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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2B375 it is the complementary color #2D4C8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2B375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2B375 shade: #D7B370, #E8C583, #F9D796, #FFE9A9 and #FFFBBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2B375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2B375 shade: #D2B375, #C1A162, #B08F4F, #9F7D3C and #8E6B29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2B375 shade: #D2B274, #D29974, #D28074 and #D27474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2B375 shade: #D2B274, #D2CC74, #BED274, #A5D274 and #8CD274

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2B375 shade matches the following richer shades: #D2B274, #E0B765, #EFBC56 and #FEC147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2B375 shade: #D2B274, #C3AD83, #B4A892, #A5A3A0 and #969FAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2B375 shade: #D28074, #D29974, #D2B274, #D2CB74 and #BFD274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2B375 shade: #B88E3B, #C7A155, #D2B274, #DCC393 and #E6D5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2B375 shade: #D2B375, #80D274 and #8D74D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2B375 shade: #D2B375, #74D2B2 and #B274D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2B375 shade: #D2B375, #80D274, #7493D2 and #C574D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2B375 shade: #D2B375, #74D283, #7493D2 and #D274C2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 44 / 18

HEX #D2B375

RGB 210 179 117

HSL 40, 0.51%, 0.64%

LAB 74.33, 2.93, 35.74

 

Complementary color

CMYK 67 / 45 / 0 / 46

HEX #2D4C8A

RGB 45 76 138

HSL 220, 0.51%, 0.36%

LAB 33.05, 9.98, -38.01

 

CMYK 0 / 17 / 48 / 16

HEX #D7B370

RGB 215 179 112

HSL 39.03, 0.56%, 0.64%

LAB 74.73, 4.48, 38.93

 

CMYK 0 / 15 / 44 / 9

HEX #E8C583

RGB 232 197 131

HSL 39.21, 0.69%, 0.71%

LAB 81.14, 3.78, 37.65

 

CMYK 0 / 14 / 40 / 2

HEX #F9D796

RGB 249 215 150

HSL 39.39, 0.89%, 0.78%

LAB 87.46, 3.16, 36.44

 

CMYK 0 / 9 / 34 / 0

HEX #FFE9A9

RGB 255 233 169

HSL 44.65, 1%, 0.83%

LAB 92.75, -1.56, 33.87

 

CMYK 0 / 2 / 26 / 0

HEX #FFFBBC

RGB 255 251 188

HSL 56.42, 1%, 0.87%

LAB 97.59, -8.22, 30.76

 

CMYK 0 / 15 / 44 / 18

HEX #D2B375

RGB 210 179 117

HSL 40, 0.51%, 0.64%

LAB 74.33, 2.93, 35.74

 

CMYK 0 / 17 / 49 / 24

HEX #C1A162

RGB 193 161 98

HSL 39.79, 0.43%, 0.57%

LAB 67.81, 3.66, 37.04

 

CMYK 0 / 19 / 55 / 31

HEX #B08F4F

RGB 176 143 79

HSL 39.59, 0.38%, 0.5%

LAB 61.17, 4.52, 38.39

 

CMYK 0 / 21 / 62 / 38

HEX #9F7D3C

RGB 159 125 60

HSL 39.39, 0.45%, 0.43%

LAB 54.41, 5.56, 39.75

 

CMYK 0 / 25 / 71 / 44

HEX #8E6B29

RGB 142 107 41

HSL 39.21, 0.55%, 0.36%

LAB 47.53, 6.85, 40.99

 

CMYK 0 / 15 / 45 / 18

HEX #D2B274

RGB 210 178 116

HSL 39.57, 0.51%, 0.64%

LAB 74.06, 3.36, 35.91

 

CMYK 0 / 27 / 45 / 18

HEX #D29974

RGB 210 153 116

HSL 23.62, 0.51%, 0.64%

LAB 67.83, 16.82, 27.82

 

