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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2A374 it is the complementary color #2D5C8B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2A374. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2A374 shade: #D7A36F, #E8B582, #F9C795, #FFD9A8 and #FFEBBB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2A374. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2A374 shade: #D2A374, #C19161, #B07F4E, #9F6D3B and #8E5B28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2A374 shade: #D2A374, #D28974 and #D27474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2A374 shade: #D2A374, #D2BC74, #CED274, #B5D274 and #9BD274

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2A374 shade matches the following richer shades: #D2A374, #E0A365, #EFA356 and #FEA347

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2A374 shade: #D2A374, #C3A383, #B4A392, #A5A3A0 and #96A3AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2A374 shade: #D27477, #D28A74, #D2A374, #D2BC74 and #CED274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2A374 shade: #B8793B, #C78E55, #D2A374, #DCB793 and #E6CCB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2A374 shade: #D2A374, #90D274 and #7D74D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2A374 shade: #D2A374, #74D2A3 and #A374D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2A374 shade: #D2A374, #90D274, #74A3D2 and #B574D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2A374 shade: #D2A374, #74D274, #74A3D2 and #D274D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

Complementary color

CMYK 68 / 34 / 0 / 45

HEX #2D5C8B

RGB 45 92 139

HSL 210, 0.51%, 0.36%

LAB 37.98, -0.06, -30.8

 

CMYK 0 / 24 / 48 / 16

HEX #D7A36F

RGB 215 163 111

HSL 30, 0.57%, 0.64%

LAB 70.73, 12.95, 34.37

 

CMYK 0 / 22 / 44 / 9

HEX #E8B582

RGB 232 181 130

HSL 30, 0.69%, 0.71%

LAB 77.17, 12.09, 33.03

 

CMYK 0 / 20 / 40 / 2

HEX #F9C795

RGB 249 199 149

HSL 30, 0.89%, 0.78%

LAB 83.52, 11.34, 31.77

 

CMYK 0 / 15 / 34 / 0

HEX #FFD9A8

RGB 255 217 168

HSL 33.79, 1%, 0.83%

LAB 88.79, 6.48, 29.07

 

CMYK 0 / 8 / 27 / 0

HEX #FFEBBB

RGB 255 235 187

HSL 42.35, 1%, 0.87%

LAB 93.57, -0.34, 25.79

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 0 / 25 / 50 / 24

HEX #C19161

RGB 193 145 97

HSL 30, 0.44%, 0.57%

LAB 63.71, 12.3, 32.41

 

CMYK 0 / 28 / 56 / 31

HEX #B07F4E

RGB 176 127 78

HSL 30, 0.39%, 0.5%

LAB 57.04, 13.34, 33.89

 

CMYK 0 / 31 / 63 / 38

HEX #9F6D3B

RGB 159 109 59

HSL 30, 0.46%, 0.43%

LAB 50.24, 14.59, 35.46

 

CMYK 0 / 36 / 72 / 44

HEX #8E5B28

RGB 142 91 40

HSL 30, 0.56%, 0.36%

LAB 43.34, 16.1, 37.03

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 0 / 35 / 45 / 18

HEX #D28974

RGB 210 137 116

HSL 13.4, 0.51%, 0.64%

LAB 64.04, 25.5, 22.77

 

CMYK 0 / 45 / 45 / 18

HEX #D27474

RGB 210 116 116

HSL 0, 0.51%, 0.64%

LAB 59.39, 36.72, 16.44

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 0 / 10 / 45 / 18

HEX #D2BC74

RGB 210 188 116

HSL 45.96, 0.51%, 0.64%

LAB 76.64, -1.91, 39.18

 

CMYK 2 / 0 / 45 / 18

HEX #CED274

RGB 206 210 116

HSL 62.55, 0.51%, 0.64%

LAB 82.1, -14.8, 45.89

 

CMYK 14 / 0 / 45 / 18

HEX #B5D274

RGB 181 210 116

HSL 78.51, 0.51%, 0.64%

LAB 80.28, -24.57, 43.25

 

CMYK 26 / 0 / 45 / 18

HEX #9BD274

RGB 155 210 116

HSL 95.11, 0.51%, 0.64%

LAB 78.65, -34.16, 40.86

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 0 / 27 / 55 / 12

HEX #E0A365

RGB 224 163 101

HSL 30.24, 0.66%, 0.64%

LAB 71.54, 15.76, 40.82

 

CMYK 0 / 32 / 64 / 6

HEX #EFA356

RGB 239 163 86

HSL 30.2, 0.83%, 0.64%

LAB 73.03, 20.86, 50.5

 

