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Color name
HEX #D2A39C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2A39C it is the complementary color #2D5C63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2A39C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2A39C shade: #D7A397, #E8B5AA, #F9C7BD, #FFD9D0 and #FFEBE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2A39C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2A39C shade: #D2A39C, #C19189, #B07F76, #9F6D63 and #8E5B50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2A39C shade: #D2A39C and #D29C9C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2A39C shade: #D2A39C, #D2B29C, #D2C09C, #D2CF9C and #C7D29C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2A39C shade matches the following richer shades: #D2A39C, #DE9A90, #E99285 and #F58979

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2A39C shade: #D2A39C, #C7ACA8, #BBB4B3, #B0BDBF and #A4C5CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2A39C shade: #D29CB3, #D29CA4, #D2A29C, #D2B19C and #D2BF9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2A39C shade: #B96E63, #C5897F, #D2A39C, #DFBDB8 and #ECD8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2A39C shade: #D2A39C, #C1D29C and #9CABD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2A39C shade: #D2A39C, #9CD2A2 and #A29CD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2A39C shade: #D2A39C, #C1D29C, #9CCCD2 and #AD9CD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2A39C shade: #D2A39C, #B1D29C, #9CCCD2 and #BD9CD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

Complementary color

CMYK 55 / 7 / 0 / 61

HEX #2D5C63

RGB 45 92 99

HSL 187.78, 0.38%, 0.28%

LAB 36.2, -13.82, -8.95

 

CMYK 0 / 24 / 30 / 16

HEX #D7A397

RGB 215 163 151

HSL 11.25, 0.44%, 0.72%

LAB 71.47, 17.54, 13.69

 

CMYK 0 / 22 / 27 / 9

HEX #E8B5AA

RGB 232 181 170

HSL 10.65, 0.57%, 0.79%

LAB 77.94, 16.89, 12.68

 

CMYK 0 / 20 / 24 / 2

HEX #F9C7BD

RGB 249 199 189

HSL 10, 0.83%, 0.86%

LAB 84.31, 16.3, 11.75

 

CMYK 0 / 15 / 18 / 0

HEX #FFD9D0

RGB 255 217 208

HSL 11.49, 1%, 0.91%

LAB 89.6, 11.82, 9.33

 

CMYK 0 / 8 / 11 / 0

HEX #FFEBE3

RGB 255 235 227

HSL 17.14, 1%, 0.95%

LAB 94.41, 5.48, 6.31

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 0 / 25 / 29 / 24

HEX #C19189

RGB 193 145 137

HSL 8.57, 0.31%, 0.65%

LAB 64.48, 16.98, 11.3

 

CMYK 0 / 28 / 33 / 31

HEX #B07F76

RGB 176 127 118

HSL 9.31, 0.27%, 0.58%

LAB 57.77, 17.73, 12.39

 

CMYK 0 / 31 / 38 / 38

HEX #9F6D63

RGB 159 109 99

HSL 10, 0.24%, 0.51%

LAB 50.93, 18.59, 13.61

 

CMYK 0 / 36 / 44 / 44

HEX #8E5B50

RGB 142 91 80

HSL 10.65, 0.28%, 0.44%

LAB 43.96, 19.59, 15.01

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 0 / 26 / 26 / 18

HEX #D29C9C

RGB 210 156 156

HSL 0, 0.38%, 0.72%

LAB 69.38, 20.12, 7.89

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 0 / 15 / 26 / 18

HEX #D2B29C

RGB 210 178 156

HSL 24.44, 0.38%, 0.72%

LAB 74.79, 8.22, 15.54

 

CMYK 0 / 9 / 26 / 18

HEX #D2C09C

RGB 210 192 156

HSL 40, 0.38%, 0.72%

LAB 78.35, 0.77, 20.48

 

CMYK 0 / 1 / 26 / 18

HEX #D2CF9C

RGB 210 207 156

HSL 56.67, 0.38%, 0.72%

LAB 82.23, -7.03, 25.79

 

CMYK 5 / 0 / 26 / 18

HEX #C7D29C

RGB 199 210 156

HSL 72.22, 0.38%, 0.72%

LAB 82.18, -12.69, 25.58

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 0 / 31 / 35 / 13

HEX #DE9A90

RGB 222 154 144

HSL 7.69, 0.54%, 0.72%

LAB 69.93, 24.18, 15.51

 

CMYK 0 / 37 / 43 / 9

HEX #E99285

RGB 233 146 133

HSL 7.8, 0.69%, 0.72%

LAB 69.17, 31.4, 20.73

 

CMYK 0 / 44 / 51 / 4

HEX #F58979

RGB 245 137 121

HSL 7.74, 0.86%, 0.72%

LAB 68.52, 39.45, 26.76

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 0 / 14 / 16 / 22

HEX #C7ACA8

RGB 199 172 168

HSL 7.74, 0.22%, 0.72%

LAB 72.54, 9.12, 5.66

 

