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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2C055 it is the complementary color #2D3FAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2C055. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2C055 shade: #D7C050, #E8D263, #F9E476, #FFF689 and #FFFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2C055. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2C055 shade: #D2C055, #C1AE42, #B09C2F, #9F8A1C and #8E7809

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2C055 shade: #D2C055, #D29E55, #D27D55, #D25B55 and #D25555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2C055 shade: #D2C055, #C2D255, #A0D255, #7FD255 and #5DD255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2C055 shade matches the following richer shades: #D2C055, #E3CC44 and #F4D833

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2C055 shade: #D2C055, #C0B367, #AFA778, #9E9B89 and #8C8E9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2C055 shade: #D27D55, #D29E55, #D2BF55, #C3D255 and #A2D255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2C055 shade: #A8962C, #C9B335, #D2C055, #DACC76 and #E3D896

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2C055 shade: #D2C055, #55D25B and #8D55D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2C055 shade: #D2C055, #55D2BF and #BF55D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2C055 shade: #D2C055, #55D25B, #5568D2 and #D255CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2C055 shade: #D2C055, #55D281, #5568D2 and #D255A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

Complementary color

CMYK 74 / 63 / 0 / 33

HEX #2D3FAA

RGB 45 63 170

HSL 231.36, 0.58%, 0.42%

LAB 31.84, 30.73, -59.37

 

CMYK 0 / 11 / 63 / 16

HEX #D7C050

RGB 215 192 80

HSL 49.78, 0.63%, 0.58%

LAB 77.71, -4.87, 57.78

 

CMYK 0 / 9 / 57 / 9

HEX #E8D263

RGB 232 210 99

HSL 50.08, 0.74%, 0.65%

LAB 84.04, -5.72, 56.75

 

CMYK 0 / 8 / 53 / 2

HEX #F9E476

RGB 249 228 118

HSL 50.38, 0.92%, 0.72%

LAB 90.29, -6.45, 55.63

 

CMYK 0 / 4 / 46 / 0

HEX #FFF689

RGB 255 246 137

HSL 55.42, 1%, 0.77%

LAB 95.57, -11.37, 53.19

 

CMYK 0 / 0 / 39 / 0

HEX #FFFF9C

RGB 255 255 156

HSL 60, 1%, 0.81%

LAB 98.11, -13.92, 47.26

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 0 / 10 / 66 / 24

HEX #C1AE42

RGB 193 174 66

HSL 51.02, 0.51%, 0.51%

LAB 70.87, -5.75, 55.92

 

CMYK 0 / 11 / 73 / 31

HEX #B09C2F

RGB 176 156 47

HSL 50.7, 0.58%, 0.44%

LAB 64.33, -4.67, 56.51

 

CMYK 0 / 13 / 82 / 38

HEX #9F8A1C

RGB 159 138 28

HSL 50.38, 0.7%, 0.37%

LAB 57.69, -3.36, 56.38

 

CMYK 0 / 15 / 94 / 44

HEX #8E7809

RGB 142 120 9

HSL 50.08, 0.88%, 0.3%

LAB 50.92, -1.76, 54.84

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 0 / 25 / 60 / 18

HEX #D29E55

RGB 210 158 85

HSL 35.04, 0.58%, 0.58%

LAB 68.61, 11.36, 45.05

 

CMYK 0 / 40 / 60 / 18

HEX #D27D55

RGB 210 125 85

HSL 19.2, 0.58%, 0.58%

LAB 60.8, 29.21, 35.68

 

CMYK 0 / 57 / 60 / 18

HEX #D25B55

RGB 210 91 85

HSL 2.88, 0.58%, 0.58%

LAB 53.86, 46.58, 26.94

 

CMYK 0 / 60 / 60 / 18

HEX #D25555

RGB 210 85 85

HSL 0, 0.58%, 0.58%

LAB 52.79, 49.38, 25.56

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 8 / 0 / 60 / 18

HEX #C2D255

RGB 194 210 85

HSL 67.68, 0.58%, 0.58%

LAB 80.86, -22.3, 58.56

 

CMYK 24 / 0 / 60 / 18

HEX #A0D255

RGB 160 210 85

HSL 84, 0.58%, 0.58%

LAB 78.59, -35.59, 55.4

 

CMYK 40 / 0 / 60 / 18

HEX #7FD255

RGB 127 210 85

HSL 99.84, 0.58%, 0.58%

LAB 76.84, -47.19, 52.95

 

CMYK 56 / 0 / 60 / 18

HEX #5DD255

RGB 93 210 85

HSL 116.16, 0.58%, 0.58%

LAB 75.5, -57.01, 51.07

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 0 / 10 / 70 / 11

HEX #E3CC44

RGB 227 204 68

HSL 51.32, 0.74%, 0.58%

LAB 81.8, -6.64, 67.26

 

