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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2BEBB it is the complementary color #2D4144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2BEBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2BEBB shade: #D7BEB6, #E8D0C9, #F9E2DC and #FFF4EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2BEBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2BEBB shade: #D2BEBB, #C1ACA8, #B09A95, #9F8882 and #8E766F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2BEBB shade: #D2BEBB and #D2BBBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2BEBB shade: #D2BEBB, #D2C4BB, #D2CABB, #D2D0BB and #CDD2BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2BEBB shade matches the following richer shades: #D2BEBB, #DBB7B2, #E4B1A9, #EDAAA0 and #F6A397

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2BEBB shade: #D2BEBB, #C9C5C4, #BFCCCD, #B6D2D6 and #ADD9DF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2BEBB shade: #D2BBC5, #D2BBBF, #D2BEBB, #D2C4BB and #D2CABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2BEBB shade: #B18F8A, #C1A6A2, #D2BEBB, #E2D6D4 and #F3EDED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2BEBB shade: #D2BEBB, #CBD2BB and #BBC2D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2BEBB shade: #D2BEBB, #BBD2BE and #BEBBD2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2BEBB shade: #D2BEBB, #CBD2BB, #BBCFD2 and #C2BBD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2BEBB shade: #D2BEBB, #C4D2BB, #BBCFD2 and #C9BBD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

Complementary color

CMYK 34 / 4 / 0 / 73

HEX #2D4144

RGB 45 65 68

HSL 187.83, 0.2%, 0.22%

LAB 26.03, -7.01, -4.38

 

CMYK 0 / 12 / 15 / 16

HEX #D7BEB6

RGB 215 190 182

HSL 14.55, 0.29%, 0.78%

LAB 78.84, 7.56, 7.27

 

CMYK 0 / 10 / 13 / 9

HEX #E8D0C9

RGB 232 208 201

HSL 13.55, 0.4%, 0.85%

LAB 85.24, 7.21, 6.51

 

CMYK 0 / 9 / 12 / 2

HEX #F9E2DC

RGB 249 226 220

HSL 12.41, 0.71%, 0.92%

LAB 91.55, 6.89, 5.78

 

CMYK 0 / 4 / 6 / 0

HEX #FFF4EF

RGB 255 244 239

HSL 18.75, 1%, 0.97%

LAB 96.9, 2.84, 3.71

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 0 / 11 / 13 / 24

HEX #C1ACA8

RGB 193 172 168

HSL 9.6, 0.17%, 0.71%

LAB 72.01, 6.9, 4.81

 

CMYK 0 / 13 / 15 / 31

HEX #B09A95

RGB 176 154 149

HSL 11.11, 0.15%, 0.64%

LAB 65.37, 7.27, 5.6

 

CMYK 0 / 14 / 18 / 38

HEX #9F8882

RGB 159 136 130

HSL 12.41, 0.13%, 0.57%

LAB 58.59, 7.69, 6.43

 

CMYK 0 / 17 / 22 / 44

HEX #8E766F

RGB 142 118 111

HSL 13.55, 0.12%, 0.5%

LAB 51.67, 8.17, 7.34

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 0 / 11 / 11 / 18

HEX #D2BBBB

RGB 210 187 187

HSL 0, 0.2%, 0.78%

LAB 77.77, 8.16, 2.98

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 0 / 7 / 11 / 18

HEX #D2C4BB

RGB 210 196 187

HSL 23.48, 0.2%, 0.78%

LAB 80.05, 3.37, 6.27

 

CMYK 0 / 4 / 11 / 18

HEX #D2CABB

RGB 210 202 187

HSL 39.13, 0.2%, 0.78%

LAB 81.58, 0.21, 8.47

 

CMYK 0 / 1 / 11 / 18

HEX #D2D0BB

RGB 210 208 187

HSL 54.78, 0.2%, 0.78%

LAB 83.13, -2.92, 10.67

 

CMYK 2 / 0 / 11 / 18

HEX #CDD2BB

RGB 205 210 187

HSL 73.04, 0.2%, 0.78%

LAB 83.26, -5.74, 10.81

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 0 / 16 / 19 / 14

HEX #DBB7B2

RGB 219 183 178

HSL 7.32, 0.36%, 0.78%

LAB 77.37, 12.15, 7.37

 

CMYK 0 / 22 / 26 / 11

HEX #E4B1A9

RGB 228 177 169

HSL 8.14, 0.52%, 0.78%

LAB 76.56, 17.39, 11.22

 

CMYK 0 / 28 / 32 / 7

HEX #EDAAA0

RGB 237 170 160

HSL 7.79, 0.68%, 0.78%

LAB 75.63, 23.31, 14.94

 

