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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BAA1 it is the complementary color #2D455E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BAA1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BAA1 shade: #D7BA9C, #E8CCAF, #F9DEC2, #FFF0D5 and #FFFFE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BAA1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BAA1 shade: #D2BAA1, #C1A88E, #B0967B, #9F8468 and #8E7255

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BAA1 shade: #D2BAA2, #D2ADA2 and #D2A2A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BAA1 shade: #D2BAA2, #D2C7A2, #CFD2A2, #C2D2A2 and #B5D2A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BAA1 shade matches the following richer shades: #D2BAA2, #DDBA96, #E8BB8B, #F3BB80 and #FEBB75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BAA1 shade: #D2BAA2, #C7BAAD, #BBBAB8, #B0B9C3 and #A5B9CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BAA1 shade: #D2A2A3, #D2ADA2, #D2BAA2, #D2C7A2 and #D0D2A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BAA1 shade: #B7916A, #C4A686, #D2BAA2, #DFCFBD and #EDE3D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BAA1 shade: #D2BAA1, #B0D2A2 and #A6A2D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BAA1 shade: #D2BAA1, #A2D2BA and #BAA2D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BAA1 shade: #D2BAA1, #B0D2A2, #A2BAD2 and #C3A2D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BAA1 shade: #D2BAA1, #A2D2A2, #A2BAD2 and #D2A2D2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 23 / 18

HEX #D2BAA1

RGB 210 186 161

HSL 30.61, 0.35%, 0.73%

LAB 76.92, 4.65, 15.81

 

Complementary color

CMYK 52 / 27 / 0 / 63

HEX #2D455E

RGB 45 69 94

HSL 210.61, 0.35%, 0.27%

LAB 28.44, -1.36, -17.64

 

CMYK 0 / 13 / 27 / 16

HEX #D7BA9C

RGB 215 186 156

HSL 30.51, 0.42%, 0.73%

LAB 77.26, 5.86, 19.04

 

CMYK 0 / 12 / 25 / 9

HEX #E8CCAF

RGB 232 204 175

HSL 30.53, 0.55%, 0.8%

LAB 83.67, 5.43, 18.06

 

CMYK 0 / 11 / 22 / 2

HEX #F9DEC2

RGB 249 222 194

HSL 30.55, 0.82%, 0.87%

LAB 89.99, 5.04, 17.13

 

CMYK 0 / 6 / 16 / 0

HEX #FFF0D5

RGB 255 240 213

HSL 38.57, 1%, 0.92%

LAB 95.32, 0.77, 14.87

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA1

RGB 210 186 161

HSL 30.61, 0.35%, 0.73%

LAB 76.92, 4.65, 15.81

 

CMYK 0 / 13 / 26 / 24

HEX #C1A88E

RGB 193 168 142

HSL 30.59, 0.29%, 0.66%

LAB 70.38, 5.08, 16.79

 

CMYK 0 / 15 / 30 / 31

HEX #B0967B

RGB 176 150 123

HSL 30.57, 0.25%, 0.59%

LAB 63.73, 5.56, 17.84

 

CMYK 0 / 17 / 35 / 38

HEX #9F8468

RGB 159 132 104

HSL 30.55, 0.22%, 0.52%

LAB 56.95, 6.12, 18.98

 

CMYK 0 / 20 / 40 / 44

HEX #8E7255

RGB 142 114 85

HSL 30.53, 0.25%, 0.45%

LAB 50.03, 6.79, 20.24

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA2

RGB 210 186 162

HSL 30, 0.35%, 0.73%

LAB 76.94, 4.8, 15.3

 

CMYK 0 / 18 / 23 / 18

HEX #D2ADA2

RGB 210 173 162

HSL 13.75, 0.35%, 0.73%

LAB 73.67, 11.77, 10.7

 

CMYK 0 / 23 / 23 / 18

HEX #D2A2A2

RGB 210 162 162

HSL 0, 0.35%, 0.73%

LAB 70.97, 17.73, 6.85

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA2

RGB 210 186 162

HSL 30, 0.35%, 0.73%

LAB 76.94, 4.8, 15.3

 

CMYK 0 / 5 / 23 / 18

HEX #D2C7A2

RGB 210 199 162

HSL 46.25, 0.35%, 0.73%

LAB 80.27, -2.05, 19.94

 

CMYK 1 / 0 / 23 / 18

HEX #CFD2A2

RGB 207 210 162

HSL 63.75, 0.35%, 0.73%

LAB 82.9, -8.86, 23.52

 

CMYK 8 / 0 / 23 / 18

HEX #C2D2A2

RGB 194 210 162

HSL 80, 0.35%, 0.73%

LAB 81.93, -13.66, 22.04

 

CMYK 14 / 0 / 23 / 18

HEX #B5D2A2

RGB 181 210 162

HSL 96.25, 0.35%, 0.73%

LAB 81.03, -18.34, 20.65

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA2

RGB 210 186 162

HSL 30, 0.35%, 0.73%

LAB 76.94, 4.8, 15.3

 

CMYK 0 / 16 / 32 / 13

HEX #DDBA96

RGB 221 186 150

HSL 30.42, 0.51%, 0.73%

LAB 77.69, 7.39, 22.94

 

CMYK 0 / 19 / 40 / 9

HEX #E8BB8B

RGB 232 187 139

HSL 30.97, 0.67%, 0.73%

LAB 78.79, 9.87, 30.43

 

CMYK 0 / 23 / 47 / 5

HEX #F3BB80

RGB 243 187 128

HSL 30.78, 0.83%, 0.73%

LAB 79.7, 13.12, 37.56

 