CMYK 0 / 11 / 79 / 4

HEX #F4D833

RGB 244 216 51

HSL 51.3, 0.9%, 0.58%

LAB 86.3, -6.23, 77.7

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 0 / 7 / 46 / 25

HEX #C0B367

RGB 192 179 103

HSL 51.24, 0.41%, 0.58%

LAB 72.51, -5.87, 40.29

 

CMYK 0 / 5 / 31 / 31

HEX #AFA778

RGB 175 167 120

HSL 51.27, 0.26%, 0.58%

LAB 68.1, -4.5, 25.4

 

CMYK 0 / 2 / 13 / 38

HEX #9E9B89

RGB 158 155 137

HSL 51.43, 0.1%, 0.58%

LAB 63.77, -2.13, 9.83

 

CMYK 10 / 8 / 0 / 39

HEX #8C8E9B

RGB 140 142 155

HSL 232, 0.07%, 0.58%

LAB 59.24, 1.94, -7.13

 

CMYK 0 / 40 / 60 / 18

HEX #D27D55

RGB 210 125 85

HSL 19.2, 0.58%, 0.58%

LAB 60.8, 29.21, 35.68

 

CMYK 0 / 25 / 60 / 18

HEX #D29E55

RGB 210 158 85

HSL 35.04, 0.58%, 0.58%

LAB 68.61, 11.36, 45.05

 

CMYK 0 / 9 / 60 / 18

HEX #D2BF55

RGB 210 191 85

HSL 50.88, 0.58%, 0.58%

LAB 77.05, -6.13, 54.7

 

CMYK 7 / 0 / 60 / 18

HEX #C3D255

RGB 195 210 85

HSL 67.2, 0.58%, 0.58%

LAB 80.93, -21.89, 58.66

 

CMYK 23 / 0 / 60 / 18

HEX #A2D255

RGB 162 210 85

HSL 83.04, 0.58%, 0.58%

LAB 78.71, -34.84, 55.57

 

CMYK 0 / 11 / 74 / 34

HEX #A8962C

RGB 168 150 44

HSL 51.29, 0.58%, 0.42%

LAB 61.93, -5.16, 55.07

 

CMYK 0 / 11 / 74 / 21

HEX #C9B335

RGB 201 179 53

HSL 51.08, 0.58%, 0.5%

LAB 72.84, -5.58, 63.28

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 0 / 6 / 46 / 15

HEX #DACC76

RGB 218 204 118

HSL 51.6, 0.57%, 0.66%

LAB 81.51, -6.76, 44.41

 

CMYK 0 / 5 / 34 / 11

HEX #E3D896

RGB 227 216 150

HSL 51.43, 0.58%, 0.74%

LAB 85.83, -5.89, 33.95

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 60 / 0 / 57 / 18

HEX #55D25B

RGB 85 210 91

HSL 122.88, 0.58%, 0.58%

LAB 75.31, -58.23, 48.08

 

CMYK 33 / 60 / 0 / 18

HEX #8D55D2

RGB 141 85 210

HSL 266.88, 0.58%, 0.58%

LAB 48.02, 48.05, -56.14

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 60 / 0 / 9 / 18

HEX #55D2BF

RGB 85 210 191

HSL 170.88, 0.58%, 0.58%

LAB 77.15, -39.1, -0.94

 

CMYK 9 / 60 / 0 / 18

HEX #BF55D2

RGB 191 85 210

HSL 290.88, 0.58%, 0.58%

LAB 54.27, 60.12, -45.81

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 60 / 0 / 57 / 18

HEX #55D25B

RGB 85 210 91

HSL 122.88, 0.58%, 0.58%

LAB 75.31, -58.23, 48.08

 

CMYK 60 / 50 / 0 / 18

HEX #5568D2

RGB 85 104 210

HSL 230.88, 0.58%, 0.58%

LAB 47.6, 24.86, -57.07

 

CMYK 0 / 60 / 3 / 18

HEX #D255CB

RGB 210 85 203

HSL 303.36, 0.58%, 0.58%

LAB 56.6, 63.67, -37.97

 

CMYK 0 / 9 / 60 / 18

HEX #D2C055

RGB 210 192 85

HSL 51.36, 0.58%, 0.58%

LAB 77.31, -6.64, 54.99

 

CMYK 60 / 0 / 39 / 18

HEX #55D281

RGB 85 210 129

HSL 141.12, 0.58%, 0.58%

LAB 75.83, -52.55, 30.06

 

CMYK 60 / 50 / 0 / 18

HEX #5568D2

RGB 85 104 210

HSL 230.88, 0.58%, 0.58%

LAB 47.6, 24.86, -57.07

 

CMYK 0 / 60 / 21 / 18

HEX #D255A6

RGB 210 85 166

HSL 321.12, 0.58%, 0.58%

LAB 55.02, 57.99, -19.06

 

Description

Color code: HEX #D2C055 | qconv.com Color code: HEX #D2C055 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 192 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 192 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 60 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 60% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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