CMYK 0 / 39 / 45 / 18

HEX #D28074

RGB 210 128 116

HSL 7.66, 0.51%, 0.64%

LAB 62, 30.36, 20.01

 

CMYK 0 / 45 / 45 / 18

HEX #D27474

RGB 210 116 116

HSL 0, 0.51%, 0.64%

LAB 59.39, 36.72, 16.44

 

CMYK 0 / 15 / 45 / 18

HEX #D2B274

RGB 210 178 116

HSL 39.57, 0.51%, 0.64%

LAB 74.06, 3.36, 35.91

 

CMYK 0 / 3 / 45 / 18

HEX #D2CC74

RGB 210 204 116

HSL 56.17, 0.51%, 0.64%

LAB 80.82, -10.17, 44.4

 

CMYK 10 / 0 / 45 / 18

HEX #BED274

RGB 190 210 116

HSL 72.77, 0.51%, 0.64%

LAB 80.91, -21.1, 44.16

 

CMYK 21 / 0 / 45 / 18

HEX #A5D274

RGB 165 210 116

HSL 88.72, 0.51%, 0.64%

LAB 79.24, -30.56, 41.73

 

CMYK 33 / 0 / 45 / 18

HEX #8CD274

RGB 140 210 116

HSL 104.68, 0.51%, 0.64%

LAB 77.83, -39.33, 39.66

 

CMYK 0 / 15 / 45 / 18

HEX #D2B274

RGB 210 178 116

HSL 39.57, 0.51%, 0.64%

LAB 74.06, 3.36, 35.91

 

CMYK 0 / 18 / 55 / 12

HEX #E0B765

RGB 224 183 101

HSL 40, 0.66%, 0.64%

LAB 76.47, 5.12, 46.79

 

CMYK 0 / 21 / 64 / 6

HEX #EFBC56

RGB 239 188 86

HSL 40, 0.83%, 0.64%

LAB 79.03, 7.68, 57.21

 

CMYK 0 / 24 / 72 / 0

HEX #FEC147

RGB 254 193 71

HSL 40, 0.99%, 0.64%

LAB 81.66, 10.55, 66.81

 

CMYK 0 / 15 / 45 / 18

HEX #D2B274

RGB 210 178 116

HSL 39.57, 0.51%, 0.64%

LAB 74.06, 3.36, 35.91

 

CMYK 0 / 11 / 33 / 24

HEX #C3AD83

RGB 195 173 131

HSL 39.38, 0.35%, 0.64%

LAB 71.64, 1.69, 24.52

 

CMYK 0 / 7 / 19 / 29

HEX #B4A892

RGB 180 168 146

HSL 38.82, 0.18%, 0.64%

LAB 69.32, 0.65, 12.93

 

CMYK 0 / 1 / 3 / 35

HEX #A5A3A0

RGB 165 163 160

HSL 36, 0.03%, 0.64%

LAB 67.08, 0.16, 1.8

 

CMYK 14 / 9 / 0 / 31

HEX #969FAF

RGB 150 159 175

HSL 218.4, 0.14%, 0.64%

LAB 65.26, 0.15, -9.39

 

CMYK 0 / 39 / 45 / 18

HEX #D28074

RGB 210 128 116

HSL 7.66, 0.51%, 0.64%

LAB 62, 30.36, 20.01

 

CMYK 0 / 27 / 45 / 18

HEX #D29974

RGB 210 153 116

HSL 23.62, 0.51%, 0.64%

LAB 67.83, 16.82, 27.82

 

CMYK 0 / 15 / 45 / 18

HEX #D2B274

RGB 210 178 116

HSL 39.57, 0.51%, 0.64%

LAB 74.06, 3.36, 35.91

 

CMYK 0 / 3 / 45 / 18

HEX #D2CB74

RGB 210 203 116

HSL 55.53, 0.51%, 0.64%

LAB 80.56, -9.67, 44.07

 

CMYK 9 / 0 / 45 / 18

HEX #BFD274

RGB 191 210 116

HSL 72.13, 0.51%, 0.64%

LAB 80.98, -20.71, 44.27

 