CMYK 0 / 36 / 72 / 0

HEX #FEA347

RGB 254 163 71

HSL 30.16, 0.99%, 0.64%

LAB 74.65, 26.2, 59.69

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 0 / 16 / 33 / 24

HEX #C3A383

RGB 195 163 131

HSL 30, 0.35%, 0.64%

LAB 69.07, 7.09, 21.03

 

CMYK 0 / 9 / 19 / 29

HEX #B4A392

RGB 180 163 146

HSL 30, 0.18%, 0.64%

LAB 68, 3.37, 11.07

 

CMYK 0 / 1 / 3 / 35

HEX #A5A3A0

RGB 165 163 160

HSL 36, 0.03%, 0.64%

LAB 67.08, 0.16, 1.8

 

CMYK 14 / 7 / 0 / 31

HEX #96A3AF

RGB 150 163 175

HSL 208.8, 0.14%, 0.64%

LAB 66.35, -2.06, -7.77

 

CMYK 0 / 45 / 43 / 18

HEX #D27477

RGB 210 116 119

HSL 358.09, 0.51%, 0.64%

LAB 59.46, 37.03, 14.8

 

CMYK 0 / 34 / 45 / 18

HEX #D28A74

RGB 210 138 116

HSL 14.04, 0.51%, 0.64%

LAB 64.27, 24.96, 23.08

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 0 / 10 / 45 / 18

HEX #D2BC74

RGB 210 188 116

HSL 45.96, 0.51%, 0.64%

LAB 76.64, -1.91, 39.18

 

CMYK 2 / 0 / 45 / 18

HEX #CED274

RGB 206 210 116

HSL 62.55, 0.51%, 0.64%

LAB 82.1, -14.8, 45.89

 

CMYK 0 / 34 / 68 / 28

HEX #B8793B

RGB 184 121 59

HSL 29.76, 0.51%, 0.48%

LAB 56.27, 18.77, 43.13

 

CMYK 0 / 29 / 57 / 22

HEX #C78E55

RGB 199 142 85

HSL 30, 0.5%, 0.56%

LAB 63.46, 15.42, 38.62

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 0 / 17 / 33 / 14

HEX #DCB793

RGB 220 183 147

HSL 29.59, 0.51%, 0.72%

LAB 76.79, 8.22, 23.3

 

CMYK 0 / 11 / 23 / 10

HEX #E6CCB2

RGB 230 204 178

HSL 30, 0.51%, 0.8%

LAB 83.56, 5.11, 16.29

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 31 / 0 / 45 / 18

HEX #90D274

RGB 144 210 116

HSL 102.13, 0.51%, 0.64%

LAB 78.04, -37.98, 39.97

 

CMYK 40 / 45 / 0 / 18

HEX #7D74D2

RGB 125 116 210

HSL 245.74, 0.51%, 0.64%

LAB 53.5, 26.41, -47.48

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 45 / 0 / 22 / 18

HEX #74D2A3

RGB 116 210 163

HSL 150, 0.51%, 0.64%

LAB 77.55, -38.61, 14.75

 

CMYK 22 / 45 / 0 / 18

HEX #A374D2

RGB 163 116 210

HSL 270, 0.51%, 0.64%

LAB 57.01, 36.67, -41.7

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 31 / 0 / 45 / 18

HEX #90D274

RGB 144 210 116

HSL 102.13, 0.51%, 0.64%

LAB 78.04, -37.98, 39.97

 

CMYK 45 / 22 / 0 / 18

HEX #74A3D2

RGB 116 163 210

HSL 210, 0.51%, 0.64%

LAB 65.41, -3.29, -28.87

 

CMYK 14 / 45 / 0 / 18

HEX #B574D2

RGB 181 116 210

HSL 281.49, 0.51%, 0.64%

LAB 58.94, 41.83, -38.52

 

CMYK 0 / 22 / 45 / 18

HEX #D2A374

RGB 210 163 116

HSL 30, 0.51%, 0.64%

LAB 70.29, 11.4, 31.04

 

CMYK 45 / 0 / 45 / 18

HEX #74D274

RGB 116 210 116

HSL 120, 0.51%, 0.64%

LAB 76.72, -46.81, 38.02

 

CMYK 45 / 22 / 0 / 18

HEX #74A3D2

RGB 116 163 210

HSL 210, 0.51%, 0.64%

LAB 65.41, -3.29, -28.87

 

CMYK 0 / 45 / 0 / 18

HEX #D274D2

RGB 210 116 210

HSL 300, 0.51%, 0.64%

LAB 62.38, 50.29, -32.91

 

Description

Color code: HEX #D2A374 | qconv.com Color code: HEX #D2A374 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 163 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 163 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 45 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 45% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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