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Color name
HEX #D2AD65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2AD65 it is the complementary color #2D529A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2AD65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2AD65 shade: #D7AD60, #E8BF73, #F9D186, #FFE399 and #FFF5AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2AD65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2AD65 shade: #D2AD65, #C19B52, #B0893F, #9F772C and #8E6519

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2AD65 shade: #D2AD64, #D28F64, #D27264 and #D26464

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2AD65 shade: #D2AD64, #D2CA64, #BCD264, #9ED264 and #81D264

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2AD65 shade matches the following richer shades: #D2AD64, #E2B254 and #F2B744

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2AD65 shade: #D2AD64, #C2A774, #B2A285, #A19D95 and #9198A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2AD65 shade: #D27164, #D28E64, #D2AB64, #D2C964 and #BED264

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2AD65 shade: #B18633, #C89C44, #D2AD64, #DBBE84 and #E4CFA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2AD65 shade: #D2AD65, #75D264 and #8064D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2AD65 shade: #D2AD65, #64D2AB and #AB64D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2AD65 shade: #D2AD65, #75D264, #648BD2 and #C164D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2AD65 shade: #D2AD65, #64D275, #648BD2 and #D264C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 52 / 18

HEX #D2AD65

RGB 210 173 101

HSL 39.63, 0.55%, 0.61%

LAB 72.58, 4.6, 41.76

 

Complementary color

CMYK 71 / 47 / 0 / 40

HEX #2D529A

RGB 45 82 154

HSL 219.63, 0.55%, 0.39%

LAB 35.84, 12.06, -43.27

 

CMYK 0 / 20 / 55 / 16

HEX #D7AD60

RGB 215 173 96

HSL 38.82, 0.6%, 0.61%

LAB 73.01, 6.27, 44.91

 

CMYK 0 / 18 / 50 / 9

HEX #E8BF73

RGB 232 191 115

HSL 38.97, 0.72%, 0.68%

LAB 79.42, 5.39, 43.59

 

CMYK 0 / 16 / 46 / 2

HEX #F9D186

RGB 249 209 134

HSL 39.13, 0.91%, 0.75%

LAB 85.74, 4.62, 42.31

 

CMYK 0 / 11 / 40 / 0

HEX #FFE399

RGB 255 227 153

HSL 43.53, 1%, 0.8%

LAB 91.01, -0.31, 39.64

 

CMYK 0 / 4 / 33 / 0

HEX #FFF5AC

RGB 255 245 172

HSL 52.77, 1%, 0.84%

LAB 95.81, -7.22, 36.41

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD65

RGB 210 173 101

HSL 39.63, 0.55%, 0.61%

LAB 72.58, 4.6, 41.76

 

CMYK 0 / 20 / 58 / 24

HEX #C19B52

RGB 193 155 82

HSL 39.46, 0.47%, 0.54%

LAB 66.05, 5.52, 43.09

 

CMYK 0 / 22 / 64 / 31

HEX #B0893F

RGB 176 137 63

HSL 39.29, 0.47%, 0.47%

LAB 59.42, 6.62, 44.4

 

CMYK 0 / 25 / 72 / 38

HEX #9F772C

RGB 159 119 44

HSL 39.13, 0.57%, 0.4%

LAB 52.67, 7.94, 45.55

 

CMYK 0 / 29 / 82 / 44

HEX #8E6519

RGB 142 101 25

HSL 38.97, 0.7%, 0.33%

LAB 45.81, 9.57, 46.18

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD64

RGB 210 173 100

HSL 39.82, 0.55%, 0.61%

LAB 72.57, 4.51, 42.25

 

CMYK 0 / 32 / 52 / 18

HEX #D28F64

RGB 210 143 100

HSL 23.45, 0.55%, 0.61%

LAB 65.17, 20.71, 33.05

 

CMYK 0 / 46 / 52 / 18

HEX #D27264

RGB 210 114 100

HSL 7.64, 0.55%, 0.61%

LAB 58.65, 36.24, 24.6

 

CMYK 0 / 52 / 52 / 18

HEX #D26464

RGB 210 100 100

HSL 0, 0.55%, 0.61%

LAB 55.82, 43.38, 20.82

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD64

RGB 210 173 100

HSL 39.82, 0.55%, 0.61%

LAB 72.57, 4.51, 42.25

 

CMYK 0 / 4 / 52 / 18

HEX #D2CA64

RGB 210 202 100

HSL 55.64, 0.55%, 0.61%

LAB 80.1, -10.61, 51.26

 

CMYK 10 / 0 / 52 / 18

HEX #BCD264

RGB 188 210 100

HSL 72, 0.55%, 0.61%

LAB 80.57, -23.46, 51.39

 

CMYK 25 / 0 / 52 / 18

HEX #9ED264

RGB 158 210 100

HSL 88.36, 0.55%, 0.61%

LAB 78.63, -34.91, 48.6

 

CMYK 39 / 0 / 52 / 18

HEX #81D264

RGB 129 210 100

HSL 104.18, 0.55%, 0.61%

LAB 77.09, -44.92, 46.4

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD64

RGB 210 173 100

HSL 39.82, 0.55%, 0.61%

LAB 72.57, 4.51, 42.25

 

CMYK 0 / 21 / 63 / 11

HEX #E2B254

RGB 226 178 84

HSL 39.72, 0.71%, 0.61%

LAB 75.23, 7.36, 53.54

 

