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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2B526 it is the complementary color #2D4AD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2B526. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2B526 shade: #D7B521, #E8C734, #F9D947, #FFEB5A and #FFFD6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2B526. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2B526 shade: #D2B526, #C1A313, #B09100, #9F7F00 and #8E6D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2B526 shade: #D3B626, #D38726, #D35926, #D32A26 and #D32626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2B526 shade: #D3B626, #C1D326, #93D326, #64D326 and #36D326

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2B526 shade matches the following richer shades: #D3B626 and #E7C312

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2B526 shade: #D3B626, #BEA83A, #AA9B4F, #968D63 and #828077

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2B526 shade: #D35726, #D38526, #D3B326, #C4D326 and #96D326

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2B526 shade: #8D7919, #B09820, #D3B626, #DDC346 and #E3CE68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2B526 shade: #D2B526, #26D329 and #6E26D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2B526 shade: #D2B526, #26D3B3 and #B326D3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2B526 shade: #D2B526, #26D329, #2646D3 and #D326D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2B526 shade: #D2B526, #26D35D, #2646D3 and #D3269C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 82 / 18

HEX #D2B526

RGB 210 181 38

HSL 49.88, 0.69%, 0.49%

LAB 74.12, -3.27, 69.59

 

Complementary color

CMYK 79 / 66 / 0 / 15

HEX #2D4AD9

RGB 45 74 217

HSL 229.88, 0.69%, 0.51%

LAB 38.66, 40.77, -75.71

 

CMYK 0 / 16 / 85 / 16

HEX #D7B521

RGB 215 181 33

HSL 48.79, 0.73%, 0.49%

LAB 74.57, -1.22, 71.48

 

CMYK 0 / 14 / 78 / 9

HEX #E8C734

RGB 232 199 52

HSL 49, 0.8%, 0.56%

LAB 80.88, -2.64, 72.14

 

CMYK 0 / 13 / 71 / 2

HEX #F9D947

RGB 249 217 71

HSL 49.21, 0.94%, 0.63%

LAB 87.1, -3.86, 72.03

 

CMYK 0 / 8 / 65 / 0

HEX #FFEB5A

RGB 255 235 90

HSL 52.73, 1%, 0.68%

LAB 92.32, -9.42, 70.2

 

CMYK 0 / 1 / 57 / 0

HEX #FFFD6D

RGB 255 253 109

HSL 59.18, 1%, 0.71%

LAB 97.07, -17.02, 67.5

 

CMYK 0 / 14 / 82 / 18

HEX #D2B526

RGB 210 181 38

HSL 49.88, 0.69%, 0.49%

LAB 74.12, -3.27, 69.59

 

CMYK 0 / 16 / 90 / 24

HEX #C1A313

RGB 193 163 19

HSL 49.66, 0.82%, 0.42%

LAB 67.71, -1.73, 68.16

 

CMYK 0 / 18 / 100 / 31

HEX #B09100

RGB 176 145 0

HSL 49.43, 1%, 0.35%

LAB 61.2, 0.04, 65.46

 

CMYK 0 / 20 / 100 / 38

HEX #9F7F00

RGB 159 127 0

HSL 47.92, 1%, 0.31%

LAB 54.61, 2.14, 60.02

 

CMYK 0 / 23 / 100 / 44

HEX #8E6D00

RGB 142 109 0

HSL 46.06, 1%, 0.28%

LAB 47.86, 4.34, 54.47

 

CMYK 0 / 14 / 82 / 17

HEX #D3B626

RGB 211 182 38

HSL 49.94, 0.69%, 0.49%

LAB 74.47, -3.35, 69.93

 

CMYK 0 / 36 / 82 / 17

HEX #D38726

RGB 211 135 38

HSL 33.64, 0.69%, 0.49%

LAB 62.77, 21.81, 59.76

 

CMYK 0 / 58 / 82 / 17

HEX #D35926

RGB 211 89 38

HSL 17.69, 0.69%, 0.49%

LAB 53.1, 45.56, 51.07

 

CMYK 0 / 80 / 82 / 17

HEX #D32A26

RGB 211 42 38

HSL 1.39, 0.69%, 0.49%

LAB 46.5, 63.44, 44.94

 

CMYK 0 / 82 / 82 / 17

HEX #D32626

RGB 211 38 38

HSL 0, 0.69%, 0.49%

LAB 46.14, 64.46, 44.6

 

CMYK 0 / 14 / 82 / 17

HEX #D3B626

RGB 211 182 38

HSL 49.94, 0.69%, 0.49%

LAB 74.47, -3.35, 69.93

 

CMYK 9 / 0 / 82 / 17

HEX #C1D326

RGB 193 211 38

HSL 66.24, 0.69%, 0.49%

LAB 80.78, -25.61, 74.74

 

CMYK 30 / 0 / 82 / 17

HEX #93D326

RGB 147 211 38

HSL 82.2, 0.69%, 0.49%

LAB 77.83, -43.78, 71.04

 

CMYK 53 / 0 / 82 / 17

HEX #64D326

RGB 100 211 38

HSL 98.5, 0.69%, 0.49%

LAB 75.72, -59.14, 68.35

 

CMYK 74 / 0 / 82 / 17

HEX #36D326

RGB 54 211 38

HSL 114.45, 0.69%, 0.49%

LAB 74.52, -69.09, 66.81

 

CMYK 0 / 14 / 82 / 17

HEX #D3B626

RGB 211 182 38

HSL 49.94, 0.69%, 0.49%

LAB 74.47, -3.35, 69.93

 

CMYK 0 / 16 / 92 / 9

HEX #E7C312

RGB 231 195 18

HSL 49.86, 0.86%, 0.49%

LAB 79.65, -1.83, 79.03

 