CMYK 0 / 4 / 4 / 27

HEX #BBB4B3

RGB 187 180 179

HSL 7.5, 0.06%, 0.72%

LAB 73.84, 2.3, 1.38

 

CMYK 8 / 1 / 0 / 25

HEX #B0BDBF

RGB 176 189 191

HSL 188, 0.1%, 0.72%

LAB 75.69, -4.07, -2.56

 

CMYK 19 / 2 / 0 / 21

HEX #A4C5CA

RGB 164 197 202

HSL 187.89, 0.26%, 0.72%

LAB 77.33, -9.92, -6.18

 

CMYK 0 / 26 / 15 / 18

HEX #D29CB3

RGB 210 156 179

HSL 334.44, 0.38%, 0.72%

LAB 69.99, 23.63, -4.02

 

CMYK 0 / 26 / 22 / 18

HEX #D29CA4

RGB 210 156 164

HSL 351.11, 0.38%, 0.72%

LAB 69.58, 21.29, 3.73

 

CMYK 0 / 23 / 26 / 18

HEX #D2A29C

RGB 210 162 156

HSL 6.67, 0.38%, 0.72%

LAB 70.83, 16.86, 9.96

 

CMYK 0 / 16 / 26 / 18

HEX #D2B19C

RGB 210 177 156

HSL 23.33, 0.38%, 0.72%

LAB 74.54, 8.75, 15.18

 

CMYK 0 / 9 / 26 / 18

HEX #D2BF9C

RGB 210 191 156

HSL 38.89, 0.38%, 0.72%

LAB 78.09, 1.3, 20.12

 

CMYK 0 / 41 / 46 / 27

HEX #B96E63

RGB 185 110 99

HSL 7.67, 0.38%, 0.56%

LAB 54.41, 28.53, 18.91

 

CMYK 0 / 30 / 36 / 23

HEX #C5897F

RGB 197 137 127

HSL 8.57, 0.38%, 0.64%

LAB 62.75, 21.64, 14.58

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 0 / 15 / 17 / 13

HEX #DFBDB8

RGB 223 189 184

HSL 7.69, 0.38%, 0.8%

LAB 79.35, 11.33, 7.03

 

CMYK 0 / 8 / 10 / 7

HEX #ECD8D5

RGB 236 216 213

HSL 7.83, 0.38%, 0.88%

LAB 87.85, 6.39, 3.96

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 8 / 0 / 26 / 18

HEX #C1D29C

RGB 193 210 156

HSL 78.89, 0.38%, 0.72%

LAB 81.75, -14.91, 24.92

 

CMYK 26 / 19 / 0 / 18

HEX #9CABD2

RGB 156 171 210

HSL 223.33, 0.38%, 0.72%

LAB 70.07, 3.42, -21.51

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 26 / 0 / 23 / 18

HEX #9CD2A2

RGB 156 210 162

HSL 126.67, 0.38%, 0.72%

LAB 79.48, -26.9, 18.27

 

CMYK 23 / 26 / 0 / 18

HEX #A29CD2

RGB 162 156 210

HSL 246.67, 0.38%, 0.72%

LAB 66.61, 13.64, -26.77

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 8 / 0 / 26 / 18

HEX #C1D29C

RGB 193 210 156

HSL 78.89, 0.38%, 0.72%

LAB 81.75, -14.91, 24.92

 

CMYK 26 / 3 / 0 / 18

HEX #9CCCD2

RGB 156 204 210

HSL 186.67, 0.38%, 0.72%

LAB 78.99, -14.22, -8.1

 

CMYK 18 / 26 / 0 / 18

HEX #AD9CD2

RGB 173 156 210

HSL 258.89, 0.38%, 0.72%

LAB 67.51, 17.07, -25.3

 

CMYK 0 / 22 / 26 / 18

HEX #D2A39C

RGB 210 163 156

HSL 7.78, 0.38%, 0.72%

LAB 71.07, 16.32, 10.3

 

CMYK 16 / 0 / 26 / 18

HEX #B1D29C

RGB 177 210 156

HSL 96.67, 0.38%, 0.72%

LAB 80.65, -20.71, 23.24

 

CMYK 26 / 3 / 0 / 18

HEX #9CCCD2

RGB 156 204 210

HSL 186.67, 0.38%, 0.72%

LAB 78.99, -14.22, -8.1

 

CMYK 10 / 26 / 0 / 18

HEX #BD9CD2

RGB 189 156 210

HSL 276.67, 0.38%, 0.72%

LAB 68.93, 22.19, -23

 

Description

Color code: HEX #D2A39C | qconv.com Color code: HEX #D2A39C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 163 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 163 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 26 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 26% 18% C M Y K

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Provide designers and agencies with accurate color values.

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