB 73.91, 19.54, 59.79

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 0 / 18 / 40 / 24

HEX #C2A074

RGB 194 160 116

HSL 33.85, 0.39%, 0.61%

LAB 67.93, 6.5, 27.64

 

CMYK 0 / 11 / 25 / 30

HEX #B29E85

RGB 178 158 133

HSL 33.33, 0.23%, 0.61%

LAB 66.22, 3.36, 15.76

 

CMYK 0 / 3 / 7 / 37

HEX #A19C95

RGB 161 156 149

HSL 35, 0.06%, 0.61%

LAB 64.58, 0.54, 4.3

 

CMYK 12 / 7 / 0 / 35

HEX #919AA5

RGB 145 154 165

HSL 213, 0.1%, 0.61%

LAB 63.22, -0.93, -6.85

 

CMYK 0 / 51 / 52 / 18

HEX #D26664

RGB 210 102 100

HSL 1.09, 0.55%, 0.61%

LAB 56.21, 42.38, 21.35

 

CMYK 0 / 38 / 52 / 18

HEX #D28364

RGB 210 131 100

HSL 16.91, 0.55%, 0.61%

LAB 62.38, 27.2, 29.47

 

CMYK 0 / 23 / 52 / 18

HEX #D2A164

RGB 210 161 100

HSL 33.27, 0.55%, 0.61%

LAB 69.55, 10.95, 38.54

 

CMYK 0 / 10 / 52 / 18

HEX #D2BE64

RGB 210 190 100

HSL 49.09, 0.55%, 0.61%

LAB 76.95, -4.44, 47.53

 

CMYK 4 / 0 / 52 / 18

HEX #C9D264

RGB 201 210 100

HSL 64.91, 0.55%, 0.61%

LAB 81.53, -18.28, 52.74

 

CMYK 0 / 31 / 71 / 31

HEX #B17A33

RGB 177 122 51

HSL 33.81, 0.55%, 0.45%

LAB 55.59, 14.7, 46.01

 

CMYK 0 / 29 / 66 / 22

HEX #C88F44

RGB 200 143 68

HSL 34.09, 0.55%, 0.53%

LAB 63.62, 14.1, 47.4

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 0 / 17 / 40 / 14

HEX #DBB584

RGB 219 181 132

HSL 33.79, 0.55%, 0.69%

LAB 75.93, 7.11, 30.11

 

CMYK 0 / 12 / 28 / 11

HEX #E4C8A4

RGB 228 200 164

HSL 33.75, 0.54%, 0.77%

LAB 82.1, 4.52, 21.65

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 39 / 0 / 52 / 18

HEX #80D264

RGB 128 210 100

HSL 104.73, 0.55%, 0.61%

LAB 77.04, -45.25, 46.33

 

CMYK 44 / 52 / 0 / 18

HEX #7564D2

RGB 117 100 210

HSL 249.27, 0.55%, 0.61%

LAB 48.94, 34, -54.79

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 52 / 0 / 23 / 18

HEX #64D2A1

RGB 100 210 161

HSL 153.27, 0.55%, 0.61%

LAB 76.91, -42.98, 14.82

 

CMYK 23 / 52 / 0 / 18

HEX #A164D2

RGB 161 100 210

HSL 273.27, 0.55%, 0.61%

LAB 53.32, 44.95, -47.54

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 39 / 0 / 52 / 18

HEX #80D264

RGB 128 210 100

HSL 104.73, 0.55%, 0.61%

LAB 77.04, -45.25, 46.33

 

CMYK 52 / 29 / 0 / 18

HEX #6496D2

RGB 100 150 210

HSL 212.73, 0.55%, 0.61%

LAB 60.94, 0.26, -35.87

 

CMYK 13 / 52 / 0 / 18

HEX #B664D2

RGB 182 100 210

HSL 284.73, 0.55%, 0.61%

LAB 55.8, 50.54, -43.46

 

CMYK 0 / 23 / 52 / 18

HEX #D2A264

RGB 210 162 100

HSL 33.82, 0.55%, 0.61%

LAB 69.8, 10.41, 38.85

 

CMYK 52 / 0 / 50 / 18

HEX #64D26A

RGB 100 210 106

HSL 123.27, 0.55%, 0.61%

LAB 75.97, -52.62, 41.88

 

CMYK 52 / 29 / 0 / 18

HEX #6496D2

RGB 100 150 210

HSL 212.73, 0.55%, 0.61%

LAB 60.94, 0.26, -35.87

 

CMYK 0 / 52 / 3 / 18

HEX #D264CC

RGB 210 100 204

HSL 303.27, 0.55%, 0.61%

LAB 59.14, 57.08, -34.57

 

Description

Color code: HEX #D2A264 | qconv.com Color code: HEX #D2A264 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 162 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 162 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 52% 18% C M Y K

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Provide designers and agencies with accurate color values.

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