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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D2D52E it is the complementary color #2D2AD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D2D52E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D2D52E shade: #D7D529, #E8E73C, #F9F94F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D2D52E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D2D52E shade: #D2D52E, #C1C31B, #B0B108, #9F9F00 and #8E8D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D2D52E shade: #D2D52E, #D5AB2E, #D57E2E, #D5512E and #D52E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D2D52E shade: #D2D52E, #A5D52E, #78D52E, #4BD52E and #2ED53E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D2D52E shade matches the following richer shades: #D2D52E, #E6E91A and #F9FE05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D2D52E shade: #D2D52E, #BFC142, #ABAD56, #98996A and #84847F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D2D52E shade: #D57F2E, #D5AB2E, #D2D52E, #A6D52E and #79D52E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D2D52E shade: #92941D, #B4B624, #D2D52E, #DADC50 and #E1E373

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D2D52E shade: #D2D52E, #2ED552 and #952ED5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D2D52E shade: #D2D52E, #2ED2D5 and #D52ED2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D2D52E shade: #D2D52E, #2ED552, #312ED5 and #D52EB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D2D52E shade: #D2D52E, #2ED584, #312ED5 and #D52E7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

Complementary color

CMYK 78 / 80 / 0 / 18

HEX #2D2AD1

RGB 45 42 209

HSL 241.08, 0.67%, 0.49%

LAB 31.39, 56.1, -83.11

 

CMYK 0 / 1 / 81 / 16

HEX #D7D529

RGB 215 213 41

HSL 59.31, 0.69%, 0.5%

LAB 83.02, -17.29, 76.59

 

CMYK 0 / 0 / 74 / 9

HEX #E8E73C

RGB 232 231 60

HSL 59.65, 0.79%, 0.57%

LAB 89.22, -18.35, 77.26

 

CMYK 0 / 0 / 68 / 2

HEX #F9F94F

RGB 249 249 79

HSL 60, 0.93%, 0.64%

LAB 95.35, -19.26, 77.26

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 1 / 0 / 86 / 24

HEX #C1C31B

RGB 193 195 27

HSL 60.71, 0.76%, 0.44%

LAB 76.34, -18.08, 73.48

 

CMYK 1 / 0 / 95 / 31

HEX #B0B108

RGB 176 177 8

HSL 60.36, 0.91%, 0.36%

LAB 69.96, -16.73, 70.81

 

CMYK 0 / 0 / 100 / 38

HEX #9F9F00

RGB 159 159 0

HSL 60, 1%, 0.31%

LAB 63.48, -15.14, 66.37

 

CMYK 0 / 1 / 100 / 44

HEX #8E8D00

RGB 142 141 0

HSL 59.58, 1%, 0.28%

LAB 56.88, -13.41, 60.89

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 0 / 20 / 78 / 16

HEX #D5AB2E

RGB 213 171 46

HSL 44.91, 0.67%, 0.51%

LAB 71.87, 3.57, 65.25

 

CMYK 0 / 41 / 78 / 16

HEX #D57E2E

RGB 213 126 46

HSL 28.74, 0.67%, 0.51%

LAB 61.01, 27.76, 55.15

 

CMYK 0 / 62 / 78 / 16

HEX #D5512E

RGB 213 81 46

HSL 12.57, 0.67%, 0.51%

LAB 52.09, 50.2, 46.45

 

CMYK 0 / 78 / 78 / 16

HEX #D52E2E

RGB 213 46 46

HSL 0, 0.67%, 0.51%

LAB 47.36, 63.15, 41.63

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 23 / 0 / 78 / 16

HEX #A5D52E

RGB 165 213 46

HSL 77.25, 0.67%, 0.51%

LAB 79.49, -37.52, 70.78

 

CMYK 44 / 0 / 78 / 16

HEX #78D52E

RGB 120 213 46

HSL 93.41, 0.67%, 0.51%

LAB 77.15, -53.55, 67.76

 

CMYK 65 / 0 / 78 / 16

HEX #4BD52E

RGB 75 213 46

HSL 109.58, 0.67%, 0.51%

LAB 75.63, -65.49, 65.79

 

CMYK 78 / 0 / 71 / 16

HEX #2ED53E

RGB 46 213 62

HSL 125.75, 0.67%, 0.51%

LAB 75.15, -69.19, 59.79

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 1 / 0 / 89 / 9

HEX #E6E91A

RGB 230 233 26

HSL 60.87, 0.82%, 0.51%

LAB 89.48, -21.1, 85.38

 