CMYK 0 / 34 / 39 / 4

HEX #F6A397

RGB 246 163 151

HSL 7.58, 0.84%, 0.78%

LAB 74.84, 29.33, 18.89

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 0 / 2 / 2 / 21

HEX #C9C5C4

RGB 201 197 196

HSL 12, 0.04%, 0.78%

LAB 79.8, 1.21, 0.98

 

CMYK 7 / 0 / 0 / 20

HEX #BFCCCD

RGB 191 204 205

HSL 184.29, 0.12%, 0.78%

LAB 81.11, -4.21, -2.03

 

CMYK 15 / 2 / 0 / 16

HEX #B6D2D6

RGB 182 210 214

HSL 187.5, 0.28%, 0.78%

LAB 82.32, -8.47, -5.13

 

CMYK 22 / 3 / 0 / 13

HEX #ADD9DF

RGB 173 217 223

HSL 187.2, 0.44%, 0.78%

LAB 83.88, -12.94, -7.67

 

CMYK 0 / 11 / 6 / 18

HEX #D2BBC5

RGB 210 187 197

HSL 333.91, 0.2%, 0.78%

LAB 78.04, 9.88, -2.05

 

CMYK 0 / 11 / 9 / 18

HEX #D2BBBF

RGB 210 187 191

HSL 349.57, 0.2%, 0.78%

LAB 77.88, 8.84, 0.96

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 0 / 7 / 11 / 18

HEX #D2C4BB

RGB 210 196 187

HSL 23.48, 0.2%, 0.78%

LAB 80.05, 3.37, 6.27

 

CMYK 0 / 4 / 11 / 18

HEX #D2CABB

RGB 210 202 187

HSL 39.13, 0.2%, 0.78%

LAB 81.58, 0.21, 8.47

 

CMYK 0 / 19 / 22 / 31

HEX #B18F8A

RGB 177 143 138

HSL 7.69, 0.2%, 0.62%

LAB 62.36, 12.02, 7.5

 

CMYK 0 / 14 / 16 / 24

HEX #C1A6A2

RGB 193 166 162

HSL 7.74, 0.2%, 0.7%

LAB 70.33, 9.18, 5.7

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 0 / 5 / 6 / 11

HEX #E2D6D4

RGB 226 214 212

HSL 8.57, 0.19%, 0.86%

LAB 86.51, 3.78, 2.45

 

CMYK 0 / 2 / 2 / 5

HEX #F3EDED

RGB 243 237 237

HSL 0, 0.2%, 0.94%

LAB 94.2, 2.02, 0.7

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 3 / 0 / 11 / 18

HEX #CBD2BB

RGB 203 210 187

HSL 78.26, 0.2%, 0.78%

LAB 83.11, -6.45, 10.58

 

CMYK 11 / 8 / 0 / 18

HEX #BBC2D2

RGB 187 194 210

HSL 221.74, 0.2%, 0.78%

LAB 78.35, 0.74, -8.83

HEX #BBC2D2

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 11 / 0 / 10 / 18

HEX #BBD2BE

RGB 187 210 190

HSL 127.83, 0.2%, 0.78%

LAB 82.04, -11.48, 7.3

 

CMYK 10 / 11 / 0 / 18

HEX #BEBBD2

RGB 190 187 210

HSL 247.83, 0.2%, 0.78%

LAB 76.76, 5.49, -11.16

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 3 / 0 / 11 / 18

HEX #CBD2BB

RGB 203 210 187

HSL 78.26, 0.2%, 0.78%

LAB 83.11, -6.45, 10.58

 

CMYK 11 / 1 / 0 / 18

HEX #BBCFD2

RGB 187 207 210

HSL 187.83, 0.2%, 0.78%

LAB 81.75, -6.11, -3.79

 

CMYK 8 / 11 / 0 / 18

HEX #C2BBD2

RGB 194 187 210

HSL 258.26, 0.2%, 0.78%

LAB 77.08, 6.82, -10.66

 

CMYK 0 / 10 / 11 / 18

HEX #D2BEBB

RGB 210 190 187

HSL 7.83, 0.2%, 0.78%

LAB 78.53, 6.56, 4.07

 

CMYK 7 / 0 / 11 / 18

HEX #C4D2BB

RGB 196 210 187

HSL 96.52, 0.2%, 0.78%

LAB 82.6, -8.91, 9.78

 

CMYK 11 / 1 / 0 / 18

HEX #BBCFD2

RGB 187 207 210

HSL 187.83, 0.2%, 0.78%

LAB 81.75, -6.11, -3.79

 

CMYK 4 / 11 / 0 / 18

HEX #C9BBD2

RGB 201 187 210

HSL 276.52, 0.2%, 0.78%

LAB 77.64, 9.17, -9.76

 

Description

Color code: HEX #D2BEBB | qconv.com Color code: HEX #D2BEBB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 190 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 190 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 10 magenta, 11 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 10% 11% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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