CMYK 0 / 24 / 72 / 5

HEX #F2B744

RGB 242 183 68

HSL 39.66, 0.87%, 0.61%

LAB 77.97, 10.59, 63.91

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD64

RGB 210 173 100

HSL 39.82, 0.55%, 0.61%

LAB 72.57, 4.51, 42.25

 

CMYK 0 / 14 / 40 / 24

HEX #C2A774

RGB 194 167 116

HSL 39.23, 0.39%, 0.61%

LAB 69.73, 2.71, 30.01

 

CMYK 0 / 9 / 25 / 30

HEX #B2A285

RGB 178 162 133

HSL 38.67, 0.23%, 0.61%

LAB 67.28, 1.18, 17.22

 

CMYK 0 / 2 / 7 / 37

HEX #A19D95

RGB 161 157 149

HSL 40, 0.06%, 0.61%

LAB 64.85, -0.01, 4.69

 

CMYK 12 / 8 / 0 / 35

HEX #9198A5

RGB 145 152 165

HSL 219, 0.1%, 0.61%

LAB 62.67, 0.19, -7.66

 

CMYK 0 / 46 / 52 / 18

HEX #D27164

RGB 210 113 100

HSL 7.09, 0.55%, 0.61%

LAB 58.44, 36.76, 24.32

 

CMYK 0 / 32 / 52 / 18

HEX #D28E64

RGB 210 142 100

HSL 22.91, 0.55%, 0.61%

LAB 64.94, 21.25, 32.74

 

CMYK 0 / 19 / 52 / 18

HEX #D2AB64

RGB 210 171 100

HSL 38.73, 0.55%, 0.61%

LAB 72.06, 5.58, 41.63

 

CMYK 0 / 4 / 52 / 18

HEX #D2C964

RGB 210 201 100

HSL 55.09, 0.55%, 0.61%

LAB 79.84, -10.1, 50.95

 

CMYK 10 / 0 / 52 / 18

HEX #BED264

RGB 190 210 100

HSL 70.91, 0.55%, 0.61%

LAB 80.72, -22.67, 51.59

 

CMYK 0 / 24 / 71 / 31

HEX #B18633

RGB 177 134 51

HSL 39.52, 0.55%, 0.45%

LAB 58.64, 8, 49.19

 

CMYK 0 / 22 / 66 / 22

HEX #C89C44

RGB 200 156 68

HSL 40, 0.55%, 0.53%

LAB 66.88, 7.02, 50.97

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD64

RGB 210 173 100

HSL 39.82, 0.55%, 0.61%

LAB 72.57, 4.51, 42.25

 

CMYK 0 / 13 / 40 / 14

HEX #DBBE84

RGB 219 190 132

HSL 40, 0.55%, 0.69%

LAB 78.2, 2.36, 33.09

 

CMYK 0 / 9 / 28 / 11

HEX #E4CFA4

RGB 228 207 164

HSL 40.31, 0.54%, 0.77%

LAB 83.86, 0.87, 24.06

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD65

RGB 210 173 101

HSL 39.63, 0.55%, 0.61%

LAB 72.58, 4.6, 41.76

 

CMYK 44 / 0 / 52 / 18

HEX #75D264

RGB 117 210 100

HSL 110.73, 0.55%, 0.61%

LAB 76.55, -48.65, 45.63

 

CMYK 39 / 52 / 0 / 18

HEX #8064D2

RGB 128 100 210

HSL 255.27, 0.55%, 0.61%

LAB 49.93, 36.59, -53.16

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD65

RGB 210 173 101

HSL 39.63, 0.55%, 0.61%

LAB 72.58, 4.6, 41.76

 

CMYK 52 / 0 / 19 / 18

HEX #64D2AB

RGB 100 210 171

HSL 158.73, 0.55%, 0.61%

LAB 77.13, -40.81, 9.8

 

CMYK 19 / 52 / 0 / 18

HEX #AB64D2

RGB 171 100 210

HSL 278.73, 0.55%, 0.61%

LAB 54.48, 47.59, -45.64

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD65

RGB 210 173 101

HSL 39.63, 0.55%, 0.61%

LAB 72.58, 4.6, 41.76

 

CMYK 44 / 0 / 52 / 18

HEX #75D264

RGB 117 210 100

HSL 110.73, 0.55%, 0.61%

LAB 76.55, -48.65, 45.63

 

CMYK 52 / 34 / 0 / 18

HEX #648BD2

RGB 100 139 210

HSL 218.73, 0.55%, 0.61%

LAB 57.87, 6.66, -40.67

 

CMYK 8 / 52 / 0 / 18

HEX #C164D2

RGB 193 100 210

HSL 290.73, 0.55%, 0.61%

LAB 57.18, 53.51, -41.2

 

CMYK 0 / 18 / 52 / 18

HEX #D2AD65

RGB 210 173 101

HSL 39.63, 0.55%, 0.61%

LAB 72.58, 4.6, 41.76

 

CMYK 52 / 0 / 44 / 18

HEX #64D275

RGB 100 210 117

HSL 129.27, 0.55%, 0.61%

LAB 76.12, -51.02, 36.63

 

CMYK 52 / 34 / 0 / 18

HEX #648BD2

RGB 100 139 210

HSL 218.73, 0.55%, 0.61%

LAB 57.87, 6.66, -40.67

 

CMYK 0 / 52 / 8 / 18

HEX #D264C1

RGB 210 100 193

HSL 309.27, 0.55%, 0.61%

LAB 58.66, 55.23, -29.04

 

Description

Color code: HEX #D2AD65 | qconv.com Color code: HEX #D2AD65 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 173 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 173 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 52 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 52% 18% C M Y K

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Provide designers and agencies with accurate color values.

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