CMYK 2 / 0 / 98 / 0

HEX #F9FE05

RGB 249 254 5

HSL 61.2, 0.99%, 0.51%

LAB 96.42, -23.5, 93.41

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 1 / 0 / 66 / 24

HEX #BFC142

RGB 191 193 66

HSL 60.94, 0.51%, 0.51%

LAB 75.83, -16.37, 61.02

 

CMYK 1 / 0 / 50 / 32

HEX #ABAD56

RGB 171 173 86

HSL 61.38, 0.35%, 0.51%

LAB 68.91, -13.08, 44

 

CMYK 1 / 0 / 31 / 40

HEX #98996A

RGB 152 153 106

HSL 61.28, 0.19%, 0.51%

LAB 62.08, -8.11, 24.65

 

CMYK 0 / 0 / 4 / 48

HEX #84847F

RGB 132 132 127

HSL 60, 0.02%, 0.51%

LAB 55.01, -0.97, 2.69

 

CMYK 0 / 40 / 78 / 16

HEX #D57F2E

RGB 213 127 46

HSL 29.1, 0.67%, 0.51%

LAB 61.24, 27.23, 55.37

 

CMYK 0 / 20 / 78 / 16

HEX #D5AB2E

RGB 213 171 46

HSL 44.91, 0.67%, 0.51%

LAB 71.87, 3.57, 65.25

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 22 / 0 / 78 / 16

HEX #A6D52E

RGB 166 213 46

HSL 76.89, 0.67%, 0.51%

LAB 79.55, -37.13, 70.86

 

CMYK 43 / 0 / 78 / 16

HEX #79D52E

RGB 121 213 46

HSL 93.05, 0.67%, 0.51%

LAB 77.19, -53.23, 67.82

 

CMYK 1 / 0 / 80 / 42

HEX #92941D

RGB 146 148 29

HSL 61.01, 0.67%, 0.35%

LAB 59.32, -14.61, 57.06

 

CMYK 1 / 0 / 80 / 29

HEX #B4B624

RGB 180 182 36

HSL 60.82, 0.67%, 0.43%

LAB 71.75, -16.91, 67.06

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 1 / 0 / 64 / 14

HEX #DADC50

RGB 218 220 80

HSL 60.86, 0.67%, 0.59%

LAB 85.34, -17.75, 65.96

 

CMYK 1 / 0 / 49 / 11

HEX #E1E373

RGB 225 227 115

HSL 61.07, 0.67%, 0.67%

LAB 88.06, -15.79, 53.91

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 78 / 0 / 62 / 16

HEX #2ED552

RGB 46 213 82

HSL 132.93, 0.67%, 0.51%

LAB 75.31, -67.18, 51.89

 

CMYK 30 / 78 / 0 / 16

HEX #952ED5

RGB 149 46 213

HSL 277.01, 0.67%, 0.51%

LAB 42.98, 67.74, -65.97

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 78 / 1 / 0 / 16

HEX #2ED2D5

RGB 46 210 213

HSL 181.08, 0.67%, 0.51%

LAB 76.97, -38.35, -13.13

 

CMYK 0 / 78 / 1 / 16

HEX #D52ED2

RGB 213 46 210

HSL 301.08, 0.67%, 0.51%

LAB 52.68, 78.82, -48.13

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 78 / 0 / 62 / 16

HEX #2ED552

RGB 46 213 82

HSL 132.93, 0.67%, 0.51%

LAB 75.31, -67.18, 51.89

 

CMYK 77 / 78 / 0 / 16

HEX #312ED5

RGB 49 46 213

HSL 241.08, 0.67%, 0.51%

LAB 32.72, 55.62, -83.2

 

CMYK 0 / 78 / 17 / 16

HEX #D52EB1

RGB 213 46 177

HSL 312.93, 0.67%, 0.51%

LAB 51.01, 74.12, -31.66

 

CMYK 1 / 0 / 78 / 16

HEX #D2D52E

RGB 210 213 46

HSL 61.08, 0.67%, 0.51%

LAB 82.64, -19.23, 74.79

 

CMYK 78 / 0 / 38 / 16

HEX #2ED584

RGB 46 213 132

HSL 150.9, 0.67%, 0.51%

LAB 75.97, -59.48, 28.55

 

CMYK 77 / 78 / 0 / 16

HEX #312ED5

RGB 49 46 213

HSL 241.08, 0.67%, 0.51%

LAB 32.72, 55.62, -83.2

 

CMYK 0 / 78 / 40 / 16

HEX #D52E7F

RGB 213 46 127

HSL 330.9, 0.67%, 0.51%

LAB 49.05, 68.36, -4.82

 

Description

Color code: HEX #D2D52E | qconv.com Color code: HEX #D2D52E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 210 red, 213 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
210 213 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 78 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 78% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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