CMYK 0 / 14 / 82 / 17

HEX #D3B626

RGB 211 182 38

HSL 49.94, 0.69%, 0.49%

LAB 74.47, -3.35, 69.93

 

CMYK 0 / 12 / 69 / 25

HEX #BEA83A

RGB 190 168 58

HSL 50, 0.53%, 0.49%

LAB 68.94, -4.34, 57.17

 

CMYK 0 / 9 / 54 / 33

HEX #AA9B4F

RGB 170 155 79

HSL 50.11, 0.37%, 0.49%

LAB 63.8, -4.62, 41.39

 

CMYK 0 / 6 / 34 / 41

HEX #968D63

RGB 150 141 99

HSL 49.41, 0.2%, 0.49%

LAB 58.45, -3.31, 23.65

 

CMYK 0 / 2 / 8 / 49

HEX #828077

RGB 130 128 119

HSL 49.09, 0.04%, 0.49%

LAB 53.51, -0.96, 5.14

 

CMYK 0 / 59 / 82 / 17

HEX #D35726

RGB 211 87 38

HSL 16.99, 0.69%, 0.49%

LAB 52.74, 46.49, 50.74

 

CMYK 0 / 37 / 82 / 17

HEX #D38526

RGB 211 133 38

HSL 32.95, 0.69%, 0.49%

LAB 62.31, 22.89, 59.35

 

CMYK 0 / 15 / 82 / 17

HEX #D3B326

RGB 211 179 38

HSL 48.9, 0.69%, 0.49%

LAB 73.69, -1.78, 69.26

 

CMYK 7 / 0 / 82 / 17

HEX #C4D326

RGB 196 211 38

HSL 65.2, 0.69%, 0.49%

LAB 81, -24.36, 75.02

 

CMYK 29 / 0 / 82 / 17

HEX #96D326

RGB 150 211 38

HSL 81.16, 0.69%, 0.49%

LAB 78, -42.67, 71.25

 

CMYK 0 / 14 / 82 / 45

HEX #8D7919

RGB 141 121 25

HSL 49.66, 0.7%, 0.33%

LAB 51.16, -2.37, 50.91

 

CMYK 0 / 14 / 82 / 31

HEX #B09820

RGB 176 152 32

HSL 50, 0.69%, 0.41%

LAB 63.17, -3.13, 60.59

 

CMYK 0 / 14 / 82 / 17

HEX #D3B626

RGB 211 182 38

HSL 49.94, 0.69%, 0.49%

LAB 74.47, -3.35, 69.93

 

CMYK 0 / 12 / 68 / 13

HEX #DDC346

RGB 221 195 70

HSL 49.67, 0.69%, 0.57%

LAB 78.95, -4.47, 63.44

 

CMYK 0 / 9 / 54 / 11

HEX #E3CE68

RGB 227 206 104

HSL 49.76, 0.69%, 0.65%

LAB 82.63, -5.35, 52.7

 

CMYK 0 / 14 / 82 / 18

HEX #D2B526

RGB 210 181 38

HSL 49.88, 0.69%, 0.49%

LAB 74.12, -3.27, 69.59

 

CMYK 82 / 0 / 81 / 17

HEX #26D329

RGB 38 211 41

HSL 121.04, 0.69%, 0.49%

LAB 74.29, -71.01, 65.71

 

CMYK 48 / 82 / 0 / 17

HEX #6E26D3

RGB 110 38 211

HSL 264.97, 0.69%, 0.49%

LAB 36.75, 64.37, -75.22

 

CMYK 0 / 14 / 82 / 18

HEX #D2B526

RGB 210 181 38

HSL 49.88, 0.69%, 0.49%

LAB 74.12, -3.27, 69.59

 

CMYK 82 / 0 / 15 / 17

HEX #26D3B3

RGB 38 211 179

HSL 168.9, 0.69%, 0.49%

LAB 76.23, -48.86, 4.04

 

CMYK 15 / 82 / 0 / 17

HEX #B326D3

RGB 179 38 211

HSL 288.9, 0.69%, 0.49%

LAB 46.54, 74.75, -58.84

 

CMYK 0 / 14 / 82 / 18

HEX #D2B526

RGB 210 181 38

HSL 49.88, 0.69%, 0.49%

LAB 74.12, -3.27, 69.59

 

CMYK 82 / 0 / 81 / 17

HEX #26D329

RGB 38 211 41

HSL 121.04, 0.69%, 0.49%

LAB 74.29, -71.01, 65.71

 

CMYK 82 / 67 / 0 / 17

HEX #2646D3

RGB 38 70 211

HSL 228.9, 0.69%, 0.49%

LAB 36.92, 40.57, -75.13

 

CMYK 0 / 82 / 1 / 17

HEX #D326D0

RGB 211 38 208

HSL 301.04, 0.69%, 0.49%

LAB 51.6, 79.99, -48.72

 

CMYK 0 / 14 / 82 / 18

HEX #D2B526

RGB 210 181 38

HSL 49.88, 0.69%, 0.49%

LAB 74.12, -3.27, 69.59

 

CMYK 82 / 0 / 56 / 17

HEX #26D35D

RGB 38 211 93

HSL 139.08, 0.69%, 0.49%

LAB 74.69, -66.05, 46.18

 

CMYK 82 / 67 / 0 / 17

HEX #2646D3

RGB 38 70 211

HSL 228.9, 0.69%, 0.49%

LAB 36.92, 40.57, -75.13

 

CMYK 0 / 82 / 26 / 17

HEX #D3269C

RGB 211 38 156

HSL 319.08, 0.69%, 0.49%

LAB 49.05, 73, -22.31

 

Description

Color code: HEX #D2B526 | qconv.com Color code: HEX #D2B526 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 181 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 181 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 82 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 82% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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