CMYK 0 / 23 / 68 / 28

HEX #B88E3B

RGB 184 142 59

HSL 39.84, 0.51%, 0.48%

LAB 61.53, 7.13, 48.84

 

CMYK 0 / 19 / 57 / 22

HEX #C7A155

RGB 199 161 85

HSL 40, 0.5%, 0.56%

LAB 68.23, 5.07, 44.32

 

CMYK 0 / 15 / 45 / 18

HEX #D2B274

RGB 210 178 116

HSL 39.57, 0.51%, 0.64%

LAB 74.06, 3.36, 35.91

 

CMYK 0 / 11 / 33 / 14

HEX #DCC393

RGB 220 195 147

HSL 39.45, 0.51%, 0.72%

LAB 79.81, 1.88, 27.39

 

CMYK 0 / 7 / 23 / 10

HEX #E6D5B2

RGB 230 213 178

HSL 40.38, 0.51%, 0.8%

LAB 85.82, 0.43, 19.45

 

CMYK 0 / 15 / 44 / 18

HEX #D2B375

RGB 210 179 117

HSL 40, 0.51%, 0.64%

LAB 74.33, 2.93, 35.74

 

CMYK 39 / 0 / 45 / 18

HEX #80D274

RGB 128 210 116

HSL 112.34, 0.51%, 0.64%

LAB 77.25, -43.2, 38.8

 

CMYK 33 / 45 / 0 / 18

HEX #8D74D2

RGB 141 116 210

HSL 255.96, 0.51%, 0.64%

LAB 54.87, 30.59, -45.21

 

CMYK 0 / 15 / 44 / 18

HEX #D2B375

RGB 210 179 117

HSL 40, 0.51%, 0.64%

LAB 74.33, 2.93, 35.74

 

CMYK 45 / 0 / 15 / 18

HEX #74D2B2

RGB 116 210 178

HSL 159.57, 0.51%, 0.64%

LAB 77.89, -35.43, 7.23

 

CMYK 15 / 45 / 0 / 18

HEX #B274D2

RGB 178 116 210

HSL 279.57, 0.51%, 0.64%

LAB 58.61, 40.96, -39.07

 

CMYK 0 / 15 / 44 / 18

HEX #D2B375

RGB 210 179 117

HSL 40, 0.51%, 0.64%

LAB 74.33, 2.93, 35.74

 

CMYK 39 / 0 / 45 / 18

HEX #80D274

RGB 128 210 116

HSL 112.34, 0.51%, 0.64%

LAB 77.25, -43.2, 38.8

 

CMYK 45 / 30 / 0 / 18

HEX #7493D2

RGB 116 147 210

HSL 220.21, 0.51%, 0.64%

LAB 60.99, 5.8, -35.73

 

CMYK 6 / 45 / 0 / 18

HEX #C574D2

RGB 197 116 210

HSL 291.7, 0.51%, 0.64%

LAB 60.79, 46.49, -35.49

 

CMYK 0 / 15 / 44 / 18

HEX #D2B375

RGB 210 179 117

HSL 40, 0.51%, 0.64%

LAB 74.33, 2.93, 35.74

 

CMYK 45 / 0 / 38 / 18

HEX #74D283

RGB 116 210 131

HSL 129.57, 0.51%, 0.64%

LAB 76.95, -44.5, 30.7

 

CMYK 45 / 30 / 0 / 18

HEX #7493D2

RGB 116 147 210

HSL 220.21, 0.51%, 0.64%

LAB 60.99, 5.8, -35.73

 

CMYK 0 / 45 / 8 / 18

HEX #D274C2

RGB 210 116 194

HSL 310.21, 0.51%, 0.64%

LAB 61.73, 47.49, -24.88

 

Description

Color code: HEX #D2B375 | qconv.com Color code: HEX #D2B375 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 179 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 179 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 44 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 44% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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