CMYK 0 / 26 / 54 / 0

HEX #FEBB75

RGB 254 187 117

HSL 30.66, 0.99%, 0.73%

LAB 80.68, 16.56, 44.64

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA2

RGB 210 186 162

HSL 30, 0.35%, 0.73%

LAB 76.94, 4.8, 15.3

 

CMYK 0 / 7 / 13 / 22

HEX #C7BAAD

RGB 199 186 173

HSL 30, 0.19%, 0.73%

LAB 76.24, 2.39, 8.23

 

CMYK 0 / 1 / 2 / 27

HEX #BBBAB8

RGB 187 186 184

HSL 40, 0.02%, 0.73%

LAB 75.54, -0.01, 1.13

 

CMYK 10 / 5 / 0 / 24

HEX #B0B9C3

RGB 176 185 195

HSL 211.58, 0.14%, 0.73%

LAB 74.74, -1.13, -6.13

 

CMYK 20 / 10 / 0 / 19

HEX #A5B9CE

RGB 165 185 206

HSL 210.73, 0.29%, 0.73%

LAB 74.29, -2.36, -12.88

 

CMYK 0 / 23 / 22 / 18

HEX #D2A2A3

RGB 210 162 163

HSL 358.75, 0.35%, 0.73%

LAB 71, 17.88, 6.33

 

CMYK 0 / 18 / 23 / 18

HEX #D2ADA2

RGB 210 173 162

HSL 13.75, 0.35%, 0.73%

LAB 73.67, 11.77, 10.7

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA2

RGB 210 186 162

HSL 30, 0.35%, 0.73%

LAB 76.94, 4.8, 15.3

 

CMYK 0 / 5 / 23 / 18

HEX #D2C7A2

RGB 210 199 162

HSL 46.25, 0.35%, 0.73%

LAB 80.27, -2.05, 19.94

 

CMYK 1 / 0 / 23 / 18

HEX #D0D2A2

RGB 208 210 162

HSL 62.5, 0.35%, 0.73%

LAB 82.97, -8.49, 23.63

 

CMYK 0 / 21 / 42 / 28

HEX #B7916A

RGB 183 145 106

HSL 30.39, 0.35%, 0.57%

LAB 62.81, 9.06, 26.14

 

CMYK 0 / 15 / 32 / 23

HEX #C4A686

RGB 196 166 134

HSL 30.97, 0.34%, 0.65%

LAB 69.99, 6.25, 20.66

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA2

RGB 210 186 162

HSL 30, 0.35%, 0.73%

LAB 76.94, 4.8, 15.3

 

CMYK 0 / 7 / 15 / 13

HEX #DFCFBD

RGB 223 207 189

HSL 31.76, 0.35%, 0.81%

LAB 83.96, 2.61, 10.94

 

CMYK 0 / 4 / 8 / 7

HEX #EDE3D9

RGB 237 227 217

HSL 30, 0.36%, 0.89%

LAB 90.76, 1.71, 6.08

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA1

RGB 210 186 161

HSL 30.61, 0.35%, 0.73%

LAB 76.92, 4.65, 15.81

 

CMYK 16 / 0 / 23 / 18

HEX #B0D2A2

RGB 176 210 162

HSL 102.5, 0.35%, 0.73%

LAB 80.7, -20.11, 20.15

 

CMYK 21 / 23 / 0 / 18

HEX #A6A2D2

RGB 166 162 210

HSL 245, 0.35%, 0.73%

LAB 68.46, 11.51, -23.9

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA1

RGB 210 186 161

HSL 30.61, 0.35%, 0.73%

LAB 76.92, 4.65, 15.81

 

CMYK 23 / 0 / 11 / 18

HEX #A2D2BA

RGB 162 210 186

HSL 150, 0.35%, 0.73%

LAB 80.36, -20.49, 6.81

 

CMYK 11 / 23 / 0 / 18

HEX #BAA2D2

RGB 186 162 210

HSL 270, 0.35%, 0.73%

LAB 70.13, 17.88, -21.2

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA1

RGB 210 186 161

HSL 30.61, 0.35%, 0.73%

LAB 76.92, 4.65, 15.81

 

CMYK 16 / 0 / 23 / 18

HEX #B0D2A2

RGB 176 210 162

HSL 102.5, 0.35%, 0.73%

LAB 80.7, -20.11, 20.15

 

CMYK 23 / 11 / 0 / 18

HEX #A2BAD2

RGB 162 186 210

HSL 210, 0.35%, 0.73%

LAB 74.48, -2.93, -14.8

 

CMYK 7 / 23 / 0 / 18

HEX #C3A2D2

RGB 195 162 210

HSL 281.25, 0.35%, 0.73%

LAB 70.94, 20.82, -19.9

 

CMYK 0 / 11 / 23 / 18

HEX #D2BAA1

RGB 210 186 161

HSL 30.61, 0.35%, 0.73%

LAB 76.92, 4.65, 15.81

 

CMYK 23 / 0 / 23 / 18

HEX #A2D2A2

RGB 162 210 162

HSL 120, 0.35%, 0.73%

LAB 79.83, -24.91, 18.81

 

CMYK 23 / 11 / 0 / 18

HEX #A2BAD2

RGB 162 186 210

HSL 210, 0.35%, 0.73%

LAB 74.48, -2.93, -14.8

 

CMYK 0 / 23 / 0 / 18

HEX #D2A2D2

RGB 210 162 210

HSL 300, 0.35%, 0.73%

LAB 72.36, 25.79, -17.61

 

Description

Color code: HEX #D2BAA1 | qconv.com Color code: HEX #D2BAA1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 186 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 186 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 23 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 23% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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